Written by
Adrienne Rich |
1.
A conversation begins
with a lie. and each
speaker of the so-called common language feels
the ice-floe split, the drift apart
as if powerless, as if up against
a force of nature
A poem can being
with a lie. And be torn up.
A conversation has other laws
recharges itself with its own
false energy, Cannot be torn
up. Infiltrates our blood. Repeats itself.
Inscribes with its unreturning stylus
the isolation it denies.
2.
The classical music station
playing hour upon hour in the apartment
the picking up and picking up
and again picking up the telephone
The syllables uttering
the old script over and over
The loneliness of the liar
living in the formal network of the lie
twisting the dials to drown the terror
beneath the unsaid word
3.
The technology of silence
The rituals, etiquette
the blurring of terms
silence not absence
of words or music or even
raw sounds
Silence can be a plan
rigorously executed
the blueprint of a life
It is a presence
it has a history a form
Do not confuse it
with any kind of absence
4.
How calm, how inoffensive these words
begin to seem to me
though begun in grief and anger
Can I break through this film of the abstract
without wounding myself or you
there is enough pain here
This is why the classical of the jazz music station plays?
to give a ground of meaning to our pain?
5.
The silence strips bare:
In Dreyer's Passion of Joan
Falconetti's face, hair shorn, a great geography
mutely surveyed by the camera
If there were a poetry where this could happen
not as blank space or as words
stretched like skin over meaningsof a night through which two people
have talked till dawn.
6.
The scream
of an illegitimate voice
It has ceased to hear itself, therefore
it asks itself
How do I exist?
This was the silence I wanted to break in you
I had questions but you would not answer
I had answers but you could not use them
The is useless to you and perhaps to others
7.
It was an old theme even for me:
Language cannot do everything-
chalk it on the walls where the dead poets
lie in their mausoleums
If at the will of the poet the poem
could turn into a thing
a granite flank laid bare, a lifted head
alight with dew
If it could simply look you in the face
with naked eyeballs, not letting you turn
till you, and I who long to make this thing,
were finally clarified together in its stare
8.
No. Let me have this dust,
these pale clouds dourly lingering, these words
moving with ferocious accuracy
like the blind child's fingers
or the newborn infant's mouth
violent with hunger
No one can give me, I have long ago
taken this method
whether of bran pouring from the loose-woven sack
or of the bunsen-flame turned low and blue
If from time to time I envy
the pure annunciation to the eye
the visio beatifica
if from time to time I long to turn
like the Eleusinian hierophant
holding up a single ear of grain
for the return to the concrete and everlasting world
what in fact I keep choosing
are these words, these whispers, conversations
from which time after time the truth breaks moist and green.
|
Written by
Billy Collins |
Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.
Other comments are more offhand, dismissive -
"Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
why wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.
Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.
Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
"Absolutely," they shout
to Duns Scotus and James Baldwin.
"Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.
And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.
We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.
Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird signing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.
And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.
Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page
A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
"Pardon the egg salad stains, but I'm in love."
|
Written by
Marriott Edgar |
There's a famous seaside place called Blackpool,
That's noted for fresh air and fun,
And Mr and Mrs Ramsbottom
Went there with young Albert, their son.
A grand little lad was young Albert,
All dressed in his best; quite a swell
With a stick with an 'orse's 'ead 'andle,
The finest that Woolworth's could sell.
They didn't think much of the Ocean:
The waves, they were fiddlin' and small,
There was no wrecks and nobody drownded,
Fact, nothing to laugh at at all.
So, seeking for further amusement,
They paid and went into the Zoo,
Where they'd Lions and Tigers and Camels,
And old ale and sandwiches too.
There were one great big Lion called Wallace;
His nose were all covered with scars -
He lay in a somnolent posture,
With the side of his face on the bars.
Now Albert had heard about Lions,
How they was ferocious and wild -
To see Wallace lying so peaceful,
Well, it didn't seem right to the child.
So straightway the brave little feller,
Not showing a morsel of fear,
Took his stick with its 'orse's 'ead 'andle
And pushed it in Wallace's ear.
You could see that the Lion didn't like it,
For giving a kind of a roll,
He pulled Albert inside the cage with 'im,
And swallowed the little lad 'ole.
Then Pa, who had seen the occurrence,
And didn't know what to do next,
Said 'Mother! Yon Lion's 'et Albert',
And Mother said 'Well, I am vexed!'
Then Mr and Mrs Ramsbottom -
Quite rightly, when all's said and done -
Complained to the Animal Keeper,
That the Lion had eaten their son.
