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Best Famous Ever Changing Poems

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Written by Percy Bysshe Shelley | Create an image from this poem

To the Moon

ART thou pale for weariness 
Of climbing heaven and gazing on the earth  
Wandering companionless 
Among the stars that have a different birth ¡ª 
And ever-changing like a joyless eye 5 
That finds no object worth its constancy? 


Written by Sara Teasdale | Create an image from this poem

A November Night

 There! See the line of lights,
A chain of stars down either side the street --
Why can't you lift the chain and give it to me,
A necklace for my throat? I'd twist it round
And you could play with it. You smile at me
As though I were a little dreamy child
Behind whose eyes the fairies live. . . . And see,
The people on the street look up at us
All envious. We are a king and queen,
Our royal carriage is a motor bus,
We watch our subjects with a haughty joy. . . .
How still you are! Have you been hard at work
And are you tired to-night? It is so long
Since I have seen you -- four whole days, I think.
My heart is crowded full of foolish thoughts
Like early flowers in an April meadow,
And I must give them to you, all of them,
Before they fade. The people I have met,
The play I saw, the trivial, shifting things
That loom too big or shrink too little, shadows
That hurry, gesturing along a wall,
Haunting or gay -- and yet they all grow real
And take their proper size here in my heart
When you have seen them. . . . There's the Plaza now,
A lake of light! To-night it almost seems
That all the lights are gathered in your eyes,
Drawn somehow toward you. See the open park
Lying below us with a million lamps
Scattered in wise disorder like the stars.
We look down on them as God must look down
On constellations floating under Him
Tangled in clouds. . . . Come, then, and let us walk
Since we have reached the park. It is our garden,
All black and blossomless this winter night,
But we bring April with us, you and I;
We set the whole world on the trail of spring.
I think that every path we ever took
Has marked our footprints in mysterious fire,
Delicate gold that only fairies see.
When they wake up at dawn in hollow tree-trunks
And come out on the drowsy park, they look
Along the empty paths and say, "Oh, here
They went, and here, and here, and here! Come, see,
Here is their bench, take hands and let us dance
About it in a windy ring and make
A circle round it only they can cross
When they come back again!" . . . Look at the lake --
Do you remember how we watched the swans
That night in late October while they slept?
Swans must have stately dreams, I think. But now
The lake bears only thin reflected lights
That shake a little. How I long to take
One from the cold black water -- new-made gold
To give you in your hand! And see, and see,
There is a star, deep in the lake, a star!
Oh, dimmer than a pearl -- if you stoop down
Your hand could almost reach it up to me. . . .

There was a new frail yellow moon to-night --
I wish you could have had it for a cup
With stars like dew to fill it to the brim. . . .

How cold it is! Even the lights are cold;
They have put shawls of fog around them, see!
What if the air should grow so dimly white
That we would lose our way along the paths
Made new by walls of moving mist receding
The more we follow. . . . What a silver night!
That was our bench the time you said to me
The long new poem -- but how different now,
How eerie with the curtain of the fog
Making it strange to all the friendly trees!
There is no wind, and yet great curving scrolls
Carve themselves, ever changing, in the mist.
Walk on a little, let me stand here watching
To see you, too, grown strange to me and far. . . .
I used to wonder how the park would be
If one night we could have it all alone --
No lovers with close arm-encircled waists
To whisper and break in upon our dreams.
And now we have it! Every wish comes true!
We are alone now in a fleecy world;
Even the stars have gone. We two alone!
Written by John Greenleaf Whittier | Create an image from this poem

The Norsemen (From Narrative and Legendary Poems )

 GIFT from the cold and silent Past! 
A relic to the present cast, 
Left on the ever-changing strand 
Of shifting and unstable sand, 
Which wastes beneath the steady chime 
And beating of the waves of Time! 
Who from its bed of primal rock 
First wrenched thy dark, unshapely block? 
Whose hand, of curious skill untaught, 
Thy rude and savage outline wrought? 
The waters of my native stream 
Are glancing in the sun's warm beam; 
From sail-urged keel and flashing oar 
The circles widen to its shore; 
And cultured field and peopled town 
Slope to its willowed margin down. 
Yet, while this morning breeze is bringing 
The home-life sound of school-bells ringing, 
And rolling wheel, and rapid jar 
Of the fire-winged and steedless car, 
And voices from the wayside near 
Come quick and blended on my ear,-- 
A spell is in this old gray stone, 
My thoughts are with the Past alone! 

