Written by
Cornelius Eady |
Some folks will tell you the blues is a woman,
Some type of supernatural creature.
My mother would tell you, if she could,
About her life with my father,
A strange and sometimes cruel gentleman.
She would tell you about the choices
A young black woman faces.
Is falling in love with some man
A deal with the devil
In blue terms, the tongue we use
When we don't want nuance
To get in the way,
When we need to talk straight.
My mother chooses my father
After choosing a man
Who was, as we sing it,
Of no account.
This man made my father look good,
That's how bad it was.
He made my father seem like an island
In the middle of a stormy sea,
He made my father look like a rock.
And is the blues the moment you realize
You exist in a stacked deck,
You look in a mirror at your young face,
The face my sister carries,
And you know it's the only leverage
You've got.
Does this create a hurt that whispers
How you going to do?
Is the blues the moment
You shrug your shoulders
And agree, a girl without money
Is nothing, dust
To be pushed around by any old breeze.
Compared to this,
My father seems, briefly,
To be a fire escape.
This is the way the blues works
Its sorry wonders,
Makes trouble look like
A feather bed,
Makes the wrong man's kisses
A healing.
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Written by
Robert William Service |
Oh darling Eric, why did you
For my fond affection sue,
And then with surgeons artful aid
Transform yourself into a maid?
So now in petticoats you go
And people call you Erico.
Sometimes I wonder if they can
Change me in turn into a man;
Then after all we might get wed
And frolic on a feather bed:
Although I do not see how we
Could ever have a family.
Oh dear! Oh dear! It's so complex.
Why must they meddle with our sex.
My Eric was a handsome 'he,'
But now he--oh excuse me--she
Informs me that I must forget
I was his blond Elizabet.
Alas! These scientists of Sweden
I curse, who've robbed me of my Eden;
Who with their weird hormones inhuman
Can make a man into a woman.
Alas, poor Eric! .
.
.
Erico
I wish you were in Jerico.
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Written by
Denise Levertov |
Rose Red's hair is brown as fur
and shines in firelight as she prepares
supper of honey and apples, curds and whey,
for the bear, and leaves it ready
on the hearth-stone.
Rose White's grey eyes
look into the dark forest.
Rose Red's cheeks are burning,
sign of her ardent, joyful
compassionate heart.
Rose White is pale,
turning away when she hears
the bear's paw on the latch.
When he enters, there is
frost on his fur,
he draws near to the fire
giving off sparks.
Rose Red catches the scent of the forest,
of mushrooms, of rosin.
Together Rose Red and Rose White
sing to the bear;
it is a cradle song, a loom song,
a song about marriage, about
a pilgrimage to the mountains
long ago.
Raised on an elbow,
the bear stretched on the hearth
nods and hums; soon he sighs
and puts down his head.
He sleeps; the Roses
bank the fire.
Sunk in the clouds of their feather bed
they prepare to dream.
Rose Red in a cave that smells of honey
dreams she is combing the fur of her cubs
with a golden comb.
Rose White is lying awake.
Rose White shall marry the bear's brother.
Shall he too
when the time is ripe,
step from the bear's hide?
Is that other, her bridegroom,
here in the room?
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Written by
William Butler Yeats |
'Although I'd lie lapped up in linen
A deal I'd sweat and little earn
If I should live as live the neighbours,'
Cried the beggar, Billy Byrne;
'Stretch bones till the daylight come
On great-grandfather's battered tomb.
'
Upon a grey old battered tombstone
In Glendalough beside the stream
Where the O'Byrnes and Byrnes are buried,
He stretched his bones and fell in a dream
Of sun and moon that a good hour
Bellowed and pranced in the round tower;
Of golden king and Silver lady,
Bellowing up and bellowing round,
Till toes mastered a sweet measure,
Mouth mastered a sweet sound,
Prancing round and prancing up
Until they pranced upon the top.
That golden king and that wild lady
Sang till stars began to fade,
Hands gripped in hands, toes close together,
Hair spread on the wind they made;
That lady and that golden king
Could like a brace of blackbirds sing.
'It's certain that my luck is broken,'
That rambling jailbird Billy said;
'Before nightfall I'll pick a pocket
And snug it in a feather bed.
I cannot find the peace of home
On great-grandfather's battered tomb.
