Written by
Robert Frost |
What tree may not the fig be gathered from?
The grape may not be gathered from the birch?
It's all you know the grape, or know the birch.
As a girl gathered from the birch myself
Equally with my weight in grapes, one autumn,
I ought to know what tree the grape is fruit of.
I was born, I suppose, like anyone,
And grew to be a little boyish girl
My brother could not always leave at home.
But that beginning was wiped out in fear
The day I swung suspended with the grapes,
And was come after like Eurydice
And brought down safely from the upper regions;
And the life I live now's an extra life
I can waste as I please on whom I please.
So if you see me celebrate two birthdays,
And give myself out of two different ages,
One of them five years younger than I look-
One day my brother led me to a glade
Where a white birch he knew of stood alone,
Wearing a thin head-dress of pointed leaves,
And heavy on her heavy hair behind,
Against her neck, an ornament of grapes.
Grapes, I knew grapes from having seen them last year.
One bunch of them, and there began to be
Bunches all round me growing in white birches,
The way they grew round Leif the Lucky's German;
Mostly as much beyond my lifted hands, though,
As the moon used to seem when I was younger,
And only freely to be had for climbing.
My brother did the climbing; and at first
Threw me down grapes to miss and scatter
And have to hunt for in sweet fern and hardhack;
Which gave him some time to himself to eat,
But not so much, perhaps, as a boy needed.
So then, to make me wholly self-supporting,
He climbed still higher and bent the tree to earth
And put it in my hands to pick my own grapes.
"Here, take a tree-top, I'll get down another.
Hold on with all your might when I let go."
I said I had the tree. It wasn't true.
The opposite was true. The tree had me.
The minute it was left with me alone
It caught me up as if I were the fish
And it the fishpole. So I was translated
To loud cries from my brother of "Let go!
Don't you know anything, you girl? Let go!"
But I, with something of the baby grip
Acquired ancestrally in just such trees
When wilder mothers than our wildest now
Hung babies out on branches by the hands
To dry or wash or tan, I don't know which,
(You'll have to ask an evolutionist)-
I held on uncomplainingly for life.
My brother tried to make me laugh to help me.
"What are you doing up there in those grapes?
Don't be afraid. A few of them won't hurt you.
I mean, they won't pick you if you don't them."
Much danger of my picking anything!
By that time I was pretty well reduced
To a philosophy of hang-and-let-hang.
"Now you know how it feels," my brother said,
"To be a bunch of fox-grapes, as they call them,
That when it thinks it has escaped the fox
By growing where it shouldn't-on a birch,
Where a fox wouldn't think to look for it-
And if he looked and found it, couldn't reach it-
Just then come you and I to gather it.
Only you have the advantage of the grapes
In one way: you have one more stem to cling by,
And promise more resistance to the picker."
One by one I lost off my hat and shoes,
And still I clung. I let my head fall back,
And shut my eyes against the sun, my ears
Against my brother's nonsense; "Drop," he said,
"I'll catch you in my arms. It isn't far."
(Stated in lengths of him it might not be.)
"Drop or I'll shake the tree and shake you down."
Grim silence on my part as I sank lower,
My small wrists stretching till they showed the banjo strings.
"Why, if she isn't serious about it!
Hold tight awhile till I think what to do.
I'll bend the tree down and let you down by it."
I don't know much about the letting down;
But once I felt ground with my stocking feet
And the world came revolving back to me,
I know I looked long at my curled-up fingers,
Before I straightened them and brushed the bark off.
My brother said: "Don't you weigh anything?
Try to weigh something next time, so you won't
Be run off with by birch trees into space."
It wasn't my not weighing anything
So much as my not knowing anything-
My brother had been nearer right before.
I had not taken the first step in knowledge;
I had not learned to let go with the hands,
As still I have not learned to with the heart,
And have no wish to with the heart-nor need,
That I can see. The mind-is not the heart.
I may yet live, as I know others live,
To wish in vain to let go with the mind-
Of cares, at night, to sleep; but nothing tells me
That I need learn to let go with the heart.
|
Written by
John Ashbery |
Orpheus liked the glad personal quality
Of the things beneath the sky. Of course, Eurydice was a part
Of this. Then one day, everything changed. He rends
Rocks into fissures with lament. Gullies, hummocks
Can't withstand it. The sky shudders from one horizon
To the other, almost ready to give up wholeness.
