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Best Famous Faultless Poems

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Written by Robert Browning | Create an image from this poem

Pan and Luna

 Si credere dignum est.--Virgil, Georgics, III, 390


Oh, worthy of belief I hold it was, 
Virgil, your legend in those strange three lines! 
No question, that adventure came to pass 
One black night in Arcadia: yes, the pines, 
Mountains and valleys mingling made one mass 
Of black with void black heaven: the earth's confines, 
The sky's embrace,--below, above, around, 
All hardened into black without a bound. 

Fill up a swart stone chalice to the brim 
With fresh-squeezed yet fast-thickening poppy-juice: 
See how the sluggish jelly, late a-swim, 
Turns marble to the touch of who would loose 
The solid smooth, grown jet from rim to rim, 
By turning round the bowl! So night can fuse 
Earth with her all-comprising sky. No less, 
Light, the least spark, shows air and emptiness. 

And thus it proved when--diving into space, 
Stript of all vapor, from each web of mist, 
Utterly film-free--entered on her race 
The naked Moon, full-orbed antagonist 
Of night and dark, night's dowry: peak to base, 
Upstarted mountains, and each valley, kissed 
To sudden life, lay silver-bright: in air 
Flew she revealed, Maid-Moon with limbs all bare. 

Still as she fled, each depth,--where refuge seemed-- 
Opening a lone pale chamber, left distinct 
Those limbs: mid still-retreating blue, she teemed 
Herself with whiteness,--virginal, uncinct 
By any halo save what finely gleamed 
To outline not disguise her: heavenwas linked 
In one accord with earth to quaff the joy, 
Drain beauty to the dregs without alloy. 

Whereof she grew aware. What help? When, lo, 
A succorable cloud with sleep lay dense: 
Some pinetree-top had caught it sailing slow, 
And tethered for a prize: in evidence 
Captive lay fleece on fleece of piled-up snow 
Drowsily patient: flake-heaped how or whence, 
The structure of that succorable cloud, 
What matter? Shamed she plunged into its shroud. 

Orbed--so the woman-figure poets call 
Because of rounds on rounds--that apple-shaped 
Head which its hair binds close into a ball 
Each side the curving ears--that pure undraped 
Pout of the sister paps--that . . . once for all, 
Say--her consummate circle thus escaped 
With its innumerous circlets, sank absorbed, 
Safe in the cloud--O naked Moon full-orbed! 

But what means this? The downy swathes combine, 
Conglobe, the smothery coy-caressing stuff 
Curdles about her! Vain each twist and twine 
Those lithe limbs try, encroached on by a fluff 
Fitting as close as fits the dented spine 
Its flexible ivory outside-flesh: enough! 
The plumy drifts contract, condense, constringe, 
Till she is swallowed by the feathery springe. 

As when a pearl slips lost in the thin foam 
Churned on a sea-shore, and, o'er-frothed, conceits 
Herself safe-housed in Amphitrite's dome,-- 
If, through the bladdery wave-worked yeast, she meets 
What most she loathes and leaps from,--elf from gnome 
No gladlier,--finds that safest of retreats 
Bubble about a treacherous hand wide ope 
To grasp her--(divers who pick pearls so grope)-- 

So lay this Maid-Moon clasped around and caught 
By rough red Pan, the god of all that tract: 
He it was schemed the snare thus subtly wrought 
With simulated earth-breath,--wool-tufts packed 
Into a billowy wrappage. Sheep far-sought 
For spotless shearings yield such: take the fact 
As learned Virgil gives it,--how the breed 
Whitens itself forever: yes, indeed! 

If one forefather ram, though pure as chalk 
From tinge on fleece, should still display a tongue 
Black 'neath the beast's moist palate, prompt men balk 
The propagating plague: he gets no young: 
They rather slay him,--sell his hide to calk 
Ships with, first steeped with pitch,--nor hands are wrung 
In sorrow for his fate: protected thus, 
The purity we loved is gained for us. So did girl-Moon, by just her attribute 
Of unmatched modesty betrayed, lie trapped, 
Bruised to the breast of Pan, half god half brute, 
Raked by his bristly boar-sward while he lapped 
--Never say, kissed her! that were to pollute 
Love's language--which moreover proves unapt 
To tell how she recoiled--as who finds thorns 
Where she sought flowers--when, feeling, she touched--horns! 

