Written by
Robert William Service |
The Greatest Writer of to-day
(With Maupassant I almost set him)
Said to me in a weary way,
The last occasion that I met him:
"Old chap, this world is more and more
Becoming bourgeois, blasé, blousy:
Thank God I've lived so long before
It got so definitely lousy."
Said I: "Old chap, I don't agree.
Why should one so dispraise the present?
For gainful guys like you and me,
It still can be extremely pleasant.
Have we not Women, Wine and Song -
A gleeful trio to my thinking;
So blithely we can get along
With laughing, loving, eating, drinking."
Said he: "Dear Boy, it may be so,
But I'm fed up with war and worry;
I would escape this world of woe,
Of wrath and wrong, of hate and hurry.
I fain would gain the peace of mind
Of Lamas on Thibetan highlands,
Or maybe sanctuary find
With beach-combers on coral islands."
Said I: "Dear Boy, don't go so far:
Just live a life of simple being;
Forgetting all the ills that are,
Be satisfied with hearing, seeing.
The sense of smell and taste and touch
Can bring you bliss in ample measure:
If only you don't think too much,
Your programme can be packed with pleasure.
"But do not try to probe below
This fairy film of Nature's screening;
Look on it as a surface show,
Without a purpose of a meaning.
Take no account of social strife,
And dread no coming cataclysm:
Let your philosophy of life
Be what I call: EXTERNALISM.
The moon shines down with borrowed light,
So savants say - I do not doubt it.
Suffice its silver trance my sight,
That's all I want to know about it.
A fig for science - 'how' and 'why'
Distract me in my happy dreaming:
Through line and form and colour I
Am all content with outward seeming. . . ."
The Greatest Writer of to-day
(I would have loved to call him Willie),
looked wry at me and went his way -
I think he thought me rather silly.
Maybe I am, but I insist
My point of view will take some beating:
Don't mock this old Externalist -
The pudding's proof is in the eating.
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Written by
Marianne Moore |
Although the aepyornis
or roc that lived in Madagascar, and
the moa are extinct,
the camel-sparrow, linked
with them in size--the large sparrow
Xenophon saw walking by a stream--was and is
a symbol of justice.
This bird watches his chicks with
a maternal concentration-and he's
been mothering the eggs
at night six weeks--his legs
their only weapon of defense.
He is swifter than a horse; he has a foot hard
as a hoof; the leopard
is not more suspicious.How
could he, prized for plumes and eggs and young
used even as a riding-beast, respect men
hiding actor-like in ostrich skins, with the right hand
making the neck move as if alive
and from a bag the left hand strewing grain, that ostriches
might be decoyed and killed!Yes, this is he
whose plume was anciently
the plume of justice; he
whose comic duckling head on its
great neck revolves with compass-needle nervousness
when he stands guard,
in S-like foragings as he is
preening the down on his leaden-skinned back.
The egg piously shown
as Leda's very own
from which Castor and Pollux hatched,
was an ostrich-egg.And what could have been more fit
for the Chinese lawn it
grazed on as a gift to an
emperor who admired strange birds, than this
one, who builds his mud-made
nest in dust yet will wade
in lake or sea till only the head shows.
. . . . . . .
Six hundred ostrich-brains served
at one banquet, the ostrich-plume-tipped tent
and desert spear, jewel-
gorgeous ugly egg-shell
goblets, eight pairs of ostriches
in harness, dramatize a meaning
always missed by the externalist.
The power of the visible
is the invisible; as even where
no tree of freedom grows,
so-called brute courage knows.
Heroism is exhausting, yet
it contradicts a greed that did not wisely spare
the harmless solitaire
or great auk in its grandeur;
unsolicitude having swallowed up
all giant birds but an alert gargantuan
little-winged, magnificently speedy running-bird.
This one remaining rebel
is the sparrow-camel.
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