Written by
Sylvia Plath |
(1)
This is the sea, then, this great abeyance.
How the sun's poultice draws on my inflammation.
Electrifyingly-colored sherbets, scooped from the freeze
By pale girls, travel the air in scorched hands.
Why is it so quiet, what are they hiding?
I have two legs, and I move smilingly..
A sandy damper kills the vibrations;
It stretches for miles, the shrunk voices
Waving and crutchless, half their old size.
The lines of the eye, scalded by these bald surfaces,
Boomerang like anchored elastics, hurting the owner.
Is it any wonder he puts on dark glasses?
Is it any wonder he affects a black cassock?
Here he comes now, among the mackerel gatherers
Who wall up their backs against him.
They are handling the black and green lozenges like the parts of a body.
The sea, that crystallized these,
Creeps away, many-snaked, with a long hiss of distress.
(2)
This black boot has no mercy for anybody.
Why should it, it is the hearse of a dad foot,
The high, dead, toeless foot of this priest
Who plumbs the well of his book,
The bent print bulging before him like scenery.
Obscene bikinis hid in the dunes,
Breasts and hips a confectioner's sugar
Of little crystals, titillating the light,
While a green pool opens its eye,
Sick with what it has swallowed----
Limbs, images, shrieks. Behind the concrete bunkers
Two lovers unstick themselves.
O white sea-crockery,
What cupped sighs, what salt in the throat....
And the onlooker, trembling,
Drawn like a long material
Through a still virulence,
And a weed, hairy as privates.
(3)
On the balconies of the hotel, things are glittering.
Things, things----
Tubular steel wheelchairs, aluminum crutches.
Such salt-sweetness. Why should I walk
Beyond the breakwater, spotty with barnacles?
I am not a nurse, white and attendant,
I am not a smile.
These children are after something, with hooks and cries,
And my heart too small to bandage their terrible faults.
This is the side of a man: his red ribs,
The nerves bursting like trees, and this is the surgeon:
One mirrory eye----
A facet of knowledge.
On a striped mattress in one room
An old man is vanishing.
There is no help in his weeping wife.
Where are the eye-stones, yellow and vvaluable,
And the tongue, sapphire of ash.
(4)
A wedding-cake face in a paper frill.
How superior he is now.
It is like possessing a saint.
The nurses in their wing-caps are no longer so beautiful;
They are browning, like touched gardenias.
The bed is rolled from the wall.
This is what it is to be complete. It is horrible.
Is he wearing pajamas or an evening suit
Under the glued sheet from which his powdery beak
Rises so whitely unbuffeted?
They propped his jaw with a book until it stiffened
And folded his hands, that were shaking: goodbye, goodbye.
Now the washed sheets fly in the sun,
The pillow cases are sweetening.
It is a blessing, it is a blessing:
The long coffin of soap-colored oak,
The curious bearers and the raw date
Engraving itself in silver with marvelous calm.
(5)
The gray sky lowers, the hills like a green sea
Run fold upon fold far off, concealing their hollows,
The hollows in which rock the thoughts of the wife----
Blunt, practical boats
Full of dresses and hats and china and married daughters.
In the parlor of the stone house
One curtain is flickering from the open window,
Flickering and pouring, a pitiful candle.
This is the tongue of the dead man: remember, remember.
How far he is now, his actions
Around him like livingroom furniture, like a décor.
As the pallors gather----
The pallors of hands and neighborly faces,
The elate pallors of flying iris.
They are flying off into nothing: remember us.
The empty benches of memory look over stones,
Marble facades with blue veins, and jelly-glassfuls of daffodils.
It is so beautiful up here: it is a stopping place.
(6)
The natural fatness of these lime leaves!----
Pollarded green balls, the trees march to church.
The voice of the priest, in thin air,
Meets the corpse at the gate,
Addressing it, while the hills roll the notes of the dead bell;
A glittler of wheat and crude earth.
What is the name of that color?----
Old blood of caked walls the sun heals,
Old blood of limb stumps, burnt hearts.
The widow with her black pocketbook and three daughters,
Necessary among the flowers,
Enfolds her lace like fine linen,
Not to be spread again.
While a sky, wormy with put-by smiles,
Passes cloud after cloud.
And the bride flowers expend a fershness,
And the soul is a bride
In a still place, and the groom is red and forgetful, he is featureless.
(7)
Behind the glass of this car
The world purrs, shut-off and gentle.
And I am dark-suited and stil, a member of the party,
Gliding up in low gear behind the cart.
And the priest is a vessel,
A tarred fabric,sorry and dull,
Following the coffin on its flowery cart like a beautiful woman,
A crest of breasts, eyelids and lips
Storming the hilltop.
Then, from the barred yard, the children
Smell the melt of shoe-blacking,
Their faces turning, wordless and slow,
Their eyes opening
On a wonderful thing----
Six round black hats in the grass and a lozenge of wood,
And a naked mouth, red and awkward.
For a minute the sky pours into the hole like plasma.
There is no hope, it is given up.
|
Written by
Ogden Nash |
This is a song to celebrate banks,
Because they are full of money and you go into them and all
you hear is clinks and clanks,
Or maybe a sound like the wind in the trees on the hills,
Which is the rustling of the thousand dollar bills.
Most bankers dwell in marble halls,
Which they get to dwell in because they encourage deposits
and discourage withdrawals,
And particularly because they all observe one rule which woe
betides the banker who fails to heed it,
Which is you must never lend any money to anybody unless
they don't need it.