Then--does the legend say?--first moon-eclipse 
Happened, first swooning-fit which puzzled sore 
The early sages? Is that why she dips 
Into the dark, a minute and no more, 
Only so long as serves her while she rips 
The cloud's womb through and, faultless as before, 
Pursues her way? No lesson for a maid 
Left she, a maid herself thus trapped, betrayed? 

Ha, Virgil? Tell the rest, you! "To the deep 
Of his domain the wildwood, Pan forthwith 
Called her, and so she followed"--in her sleep, 
Surely?--"by no means spurning him." The myth 
Explain who may! Let all else go, I keep 
--As of a ruin just a monolith-- 
Thus much, one verse of five words, each a boon: 
Arcadia, night, a cloud, Pan, and the moon.


Written by Thomas Warton | Create an image from this poem

Verses on Sir Joshua Reynolds Painted Window at New College Oxford

 Ah, stay thy treacherous hand, forbear to trace
Those faultless forms of elegance and grace!
Ah, cease to spread the bright transparent mass,
With Titian's pencil, o'er the speaking glass!
Nor steal, by strokes of art with truth combin'd,
The fond illusions of my wayward mind!
For long, enamour'd of a barbarous age,
A faithless truant to the classic page;
Long have I lov'd to catch the simple chime
Of minstrel-harps, and spell the fabling rime;
To view the festive rites, the knightly play,
That deck'd heroic Albion's elder day;
To mark the mouldering halls of barons bold,
And the rough castle, cast in giant mould;
With Gothic manners Gothic arts explore,
And muse on the magnificence of yore.

But chief, enraptur'd have I lov'd to roam,
A lingering votary, the vaulted dome,
Where the tall shafts, that mount in massy pride,
Their mingling branches shoot from side to side;
Where elfin sculptors, with fantastic clew,
O'er the long roof their wild embroidery drew;
Where Superstition with capricious hand
In many a maze the wreathed window plann'd,
With hues romantic ting'd the gorgeous pane,
To fill with holy light the wondrous fane;
To aid the builder's model, richly rude,
By no Vitruvian symmetry subdu'd;
To suit the genius of the mystic pile:
Whilst as around the far-retiring aisle,
And fretted shrines, with hoary trophies hung,
Her dark illumination wide she flung,
With new solemnity, the nooks profound,
The caves of death, and the dim arches frown'd.
From bliss long felt unwillingly we part:
Ah, spare the weakness of a lover's heart!
Chase not the phantoms of my fairy dream,
Phantoms that shrink at Reason's painful gleam!
That softer touch, insidious artist, stay,
Nor to new joys my struggling breast betray!

Such was a pensive bard's mistaken strain.--
But, oh, of ravish'd pleasures why complain?
No more the matchless skill I call unkind,
That strives to disenchant my cheated mind.
For when again I view thy chaste design,
The just proportion, and the genuine line;
Those native portraitures of Attic art,
That from the lucid surface seem to start;
Those tints, that steal no glories from the day,
Nor ask the sun to lend his streaming ray:
The doubtful radiance of contending dyes,
That faintly mingle, yet distinctly rise;
'Twixt light and shade the transitory strife;
The feature blooming with immortal life:
The stole in casual foldings taught to flow,
Not with ambitious ornaments to glow;
The tread majestic, and the beaming eye,
That lifted speaks its commerce with the sky;
Heaven's golden emanation, gleaming mild
O'er the mean cradle of the Virgin's child:
Sudden, the sombrous imagery is fled,
Which late my visionary rapture fed:
Thy powerful hand has broke the Gothic chain,
And brought my bosom back to truth again;
To truth, by no peculiar taste confin'd,
Whose universal pattern strikes mankind;
To truth, whose bold and unresisted aim
Checks frail caprice, and fashion's fickle claim;
To truth, whose charms deception's magic quell,
And bind coy Fancy in a stronger spell.

