Written by
Leonard Cohen |
(co-written by Sharon Robinson)
Baby, I've been waiting,
I've been waiting night and day.
I didn't see the time,
I waited half my life away.
There were lots of invitations
and I know you sent me some,
but I was waiting
for the miracle, for the miracle to come.
I know you really loved me.
but, you see, my hands were tied.
I know it must have hurt you,
it must have hurt your pride
to have to stand beneath my window
with your bugle and your drum,
and me I'm up there waiting
for the miracle, for the miracle to come.
Ah I don't believe you'd like it,
You wouldn't like it here.
There ain't no entertainment
and the judgements are severe.
The Maestro says it's Mozart
but it sounds like bubble gum
when you're waiting
for the miracle, for the miracle to come.
Waiting for the miracle
There's nothing left to do.
I haven't been this happy
since the end of World War II.
Nothing left to do
when you know that you've been taken.
Nothing left to do
when you're begging for a crumb
Nothing left to do
when you've got to go on waiting
waiting for the miracle to come.
I dreamed about you, baby.
It was just the other night.
Most of you was naked
Ah but some of you was light.
The sands of time were falling
from your fingers and your thumb,
and you were waiting
for the miracle, for the miracle to come
Ah baby, let's get married,
we've been alone too long.
Let's be alone together.
Let's see if we're that strong.
Yeah let's do something crazy,
something absolutely wrong
while we're waiting
for the miracle, for the miracle to come.
Nothing left to do .
.
.
When you've fallen on the highway
and you're lying in the rain,
and they ask you how you're doing
of course you'll say you can't complain --
If you're squeezed for information,
that's when you've got to play it dumb:
You just say you're out there waiting
for the miracle, for the miracle to come.
|
Written by
Edward Estlin (E E) Cummings |
it is at moments after i have dreamed
of the rare entertainment of your eyes,
when (being fool to fancy) i have deemed
with your peculiar mouth my heart made wise;
at moments when the glassy darkness holds
the genuine apparition of your smile
(it was through tears always)and silence moulds
such strangeness as was mine a little while;
moments when my once more illustrious arms
are filled with fascination, when my breast
wears the intolerant brightness of your charms:
one pierced moment whiter than the rest
-turning from the tremendous lie of sleep
i watch the roses of the day grow deep.
|
Written by
John Milton |
Part of an entertainment presented to the Countess Dowager of
Darby at Harefield, by som Noble persons of her Family, who
appear on the Scene in pastoral habit, moving toward the seat
of State with this Song.
I.
SONG.
Look Nymphs, and Shepherds look,
What sudden blaze of majesty
Is that which we from hence descry
Too divine to be mistook:
This this is she
To whom our vows and wishes bend,
Heer our solemn search hath end.
Fame that her high worth to raise,
Seem'd erst so lavish and profuse,
We may justly now accuse
Of detraction from her praise,
Less then half we find exprest,
Envy bid conceal the rest.
Mark what radiant state she spreds,
In circle round her shining throne,
Shooting her beams like silver threds,
This this is she alone,
Sitting like a Goddes bright,
In the center of her light.
Might she the wise Latona be,
Or the towred Cybele,
Mother of a hunderd gods;
Juno dare's not give her odds;
Who had thought this clime had held
A deity so unparalel'd?
As they com forward, the genius of the Wood appears, and
turning toward them, speaks.
GEN.
Stay gentle Swains, for though in this disguise,
I see bright honour sparkle through your eyes,
Of famous Arcady ye are, and sprung
Of that renowned flood, so often sung,
Divine Alpheus, who by secret sluse,
Stole under Seas to meet his Arethuse;
And ye the breathing Roses of the Wood,
Fair silver-buskind Nymphs as great and good,
I know this quest of yours, and free intent
Was all in honour and devotion ment
To the great Mistres of yon princely shrine,
Whom with low reverence I adore as mine,
And with all helpful service will comply
To further this nights glad solemnity;
And lead ye where ye may more neer behold
What shallow-searching Fame hath left untold;
Which I full oft amidst these shades alone
Have sate to wonder at, and gaze upon:
For know by lot from Jove I am the powr
Of this fair wood, and live in Oak'n bowr,
To nurse the Saplings tall, and curl the grove
With Ringlets quaint, and wanton windings wove.