Then Apollo quietly told him: "Leave it all on earth.
Your lute, what point? Why pick at a dull pavan few care to
Follow, except a few birds of dusty feather,
Not vivid performances of the past." But why not?
All other things must change too.
The seasons are no longer what they once were,
But it is the nature of things to be seen only once,
As they happen along, bumping into other things, getting along
Somehow. That's where Orpheus made his mistake.
Of course Eurydice vanished into the shade;
She would have even if he hadn't turned around.
No use standing there like a gray stone toga as the whole wheel
Of recorded history flashes past, struck dumb, unable to
utter an intelligent
Comment on the most thought-provoking element in its train.
Only love stays on the brain, and something these people,
These other ones, call life. Singing accurately
So that the notes mount straight up out of the well of
Dim noon and rival the tiny, sparkling yellow flowers
Growing around the brink of the quarry, encapsulizes
The different weights of the things.
But it isn't enough
To just go on singing. Orpheus realized this
And didn't mind so much about his reward being in heaven
After the Bacchantes had torn him apart, driven
Half out of their minds by his music, what it was doing to them.
Some say it was for his treatment of Eurydice.
But probably the music had more to do with it, and
The way music passes, emblematic
Of life and how you cannot isolate a note of it
And say it is good or bad. You must
Wait till it's over. "The end crowns all,"
Meaning also that the "tableau"
Is wrong. For although memories, of a season, for example,
Melt into a single snapshot, one cannot guard, treasure
That stalled moment. It too is flowing, fleeting;
It is a picture of flowing, scenery, though living, mortal,
Over which an abstract action is laid out in blunt,
Harsh strokes. And to ask more than this
Is to become the tossing reeds of that slow,
Powerful stream, the trailing grasses
Playfully tugged at, but to participate in the action
No more than this. Then in the lowering gentian sky
Electric twitches are faintly apparent first, then burst forth
Into a shower of fixed, cream-colored flares. The horses
Have each seen a share of the truth, though each thinks,
"I'm a maverick. Nothing of this is happening to me,
Though I can understand the language of birds, and
The itinerary of the lights caught in the storm is
fully apparent to me.
Their jousting ends in music much
As trees move more easily in the wind after a summer storm
And is happening in lacy shadows of shore-trees, now,
day after day."
But how late to be regretting all this, even
Bearing in mind that regrets are always late, too late!
To which Orpheus, a bluish cloud with white contours,
Replies that these are of course not regrets at all,
Merely a careful, scholarly setting down of
Unquestioned facts, a record of pebbles along the way.
And no matter how all this disappeared,
Or got where it was going, it is no longer
Material for a poem. Its subject
Matters too much, and not enough, standing there helplessly
While the poem streaked by, its tail afire, a bad
Comet screaming hate and disaster, but so turned inward
That the meaning, good or other, can never
Become known. The singer thinks
Constructively, builds up his chant in progressive stages
Like a skyscraper, but at the last minute turns away.
The song is engulfed in an instant in blackness
Which must in turn flood the whole continent
With blackness, for it cannot see. The singer
Must then pass out of sight, not even relieved
Of the evil burthen of the words. Stellification
Is for the few, and comes about much later
When all record of these people and their lives
Has disappeared into libraries, onto microfilm.
A few are still interested in them. "But what about
So-and-so?" is still asked on occasion. But they lie
Frozen and out of touch until an arbitrary chorus
Speaks of a totally different incident with a similar name
In whose tale are hidden syllables
Of what happened so long before that
In some small town, one different summer.