A change! -- The steepled town no more 
Stretches along the sail-thronged shore; 
Like palace-domes in sunset's cloud, 
Fade sun-gilt spire and mansion proud: 
Spectrally rising where they stood, 
I see the old, primeval wood; 
Dark, shadow-like, on either hand 
I see its solemn waste expand; 
It climbs the green and cultured hill, 
It arches o'er the valley's rill, 
And leans from cliff and crag to throw 
Its wild arms o'er the stream below. 
Unchanged, alone, the same bright river 
Flows on, as it will flow forever! 
I listen, and I hear the low 
Soft ripple where its water go; 
I hear behind the panther's cry, 
The wild-bird's scream goes thrilling by, 
And shyly on the river's brink 
The deer is stooping down to drink. 

But hard! -- from wood and rock flung back, 
What sound come up the Merrimac? 
What sea-worn barks are those which throw 
The light spray from each rushing prow? 
Have they not in the North Sea's blast 
Bowed to the waves the straining mast? 
Their frozen sails the low, pale sun 
Of Thulë's night has shone upon; 
Flapped by the sea-wind's gusty sweep 
Round icy drift, and headland steep. 
Wild Jutland's wives and Lochlin's daughters 
Have watched them fading o'er the waters, 
Lessening through driving mist and spray, 
Like white-winged sea-birds on their way! 

Onward they glide, -- and now I view 
Their iron-armed and stalwart crew; 
Joy glistens in each wild blue eye, 
Turned to green earth and summer sky. 
Each broad, seamed breast has cast aside 
Its cumbering vest of shaggy hide; 
Bared to the sun and soft warm air, 
Streams back the Northmen's yellow hair. 
I see the gleam of axe and spear, 
A sound of smitten shields I hear, 
Keeping a harsh and fitting time 
To Saga's chant, and Runic rhyme; 
Such lays as Zetland's Scald has sung, 
His gray and naked isles among; 
Or mutter low at midnight hour 
Round Odin's mossy stone of power. 
The wolf beneath the Arctic moon 
Has answered to that startling rune; 
The Gael has heard its stormy swell, 
The light Frank knows its summons well; 
Iona's sable-stoled Culdee 
Has heard it sounding o'er the sea, 
And swept, with hoary beard and hair, 
His altar's foot in trembling prayer! 

'T is past, -- the 'wildering vision dies 
In darkness on my dreaming eyes! 
The forest vanishes in air, 
Hill-slope and vale lie starkly bare; 
I hear the common tread of men, 
And hum of work-day life again; 
The mystic relic seems alone 
A broken mass of common stone; 
And if it be the chiselled limb 
Of Berserker or idol grim, 
A fragment of Valhalla's Thor, 
The stormy Viking's god of War, 
Or Praga of the Runic lay, 
Or love-awakening Siona, 
I know not, -- for no graven line, 
Nor Druid mark, nor Runic sign, 
Is left me here, by which to trace 
Its name, or origin, or place. 
Yet, for this vision of the Past, 
This glance upon its darkness cast, 
My spirit bows in gratitude 
Before the Giver of all good, 
Who fashioned so the human mind, 
That, from the waste of Time behind, 
A simple stone, or mound of earth, 
Can summon the departed forth; 
Quicken the Past to life again, 
The Present lose in what hath been, 
And in their primal freshness show 
The buried forms of long ago. 
As if a portion of that Thought 
By which the Eternal will is wrought, 
Whose impulse fills anew with breath 
The frozen solitude of Death, 
To mortal mind were sometimes lent, 
To mortal musing sometimes sent, 
To whisper -- even when it seems 
But Memory's fantasy of dreams -- 
Through the mind's waste of woe and sin, 
Of an immortal origin!
Written by Percy Bysshe Shelley | Create an image from this poem