And all my Plants I save from nightly ill,
Of noisom winds, and blasting vapours chill.
And from the Boughs brush off the evil dew,
And heal the harms of thwarting thunder blew,
Or what the cross dire-looking Planet smites,
Or hurtfull Worm with canker'd venom bites.
When Eev'ning gray doth rise, I fetch my round
Over the mount, and all this hallow'd ground,
And early ere the odorous breath of morn
Awakes the slumbring leaves, or tasseld horn
Shakes the high thicket, haste I all about,
Number my ranks, and visit every sprout
With puissant words, and murmurs made to bless,
But els in deep of night when drowsines
Hath lockt up mortal sense, then listen I
To the celestial Sirens harmony,
That sit upon the nine enfolded Sphears,
And sing to those that hold the vital shears,
And turn the Adamantine spindle round,
On which the fate of gods and men is wound.
Such sweet compulsion doth in musick ly,
To lull the daughters of Necessity,
And keep unsteddy Nature to her law,
And the low world in measur'd motion draw
After the heavenly tune, which none can hear
Of human mould with grosse unpurged ear;
And yet such musick worthiest were to blaze
The peerles height of her immortal praise,
Whose lustre leads us, and for her most fit,
If my inferior hand or voice could hit
Inimitable sounds, yet as we go,
What ere the skill of lesser gods can show,
I will assay, her worth to celebrate,
And so attend ye toward her glittering state;
Where ye may all that are of noble stemm
Approach, and kiss her sacred vestures hemm.
2.
SONG.
O're the smooth enameld green
Where no print of step hath been,
Follow me as I sing,
And touch the warbled string.
Under the shady roof
Of branching Elm Star-proof,
Follow me,
I will bring you where she sits
Clad in splendor as befits
Her deity.
Such a rural Queen
All Arcadia hath not seen.
3.
SONG.
Nymphs and Shepherds dance no more
By sandy Ladons Lillied banks.
On old Lycaeus or Cyllene hoar,
Trip no more in twilight ranks,
Though Erynanth your loss deplore,
A better soyl shall give ye thanks.
From the stony Maenalus,
Bring your Flocks, and live with us,
Here ye shall have greater grace,
To serve the Lady of this place.
Though Syrinx your Pans Mistres were,
Yet Syrinx well might wait on her.
Such a rural Queen
All Arcadia hath not seen.
Note: 22 hunderd] Milton's own spelling here is hundred.
But in
the Errata to Paradise Lost (i.
760) he corrects hundred to hunderd.
|
Written by
Vachel Lindsay |
This poem is intended as a description of a sort of Blashfield mural painting on the sky.
To be sung to the tune of Yankee Doodle, yet in a slower, more orotund fashion.
It is presumably an exercise for an entertainment on the evening of Washington's Birthday.
Dawn this morning burned all red
Watching them in wonder.
There I saw our spangled flag
Divide the clouds asunder.
Then there followed Washington.
Ah, he rode from glory,
Cold and mighty as his name
And stern as Freedom's story.
Unsubdued by burning dawn
Led his continentals.
Vast they were, and strange to see
In gray old regimentals:—
Marching still with bleeding feet,
Bleeding feet and jesting—
Marching from the judgment throne
With energy unresting.
How their merry quickstep played—
Silver, sharp, sonorous,
Piercing through with prophecy
The demons' rumbling chorus—
Behold the ancient powers of sin
And slavery before them!—
Sworn to stop the glorious dawn,
The pit-black clouds hung o'er them.
Plagues that rose to blast the day
Fiend and tiger faces,
Monsters plotting bloodshed for
The patient toiling races.
Round the dawn their cannon raged,
Hurling bolts of thunder,
Yet before our spangled flag
Their host was cut asunder.
Like a mist they fled away.
.
.
.
Ended wrath and roaring.
Still our restless soldier-host
From East to West went pouring.