|
Written by
Francesco Petrarch |
SESTINA I. Mia benigna fortuna e 'l viver lieto. IN HIS MISERY HE DESIRES DEATH THE MORE HE REMEMBERS HIS PAST CONTENTMENT AND COMFORT. My favouring fortune and my life of joy,My days so cloudless, and my tranquil nights,The tender sigh, the pleasing power of song,Which gently wont to sound in verse and rhyme,[Pg 289]Suddenly darken'd into grief and tears,Make me hate life and inly pray for death! O cruel, grim, inexorable Death!How hast thou dried my every source of joy,And left me to drag on a life of tears,Through darkling days and melancholy nights.My heavy sighs no longer meet in rhyme,And my hard martyrdom exceeds all song! Where now is vanish'd my once amorous song?To talk of anger and to treat with death;Where the fond verses, where the happy rhymeWelcomed by gentle hearts with pensive joy?Where now Love's communings that cheer'd my nights?My sole theme, my one thought, is now but tears! Erewhile to my desire so sweet were tearsTheir tenderness refined my else rude song,And made me wake and watch the livelong nights;But sorrow now to me is worse than death,Since lost for aye that look of modest joy,The lofty subject of my lowly rhyme! Love in those bright eyes to my ready rhymeGave a fair theme, now changed, alas! to tears;With grief remembering that time of joy,My changed thoughts issue find in other song,Evermore thee beseeching, pallid Death,To snatch and save me from these painful nights! Sleep has departed from my anguish'd nights,Music is absent from my rugged rhyme,Which knows not now to sound of aught but death;Its notes, so thrilling once, all turn'd to tears,Love knows not in his reign such varied song,As full of sadness now as then of joy! Man lived not then so crown'd as I with joy,Man lives not now such wretched days and nights;And my full festering grief but swells the songWhich from my bosom draws the mournful rhyme;I lived in hope, who now live but in tears,Nor against death have other hope save death! [Pg 290]Me Death in her has kill'd; and only DeathCan to my sight restore that face of joy,Which pleasant made to me e'en sighs and tears,Balmy the air, and dewy soft the nights,Wherein my choicest thoughts I gave to rhymeWhile Love inspirited my feeble song! Would that such power as erst graced Orpheus' songWere mine to win my Laura back from death,As he Eurydice without a rhyme;Then would I live in best excess of joy;Or, that denied me, soon may some sad nightClose for me ever these twin founts of tears! Love! I have told with late and early tears,My grievous injuries in doleful song;Not that I hope from thee less cruel nights;And therefore am I urged to pray for death,Which hence would take me but to crown with joy,Where lives she whom I sing in this sad rhyme! If so high may aspire my weary rhyme,To her now shelter'd safe from rage and tears,Whose beauties fill e'en heaven with livelier joy,Well would she recognise my alter'd song,Which haply pleased her once, ere yet by deathHer days were cloudless made and dark my nights! O ye, who fondly sigh for better nights,Who listen to love's will, or sing in rhyme,Pray that for me be no delay in death,The port of misery, the goal of tears,But let him change for me his ancient song,Since what makes others sad fills me with joy! Ay! for such joy, in one or in few nights,I pray in rude song and in anguish'd rhyme,That soon my tears may ended be in death! Macgregor.
|
Written by
John Milton |
Hence, loathed Melancholy,
............Of Cerberus and blackest Midnight born
In Stygian cave forlorn
............'Mongst horrid shapes, and shrieks, and sights
unholy!
Find out some uncouth cell,
............Where brooding Darkness spreads his jealous wings,
And the night-raven sings;
............There, under ebon shades and low-browed rocks,
As ragged as thy locks,
............In dark Cimmerian desert ever dwell.
But come, thou Goddess fair and free,
In heaven yclept Euphrosyne,
And by men heart-easing Mirth;
Whom lovely Venus, at a birth,
With two sister Graces more,
To ivy-crowned Bacchus bore:
Or whether (as some sager sing)
The frolic wind that breathes the spring,
Zephyr, with Aurora pIaying,
As he met her once a-Maying,
There, on beds of violets blue,
And fresh-blown roses washed in dew,
Filled her with thee,. a daughter fair,
So buxom, blithe, and debonair.
Haste thee, Nymph, and bring with thee
Jest, and youthful Jollity,
Quips and cranks and wanton wiles,
Nods and becks and wreathed smiles
Such as hang on Hebe's cheek,
And love to live in dimple sleek;
Sport that wrinkled Care derides,
And Laughter holding both his sides.