Epipsychidion (excerpt)

 Emily, 
A ship is floating in the harbour now,
A wind is hovering o'er the mountain's brow;
There is a path on the sea's azure floor,
No keel has ever plough'd that path before;
The halcyons brood around the foamless isles;
The treacherous Ocean has forsworn its wiles;
The merry mariners are bold and free:
Say, my heart's sister, wilt thou sail with me?
Our bark is as an albatross, whose nest
Is a far Eden of the purple East;
And we between her wings will sit, while Night,
And Day, and Storm, and Calm, pursue their flight,
Our ministers, along the boundless Sea,
Treading each other's heels, unheededly.
It is an isle under Ionian skies,
Beautiful as a wreck of Paradise,
And, for the harbours are not safe and good,
This land would have remain'd a solitude
But for some pastoral people native there,
Who from the Elysian, clear, and golden air
Draw the last spirit of the age of gold,
Simple and spirited; innocent and bold.
The blue Aegean girds this chosen home,
With ever-changing sound and light and foam,
Kissing the sifted sands, and caverns hoar;
And all the winds wandering along the shore
Undulate with the undulating tide:
There are thick woods where sylvan forms abide;
And many a fountain, rivulet and pond,
As clear as elemental diamond,
Or serene morning air; and far beyond,
The mossy tracks made by the goats and deer
(Which the rough shepherd treads but once a year)
Pierce into glades, caverns and bowers, and halls
Built round with ivy, which the waterfalls
Illumining, with sound that never fails
Accompany the noonday nightingales;
And all the place is peopled with sweet airs;
The light clear element which the isle wears
Is heavy with the scent of lemon-flowers,
Which floats like mist laden with unseen showers,
And falls upon the eyelids like faint sleep;
And from the moss violets and jonquils peep
And dart their arrowy odour through the brain
Till you might faint with that delicious pain.
And every motion, odour, beam and tone,
With that deep music is in unison:
Which is a soul within the soul--they seem
Like echoes of an antenatal dream.
It is an isle 'twixt Heaven, Air, Earth and Sea,
Cradled and hung in clear tranquillity;
Bright as that wandering Eden Lucifer,
Wash'd by the soft blue Oceans of young air.
It is a favour'd place. Famine or Blight,
Pestilence, War and Earthquake, never light
Upon its mountain-peaks; blind vultures, they
Sail onward far upon their fatal way:
The wingèd storms, chanting their thunder-psalm
To other lands, leave azure chasms of calm
Over this isle, or weep themselves in dew,
From which its fields and woods ever renew
Their green and golden immortality.
And from the sea there rise, and from the sky
There fall, clear exhalations, soft and bright,
Veil after veil, each hiding some delight,
Which Sun or Moon or zephyr draw aside,
Till the isle's beauty, like a naked bride
Glowing at once with love and loveliness,
Blushes and trembles at its own excess:
Yet, like a buried lamp, a Soul no less
Burns in the heart of this delicious isle,
An atom of th' Eternal, whose own smile
Unfolds itself, and may be felt not seen
O'er the gray rocks, blue waves and forests green,
Filling their bare and void interstices.
But the chief marvel of the wilderness
Is a lone dwelling, built by whom or how
None of the rustic island-people know:
'Tis not a tower of strength, though with its height
It overtops the woods; but, for delight,
Some wise and tender Ocean-King, ere crime
Had been invented, in the world's young prime,
Rear'd it, a wonder of that simple time,
An envy of the isles, a pleasure-house
Made sacred to his sister and his spouse.
It scarce seems now a wreck of human art,
But, as it were, Titanic; in the heart
Of Earth having assum'd its form, then grown
Out of the mountains, from the living stone,
Lifting itself in caverns light and high:
For all the antique and learned imagery
Has been eras'd, and in the place of it
The ivy and the wild-vine interknit
The volumes of their many-twining stems;
Parasite flowers illume with dewy gems
The lampless halls, and when they fade, the sky
Peeps through their winter-woof of tracery
With moonlight patches, or star atoms keen,
Or fragments of the day's intense serene;
Working mosaic on their Parian floors.
And, day and night, aloof, from the high towers
And terraces, the Earth and Ocean seem
To sleep in one another's arms, and dream
Of waves, flowers, clouds, woods, rocks, and all that we
Read in their smiles, and call reality.