The keeper was quite nice about it;
He said 'What a nasty mishap.
Are you sure that it's your boy he's eaten?'
Pa said "Am I sure? There's his cap!'
The manager had to be sent for.
He came and he said 'What's to do?'
Pa said 'Yon Lion's 'et Albert,
'And 'im in his Sunday clothes, too.'
Then Mother said, 'Right's right, young feller;
I think it's a shame and a sin,
For a lion to go and eat Albert,
And after we've paid to come in.'
The manager wanted no trouble,
He took out his purse right away,
Saying 'How much to settle the matter?'
And Pa said "What do you usually pay?'
But Mother had turned a bit awkward
When she thought where her Albert had gone.
She said 'No! someone's got to be summonsed' -
So that was decided upon.
Then off they went to the P'lice Station,
In front of the Magistrate chap;
They told 'im what happened to Albert,
And proved it by showing his cap.
The Magistrate gave his opinion
That no one was really to blame
And he said that he hoped the Ramsbottoms
Would have further sons to their name.
At that Mother got proper blazing,
'And thank you, sir, kindly,' said she.
'What waste all our lives raising children
To feed ruddy Lions? Not me!'
|
Written by
Elizabeth Bishop |
The state with the prettiest name,
the state that floats in brackish water,
held together by mangrave roots
that bear while living oysters in clusters,
and when dead strew white swamps with skeletons,
dotted as if bombarded, with green hummocks
like ancient cannon-balls sprouting grass.
The state full of long S-shaped birds, blue and white,
and unseen hysterical birds who rush up the scale
every time in a tantrum.
Tanagers embarrassed by their flashiness,
and pelicans whose delight it is to clown;
who coast for fun on the strong tidal currents
in and out among the mangrove islands
and stand on the sand-bars drying their damp gold wings
on sun-lit evenings.
Enormous turtles, helpless and mild,
die and leave their barnacled shells on the beaches,
and their large white skulls with round eye-sockets
twice the size of a man's.
The palm trees clatter in the stiff breeze
like the bills of the pelicans. The tropical rain comes down
to freshen the tide-looped strings of fading shells:
Job's Tear, the Chinese Alphabet, the scarce Junonia,
parti-colored pectins and Ladies' Ears,
arranged as on a gray rag of rotted calico,
the buried Indian Princess's skirt;
with these the monotonous, endless, sagging coast-line
is delicately ornamented.
Thirty or more buzzards are drifting down, down, down,
over something they have spotted in the swamp,
in circles like stirred-up flakes of sediment
sinking through water.
Smoke from woods-fires filters fine blue solvents.
On stumps and dead trees the charring is like black velvet.
The mosquitoes
go hunting to the tune of their ferocious obbligatos.
After dark, the fireflies map the heavens in the marsh
until the moon rises.
Cold white, not bright, the moonlight is coarse-meshed,
and the careless, corrupt state is all black specks
too far apart, and ugly whites; the poorest
post-card of itself.
After dark, the pools seem to have slipped away.
The alligator, who has five distinct calls:
friendliness, love, mating, war, and a warning--
whimpers and speaks in the throat
of the Indian Princess.
|
Written by
Emily Dickinson |
A Dimple in the Tomb
Makes that ferocious Room
A Home --
|
Written by
Marriott Edgar |
There's a famous seaside place called Blackpool,
That's noted for fresh air and fun,
And Mr and Mrs Ramsbottom
Went there with young Albert, their son.
A grand little lad was young Albert,
All dressed in his best; quite a swell
With a stick with an 'orse's 'ead 'andle,
The finest that Woolworth's could sell.
They didn't think much of the Ocean:
The waves, they were fiddlin' and small,
There was no wrecks and nobody drownded,
Fact, nothing to laugh at at all.
So, seeking for further amusement,
They paid and went into the Zoo,
Where they'd Lions and Tigers and Camels,
And old ale and sandwiches too.
There were one great big Lion called Wallace;
His nose were all covered with scars -
He lay in a somnolent posture,
With the side of his face on the bars.
Now Albert had heard about Lions,
How they was ferocious and wild -
To see Wallace lying so peaceful,
Well, it didn't seem right to the child.
So straightway the brave little feller,
Not showing a morsel of fear,
Took his stick with its 'orse's 'ead 'andle
And pushed it in Wallace's ear.
You could see that the Lion didn't like it,
For giving a kind of a roll,
He pulled Albert inside the cage with 'im,
And swallowed the little lad 'ole.