Come, and trip it, as you go,
On the light fantastic toe;
And in thy right hand lead with thee
The mountain-nymph, sweet Liberty;
And, if I give thee honour due,
Mirth, admit me of thy crew,
To live with her, and live with thee,
In unreproved pleasures free:
To hear the lark begin his flight,
And, singing, startle the dull night,
From his watch-tower in the skies,
Till the dappled dawn doth rise;
Then to come, in spite of sorrow,
And at my window bid good-morrow,
Through the sweet-briar or the vine,
Or the twisted eglantine;
While the cock, with lively din,
Scatters the rear of darkness thin,
And to the stack, or the barn-door,
Stoutly struts his dames before:
Oft listening how the hounds and horn
Cheerly rouse the slumbering morn,
From the side of some hoar hill,
Through the high wood echoing shrill:
Sometime walking, not unseen,
By hedgerow elms, on hillocks green,
Right against the eastern gate
Where the great Sun begins his state,
Robed in flames and amber light,
The clouds in thousand liveries dight;
While the ploughman, near at hand,
Whistles o'er the furrowed land,
And the milkmaid singeth blithe,
And the mower whets his scythe,
And every shepherd tells his tale
Under the hawthorn in the dale.
Straight mine eye hath caught new pleasures,
Whilst the landskip round it measures:
Russet lawns, and fallows grey,
Where the nibbling flocks do stray;
Mountains on whose barren breast
The labouring clouds do often rest;
Meadows trim, with daisies pied;
Shallow brooks, and rivers wide;
Towers and battlements it sees
Bosomed high in tufted trees,
Where perhaps some beauty lies,
The cynosure of neighbouring eyes.
Hard by a cottage chimney smokes
From betwixt two aged oaks,
Where Corydon and Thyrsis met
Are at their savoury dinner set
Of herbs and other country messes,
Which the neat-handed Phyllis dresses;
And then in haste her bower she leaves,
With Thestylis to bind the sheaves;
Or, if the earlier season lead,
To the tanned haycock in the mead.
Sometimes, with secure delight,
The upland hamlets will invite,
When the merry bells ring round,
And the jocund rebecks sound
To many a youth and many a maid
Dancing in the chequered shade,
And young and old come forth to play
On a sunshine holiday,
Till the livelong daylight fail:
Then to the spicy nut-brown ale,
With stories told of many a feat,
How Faery Mab the junkets eat.
She was pinched and pulled, she said;
And he, by Friar's lantern led,
Tells how the drudging goblin sweat
To earn his cream-bowl duly set,
When in one night, ere glimpse of morn,
His shadowy flail hath threshed the corn
That ten day-labourers could not end;
Then lies him down, the lubber fiend,
And, stretched out all the chimney's length,
Basks at the fire his hairy strength,
And crop-full out of doors he flings,
Ere the first cock his matin rings.
Thus done the tales, to bed they creep,
By whispering winds soon lulled asleep.
Towered cities please us then,
And the busy hum of men,
Where throngs of knights and barons bold,
In weeds of peace, high triumphs hold
With store of ladies, whose bright eyes
Rain influence, and judge the prize
Of wit or arms, while both contend
To win her grace whom all commend.
There let Hymen oft appear
In saffron robe, with taper clear,
And pomp, and feast, and revelry,
With mask and antique pageantry;
Such sights as youthful poets dream
On summer eves by haunted stream.
Then to the well-trod stage anon,
If Jonson's learned sock be on,
Or sweetest Shakespeare, Fancy's child,
Warble his native wood-notes wild.
And ever, against eating cares,
Lap me in soft Lydian airs,
Married to immortal verse,
Such as the meeting soul may pierce,
In notes with many a winding bout
Of linked sweetness long drawn out
With wanton heed and giddy cunning,
The melting voice through mazes running,
Untwisting all the chains that tie
The hidden soul of harmony;
That Orpheus' self may heave his head
From golden slumber on a bed
Of heaped Elysian flowers, and hear
Such strains as would have won the ear
Of Pluto to have quite set free
His half-regained Eurydice.
These delights if thou canst give,
Mirth, with thee I mean to live.
|
Written by
John Burnside |
My whole world is all you refuse:
a black light, angelic and cold
on the path to the orchard,
fox-runs and clouded lanes and the glitter of webbing,
little owls snagged in the fruit nets
out by the wire
and the sense of another life, that persists
when I go out into the yard
and the cattle stand round me, obstinate and dumb.
All afternoon, I've worked at the edge of your vision,
mending fences, marking out our bounds.
Now it is dusk, I turn back to the house
and catch you, like the pale Eurydice
of children's classics, venturing a glance
at nothing, at this washed infinity
of birchwoods and sky and the wet streets leading away
to all you forget: the otherworld, lucid and cold
with floodlights and passing trains and the noise of traffic
and nothing like the map you sometimes
study for its empty bridlepaths,
its hill-tracks and lanes and roads winding down to a coast
of narrow harbors, lit against the sea.
|
Written by
Robert Herrick |
Orpheus he went, as poets tell,
To fetch Eurydice from hell;
And had her, but it was upon
This short, but strict condition;
Backward he should not look, while he
Led her through hell's obscurity.
