Written by
A R Ammons |
I said I will find what is lowly
and put the roots of my identity
down there:
each day I'll wake up
and find the lowly nearby,
a handy focus and reminder,
a ready measure of my significance,
the voice by which I would be heard,
the wills, the kinds of selfishness
I could
freely adopt as my own:
but though I have looked everywhere,
I can find nothing
to give myself to:
everything is
magnificent with existence, is in
surfeit of glory:
nothing is diminished,
nothing has been diminished for me:
I said what is more lowly than the grass:
ah, underneath,
a ground-crust of dry-burnt moss:
I looked at it closely
and said this can be my habitat: but
nestling in I
found
below the brown exterior
green mechanisms beyond the intellect
awaiting resurrection in rain: so I got up
and ran saying there is nothing lowly in the universe:
I found a beggar:
he had stumps for legs: nobody was paying
him any attention: everybody went on by:
I nestled in and found his life:
there, love shook his body like a devastation:
I said
though I have looked everywhere
I can find nothing lowly
in the universe:
I whirled though transfigurations up and down,
transfigurations of size and shape and place:
at one sudden point came still,
stood in wonder:
moss, beggar, weed, tick, pine, self, magnificent
with being!
|
Written by
Mahmoud Darwish |
Here on the slopes of hills, facing the dusk and the cannon of time
Close to the gardens of broken shadows,
We do what prisoners do,
And what the jobless do:
We cultivate hope.
***
A country preparing for dawn. We grow less intelligent
For we closely watch the hour of victory:
No night in our night lit up by the shelling
Our enemies are watchful and light the light for us
In the darkness of cellars.
***
Here there is no "I".
Here Adam remembers the dust of his clay.
***
On the verge of death, he says:
I have no trace left to lose:
Free I am so close to my liberty. My future lies in my own hand.
Soon I shall penetrate my life,
I shall be born free and parentless,
And as my name I shall choose azure letters...
***
You who stand in the doorway, come in,
Drink Arabic coffee with us
And you will sense that you are men like us
You who stand in the doorways of houses
Come out of our morningtimes,
We shall feel reassured to be
Men like you!
***
When the planes disappear, the white, white doves
Fly off and wash the cheeks of heaven
With unbound wings taking radiance back again, taking possession
Of the ether and of play. Higher, higher still, the white, white doves
Fly off. Ah, if only the sky
Were real [a man passing between two bombs said to me].
***
Cypresses behind the soldiers, minarets protecting
The sky from collapse. Behind the hedge of steel
Soldiers piss—under the watchful eye of a tank—
And the autumnal day ends its golden wandering in
A street as wide as a church after Sunday mass...
***
[To a killer] If you had contemplated the victim’s face
And thought it through, you would have remembered your mother in the
Gas chamber, you would have been freed from the reason for the rifle
And you would have changed your mind: this is not the way
to find one’s identity again.
***
The siege is a waiting period
Waiting on the tilted ladder in the middle of the storm.
***
Alone, we are alone as far down as the sediment
Were it not for the visits of the rainbows.
***
We have brothers behind this expanse.
Excellent brothers. They love us. They watch us and weep.
Then, in secret, they tell each other:
"Ah! if this siege had been declared..." They do not finish their sentence:
"Don’t abandon us, don’t leave us."
***
Our losses: between two and eight martyrs each day.
And ten wounded.
And twenty homes.
And fifty olive trees...
Added to this the structural flaw that
Will arrive at the poem, the play, and the unfinished canvas.
***
A woman told the cloud: cover my beloved
For my clothing is drenched with his blood.
***
If you are not rain, my love
Be tree
Sated with fertility, be tree
If you are not tree, my love
Be stone
Saturated with humidity, be stone
If you are not stone, my love
Be moon
In the dream of the beloved woman, be moon
[So spoke a woman
to her son at his funeral]
***
Oh watchmen! Are you not weary
Of lying in wait for the light in our salt
And of the incandescence of the rose in our wound
Are you not weary, oh watchmen?