Ye brawny Prophets, that in robes so rich,
At distance due, possess the crisped niche;
Ye rows of Patriarchs, that sublimely rear'd
Diffuse a proud primeval length of beard:
Ye Saints, who clad in crimson's bright array,
More pride than humble poverty display:
Ye Virgins meek, that wear the palmy crown
Of patient faith, and yet so fiercely frown:
Ye Angels, that from clouds of gold recline,
But boast no semblance to a race divine:
Ye tragic tales of legendary lore,
That draw devotion's ready tear no more;
Ye martyrdoms of unenlighten'd days,
Ye miracles, that now no wonder raise:
Shapes, that with one broad glare the gazer strike,
Kings, bishops, nuns, apostles, all alike!
Ye colours, that th' unwary sight amaze,
And only dazzle in the noontide blaze!
No more the sacred window's round disgrace,
But yield to Grecian groups the shining space.
Lo, from the canvas Beauty shifts her throne,
Lo, Picture's powers a new formation own!
Behold, she prints upon the crystal plain,
With her own energy, th' expressive stain!
The mighty master spreads his mimic toil
More wide, nor only blends the breathing oil;
But calls the lineaments of life complete
From genial alchymy's creative heat;
Obedient forms to the bright fusion gives,
While in the warm enamel Nature lives.

Reynolds, 'tis thine, from the broad window's height,
To add new lustre to religious light:
Not of its pomp to strip this ancient shrine,
But bid that pomp with purer radiance shine:
With arts unknown before, to reconcile
The willing Graces to the Gothic pile.
Written by Robert Herrick | Create an image from this poem

A Bucolic Betwixt Two;lacon And Thyrsis

 LACON. For a kiss or two, confess,
What doth cause this pensiveness,
Thou most lovely neat-herdess?
Why so lonely on the hill?
Why thy pipe by thee so still,
That erewhile was heard so shrill?
Tell me, do thy kine now fail
To fulfil the milking-pail?
Say, what is't that thou dost ail?

THYR. None of these; but out, alas!
A mischance is come to pass,
And I'll tell thee what it was:
See, mine eyes are weeping ripe.
LACON. Tell, and I'll lay down my pipe.

THYR. I have lost my lovely steer,
That to me was far more dear
Than these kine which I milk here;
Broad of forehead, large of eye,
Party-colour'd like a pye,
Smooth in each limb as a die;
Clear of hoof, and clear of horn,
Sharply pointed as a thorn;
With a neck by yoke unworn,
From the which hung down by strings,
Balls of cowslips, daisy rings,
Interplaced with ribbonings;
Faultless every way for shape;
Not a straw could him escape,
Ever gamesome as an ape,
But yet harmless as a sheep.
Pardon, Lacon, if I weep;
Tears will spring where woes are deep.
Now, ai me! ai me! Last night
Came a mad dog, and did bite,
Ay, and kill'd my dear delight.

LACON Alack, for grief!
THYR. But I'll be brief.
Hence I must, for time doth call
Me, and my sad playmates all,
To his evening funeral.
Live long, Lacon; so adieu!

LACON Mournful maid, farewell to you;
Earth afford ye flowers to strew!
Written by Andrew Marvell | Create an image from this poem

To His Noble Friend Mr. Richard Lovelace Upon His Poems

 Sir, 
Our times are much degenerate from those 
Which your sweet muse with your fair fortune chose, 
And as complexions alter with the climes, 
Our wits have drawn the infection of our times. 
That candid age no other way could tell 
To be ingenious, but by speaking well. 
Who best could praise had then the greatest praise, 
'Twas more esteemed to give than bear the bays: 
Modest ambition studied only then 
To honour not herself but worthy men. 
These virtues now are banished out of town, 
Our Civil Wars have lost the civic crown. 
He highest builds, who with most art destroys, 
And against others' fame his own employs. 
I see the envious caterpillar sit 
On the fair blossom of each growing wit. 