This isle and house are mine, and I have vow'd
Thee to be lady of the solitude.
And I have fitted up some chambers there
Looking towards the golden Eastern air,
And level with the living winds, which flow
Like waves above the living waves below.
I have sent books and music there, and all
Those instruments with which high Spirits call
The future from its cradle, and the past
Out of its grave, and make the present last
In thoughts and joys which sleep, but cannot die,
Folded within their own eternity.
Our simple life wants little, and true taste
Hires not the pale drudge Luxury to waste
The scene it would adorn, and therefore still,
Nature with all her children haunts the hill.
The ring-dove, in the embowering ivy, yet
Keeps up her love-lament, and the owls flit
Round the evening tower, and the young stars glance
Between the quick bats in their twilight dance;
The spotted deer bask in the fresh moonlight
Before our gate, and the slow, silent night
Is measur'd by the pants of their calm sleep.
Be this our home in life, and when years heap
Their wither'd hours, like leaves, on our decay,
Let us become the overhanging day,
The living soul of this Elysian isle,
Conscious, inseparable, one. Meanwhile
We two will rise, and sit, and walk together,
Under the roof of blue Ionian weather,
And wander in the meadows, or ascend
The mossy mountains, where the blue heavens bend
With lightest winds, to touch their paramour;
Or linger, where the pebble-paven shore,
Under the quick, faint kisses of the sea,
Trembles and sparkles as with ecstasy--
Possessing and possess'd by all that is
Within that calm circumference of bliss,
And by each other, till to love and live
Be one: or, at the noontide hour, arrive
Where some old cavern hoar seems yet to keep
The moonlight of the expir'd night asleep,
Through which the awaken'd day can never peep;
A veil for our seclusion, close as night's,
Where secure sleep may kill thine innocent lights;
Sleep, the fresh dew of languid love, the rain
Whose drops quench kisses till they burn again.
And we will talk, until thought's melody
Become too sweet for utterance, and it die
In words, to live again in looks, which dart
With thrilling tone into the voiceless heart,
Harmonizing silence without a sound.
Our breath shall intermix, our bosoms bound,
And our veins beat together; and our lips
With other eloquence than words, eclipse
The soul that burns between them, and the wells
Which boil under our being's inmost cells,
The fountains of our deepest life, shall be
Confus'd in Passion's golden purity,
As mountain-springs under the morning sun.
We shall become the same, we shall be one
Spirit within two frames, oh! wherefore two?
One passion in twin-hearts, which grows and grew,
Till like two meteors of expanding flame,
Those spheres instinct with it become the same,
Touch, mingle, are transfigur'd; ever still
Burning, yet ever inconsumable:
In one another's substance finding food,
Like flames too pure and light and unimbu'd
To nourish their bright lives with baser prey,
Which point to Heaven and cannot pass away:
One hope within two wills, one will beneath
Two overshadowing minds, one life, one death,
One Heaven, one Hell, one immortality,
And one annihilation. Woe is me!
The winged words on which my soul would pierce
Into the height of Love's rare Universe,
Are chains of lead around its flight of fire--
I pant, I sink, I tremble, I expire!
Written by Ogden Nash | Create an image from this poem

Always Marry An April Girl

 Praise the spells and bless the charms,
I found April in my arms.
April golden, April cloudy,
Gracious, cruel, tender, rowdy;
April soft in flowered languor,
April cold with sudden anger,
Ever changing, ever true --
I love April, I love you.


Written by Theodore Roethke | Create an image from this poem

The Far Field

 I

I dream of journeys repeatedly:
Of flying like a bat deep into a narrowing tunnel
Of driving alone, without luggage, out a long peninsula,
The road lined with snow-laden second growth,
A fine dry snow ticking the windshield,
Alternate snow and sleet, no on-coming traffic,
And no lights behind, in the blurred side-mirror,
The road changing from glazed tarface to a rubble of stone,
Ending at last in a hopeless sand-rut,
Where the car stalls,
Churning in a snowdrift
Until the headlights darken. 