***
A little of this absolute and blue infinity
Would be enough
To lighten the burden of these times
And to cleanse the mire of this place.
***
It is up to the soul to come down from its mount
And on its silken feet walk
By my side, hand in hand, like two longtime
Friends who share the ancient bread
And the antique glass of wine
May we walk this road together
And then our days will take different directions:
I, beyond nature, which in turn
Will choose to squat on a high-up rock.
***
On my rubble the shadow grows green,
And the wolf is dozing on the skin of my goat
He dreams as I do, as the angel does
That life is here...not over there.
***
In the state of siege, time becomes space
Transfixed in its eternity
In the state of siege, space becomes time
That has missed its yesterday and its tomorrow.
***
The martyr encircles me every time I live a new day
And questions me: Where were you? Take every word
You have given me back to the dictionaries
And relieve the sleepers from the echo’s buzz.
***
The martyr enlightens me: beyond the expanse
I did not look
For the virgins of immortality for I love life
On earth, amid fig trees and pines,
But I cannot reach it, and then, too, I took aim at it
With my last possession: the blood in the body of azure.
***
The martyr warned me: Do not believe their ululations
Believe my father when, weeping, he looks at my photograph
How did we trade roles, my son, how did you precede me.
I first, I the first one!
***
The martyr encircles me: my place and my crude furniture are all that I have changed.
I put a gazelle on my bed,
And a crescent of moon on my finger
To appease my sorrow.
***
The siege will last in order to convince us we must choose an enslavement that does no harm, in fullest liberty!
***
Resisting means assuring oneself of the heart’s health,
The health of the testicles and of your tenacious disease:
The disease of hope.
***
And in what remains of the dawn, I walk toward my exterior
And in what remains of the night, I hear the sound of footsteps inside me.
***
Greetings to the one who shares with me an attention to
The drunkenness of light, the light of the butterfly, in the
Blackness of this tunnel!
***
Greetings to the one who shares my glass with me
In the denseness of a night outflanking the two spaces:
Greetings to my apparition.
***
My friends are always preparing a farewell feast for me,
A soothing grave in the shade of oak trees
A marble epitaph of time
And always I anticipate them at the funeral:
Who then has died...who?
***
Writing is a puppy biting nothingness
Writing wounds without a trace of blood.
***
Our cups of coffee. Birds green trees
In the blue shade, the sun gambols from one wall
To another like a gazelle
The water in the clouds has the unlimited shape of what is left to us
Of the sky. And other things of suspended memories
Reveal that this morning is powerful and splendid,
And that we are the guests of eternity.
|
Written by
Jorie Graham |
I have put on my great coat it is cold.
It is an outer garment.
Coarse, woolen.
Of unknown origin.
*
It has a fine inner lining but it is
as an exterior that you see it — a grace.
*
I have a coat I am wearing. It is a fine admixture.
The woman who threw the threads in the two directions
has made, skillfully, something dark-true,
as the evening calls the bird up into
the branches of the shaven hedgerows,
to twitter bodily
a makeshift coat — the boxelder cut back stringently by the owner
that more might grow next year, and thicker, you know —
the birds tucked gestures on the inner branches —
and space in the heart,
not shade-giving, not
chronological...Oh transformer, logic, where are you here in this fold,
my name being called-out now but back, behind,
in the upper world....
*
I have a coat I am wearing I was told to wear it.
Someone knelt down each morning to button it up.
I looked at their face, down low, near me.
What is longing? what is a star?
Watched each button a peapod getting tucked back in.
Watched harm with its planeloads folded up in the sleeves.
Watched grappling hooks trawl through the late-night waters.
Watched bands of stations scan unable to ascertain.
There are fingers, friend, that never grow sluggish.
They crawl up the coat and don't miss an eyehole.
Glinting in kitchenlight.
Supervised by the traffic god.
Hissed at by grassblades that wire-up outside
their stirring rhetoric — this is your land, this is my my —
*
You do understanding, don't you, by looking?