The air's already tainted with the swarms 
Of insects which against you rise in arms: 
Word-peckers, paper-rats, book-scorpions, 
Of wit corrupted, the unfashioned sons. 
The barb?d censurers begin to look 
Like the grim consistory on thy book; 
And on each line cast a reforming eye, 
Severer than the young presbytery. 
Till when in vain they have thee all perused, 
You shall, for being faultless, be accused. 
Some reading your Lucasta will allege 
You wronged in her the House's privelege. 
Some that you under sequestration are, 
And one the book prohibits, because Kent 
Their first petition by the author sent. 

But when the beauteous ladies came to know 
That their dear Lovelace was endangered so: 
Lovelace that thawed the most congeal?d breast -- 
He who loved best and them defended best, 
Whose hand so rudely grasps the steely brand, 
Whose hand most gently melts the lady's hand -- 
They all in mutiny though yet undressed 
Sallied, and would in his defence contest. 
And one, the loveliest that was yet e'er seen, 
Thinking that I too of the rout had been, 
Mine eyes invaded with a female spite, 
(She knew what pain 'twould cause to lose that sight.) 
`O no, mistake not,' I replied, `for I 
In your defence, or in his cause, would die.' 
But he, secure of glory and of time, 
Above their envy, or mine aid, doth climb. 
Him valiant'st men and fairest nymphs approve; 
His book in them finds judgement, with you love.
Written by John Berryman | Create an image from this poem

The Curse

 Cedars and the westward sun.
The darkening sky. A man alone
Watches beside the fallen wall
The evening multitudes of sin
Crowd in upon us all.
For when the light fails they begin
Nocturnal sabotage among
The outcast and the loose of tongue,
The lax in walk, the murderers:
Our twilight universal curse.

Children are faultless in the wood,
Untouched. If they are later made
Scandal and index to their time,
It is that twilight brings for bread
The faculty of crime.
Only the idiot and the dead
Stand by, while who were young before
Wage insolent and guilty war
By night within that ancient house,
Immense, black, damned, anonymous.


Written by Alan Seeger | Create an image from this poem

Liebestod

 I who, conceived beneath another star, 
Had been a prince and played with life, instead 
Have been its slave, an outcast exiled far 
From the fair things my faith has merited. 
My ways have been the ways that wanderers tread 
And those that make romance of poverty -- 
Soldier, I shared the soldier's board and bed, 
And Joy has been a thing more oft to me 
Whispered by summer wind and summer sea 
Than known incarnate in the hours it lies 
All warm against our hearts and laughs into our eyes. 


I know not if in risking my best days 
I shall leave utterly behind me here 
This dream that lightened me through lonesome ways 
And that no disappointment made less dear; 
Sometimes I think that, where the hilltops rear 
Their white entrenchments back of tangled wire, 
Behind the mist Death only can make clear, 
There, like Brunhilde ringed with flaming fire, 
Lies what shall ease my heart's immense desire: 
There, where beyond the horror and the pain 
Only the brave shall pass, only the strong attain. 


Truth or delusion, be it as it may, 
Yet think it true, dear friends, for, thinking so, 
That thought shall nerve our sinews on the day 
When to the last assault our bugles blow: 
Reckless of pain and peril we shall go, 
Heads high and hearts aflame and bayonets bare, 
And we shall brave eternity as though 
Eyes looked on us in which we would seem fair -- 
One waited in whose presence we would wear, 
Even as a lover who would be well-seen, 
Our manhood faultless and our honor clean.
Written by Robert William Service | Create an image from this poem

The Spirit Of The Unborn Babe

 The Spirit of the Unborn Babe peered through the window-pane,
Peered through the window-pane that glowed like beacon in the night;
For, oh, the sky was desolate and wild with wind and rain;
And how the little room was crammed with coziness and light!
Except the flirting of the fire there was no sound at all;
The Woman sat beside the hearth, her knitting on her knee;
The shadow of her husband's head was dancing on the wall;
She looked with staring eyes at it, she looked yet did not see.
She only saw a childish face that topped the table rim,
A little wistful ghost that smiled and vanished quick away;
And then because her tender eyes were flooding to the brim,
She lowered her head. . . . "Don't sorrow, dear," she heard him softly say;
"It's over now. We'll try to be as happy as before
(Ah! they who little children have, grant hostages to pain).
We gave Life chance to wound us once, but never, never more. . . ."
The Spirit of the Unborn Babe fled through the night again.