II

At the field's end, in the corner missed by the mower,
Where the turf drops off into a grass-hidden culvert,
Haunt of the cat-bird, nesting-place of the field-mouse,
Not too far away from the ever-changing flower-dump,
Among the tin cans, tires, rusted pipes, broken machinery, --
One learned of the eternal;
And in the shrunken face of a dead rat, eaten by rain and ground-beetles
(I found in lying among the rubble of an old coal bin)
And the tom-cat, caught near the pheasant-run,
Its entrails strewn over the half-grown flowers,
Blasted to death by the night watchman.

I suffered for young birds, for young rabbits caught in the mower,
My grief was not excessive.
For to come upon warblers in early May
Was to forget time and death:
How they filled the oriole's elm, a twittering restless cloud, all one morning,
And I watched and watched till my eyes blurred from the bird shapes, -- 
Cape May, Blackburnian, Cerulean, -- 
Moving, elusive as fish, fearless, 
Hanging, bunched like young fruit, bending the end branches,
Still for a moment,
Then pitching away in half-flight,
Lighter than finches,
While the wrens bickered and sang in the half-green hedgerows,
And the flicker drummed from his dead tree in the chicken-yard.

-- Or to lie naked in sand,
In the silted shallows of a slow river,
Fingering a shell,
Thinking:
Once I was something like this, mindless,
Or perhaps with another mind, less peculiar;
Or to sink down to the hips in a mossy quagmire;
Or, with skinny knees, to sit astride a wet log,
Believing:
I'll return again,
As a snake or a raucous bird,
Or, with luck, as a lion.

I learned not to fear infinity,
The far field, the windy cliffs of forever,
The dying of time in the white light of tomorrow,
The wheel turning away from itself,
The sprawl of the wave,
The on-coming water.


II
The river turns on itself,
The tree retreats into its own shadow.
I feel a weightless change, a moving forward
As of water quickening before a narrowing channel
When banks converge, and the wide river whitens;
Or when two rivers combine, the blue glacial torrent
And the yellowish-green from the mountainy upland, -- 
At first a swift rippling between rocks,
Then a long running over flat stones
Before descending to the alluvial plane,
To the clay banks, and the wild grapes hanging from the elmtrees.
The slightly trembling water
Dropping a fine yellow silt where the sun stays;
And the crabs bask near the edge,
The weedy edge, alive with small snakes and bloodsuckers, -- 
I have come to a still, but not a deep center,
A point outside the glittering current;
My eyes stare at the bottom of a river,
At the irregular stones, iridescent sandgrains,
My mind moves in more than one place,
In a country half-land, half-water.

I am renewed by death, thought of my death,
The dry scent of a dying garden in September,
The wind fanning the ash of a low fire.
What I love is near at hand,
Always, in earth and air. 


IV

The lost self changes,
Turning toward the sea,
A sea-shape turning around, -- 
An old man with his feet before the fire,
In robes of green, in garments of adieu.
A man faced with his own immensity
Wakes all the waves, all their loose wandering fire.
The murmur of the absolute, the why
Of being born falls on his naked ears.
His spirit moves like monumental wind
That gentles on a sunny blue plateau.
He is the end of things, the final man.

All finite things reveal infinitude: 
The mountain with its singular bright shade
Like the blue shine on freshly frozen snow, 
The after-light upon ice-burdened pines;
Odor of basswood on a mountain-slope,
A scent beloved of bees;
Silence of water above a sunken tree : 
The pure serene of memory in one man, --
A ripple widening from a single stone
Winding around the waters of the world.
Written by Percy Bysshe Shelley | Create an image from this poem

The Moon

I
AND, like a dying lady lean and pale,

Who totters forth, wrapp'd in a gauzy veil, 
Out of her chamber, led by the insane 
And feeble wanderings of her fading brain, 
The mood arose up in the murky east, 5 
A white and shapeless mass. 