The coat, which is itself a ramification, a city,
floats vulnerably above another city, ours,
the city on the hill (only with hill gone),
floats in illustration
of what once was believed, and thus was visible —
(all things believed are visible) —
floats a Jacob's ladder with hovering empty arms, an open throat,
a place where a heart might beat if it wishes,
pockets that hang awaiting the sandy whirr of a small secret,
folds where the legs could be, with their kneeling mechanism,
the floating fatigue of an after-dinner herald,
not guilty of any treason towards life except fatigue,
a skillfully cut coat, without chronology,
filled with the sensation of being suddenly completed —
as then it is, abruptly, the last stitch laid in, the knot bit off —
hung there in Gravity, as if its innermost desire,
numberless the awaitings flickering around it,
the other created things also floating but not of the same order, no,
not like this form, built so perfectly to mantle the body,
the neck like a vase awaiting its cut flower,
a skirting barely visible where the tucks indicate
the mild loss of bearing in the small of the back,
the grammar, so strict, of the two exact shoulders —
and the law of the shouldering —
and the chill allowed to skitter up through,
and those crucial spots where the fit cannot be perfect —
oh skirted loosening aswarm with lessenings,
with the mild pallors of unaccomplishment,
flaps night-air collects in,
folds... But the night does not annul its belief in,
the night preserves its love for, this one narrowing of infinity,
that floats up into the royal starpocked blue its ripped, distracted supervisor —
this coat awaiting recollection,
this coat awaiting the fleeting moment, the true moment, the hill,the vision of the hill,
and then the moment when the prize is lost, and the erotic tinglings of the dream of reason
are left to linger mildly in the weave of the fabric according to the rules,
the wool gabardine mix, with its grammatical weave,
never never destined to lose its elasticity,
its openness to abandonment,
its willingness to be disturbed.
*
July 11 ... Oaks: the organization of this tree is difficult. Speaking generally
no doubt the determining planes are concentric, a system of brief contiguous and
continuous tangents, whereas those of the cedar wd. roughly be called horizontals
and those of the beech radiating but modified by droop and by a screw-set towards
jutting points. But beyond this since the normal growth of the boughs is radiating
there is a system of spoke-wise clubs of green — sleeve-pieces. And since the
end shoots curl and carry young scanty leaf-stars these clubs are tapered, and I
have seen also pieces in profile with chiseled outlines, the blocks thus made
detached and lessening towards the end. However the knot-star is the chief thing:
it is whorled, worked round, and this is what keeps up the illusion of the tree.
Oaks differ much, and much turns on the broadness of the leaves, the narrower
giving the crisped and starry and catharine-wheel forms, the broader the flat-pieced
mailed or chard-covered ones, in wh. it is possible to see composition in dips, etc.
But I shall study them further. It was this night I believe but possibly the next
that I saw clearly the impossibility of staying in the Church of England.
*
How many coats do you think it will take?
The coat was a great-coat.
The Emperor's coat was.
How many coats do you think it will take?
The undercoat is dry. What we now want is?
The sky can analyse the coat because of the rips in it.
The sky shivers through the coat because of the rips in it.
The rips in the sky ripen through the rips in the coat.
There is no quarrel.
*
I take off my coat and carry it.
*
There is no emergency.
*
I only made that up.
*
Behind everything the sound of something dripping
The sound of something: I will vanish, others will come here, what is that?
The canvas flapping in the wind like the first notes of our absence
An origin is not an action though it occurs at the very start
Desire goes travelling into the total dark of another's soul
looking for where it breaks off
I was a hard thing to undo
*
The life of a customer
What came on the paper plate
overheard nearby
an impermanence of structure
watching the lip-reading
had loved but couldn't now recognize
*
What are the objects, then, that man should consider most important?
What sort of a question is that he asks them.
The eye only discovers the visible slowly.
It floats before us asking to be worn,
offering "we must think about objects at the very moment
when all their meaning is abandoning them"
and "the title provides a protection from significance"
and "we are responsible for the universe."