But ah! it happen'd, as he made
His passage through that dreadful shade,
Revolve he did his loving eye,
For gentle fear or jealousy;
And looking back, that look did sever
Him and Eurydice for ever.
|
Written by
Gerard Manley Hopkins |
Foundered March 24. 1878
1
The Eurydice—it concerned thee, O Lord:
Three hundred souls, O alas! on board,
Some asleep unawakened, all un-
warned, eleven fathoms fallen
2
Where she foundered! One stroke
Felled and furled them, the hearts of oak!
And flockbells off the aerial
Downs' forefalls beat to the burial.
3
For did she pride her, freighted fully, on
Bounden bales or a hoard of bullion?—
Precious passing measure,
Lads and men her lade and treasure.
4
She had come from a cruise, training seamen—
Men, boldboys soon to be men:
Must it, worst weather,
Blast bole and bloom together?
5
No Atlantic squall overwrought her
Or rearing billow of the Biscay water:
Home was hard at hand
And the blow bore from land.
6
And you were a liar, O blue March day.
Bright sun lanced fire in the heavenly bay;
But what black Boreas wrecked her? he
Came equipped, deadly-electric,
7
A beetling baldbright cloud thorough England
Riding: there did stores not mingle? and
Hailropes hustle and grind their
Heavengravel? wolfsnow, worlds of it, wind there?
8
Now Carisbrook keep goes under in gloom;
Now it overvaults Appledurcombe;
Now near by Ventnor town
It hurls, hurls off Boniface Down.
9
Too proud, too proud, what a press she bore!
Royal, and all her royals wore.
Sharp with her, shorten sail!
Too late; lost; gone with the gale.
10
This was that fell capsize,
As half she had righted and hoped to rise
Death teeming in by her portholes
Raced down decks, round messes of mortals.
11
Then a lurch forward, frigate and men;
'All hands for themselves' the cry ran then;
But she who had housed them thither
Was around them, bound them or wound them with her.
12
Marcus Hare, high her captain,
Kept to her—care-drowned and wrapped in
Cheer's death, would follow
His charge through the champ-white water-in-a-wallow,
13
All under Channel to bury in a beach her
Cheeks: Right, rude of feature,
He thought he heard say
'Her commander! and thou too, and thou this way.'
14
It is even seen, time's something server,
In mankind's medley a duty-swerver,
At downright 'No or yes?'
Doffs all, drives full for righteousness.
15
Sydney Fletcher, Bristol-bred,
(Low lie his mates now on watery bed)
Takes to the seas and snows
As sheer down the ship goes.
16
Now her afterdraught gullies him too down;
Now he wrings for breath with the deathgush brown;
Till a lifebelt and God's will
Lend him a lift from the sea-swill.
17
Now he shoots short up to the round air;
Now he gasps, now he gazes everywhere;
But his eye no cliff, no coast or
Mark makes in the rivelling snowstorm.
18
Him, after an hour of wintry waves,
A schooner sights, with another, and saves,
And he boards her in Oh! such joy
He has lost count what came next, poor boy.—
19
They say who saw one sea-corpse cold
He was all of lovely manly mould,
Every inch a tar,
Of the best we boast our sailors are.
20
Look, foot to forelock, how all things suit! he
Is strung by duty, is strained to beauty,
And brown-as-dawning-skinned
With brine and shine and whirling wind.
21
O his nimble finger, his gnarled grip!
Leagues, leagues of seamanship
Slumber in these forsaken
Bones, this sinew, and will not waken.
22
He was but one like thousands more,
Day and night I deplore
My people and born own nation,
Fast foundering own generation.
23
I might let bygones be—our curse
Of ruinous shrine no hand or, worse,
Robbery's hand is busy to
Dress, hoar-hallowèd shrines unvisited;
24
Only the breathing temple and fleet
Life, this wildworth blown so sweet,
These daredeaths, ay this crew, in
Unchrist, all rolled in ruin—
25
Deeply surely I need to deplore it,
Wondering why my master bore it,
The riving off that race
So at home, time was, to his truth and grace
26
That a starlight-wender of ours would say
The marvellous Milk was Walsingham Way
And one—but let be, let be:
More, more than was will yet be.—
27
O well wept, mother have lost son;
Wept, wife; wept, sweetheart would be one:
Though grief yield them no good
Yet shed what tears sad truelove should.