The Spirit of the Unborn Babe went wildered in the dark;
Like termagants the winds tore down and whirled it with the snow.
And then amid the writhing storm it saw a tiny spark,
A window broad, a spacious room all goldenly aglow,
A woman slim and Paris-gowned and exquisitely fair,
Who smiled with rapture as she watched her jewels catch the blaze;
A man in faultless evening dress, young, handsome, debonnaire,
Who smoked his cigarette and looked with frank admiring gaze.
"Oh, we are happy, sweet," said he; "youth, health, and wealth are ours.
What if a thousand toil and sweat that we may live at ease!
What if the hands are worn and torn that strew our path with flowers!
Ah, well! we did not make the world; let us not think of these.
Let's seek the beauty-spots of earth, Dear Heart, just you and I;
Let other women bring forth life with sorrow and with pain.
Above our door we'll hang the sign: `No children need apply. . . .'"
The Spirit of the Unborn Babe sped through the night again.

The Spirit of the Unborn Babe went whirling on and on;
It soared above a city vast, it swept down to a slum;
It saw within a grimy house a light that dimly shone;
It peered in through a window-pane and lo! a voice said: "Come!"
And so a little girl was born amid the dirt and din,
And lived in spite of everything, for life is ordered so;
A child whose eyes first opened wide to swinishness and sin,
A child whose love and innocence met only curse and blow.
And so in due and proper course she took the path of shame,
And gladly died in hospital, quite old at twenty years;
And when God comes to weigh it all, ah! whose shall be the blame
For all her maimed and poisoned life, her torture and her tears?
For oh, it is not what we do, but what we have not done!
And on that day of reckoning, when all is plain and clear,
What if we stand before the Throne, blood-guilty every one? . . .
Maybe the blackest sins of all are Selfishness and Fear.
Written by Robert William Service | Create an image from this poem

Babette

 My Lady is dancing so lightly,
The belle of the Embassy Ball;
I lied as I kissed her politely,
And hurried away from it all.
I'm taxiing up to Montmartre,
With never a pang of regret,
To toy for awhile with the garter
Of her whom I know as Babette.

My Lady's an exquisite creature,
As rare as a queen on a throne;
She's faultless in form and in feature,
But oh, she is cold as a stone.
And so from her presence I hurry,
Her iciness quick to forget
In sensuous joy as I bury
My face in the breast of Babette.

She's only a flower of the pavement;
With Paris and Spring in her eyes;
Yet I who foresaw what the grave meant
Of passion behold with surprise,
When she greets me as gay as a linnet,
Afar from life's fever and fret
I'm twenty years younger the minute
I enter the room of Babette.

The poor little supper she offers
Is more than a banquet to me;
A different bif-tik she proffers,
Pommes frit and a morsel of Brie;
We finish with coffee and kisses,
Then sit on the sofa and pet . . .
At the Embassy Mumm never misses,
But pinard's my drink with Babette.

Somehow and somewhere to my thinking,
There's a bit of apache in us all;
In bistros I'd rather be drinking,
Than dance at the Embassy Ball.
How often I feel I would barter
My place in the social set,
To roam in a moonlit Montmartre,
Alone with my little Babette.

I'm no longer young and I'm greying;
I'm tailored, top-hatted, kid-gloved,
And though in dark ways i be straying,
It's heaven to love and beloved;
The passion of youth to re-capture. . . .
My Lady's perfection and yet
When I kiss her I think of the rapture
I find in the charms of Babette -
Entwined in the arms of Babettte.
Written by Robert Burns | Create an image from this poem

157. Prologue spoken by Mr. Woods at Edinburgh

 WHEN, by a generous Public’s kind acclaim,
That dearest meed is granted—honest fame;
Waen here your favour is the actor’s lot,
Nor even the man in private life forgot;
What breast so dead to heavenly Virtue’s glow,
But heaves impassion’d with the grateful throe?