High beside the sun of noon
They bore our banner splendid.
All its days of stain and shame
And heaviness were ended.
Men were swelling now the throng
From great and lowly station—
Valiant citizens to-day
Of every tribe and nation.
Not till night their rear-guard came,
Down the west went marching,
And left behind the sunset-rays
In beauty overarching.
War-god banners lead us still,
Rob, enslave and harry
Let us rather choose to-day
The flag the angels carry—
Flag we love, but brighter far—
Soul of it made splendid:
Let its days of stain and shame
And heaviness be ended.
Let its fifes fill all the sky,
Redeemed souls marching after,
Hills and mountains shake with song,
While seas roll on in laughter.
|
Written by
William Topaz McGonagall |
Which was Held in the Queens Hotel, Perth, on the Evening of 5th September 1894
'Twas in the year of 1894, and on the 5th of September,
Which for a long time I will remember,
And the gentlemen I entertained in the city of Perth,
Which is one of the grandest cities upon the earth.
At the Banquet there were gentlemen of high degree,
And the viands they partook of filled their hearts with glee;
There was Beef, Fish, and Potatoes galore,
And we all ate until we could eat no more
The gentlemen present were very kind to me,
And the entertainment I gave them filled their hearts with glee;
Especially the Recital I gave them from "Macbeth",
They were so much fascinated they almost lost their breath.
The audience were orderly and all went well,
As cheerily and as smoothly as a marriage bell.
Mr James Speedie was the chairman, and behaved right manfully,
And sang a beautiful song, which filled our hearts with glee.
But when I sang my "Rattling Boy from Dublin Town",
The audience were like to pull the house down
With the hearty applause they showered upon me,
Because I sang the song so merrily.
But, in conclusion, I must honestly say
I haven't been so well treated for manv a day;
Because I got a Splendid Bed in the Queen's Hotel,
And the breakfast I got there I liked right well.
The treatment I received there would please the Queen,
Because the cooking is most excellent and the beds are clean;
And, in conclusion, I return my thanks to one and all,
Especially the members of the Lyric Club, big and small,
Also the landlord of the Queen's Hotel, yours truly,
McGonagall.
|
Written by
Michael Ondaatje |
Catch, my Uncle Jack said
and oh I caught this huge apple
red as Mrs Kelly's bum.
It's red as Mrs Kelly's bum, I said
and Daddy roared
and swung me on his stomach with a heave.
Then I hid the apple in my room
till it shrunk like a face
growing eyes and teeth ribs.
Then Daddy took me to the zoo
he knew the man there
they put a snake around my neck
and it crawled down the front of my dress
I felt its flicking tongue
dripping onto me like a shower.
Daddy laughed and said Smart Snake
and Mrs Kelly with us scowled.
In the pond where they kept the goldfish
Philip and I broke the ice with spades
and tried to spear the fishes;
we killed one and Philip ate it,
then he kissed me
with the raw saltless fish in his mouth.
My sister Mary's got bad teeth
and said I was lucky, hen she said
I had big teeth, but Philip said I was pretty.
He had big hands that smelled.
I would speak of Tom', soft laughing,
who danced in the mornings round the sundial
teaching me the steps of France, turning
with the rhythm of the sun on the warped branches,
who'd hold my breast and watch it move like a snail
leaving his quick urgent love in my palm.
And I kept his love in my palm till it blistered.
When they axed his shoulders and neck
the blood moved like a branch into the crowd.
And he staggered with his hanging shoulder
cursing their thrilled cry, wheeling,
waltzing in the French style to his knees
holding his head with the ground,
blood settling on his clothes like a blush;
this way
when they aimed the thud into his back.
And I find cool entertainment now
with white young Essex, and my nimble rhymes.
|
Written by
Charles Bukowski |
the final curtain on one of the longest running
musicals ever, some people claim to have
seen it over one hundred times.
I saw it on the tv news, that final curtain:
flowers, cheers, tears, a thunderous
accolade.