28
But to Christ lord of thunder
Crouch; lay knee by earth low under:
'Holiest, loveliest, bravest,
Save my hero, O Hero savest.
29
And the prayer thou hearst me making
Have, at the awful overtaking,
Heard; have heard and granted
Grace that day grace was wanted.'
30
Not that hell knows redeeming,
But for souls sunk in seeming
Fresh, till doomfire burn all,
Prayer shall fetch pity eternal.
|
Written by
Henry Van Dyke |
I
LEGEND
Long ago Apollo called to Aristæus,
youngest of the shepherds,
Saying, "I will make you keeper of my bees."
Golden were the hives, and golden was the honey;
golden, too, the music,
Where the honey-makers hummed among the trees.
Happy Aristæus loitered in the garden, wandered
in the orchard,
Careless and contented, indolent and free;
Lightly took his labour, lightly took his pleasure,
till the fated moment
When across his pathway came Eurydice.
Then her eyes enkindled burning love within him;
drove him wild with longing,
For the perfect sweetness of her flower-like face;
Eagerly he followed, while she fled before him,
over mead and mountain,
On through field and forest, in a breathless race.
But the nymph, in flying, trod upon a serpent;
like a dream she vanished;
Pluto's chariot bore her down among the dead;
Lonely Aristæus, sadly home returning, found his
garden empty,
All the hives deserted, all the music fled.
Mournfully bewailing, -- "ah, my honey-makers,
where have you departed?" --
Far and wide he sought them, over sea and shore;
Foolish is the tale that says he ever found them,
brought them home in triumph,
Joys that once escape us fly for evermore.
Yet I dream that somewhere, clad in downy
whiteness, dwell the honey-makers,
In aerial gardens that no mortal sees:
And at times returning, lo, they flutter round us,
gathering mystic harvest,
So I weave the legend of the long-lost bees.
II
THE SWARMING OF THE BEES
I
WHO can tell the hiding of the white bees' nest?
Who can trace the guiding of their swift home flight?
Far would be his riding on a life-long quest:
Surely ere it ended would his beard grow white.
Never in the coming of the rose-red Spring,
Never in the passing of the wine-red Fall,
May you hear the humming of the white bee's wing
Murmur o'er the meadow, ere the night bells call.
Wait till winter hardens in the cold grey sky,
Wait till leaves are fallen and the brooks all freeze,
Then above the gardens where the dead flowers lie,
Swarm the merry millions of the wild white bees.
II
Out of the high-built airy hive,
Deep in the clouds that veil the sun,
Look how the first of the swarm arrive;
Timidly venturing, one by one,
Down through the tranquil air,
Wavering here and there,
Large, and lazy in flight, --
Caught by a lift of the breeze,
Tangled among the naked trees, --
Dropping then, without a sound,
Feather-white, feather-light,
To their rest on the ground.
III
Thus the swarming is begun.
Count the leaders, every one
Perfect as a perfect star
Till the slow descent is done.
Look beyond them, see how far
Down the vistas dim and grey,
Multitudes are on the way.
Now a sudden brightness
Dawns within the sombre day,
Over fields of whiteness;
And the sky is swiftly alive
With the flutter and the flight
Of the shimmering bees, that pour
From the hidden door of the hive
Till you can count no more.
IV
Now on the branches of hemlock and pine
Thickly they settle and cluster and swing,
Bending them low; and the trellised vine
And the dark elm-boughs are traced with a line
Of beauty wherever the white bees cling.
Now they are hiding the wrecks of the flowers,
Softly, softly, covering all,
Over the grave of the summer hours
Spreading a silver pall.
Now they are building the broad roof ledge,
Into a cornice smooth and fair,
Moulding the terrace, from edge to edge,
Into the sweep of a marble stair.
Wonderful workers, swift and dumb,
Numberless myriads, still they come,
Thronging ever faster, faster, faster!
Where is their queen? Who is their master?
The gardens are faded, the fields are frore,
How will they fare in a world so bleak?
Where is the hidden honey they seek?