I know you, you cautious conservative banks!
If people are worried about their rent it is your duty to deny
them the loan of one nickel, yes, even one copper engraving
of the martyred son of the late Nancy Hanks;
Yes, if they request fifty dollars to pay for a baby you must
look at them like Tarzan looking at an uppity ape in the
jungle,
And tell them what do they think a bank is, anyhow, they had
better go get the money from their wife's aunt or ungle.
But suppose people come in and they have a million and they
want another million to pile on top of it,
Why, you brim with the milk of human kindness and you
urge them to accept every drop of it,
And you lend them the million so then they have two million
and this gives them the idea that they would be better off
with four,
So they already have two million as security so you have no
hesitation in lending them two more,
And all the vice-presidents nod their heads in rhythm,
And the only question asked is do the borrowers want the
money sent or do they want to take it withm.
Because I think they deserve our appreciation and thanks,
the jackasses who go around saying that health and happi-
ness are everything and money isn't essential,
Because as soon as they have to borrow some unimportant
money to maintain their health and happiness they starve
to death so they can't go around any more sneering at good
old money, which is nothing short of providential.
|
Written by
Andrew Marvell |
The wanton Troopers riding by
Have shot my Faun and it will dye.
Ungentle men! They cannot thrive
To kill thee. Thou neer didst alive
Them any harm: alas nor cou'd
Thy death yet do them any good.
I'me sure I never wisht them ill;
Nor do I for all this; nor will:
But, if my simple Pray'rs may yet
Prevail with Heaven to forget
Thy murder, I will Joyn my Tears
Rather then fail. But, O my fears!
It cannot dye so. Heavens King
Keeps register of every thing:
And nothing may we use in vain.
Ev'n Beasts must be with justice slain;
Else Men are made their Deodands.
Though they should wash their guilty hands
In this warm life blood, which doth part
From thine, and wound me to the Heart,
Yet could they not be clean: their Stain
Is dy'd in such a Purple Grain.
There is not such another in
The World, to offer for their Sin,
Unconstant Sylvio, when yet
I had not found him counterfeit,
One morning (I remember well)
Ty'd in this silver Chain and Bell,
Gave it to me: nay and I know
What he said then; I'm sure I do.
Said He, look how your Huntsman here
Hath taught a Faun to hunt his Dear.
But Sylvio soon had me beguil'd.
This waxed tame; while he grew wild,
And quite regardless of my Smart,
Left me his Faun, but took his Heart.
Thenceforth I set my self to play
My solitary time away,
With this: and very well content,
Could so mine idle Life have spent.
For it was full of sport; and light
Of foot, and heart; and did invite,
Me to its game: it seem'd to bless
Its self in me. How could I less
Than love it? O I cannot be
Unkind, t' a Beast that loveth me.
Had it liv'd long, I do not know
Whether it too might have done so
As Sylvio did: his Gifts might be
Perhaps as false or more than he.
But I am sure, for ought that I
Could in so short a time espie,
Thy Love was far more better then
The love of false and cruel men.
With sweetest milk, and sugar, first
I it at mine own fingers nurst.
And as it grew, so every day
It wax'd more white and sweet than they.
It had so sweet a Breath! And oft
I blusht to see its foot more soft,
And white, (shall I say then my hand?)
Nay any Ladies of the Land.
It is a wond'rous thing, how fleet
Twas on those little silver feet.
With what a pretty skipping grace,
It oft would callenge me the Race:
And when 'thad left me far away,
'T would stay, and run again, and stay.
For it was nimbler much than Hindes;
And trod, as on the four Winds.
I have a Garden of my own,
But so with Roses over grown,
And Lillies, that you would it guess
To be a little Wilderness.
And all the Spring time of the year
It onely loved to be there.
Among the beds of Lillyes, I
Have sought it oft, where it should lye;
Yet could not, till it self would rise,
Find it, although before mine Eyes.
For, in the flaxen Lillies shade,
It like a bank of Lillies laid.
Upon the Roses it would feed,
Until its lips ev'n seem'd to bleed:
And then to me 'twould boldly trip,
And print those Roses on my Lip.
But all its chief delight was still
On Roses thus its self to fill:
And its pure virgin Limbs to fold
In whitest sheets of Lillies cold.
Had it liv'd long, it would have been
Lillies without, Roses within.
O help! O help! I see it faint:
And dye as calmely as a Saint.
See how it weeps. The Tears do come
Sad, slowly dropping like a Gumme.
So weeps the wounded Balsome: so
The holy Frankincense doth flow.
The brotherless Heliades
Melt in such Amber Tears as these.
I in a golden Vial will
Keep these two crystal Tears; and fill
It till it do o'reflow with mine;
Then place it in Diana's Shrine.
Now my sweet Faun is vanish'd to
Whether the Swans and Turtles go
In fair Elizium to endure,
With milk-white Lambs, and Ermins pure.
O do not run too fast: for I
Will but bespeak thy Grave, and dye.
First my unhappy Statue shall
Be cut in Marble; and withal,
Let it be weeping too: but there
Th' Engraver sure his Art may spare;
For I so truly thee bemoane,
That I shall weep though I be Stone:
Until my Tears, still dropping, wear
My breast, themselves engraving there.
There at my feet shalt thou be laid,
Of purest Alabaster made:
For I would have thine Image be
White as I can, though not as Thee.
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