Written by
Robert William Service |
I deem that there are lyric days
So ripe with radiance and cheer,
So rich with gratitude and praise
That they enrapture all the year.
And if there is a God babove,
(As they would tell me in the Kirk,)
How he must look with pride and love
Upon his perfect handiwork!
To-day has been a lyric day
I hope I shall remember long,
Of meadow dance and roundelay,
Of woodland glee, of glow and song.
Such joy I saw in maidens eyes,
In mother gaze such tender bliss . . .
How earth would rival paradise
If every day could be like this!
Why die, say I? Let us live on
In lyric world of song and shine,
With ecstasy from dawn to dawn,
Until we greet the dawn Devine.
For I believe, with star and sun,
With peak and plain, with sea and sod,
Inextricably we are one,
Bound in the Wholeness - God.
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Written by
Rainer Maria Rilke |
Who, if I cried out, would hear me among the angels'
hierarchies? and even if one of them suddenly
pressed me against his heart, I would perish
in the embrace of his stronger existence.
For beauty is nothing but the beginning of terror
which we are barely able to endure and are awed
because it serenely disdains to annihilate us.
Each single angel is terrifying.
And so I force myself, swallow and hold back
the surging call of my dark sobbing.
Oh, to whom can we turn for help?
Not angels, not humans;
and even the knowing animals are aware that we feel
little secure and at home in our interpreted world.
There remains perhaps some tree on a hillside
daily for us to see; yesterday's street remains for us
stayed, moved in with us and showed no signs of leaving.
Oh, and the night, the night, when the wind
full of cosmic space invades our frightened faces.
Whom would it not remain for -that longed-after,
gently disenchanting night, painfully there for the
solitary heart to achieve? Is it easier for lovers?
Don't you know yet ? Fling out of your arms the
emptiness into the spaces we breath -perhaps the birds
will feel the expanded air in their more ferven flight.
Yes, the springtime were in need of you. Often a star
waited for you to espy it and sense its light.
A wave rolled toward you out of the distant past,
or as you walked below an open window,
a violin gave itself to your hearing.
All this was trust. But could you manage it?
Were you not always distraught by expectation,
as if all this were announcing the arrival
of a beloved? (Where would you find a place
to hide her, with all your great strange thoughts
coming and going and often staying for the night.)
When longing overcomes you, sing of women in love;
for their famous passion is far from immortal enough.
Those whom you almost envy, the abandoned and
desolate ones, whom you found so much more loving
than those gratified. Begin ever new again
the praise you cannot attain; remember:
the hero lives on and survives; even his downfall
was for him only a pretext for achieving
his final birth. But nature, exhausted, takes lovers
back into itself, as if such creative forces could never be
achieved a second time.
Have you thought of Gaspara Stampa sufficiently:
that any girl abandoned by her lover may feel
from that far intenser example of loving:
"Ah, might I become like her!" Should not their oldest
sufferings finally become more fruitful for us?
Is it not time that lovingly we freed ourselves
from the beloved and, quivering, endured:
as the arrow endures the bow-string's tension,
and in this tense release becomes more than itself.
For staying is nowhere.
Voices, voices. Listen my heart, as only saints
have listened: until the gigantic call lifted them
clear off the ground. Yet they went on, impossibly,
kneeling, completely unawares: so intense was
their listening. Not that you could endure
the voice of God -far from it! But listen
to the voice of the wind and the ceaseless message
that forms itself out of silence. They sweep
toward you now from those who died young.
Whenever they entered a church in Rome or Naples,
did not their fate quietly speak to you as recently
as the tablet did in Santa Maria Formosa?
What do they want of me? to quietly remove
the appearance of suffered injustice that,
at times, hinders a little their spirits from
freely proceeding onward.
Of course, it is strange to inhabit the earth no longer,
to no longer use skills on had barely time to acquire;
not to observe roses and other things that promised
so much in terms of a human future, no longer
to be what one was in infinitely anxious hands;
to even discard one's own name as easily as a child
abandons a broken toy.
Strange, not to desire to continue wishing one's wishes.
Strange to notice all that was related, fluttering
so loosely in space. And being dead is hard work
and full of retrieving before one can gradually feel a
trace of eternity. -Yes, but the liviing make
the mistake of drawing too sharp a distinction.
Angels (they say) are often unable to distinguish
between moving among the living or the dead.
The eternal torrent whirls all ages along with it,
through both realms forever, and their voices are lost in
its thunderous roar.
In the end the early departed have no longer
need of us. One is gently weaned from things
of this world as a child outgrows the need
of its mother's breast. But we who have need
of those great mysteries, we for whom grief is
so often the source of spiritual growth,
could we exist without them?
Is the legend vain that tells of music's beginning
in the midst of the mourning for Linos?
the daring first sounds of song piercing
the barren numbness, and how in that stunned space
an almost godlike youth suddenly left forever,
and the emptiness felt for the first time
those harmonious vibrations which now enrapture
and comfort and help us.
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Written by
Patrick Kavanagh |
Leafy-with-love banks and the green waters of the canal
Pouring redemption for me, that I do
The will of God, wallow in the habitual, the banal,
Grow with nature again as before I grew.
The bright stick trapped, the breeze adding a third
Party to the couple kissing on an old seat,
And a bird gathering materials for the nest for the Word
Eloquently new and abandoned to its delirious beat.