'
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Written by
Henry Lawson |
When I was up the country in the rough and early days,
I used to work along ov Jimmy Nowlett's bullick-drays;
Then the reelroad wasn't heered on, an' the bush was wild an' strange,
An' we useter draw the timber from the saw-pits in the range --
Load provisions for the stations, an' we'd travel far and slow
Through the plains an' 'cross the ranges in the days of long ago.
Then it's yoke up the bullicks and tramp beside 'em slow,
An' saddle up yer horses an' a-ridin' we will go,
To the bullick-drivin', cattle-drovin',
******, digger, roarin', rovin'
Days o' long ago.
Once me and Jimmy Nowlett loaded timber for the town,
But we hadn't gone a dozen mile before the rain come down,
An' me an' Jimmy Nowlett an' the bullicks an' the dray
Was cut off on some risin' ground while floods around us lay;
An' we soon run short of tucker an' terbacca, which was bad,
An' pertaters dipped in honey was the only tuck we had.
An' half our bullicks perished when the drought was on the land,
An' the burnin' heat that dazzles as it dances on the sand;
When the sun-baked clay an' gravel paves for miles the burnin' creeks,
An' at ev'ry step yer travel there a rottin' carcase reeks --
But we pulled ourselves together, for we never used ter know
What a feather bed was good for in those days o' long ago.
But in spite ov barren ridges an' in spite ov mud an' heat,
An' dust that browned the bushes when it rose from bullicks' feet,
An' in spite ov cold and chilblains when the bush was white with frost,
An' in spite of muddy water where the burnin' plain was crossed,
An' in spite of modern progress, and in spite of all their blow,
'Twas a better land to live in, in the days o' long ago.
When the frosty moon was shinin' o'er the ranges like a lamp,
An' a lot of bullick-drivers was a-campin' on the camp,
When the fire was blazin' cheery an' the pipes was drawin' well,
Then our songs we useter chorus an' our yarns we useter tell;
An' we'd talk ov lands we come from, and ov chaps we useter know,
For there always was behind us OTHER days o' long ago.
Ah, them early days was ended when the reelroad crossed the plain,
But in dreams I often tramp beside the bullick-team again:
Still we pauses at the shanty just to have a drop er cheer,
Still I feels a kind ov pleasure when the campin'-ground is near;
Still I smells the old tarpaulin me an' Jimmy useter throw
O'er the timber-truck for shelter in the days ov long ago.
I have been a-driftin' back'ards with the changes ov the land,
An' if I spoke ter bullicks now they wouldn't understand,
But when Mary wakes me sudden in the night I'll often say:
`Come here, Spot, an' stan' up, Bally, blank an' blank an' come-eer-way.
'
An' she says that, when I'm sleepin', oft my elerquince 'ill flow
In the bullick-drivin' language ov the days o' long ago.
Well, the pub will soon be closin', so I'll give the thing a rest;
But if you should drop on Nowlett in the far an' distant west --
An' if Jimmy uses doubleyou instead of ar an' vee,
An' if he drops his aitches, then you're sure to know it's he.
An' yer won't forgit to arsk him if he still remembers Joe
As knowed him up the country in the days o' long ago.
Then it's yoke up the bullicks and tramp beside 'em slow,
An' saddle up yer horses an' a-ridin' we will go,
To the bullick-drivin', cattle-drovin',
******, digger, roarin', rovin'
Days o' long ago.
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Written by
Robert William Service |
"The spirits do not like the light,"
The medium said, and turned the switch;
The little lady on my right
Clutched at my hand with nervous twitch.
(She seemed to be a pretty *****.
)
The moustached women on my left,
With spirits on hr heavy breath,
Lasciviously leaned her heft
On me as one who languisheth.
The sordid room was still as death.
"A shape I see," the medium cried,
"Whose face and name I do not know .
.
.
"
"'Tis Robert service," soft replied
A voice - "I passed a month ago,
And I've come back to let you know.
"The Other Side is gay and bright;
We are so happy there and free,
And Dan McGrew I oft recite,
And follow up with Sam McGee .
.
.
But now excuse me, I must flee.
"
The fat dame leaned to get my ear,
(Her breast was soft as feather bed.
)
"I love his verses; oh dear, dear,
I didn't know that he was dead.
"
"No more did I," I sourly said.
The little lady grabbed me hard;
(She looked to me a "yesful" dear.
)
Said she: "Don't you adore the Bard?"
Said I: "Before he fades, I fear
I'd like to kick his astral rear.
"
So then I bravely broke away
From spooks and ectoplasic gauze.
Yet in the brazen light of day
I had to pinch myself because
Really! I wondered if I was.
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