Then Pa, who had seen the occurrence,
And didn't know what to do next,
Said 'Mother! Yon Lion's 'et Albert',
And Mother said 'Well, I am vexed!'
Then Mr and Mrs Ramsbottom -
Quite rightly, when all's said and done -
Complained to the Animal Keeper,
That the Lion had eaten their son.
The keeper was quite nice about it;
He said 'What a nasty mishap.
Are you sure that it's your boy he's eaten?'
Pa said "Am I sure? There's his cap!'
The manager had to be sent for.
He came and he said 'What's to do?'
Pa said 'Yon Lion's 'et Albert,
'And 'im in his Sunday clothes, too.'
Then Mother said, 'Right's right, young feller;
I think it's a shame and a sin,
For a lion to go and eat Albert,
And after we've paid to come in.'
The manager wanted no trouble,
He took out his purse right away,
Saying 'How much to settle the matter?'
And Pa said "What do you usually pay?'
But Mother had turned a bit awkward
When she thought where her Albert had gone.
She said 'No! someone's got to be summonsed' -
So that was decided upon.
Then off they went to the P'lice Station,
In front of the Magistrate chap;
They told 'im what happened to Albert,
And proved it by showing his cap.
The Magistrate gave his opinion
That no one was really to blame
And he said that he hoped the Ramsbottoms
Would have further sons to their name.
At that Mother got proper blazing,
'And thank you, sir, kindly,' said she.
'What waste all our lives raising children
To feed ruddy Lions? Not me!'
|
Written by
Robert William Service |
"Black is the sky, but the land is white--
(O the wind, the snow and the storm!)--
Father, where is our boy to-night?
Pray to God he is safe and warm."
"Mother, mother, why should you fear?
Safe is he, and the Arctic moon
Over his cabin shines so clear--
Rest and sleep, 'twill be morning soon."
"It's getting dark awful sudden. Say, this is mighty *****!
Where in the world have I got to? It's still and black as a tomb.
I reckoned the camp was yonder, I figured the trail was here--
Nothing! Just draw and valley packed with quiet and gloom;
Snow that comes down like feathers, thick and gobby and gray;
Night that looks spiteful ugly--seems that I've lost my way.
"The cold's got an edge like a jackknife--it must be forty below;
Leastways that's what it seems like--it cuts so fierce to the bone.
The wind's getting real ferocious; it's heaving and whirling the snow;
It shrieks with a howl of fury, it dies away to a moan;
Its arms sweep round like a banshee's, swift and icily white,
And buffet and blind and beat me. Lord! it's a hell of a night.
"I'm all tangled up in a blizzard. There's only one thing to do--
Keep on moving and moving; it's death, it's death if I rest.
Oh, God! if I see the morning, if only I struggle through,
I'll say the prayers I've forgotten since I lay on my mother's breast.
I seem going round in a circle; maybe the camp is near.
Say! did somebody holler? Was it a light I saw?
Or was it only a notion? I'll shout, and maybe they'll hear--
No! the wind only drowns me--shout till my throat is raw.
"The boys are all round the camp-fire wondering when I'll be back.
They'll soon be starting to seek me; they'll scarcely wait for the light.
What will they find, I wonder, when they come to the end of my track--
A hand stuck out of a snowdrift, frozen and stiff and white.
That's what they'll strike, I reckon; that's how they'll find their pard,
A pie-faced corpse in a snowbank--curse you, don't be a fool!
Play the game to the finish; bet on your very last card;
Nerve yourself for the struggle. Oh, you coward, keep cool!
I'm going to lick this blizzard; I'm going to live the night.
It can't down me with its bluster--I'm not the kind to be beat.
On hands and knees will I buck it; with every breath will I fight;
It's life, it's life that I fight for--never it seemed so sweet.
I know that my face is frozen; my hands are numblike and dead;
But oh, my feet keep a-moving, heavy and hard and slow;
They're trying to kill me, kill me, the night that's black overhead,
The wind that cuts like a razor, the whipcord lash of the snow.
Keep a-moving, a-moving; don't, don't stumble, you fool!
Curse this snow that's a-piling a-purpose to block my way.
It's heavy as gold in the rocker, it's white and fleecy as wool;
It's soft as a bed of feathers, it's warm as a stack of hay.
Curse on my feet that slip so, my poor tired, stumbling feet;
I guess they're a job for the surgeon, they feel so queerlike to lift--
I'll rest them just for a moment--oh, but to rest is sweet!
The awful wind cannot get me, deep, deep down in the drift."
"Father, a bitter cry I heard,
Out of the night so dark and wild.