II
Art thou pale for weariness

Of climbing heaven and gazing on the earth, 
Wandering companionless 
Among the stars that have a different birth, 10 
And ever changing, like a joyless eye 
That finds no object worth its constancy?  
Written by Fannie Isabelle Sherrick | Create an image from this poem

Girlhood

Girlhood, the dearest time of joy and love,
The sunny spring of gladness and of peace,
The time that joins its links with heaven above,
And all that's pure below; a running ease
Of careless thought beguiles the murmuring stream
Of girlish life, and as some sweet, vague dream,
The fleeting days go by; fair womanhood
Comes oft to lure the girlish feet away,
But by the brooklet still they love to stray,
Nor long to seek the world's engulfing flood.
Hilda—a name that seems to stand alone—
So strong, so clear it sharply echoing tone;
And yet a name that holds a weirdlike grace,
Withal like some strange, haunting, beauteous face;
A woman's name, by woman's truth made dear,
That leans upon itself and knows no fear,
And yet a name a shrinking girl might wear,
With girlish ease, devoid of thought and care.
And she is worthy of this name so true—
This girl with thoughtful eyes of darkest hue,
This maiden stepping o'er the golden line
That separates the child from woman divine.
Not yet she feels the longing, vague unrest
That ever fills the woman's throbbing breast,
But with a childlike questioning after truth,
She lingers yet amid the dreams of youth.
And now upon the bounding ocean's shore
She stands where creep the wavelets more and more,
Until at last the rocky ledge they meet,
And break in foam around her lingering feet.
Her eyes glance downward in a careless way,
As though she loved their soft caressing play,
And fain would stand and muse forever there,
Lulled by their murmuring sound.
                                  Placid and fair
The ocean lies before her dreamy eyes,
Stretched forth in beauty 'neath the sunny skies,
And through the clouds' far lifting, sheeny mist
She sees the pale blue skies by sunlight kissed.
Enraptured by the calm and holy scene,
She stands a creature pure and glad; serene,
Her eyes glance heavenward and a roseate shade
Plays o'er her Hebe features—perfect made.
A child of nature, she has never known
The arts and wiles which worldlier spirits own;
She loves the ocean's ever changing play,
When round her form is flung its dashing spray,
And oft she laughs in wildest, merriest glee
When folded close within its billows free.
She loves the wildwood's green and leafy maze,
Within whose foliage hide the sun's bright rays;
And like a child she hoards the bright-eyed flowers,
Companions of so many happy hours.
With loving heart she greets each form of earth,
To which God's kindly hand has given birth.
But better far than all, she loves to roam
Far on the cliff's lone height, and there at eve
To watch the dark ships as they wander home.
Strange dreams in this calm hour her fancies weave,
So quaint and odd, they seem but shadowy rays,
Caught from the sunset's deep, mysterious haze.
Lo! now she stands like some pale statue fair,
With eyes cast down and careless falling hair;
She vaguely dreams of things that are to be,
A woman's future, noble, fresh and free;
And o'er her face youth's crimson colors flow,
As with a beating heart she thinks she'll give
Her life to one true heart, and with a glow
Of pride she vows her future life to live
So good and true that all her days shall seem
But the fulfillment of his heart's proud dream.
Yet soon she trembles with some unknown thought,
A vague and restless longing fills her breast,
And with a passionate fear her mind is wrought.
She cannot case away the strange unrest;
With hands clasped close in attitude of prayer
She stands, her pleading face so young and fair,
Is turned unto the skies, but no, not here
Will God speak all unto her listening ear;
Too soon in dark, deep strife upon this shore
Her soul will yield its peace forevermore.
And then she hurries home with flying feet,
The faces of that humble home to meet;
For there in peace her dear old parents dwell,
That simple twain who love this maid so well
They fain would keep her with them ever there,
A thoughtless child, free from all grief and care.
But ah! they cannot understand the heart,
Which turns from all their loving ways apart,
And dwells within a region of its own.
Within that home she seems to stand alone,
While all unseen the forces gather, day
By day, that o'er her life shall hold their sway;
And like a fragile flower before the storm,
She bows her head and ends her slender form,
For even like the flower she must stand
And brave the tempest, for 'tis God's command.
And like to her how many a girl has stood
Upon the unknown brink of womanhood
And sought in vain from guiding hand and power;
But unlike her in that dread trial hour,
They've lost their faith, for Hilda's trusting mind,
E'en though it stood alone, had so much strength,
And faith that to life's problem she could find
Solution strange and subtle; even though at length
She might complain and grieve o'er all the wasted past.
Oh! life is dark and full of unseen care,
And better were it if all girls thus fair
And young were truly understood at last.
For every girl some time will feel the need
Of loving hearts to strengthen and to lead,
When first are opened to her wondering eyes
The world's fair fields and seeming paradise.
She only sees the beauty—hears the song,
Knows not the hidden snares, nor dreams of wrong.
'Tis woman's happiest time, and yet 'tis true
A sombre tinge may mar its brightest hue.
For girlhood too will have its doubts and fears,
Will lose the past and long for coming years,
And sad indeed when youth is left alone
To face the coming future all unknown.
The eyes see not that should be strong and keen;
While powerless, weak girlhood stands between
The tides of life, and though its aims are high,
How often will they fail!
                           Where dangers lie
Poor Hilda stands and knows it not, the dream
Of life to her is bright, youth's sunny gleam
Shines over all in tender, softened light,
And swiftly do the moments wing their flight.
But yet so sensitive her shrinking soul,
That o'er her life sometimes great shadows roll,
Like angry clouds; upon a wild dark shore
She stands, alone and weak, while more and more
The unknown forces grow and cast their blight,
Till all the past is lost in one dark night;
Unto the woman's lot her life is cast,
And like a dream the girlish days drift past.
Written by Edwin Markham | Create an image from this poem