*
I have put on my doubting, my wager, it is cold.
It is an outer garment, or, conversely a natural covering,
so coarse and woolen, also of unknown origin,
a barely apprehensible dilution of evening into
an outer garment, or, conversely a natural covering,
to twitter bodily a makeshift coat,
that more might grow next year, and thicker, you know,
not shade-giving, not chronological,
my name being called out now but from out back, behind,
an outer garment, so coarse and woolen,
also of unknown origin, not shade-giving, not chronological,
each harm with its planeloads folded up in the sleeves,
you do understand, don't you, by looking?
the jacob's ladder with its floating arms its open throat,
that more might grow next year, and thicker, you know,
filled with the sensation of being suddenly completed,
the other created things also floating but not of the same order,
not shade-giving, not chronological,
you do understand, don't you, by looking?
a neck like a vase awaiting its cut flower,
filled with the sensation of being suddenly completed,
the moment the prize is lost, the erotic tingling,
the wool-gabardine mix, its grammatical weave
— you do understand, don't you, by looking? —
never never destined to lose its elasticity,
it was this night I believe but possibly the next
I saw clearly the impossibility of staying
filled with the sensation of being suddenly completed,
also of unknown origin, not shade-giving, not chronological
since the normal growth of boughs is radiating
a system of spoke-wise clubs of green — sleeve pieces —
never never destined to lose its elasticity
my name being called out now but back, behind,
hissing how many coats do you think it will take
"or try with eyesight to divide" (there is no quarrel)
behind everything the sound of something dripping
a system of spoke-wise clubs of green — sleeve pieces
filled with the sensation of suddenly being completed
the wool gabardine mix, the grammatical weave,
the never-never-to-lose-its-elasticity: my name
flapping in the wind like the first note of my absence
hissing how many coats do you think it will take
are you a test case is it an emergency
flapping in the wind the first note of something
overheard nearby an impermanence of structure
watching the lip-reading, there is no quarrel,
I will vanish, others will come here, what is that,
never never to lose the sensation of suddenly being
completed in the wind — the first note of our quarrel —
it was this night I believe or possibly the next
filled with the sensation of being suddenly completed,
I will vanish, others will come here, what is that now
floating in the air before us with stars a test case
that I saw clearly the impossibility of staying
|
Written by
Mary Darby Robinson |
HAIL! GODDESS of persuasive art!
The magic of whose tuneful tongue
Lulls to soft harmony the wand'ring heart
With fascinating song;
O, let me hear thy heav'n-taught strain,
As thro' my quiv'ring pulses steal
The mingling throbs of joy and pain,
Which only sensate minds can feel;
Ah ! let me taste the bliss supreme,
Which thy warm touch unerring flings
O'er the rapt sense's finest strings,
When GENIUS, darting frown the sky,
Glances across my wond'ring eye,
Her animating beam.
SWEET ELOQUENCE! thy mild controul,
Awakes to REASON's dawn, the IDIOT soul;
When mists absorb the MENTAL sight,
'Tis thine, to dart CREATIVE LIGHT;
'Tis thine, to chase the filmy clouds away,
And o'er the mind's deep bloom, spread a refulgent ray.
Nor is thy wond'rous art confin'd,
Within the bounds of MENTAL space,
For thou canst boast exterior grace,
Bright emblem of the fertile mind;
Yes; I have seen thee, with persuasion meek,
Bathe in the lucid tear, on Beauty's cheek,
Have mark'd thee in the downcast eye,
When suff'ring Virtue claim'd the pitying sigh.
Oft, by thy thrilling voice subdued,
The meagre fiend INGRATITUDE
Her treach'rous fang conceals;
Pale ENVY hides her forked sting;
And CALUMNY, beneath the wing
Of dark oblivion steals.