I have not seen this particular musical
but I know if I had that I wouldn't have
been able to bear it, it would have
sickened me.
trust me on this, the world and its
peoples and its artful entertainment has
done very little for me, only to me.
still, let them enjoy one another, it will
keep them from my door
and for this, my own thunderous
accolade.
from The Olympia Review - 1994
|
Written by
William Cowper |
England, with all thy faults, I love thee still--
My country! and, while yet a nook is left
Where English minds and manners may be found,
Shall be constrain'd to love thee.
Though thy clime
Be fickle, and thy year most part deform'd
With dripping rains, or wither'd by a frost,
I would not yet exchange thy sullen skies,
And fields without a flow'r, for warmer France
With all her vines; nor for Ausonia's groves
Of golden fruitage, and her myrtle bow'rs.
To shake thy senate, and from heights sublime
Of patriot eloquence to flash down fire
Upon thy foes, was never meant my task:
But I can feel thy fortunes, and partake
Thy joys and sorrows, with as true a heart
As any thund'rer there.
And I can feel
Thy follies, too; and with a just disdain
Frown at effeminates, whose very looks
Reflect dishonour on the land I love.
How, in the name of soldiership and sense,
Should England prosper, when such things, as smooth
And tender as a girl, all essenc'd o'er
With odours, and as profligate as sweet;
Who sell their laurel for a myrtle wreath,
And love when they should fight; when such as these
Presume to lay their hand upon the ark
Of her magnificent and awful cause?
Time was when it was praise and boast enough
In ev'ry clime, and travel where we might,
That we were born her children.
Praise enough
To fill th' ambition of a private man,
That Chatham's language was his mother tongue,
And Wolfe's great name compatriot with his own.
Farewell those honours, and farewell with them
The hope of such hereafter! They have fall'n
Each in his field of glory; one in arms,
And one in council--Wolfe upon the lap
Of smiling victory that moment won,
And Chatham heart-sick of his country's shame!
They made us many soldiers.
Chatham, still
Consulting England's happiness at home,
Secur'd it by an unforgiving frown
If any wrong'd her.
Wolfe, where'er he fought,
Put so much of his heart into his act,
That his example had a magnet's force,
And all were swift to follow whom all lov'd.
Those suns are set.
Oh, rise some other such!
Or all that we have left is empty talk
Of old achievements, and despair of new.
.
.
.
There is a pleasure in poetic pains
Which only poets know.
The shifts and turns,
Th' expedients and inventions multiform
To which the mind resorts in chase of terms
Thought apt, yet coy, and difficult to win,
T' arrest the fleeting images that fill
The mirror of the mind, and hold them fast,
And force them sit, till he has pencill'd off
A faithful likeness of the forms he views;
Then to dispose his copies with such art
That each may find its most propitious light,
And shine by situation hardly less
Than by the labour and the skill it cost,
Are occupations of the poet's mind
So pleasing, and that steal away the thought
With such address from themes of sad import,
That, lost in his own musings, happy man!
He feels th' anxieties of life, denied
Their wonted entertainment, all retire.
Such joys has he that sings.
But ah! not such,
Or seldom such, the hearers of his song.
Fastidious, or else listless, or perhaps
Aware of nothing arduous in a task
They never undertook, they little note
His dangers or escapes, and haply find
Their least amusement where he found the most.
But is amusement all? Studious of song,
And yet ambitious not to sing in vain,
I would not trifle merely, though the world
Be loudest in their praise who do no more.
Yet what can satire, whether grave or gay?
It may correct a foible, may chastise
The freaks of fashion, regulate the dress,
Retrench a sword-blade, or displace a patch;
But where are its sublimer trophies found?
What vice has it subdu'd? whose heart reclaim'd
By rigour, or whom laugh'd into reform?
Alas! Leviathan is not so tam'd.
Laugh'd at, he laughs again; and, stricken hard,
Turns to the stroke his adamantine scales,
That fear no discipline of human hands.