Lincoln The Man Of The People

 WHEN the Norn Mother saw the Whirlwind Hour 
Greatening and darkening as it hurried on, 
She left the Heaven of Heroes and came down 
To make a man to meet the mortal need. 
She took the tried clay of the common road-- 
Clay warm yet with the genial heat of earth, 
Dashed through it all a strain of prophecy; 
Tempered the heap with thrill of human tears; 
Then mixed a laughter with the serious stuff. 
Into the shape she breathed a flame to light 
That tender, tragic, ever-changing face. 
Here was a man to hold against the world, 
A man to match the mountains and the sea. 

The color of the ground was in him, the red earth; 
The smack and tang of elemental things: 
The rectitude and patience of the cliff; 
The good-will of the rain that loves all leaves; 
The friendly welcome of the wayside well; 
The courage of the bird that dares the sea; 
The gladness of the wind that shakes the corn; 
The pity of the snow that hides all scars; 
The secrecy of streams that make their way 
Beneath the mountain to the rifted rock; 
The tolerance and equity of light 
That gives as freely to the shrinking flower 
As to the great oak flaring to the wind-- 
To the grave's low hill as to the Matterhorn 
That shoulders out the sky. 

Sprung from the West, 
The strength of virgin forests braced his mind, 
The hush of spacious prairies stilled his soul. 
Up from log cabin to the Capitol, 
One fire was on his spirit, one resolve:-- 
To send the keen axe to the root of wrong, 
Clearing a free way for the feet of God. 
And evermore he burned to do his deed 
With the fine stroke and gesture of a king: 
He built the rail-pile as he built the State, 
Pouring his splendid strength through every blow; 
The conscience of him testing every stroke, 
To make his deed the measure of a man. 

So came the Captain with the mighty heart; 
And when the judgment thunders split the house, 
Wrenching the rafters from their ancient rest, 
He held the ridgepole up, and spiked again 
The rafters of the Home. He held his place-- 
Held the long purpose like a growing tree-- 
Held on through blame and faltered not at praise. 
And when he fell in whirlwind, he went down 
As when a lordly cedar, green with boughs, 
Goes down with a great shout upon the hills, 
And leaves a lonesome place against the sky.
Written by Percy Bysshe Shelley | Create an image from this poem

Art Thou Pale For Weariness

 Art thou pale for weariness 
Of climbing heaven and gazing on the earth,
Wandering companionless
Among the stars that have a different birth,
And ever changing, like a joyless eye
That finds no object worth its constancy?

Book: Reflection on the Important Things