Before thy pure and lambent fire
Shall frozen Apathy expire;
Thy influence warm and unconfin'd,
Shall rapt'rous transports give,
And in the base and torpid mind,
Shall bid the fine Affections live;
When JEALOUSY's malignant dart,
Strikes at the fondly throbbing heart;
When fancied woes, on every side assail,
Thy honey'd accents shall prevail;
When burning Passion withers up the brain,
And the fix'd lids, the glowing drops sustain,
Touch'd by thy voice, the melting eye
Shall pour the balm of yielding SYMPATHY.
'Tis thine, with lenient Song to move
The dumb despair of hopeless LOVE;
Or when the animated soul
On Fancy's wing shall soar,
And scorning Reason's soft controul,
Untrodden paths explore;
'Till by distracting conflicts tost,
The intellectual source is lost:
E'en then, the witching music of thy tongue
Stealing thro' Mis'ry's DARKEST GLOOM,
Weaves the fine threads of FANCY's loom,
'Till every slacken'd nerve new strung,
Bids renovated NATURE shine,
Amidst the fost'ring beams of ELOQUENCE DIVINE.
|
Written by
Walt Whitman |
TO oratists—to male or female,
Vocalism, measure, concentration, determination, and the divine power to use words.
Are you full-lung’d and limber-lipp’d from long trial? from vigorous practice?
from
physique?
Do you move in these broad lands as broad as they?
Come duly to the divine power to use words?
For only at last, after many years—after chastity, friendship, procreation, prudence,
and
nakedness;
After treading ground and breasting river and lake;
After a loosen’d throat—after absorbing eras, temperaments, races—after
knowledge, freedom, crimes;
After complete faith—after clarifyings, elevations, and removing obstructions;
After these, and more, it is just possible there comes to a man, a woman, the divine power
to
use words.
Then toward that man or that woman, swiftly hasten all—None refuse, all attend;
Armies, ships, antiquities, the dead, libraries, paintings, machines, cities, hate,
despair,
amity, pain, theft, murder, aspiration, form in close ranks;
They debouch as they are wanted to march obediently through the mouth of that man, or that
woman.
.... O I see arise orators fit for inland America;
And I see it is as slow to become an orator as to become a man;
And I see that all power is folded in a great vocalism.
Of a great vocalism, the merciless light thereof shall pour, and the storm rage,
Every flash shall be a revelation, an insult,
The glaring flame on depths, on heights, on suns, on stars,
On the interior and exterior of man or woman,
On the laws of Nature—on passive materials,
On what you called death—(and what to you therefore was death,
As far as there can be death.)
|
Written by
Emily Dickinson |
This was a Poet -- It is That
Distills amazing sense
From ordinary Meanings --
And Attar so immense
From the familiar species
That perished by the Door --
We wonder it was not Ourselves
Arrested it -- before --
Of Pictures, the Discloser --
The Poet -- it is He --
Entitles Us -- by Contrast --
To ceaseless Poverty --
Of portion -- so unconscious --
The Robbing -- could not harm --
Himself -- to Him -- a Fortune --
Exterior -- to Time --
|
Written by
Mary Darby Robinson |
O TIME, forgive the mournful song
That on thy pinions stole along,
When the rude hand of pain severe
Chas'd down my cheek the burning tear;
When sorrow chill'd each warm desire
That kindles FANCY'S lambent fire;
When HOPE, by fost'ring FRIENDSHIP rear'd,
A phantom of the brain appear'd;
Forgive the song, devoid of art,
That stole spontaneous from my heart;
For when that heart shall throb no more,
And all its keen regrets be o'er;
Should kind remembrance shed one tear
To sacred FRIENDSHIP o'er my bier;
When the dark precincts of the tomb,
Shall hide me in its deepest gloom;
O! should'st thou on thy wafting wing
The sigh of gentle sorrow bring;
Or fondly deign to bear the name
Of one, alas! unknown to fame;
Then, shall my weak untutor'd rhyme,
Exulting boast the gifts of TIME.