Poor is the task to please a barb’rous throng,
It needs no Siddons’ powers in Southern’s song;
But here an ancient nation, fam’d afar,
For genius, learning high, as great in war.
Hail, CALEDONIA, name for ever dear!
Before whose sons I’m honour’d to appear?
Where every science, every nobler art,
That can inform the mind or mend the heart,
Is known; as grateful nations oft have found,
Far as the rude barbarian marks the bound.
Philosophy, no idle pedant dream,
Here holds her search by heaven-taught Reason’s beam;
Here History paints with elegance and force
The tide of Empire’s fluctuating course;
Here Douglas forms wild Shakespeare into plan,
And Harley rouses all the God in man.
When well-form’d taste and sparkling wit unite
With manly lore, or female beauty bright,
(Beauty, where faultless symmetry and grace
Can only charm us in the second place),
Witness my heart, how oft with panting fear,
As on this night, I’ve met these judges here!
But still the hope Experience taught to live,
Equal to judge—you’re candid to forgive.
No hundred-headed riot here we meet,
With decency and law beneath his feet;
Nor Insolence assumes fair Freedom’s name:
Like CALEDONIANS, you applaud or blame.


O Thou, dread Power! whose empire-giving hand
Has oft been stretch’d to shield the honour’d land!
Strong may she glow with all her ancient fire;
May every son be worthy of his sire;
Firm may she rise, with generous disdain
At Tyranny’s, or direr Pleasure’s chain;
Still Self-dependent in her native shore,
Bold may she brave grim Danger’s loudest roar,
Till Fate the curtain drop on worlds to be no more.
Written by Thomas Hardy | Create an image from this poem

The Well-Beloved

 I wayed by star and planet shine 
 Towards the dear one's home 
At Kingsbere, there to make her mine 
 When the next sun upclomb. 

I edged the ancient hill and wood 
 Beside the Ikling Way, 
Nigh where the Pagan temple stood 
 In the world's earlier day. 

And as I quick and quicker walked 
 On gravel and on green, 
I sang to sky, and tree, or talked 
 Of her I called my queen. 

- "O faultless is her dainty form, 
 And luminous her mind; 
She is the God-created norm 
 Of perfect womankind!" 

A shape whereon one star-blink gleamed 
 Glode softly by my side, 
A woman's; and her motion seemed 
 The motion of my bride. 

And yet methought she'd drawn erstwhile 
 Adown the ancient leaze, 
Where once were pile and peristyle 
 For men's idolatries. 

- "O maiden lithe and lone, what may 
 Thy name and lineage be, 
Who so resemblest by this ray 
 My darling?--Art thou she?" 

The Shape: "Thy bride remains within 
 Her father's grange and grove." 
- "Thou speakest rightly," I broke in, 
 "Thou art not she I love." 

- "Nay: though thy bride remains inside 
 Her father's walls," said she, 
"The one most dear is with thee here, 
 For thou dost love but me." 

Then I: "But she, my only choice, 
 Is now at Kingsbere Grove?" 
Again her soft mysterious voice: 
 "I am thy only Love." 

Thus still she vouched, and still I said, 
 "O sprite, that cannot be!" . . . 
It was as if my bosom bled, 
 So much she troubled me. 

The sprite resumed: "Thou hast transferred 
 To her dull form awhile 
My beauty, fame, and deed, and word, 
 My gestures and my smile. 

"O fatuous man, this truth infer, 
 Brides are not what they seem; 
Thou lovest what thou dreamest her; 
 I am thy very dream!" 

- "O then," I answered miserably, 
 Speaking as scarce I knew, 
"My loved one, I must wed with thee 
 If what thou say'st be true!" 

She, proudly, thinning in the gloom: 
 "Though, since troth-plight began, 
I've ever stood as bride to groom, 
 I wed no mortal man!" 

Thereat she vanished by the Cross 
 That, entering Kingsbere town, 
The two long lanes form, near the fosse 
 Below the faneless Down. 

- When I arrived and met my bride, 
 Her look was pinched and thin, 
As if her soul had shrunk and died, 
 And left a waste within.

Book: Reflection on the Important Things