What is the sweetness they toil to store
In the desolate day, where no blossoms gleam?
Forgetfulness and a dream!
V
But now the fretful wind awakes;
I hear him girding at the trees;
He strikes the bending boughs, and shakes
The quiet clusters of the bees
To powdery drift;
He tosses them away,
He drives them like spray;
He makes them veer and shift
Around his blustering path.
In clouds blindly whirling,
In rings madly swirling,
Full of crazy wrath,
So furious and fast they fly
They blur the earth and blot the sky
In wild, white mirk.
They fill the air with frozen wings
And tiny, angry, icy stings;
They blind the eyes, and choke the breath,
They dance a maddening dance of death
Around their work,
Sweeping the cover from the hill,
Heaping the hollows deeper still,
Effacing every line and mark,
And swarming, storming in the dark
Through the long night;
Until, at dawn, the wind lies down,
Weary of fight.
The last torn cloud, with trailing gown,
Passes the open gates of light;
And the white bees are lost in flight.
VI
Look how the landscape glitters wide and still,
Bright with a pure surprise!
The day begins with joy, and all past ill,
Buried in white oblivion, lies
Beneath the snowdrifts under crystal skies.
New hope, new love, new life, new cheer,
Flow in the sunrise beam,--
The gladness of Apollo when he sees,
Upon the bosom of the wintry year,
The honey-harvest of his wild white bees,
Forgetfulness and a dream!
III
LEGEND
LISTEN, my beloved, while the silver morning,
like a tranquil vision,
Fills the world around us and our hearts with peace;
Quiet is the close of Aristæus' legend, happy is
the ending --
Listen while I tell you how he found release.
Many months he wandered far away in sadness,
desolately thinking
Only of the vanished joys he could not find;
Till the great Apollo, pitying his shepherd, loosed
him from the burden
Of a dark, reluctant, backward-looking mind.
Then he saw around him all the changeful beauty
of the changing seasons,
In the world-wide regions where his journey lay;
Birds that sang to cheer him, flowers that bloomed
beside him, stars that shone to guide him, --
Traveller's joy was plenty all along the way!
Everywhere he journeyed strangers made him
welcome, listened while he taught them
Secret lore of field and forest he had learned:
How to train the vines and make the olives fruit-
ful; how to guard the sheepfolds;
How to stay the fever when the dog-star burned.
Friendliness and blessing followed in his foot-
steps; richer were the harvests,
Happier the dwellings, wheresoe'er he came;
Little children loved him, and he left behind him,
in the hour of parting,
Memories of kindness and a god-like name.
So he travelled onward, desolate no longer,
patient in his seeking,
Reaping all the wayside comfort of his quest;
Till at last in Thracia, high upon Mount Hæmus,
far from human dwelling,
Weary Aristæus laid him down to rest.
Then the honey-makers, clad in downy whiteness,
fluttered soft around him,
Wrapt him in a dreamful slumber pure and deep.
This is life, beloved: first a sheltered garden,
then a troubled journey,
Joy and pain of seeking, -- and at last we sleep!
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Written by
Rainer Maria Rilke |
Be ahead of all parting, as though it already were
behind you, like the winter that has just gone by.
For among these winters there is one so endlessly winter
that only by wintering through it all will your heart survive.
Be forever dead in Eurydice-more gladly arise
into the seamless life proclaimed in your song.
Here, in the realm of decline, among momentary days,
be the crystal cup that shattered even as it rang.
Be-and yet know the great void where all things begin,
the infinite source of your own most intense vibration,
so that, this once, you may give it your perfect assent.
To all that is used-up, and to all the muffled and dumb
creatures in the world's full reserve, the unsayable sums,
joyfully add yourself, and cancel the count.
|
Written by
Algernon Charles Swinburne |
Orpheus, the night is full of tears and cries,
And hardly for the storm and ruin shed
Can even thine eyes be certain of her head
Who never passed out of thy spirit's eyes,
But stood and shone before them in such wise
As when with love her lips and hands were fed,
And with mute mouth out of the dusty dead
Strove to make answer when thou bad'st her rise.
Yet viper-stricken must her lifeblood feel
The fang that stung her sleeping, the foul germ
Even when she wakes of hell's most poisonous worm,
Though now it writhe beneath her wounded heel.
Turn yet, she will not fade nor fly from thee;
Wait, and see hell yield up Eurydice.
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