Why is my heart so strangely stirred?
'Twas like the voice of our erring child."
"Mother, mother, you only heard
A waterfowl in the locked lagoon--
Out of the night a wounded bird--
Rest and sleep, 'twill be morning soon."
Who is it talks of sleeping? I'll swear that somebody shook
Me hard by the arm for a moment, but how on earth could it be?
See how my feet are moving--awfully funny they look--
Moving as if they belonged to a someone that wasn't me.
The wind down the night's long alley bowls me down like a pin;
I stagger and fall and stagger, crawl arm-deep in the snow.
Beaten back to my corner, how can I hope to win?
And there is the blizzard waiting to give me the knockout blow.
Oh, I'm so warm and sleepy! No more hunger and pain.
Just to rest for a moment; was ever rest such a joy?
Ha! what was that? I'll swear it, somebody shook me again;
Somebody seemed to whisper: "Fight to the last, my boy."
Fight! That's right, I must struggle. I know that to rest means death;
Death, but then what does death mean? --ease from a world of strife.
Life has been none too pleasant; yet with my failing breath
Still and still must I struggle, fight for the gift of life.
* * * * *
Seems that I must be dreaming! Here is the old home trail;
Yonder a light is gleaming; oh, I know it so well!
The air is scented with clover; the cattle wait by the rail;
Father is through with the milking; there goes the supper-bell.
* * * * *
Mother, your boy is crying, out in the night and cold;
Let me in and forgive me, I'll never be bad any more:
I'm, oh, so sick and so sorry: please, dear mother, don't scold--
It's just your boy, and he wants you. . . . Mother, open the door. . . .
"Father, father, I saw a face
Pressed just now to the window-pane!
Oh, it gazed for a moment's space,
Wild and wan, and was gone again!"
"Mother, mother, you saw the snow
Drifted down from the maple tree
(Oh, the wind that is sobbing so!
Weary and worn and old are we)--
Only the snow and a wounded loon--
Rest and sleep, 'twill be morning soon."
|
Written by
Grace Paley |
My friend tells me
a man in my house jumped off the roof
the roof is the eighth floor of this building
the roof door was locked how did he manage?
his girlfriend had said goodbye I'm leaving
he was 22
his mother and father were hurrying
at that very moment
from upstate to help him move out of Brooklyn
they had heard about the girl
the people who usually look up
and call jump jump did not see him
the life savers who creep around the back staircases
and reach the roof's edge just in time
never got their chance he meant it he wanted
only one person to know
did he imagine that she would grieve
all her young life away tell everyone
this boy I kind of lived with last year
he died on account of me
my friend was not interested he said you're always
inventing stuff what I want to know how could he throw
his life away how do these guys do it
just like that and here I am fighting this
ferocious insane vindictive virus day and
night day and night and for what? for only
one thing this life this life
|
Written by
John Berryman |
Sixteen below. Our care like stranded hulls
litter all day our little Avenues.
It was 28 below.
No one goes anywhere. Fabulous calls
to duty clank. Icy dungeons, though,
have much to mention to you.
At Harvard & Yale must Pussy-cat be heard
in the dead of winter when we must be sad
and feel by the weather had.
Chrysanthemums crest, far way, in the Emperor's garden
and, whenever we are, we must beg always pardon
Pardon was the word.
Pardon was the only word, in ferocious cold
like Asiatic prisons, where we live
and strive and strive to forgive.
Melted my honey, summers ago. I told
her true & summer things. She leaned an ear
in my direction, here.
|
Written by
Robert William Service |
A Frenchman and an Englishman
Resolved to fight a duel,
And hit upon a savage plan,
Because their hate was cruel.
They each would fire a single shot
In room of darkness pitchy,
And who was killed and who was not
Would hang on fingers twitchy.
The room was bare and dark as death,
And each ferocious fighter
Could hear his fierce opponent's breath
And clutched his pistol tighter.
The Gaston fired - the bullet hissed
On its destructive mission . . .
"Thank God!" said John Bull. "He has missed."
The Frenchman cried: "Perdition!"
Then silence followed like a spell,
And as the Briton sought to
Reply he wondered where the hell
His Gallic foe had got to.
And then he thought: "I'll mercy show,
Since Hades is a dire place
To send a fellow to - and so
I'll blase up through the fireplace."
So up the chimney he let fly,
Of grace a gallant henchman;
When lo! a sudden cry,
And down there crashed the Frenchman . . .
But if this yard in France you tell,
Although its vein be skittish,
I think it might be just as well
To make your Frenchman - British.
|