O unworn world enrapture me, encapture me in a web
Of fabulous grass and eternal voices by a beech,
Feed the gaping need of my senses, give me ad lib
To pray unselfconsciously with overflowing speech
For this soul needs to be honoured with a new dress woven
From green and blue things and arguments that cannot be proven.
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Written by
Matthew Arnold |
Through the black, rushing smoke-bursts,
Thick breaks the red flame;
All Etna heaves fiercely
Her forest-clothed frame.
Not here, O Apollo!
Are haunts meet for thee.
But, where Helicon breaks down
In cliff to the sea,
Where the moon-silver'd inlets
Send far their light voice
Up the still vale of Thisbe,
O speed, and rejoice!
On the sward at the cliff-top
Lie strewn the white flocks,
On the cliff-side the pigeons
Roost deep in the rocks.
In the moonlight the shepherds,
Soft lull'd by the rills,
Lie wrapped in their blankets
Asleep on the hills.
--What forms are these coming
So white through the gloom?
What garments out-glistening
The gold-flower'd broom?
What sweet-breathing presence
Out-perfumes the thyme?
What voices enrapture
The night's balmy prime?
'Tis Apollo comes leading
His choir, the Nine.
--The leader is fairest,
But all are divine.
They are lost in the hollows!
They stream up again!
What seeks on this mountain
The glorified train?--
They bathe on this mountain,
In the spring by their road;
Then on to Olympus,
Their endless abode.
--Whose proase do they mention?
Of what is it told?--
What will be for ever;
What was from of old.
First hymn they the Father
Of all things; and then,
The rest of immortals,
The action of men.
The day in his hotness,
The strife with the palm;
The night in her silence,
The stars in their calm.
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Written by
Matthew Arnold |
Through the black, rushing smoke-bursts,
Thick breaks the red flame.
All Etna heaves fiercely
Her forest-clothed frame.
Not here, O Apollo!
Are haunts meet for thee.
But, where Helicon breaks down
In cliff to the sea.
Where the moon-silver'd inlets
Send far their light voice
Up the still vale of Thisbe,
O speed, and rejoice!
On the sward at the cliff-top,
Lie strewn the white flocks;
On the cliff-side, the pigeons
Roost deep in the rocks.
In the moonlight the shepherds,
Soft lull'd by the rills,
Lie wrapt in their blankets,
Asleep on the hills.
—What forms are these coming
So white through the gloom?
What garments out-glistening
The gold-flower'd broom?
What sweet-breathing Presence
Out-perfumes the thyme?
What voices enrapture
The night's balmy prime?—
'Tis Apollo comes leading
His choir, The Nine.
—The Leader is fairest,
But all are divine.
They are lost in the hollows.
They stream up again.
What seeks on this mountain
The glorified train?—
They bathe on this mountain,
In the spring by their road.
Then on to Olympus,
Their endless abode.
—Whose praise do they mention:
Of what is it told?—
What will be for ever.
What was from of old.
First hymn they the Father
Of all things: and then,
The rest of Immortals,
The action of men.
The Day in his hotness,
The strife with the palm;
The Night in her silence,
The Stars in their calm.
|
Written by
Matthew Arnold |
THROUGH the black, rushing smoke-bursts,
Thick breaks the red flame.
All Etna heaves fiercely
Her forest-clothed frame.
Not here, O Apollo!
Are haunts meet for thee.
But, where Helicon breaks down
In cliff to the sea.
Where the moon-silver'd inlets
Send far their light voice
Up the still vale of Thisbe,
O speed, and rejoice!
On the sward at the cliff-top,
Lie strewn the white flocks;
On the cliff-side, the pigeons
Roost deep in the rocks.
In the moonlight the shepherds,
Soft lull'd by the rills,
Lie wrapt in their blankets,
Asleep on the hills.
—What forms are these coming
So white through the gloom?
What garments out-glistening
The gold-flower'd broom?
What sweet-breathing Presence
Out-perfumes the thyme?
What voices enrapture
The night's balmy prime?—
'Tis Apollo comes leading
His choir, The Nine.
—The Leader is fairest,
But all are divine.
They are lost in the hollows.
They stream up again.
What seeks on this mountain
The glorified train?—
They bathe on this mountain,
In the spring by their road.
Then on to Olympus,
Their endless abode.
—Whose praise do they mention:
Of what is it told?—
What will be for ever.
What was from of old.
First hymn they the Father
Of all things: and then,
The rest of Immortals,
The action of men.
The Day in his hotness,
The strife with the palm;
The Night in her silence,
The Stars in their calm.
|
Written by
George (Lord) Byron |
Oh! did those eyes, instead of fire,
With bright, but mild affection shine:
Though they might kindle less desire,
Love, more than mortal, would be thine.
For thou art form'd so heavenly fair,
Howe'er those orbs may wildly beam,
We must admire, but still despair;
That fatal glance forbids esteem.
When Nature stamp'd thy beauteous birth,
So much perfection in thee shone,
She fear'd that, too divine for earth,
The skies might claim thee for their own.
Therefore, to guard her dearest work,
Lest angels might dispute the prize,
She bade a secret lightning lurk,
Within those once celestial eyes.
These might the boldest Sylph appall,
When gleaming with meridian blaze;
Thy beauty must enrapture all;
But who can dare thine ardent gaze?
'Tis said that Berenice's hair,
In stars adorns the vault of heaven;
But they would ne'er permit thee there,
Who wouldst so far outshine the seven.
For did those eyes as planets roll,
Thy sister-lights would scarce appear:
E'en suns, which systems now control,
Would twinkle dimly through their sphere.
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