The pulpit, therefore, (and I name it fill'd
With solemn awe, that bids me well beware
With what intent I touch that holy thing)--
The pulpit (when the satirist has at last,
Strutting and vapouring in an empty school,
Spent all his force, and made no proselyte)--
I say the pulpit (in the sober use
Of its legitimate, peculiar pow'rs)
Must stand acknowledg'd, while the world shall stand,
The most important and effectual guard,
Support, and ornament of Virtue's cause.
.
.
.
.
|
Written by
William Topaz McGonagall |
'Twas in the town of Sunderland, and in the year of 1883,
That about 200 children were launch'd into eternity
While witnessing an entertainment in Victoria Hall,
While they, poor little innocents, to God for help did call.
The entertainment consisted of conjuring, and the ghost illusion play,
Also talking waxworks, and living marionettes, and given by Mr.
Fay;
And on this occasion, presents were to be given away,
But in their anxiety of getting presents they wouldn't brook delay,
And that is the reason why so many lives have been taken away;
But I hope their precious souls are in heaven to-day.
As soon as the children began to suspect
That they would lose their presents by neglect,
They rush'd from the gallery, and ran down the stairs pell-mell,
And trampled one another to death, according as they fell.
As soon as the catastrophe became known throughout the boro'
The people's hearts were brim-full of sorrow,
And parents rush'd to the Hall terror-stricken and wild,
And each one was anxious to find their own child.
Oh! it must have been a most horrible sight
To see the dear little children struggling with all their might
To get out at the door at the foot of the stair,
While one brave little boy did repeat the Lord's Prayer.
The innocent children were buried seven or eight layers deep,
The sight was heart-rending and enough to make one weep;
It was a most affecting spectacle and frightful to behold
The corpse of a little boy not above four years old,
Who had on a top-coat much too big for him,
And his little innocent face was white and grim,
And appearing to be simply in a calm sleep-
The sight was enough to make one's flesh to creep.
The scene in the Hall was heart-sickening to behold,
And enough to make one's blood run cold.
To see the children's faces, blackened, that were trampled to death,
And their parents lamenting o'er them with bated breath.
Oh! it was most lamentable for to hear
The cries of the mothers for their children dear;
And many mothers swooned in grief away
At the sight of their dead children in grim array.
There was a parent took home a boy by mistake,
And after arriving there his heart was like to break
When it was found to be the body of a neighbour's child;
The parent stood aghast and was like to go wild.
A man and his wife rush'd madly in the Hall,
And loudly in grief on their children they did call,
And the man searched for his children among the dead
Seemingly without the least fear or dread.
And with his finger pointing he cried.
"That's one! two!
Oh! heaven above, what shall I do;"
And still he kept walking on and murmuring very low.
Until he came to the last child in the row;
Then he cried, "Good God! all my family gone
And now I am left to mourn alone;"
And staggering back he cried, "Give me water, give me water!"
While his heart was like to break and his teeth seem'd to chatter.
Oh, heaven! it must have been most pitiful to see
Fathers with their dead children upon their knee
While the blood ran copiously from their mouths and ears
And their parents shedding o'er them hot burning tears.
I hope the Lord will comfort their parents by night and by day,
For He gives us life and He takes it away,
Therefore I hope their parents will put their trust in Him,
Because to weep for the dead it is a sin.
Her Majesty's grief for the bereaved parents has been profound,
And I'm glad to see that she has sent them £50;
And I hope from all parts of the world will flow relief
To aid and comfort the bereaved parents in their grief.
|
Written by
Isaac Watts |
The love of Christ to the church, in his language to her,
and provisions for her.
SS 7:5-13.
Now in the galleries of his grace
Appears the King, and thus he says,
"How fair my saints are in my sight!
My love how pleasant for delight!"
Kind is thy language, sovereign Lord,
There's heav'nly grace in every word;
From that dear mouth a stream divine
Flows sweeter than the choicest wine.
Such wondrous love awakes the lip
Of saints that were almost asleep,
To speak the praises of thy name,
And makes our cold affections flame.
These are the joys he lets us know
In fields and villages below;
Gives us a relish of his love,
But keeps his noblest feast above.
In Paradise, within the gates,
A higher entertainment waits
Fruits new and old laid up in store,
Where we shall feed, but thirst no more.
|