But while I feel youth's vivid fire
Fann'd by the breath of care expire;
While no blest ray of HOPE divine,
O'er my chill'd bosom deigns to shine:
While doom'd to mark the vapid day
In tasteless languor waste away:
Still, still, my sad and plaintive rhyme
Must blame the ruthless pow'r of TIME.
Each infant flow'r of rainbow hue,
That bathes its head in morning dew,
At twilight droops; the mountain PINE,
Whose high and waving brows incline
O'er the white cataract's foamy way,
Shall at THY withering touch decay!
The craggy cliffs that proudly rise
In awful splendour 'midst the skies,
Shall to the vale in fragments roll,
Obedient to thy fell controul!
The loftiest fabric rear'd to fame;
The sculptur'd BUST, the POET'S name;
The softest tint of TITIAN die;
The boast of magic MINSTRELSY;
The vows to holy FRIENDSHIP dear;
The sainted smile of LOVE sincere,
The flame that warms th' empassion'd heart;
All that fine feeling can impart;
The wonders of exterior grace;
The spells that bind the fairest face;
Fade in oblivion's torpid hour
The victims of thy TYRANT POW'R!
|
Written by
Fernando Pessoa |
We are in Fate and Fate's and do but lack
Outness from soul to know ourselves its dwelling,
And do but compel Fate aside or back
By Fate's own immanence in the compelling.
We are too far in us from outward truth
To know how much we are not what we are,
And live but in the heat of error's youth,
Yet young enough its acting youth to ignore.
The doubleness of mind fails us, to glance
At our exterior presence amid things,
Sizing from otherness our countenance
And seeing our puppet will's act-acting strings.
An unknown language speaks in us, which we
Are at the words of, fronted from reality.
|
Written by
Walt Whitman |
RECORDERS ages hence!
Come, I will take you down underneath this impassive exterior—I will tell you what to
say
of
me;
Publish my name and hang up my picture as that of the tenderest lover,
The friend, the lover’s portrait, of whom his friend, his lover, was fondest,
Who was not proud of his songs, but of the measureless ocean of love within him—and
freely
pour’d it forth,
Who often walk’d lonesome walks, thinking of his dear friends, his lovers,
Who pensive, away from one he lov’d, often lay sleepless and dissatisfied at night,
Who knew too well the sick, sick dread lest the one he lov’d might secretly be
indifferent
to
him,
Whose happiest days were far away, through fields, in woods, on hills, he and another,
wandering
hand in hand, they twain, apart from other men,
Who oft as he saunter’d the streets, curv’d with his arm the shoulder of his
friend—while the arm of his friend rested upon him also.RECORDERS ages hence!
Come, I will take you down underneath this impassive exterior—I will tell you what to
say
of
me;
Publish my name and hang up my picture as that of the tenderest lover,
The friend, the lover’s portrait, of whom his friend, his lover, was fondest,
Who was not proud of his songs, but of the measureless ocean of love within him—and
freely
pour’d it forth,
Who often walk’d lonesome walks, thinking of his dear friends, his lovers,
Who pensive, away from one he lov’d, often lay sleepless and dissatisfied at night,
Who knew too well the sick, sick dread lest the one he lov’d might secretly be
indifferent
to
him,
Whose happiest days were far away, through fields, in woods, on hills, he and another,
wandering
hand in hand, they twain, apart from other men,
Who oft as he saunter’d the streets, curv’d with his arm the shoulder of his
friend—while the arm of his friend rested upon him also.
|
Written by
Fernando Pessoa |
Happy the maimed, the halt, the mad, the blind--
All who, stamped separate by curtailing birth,
Owe no duty's allegiance to mankind
Nor stand a valuing in their scheme of worth!
But I, whom Fate, not Nature, did curtail,
By no exterior voidness being exempt,
Must bear accusing glances where I fail,
Fixed in the general orbit of contempt.
Fate, less than Nature in being kind to lacking,
Giving the ill, shows not as outer cause,
Making our mock-free will the mirror's backing
Which Fate's own acts as if in itself shows;
And men, like children, seeing the image there,
Take place for cause and make our will Fate bear.
|