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Best Famous Encroached Poems

Here is a collection of the all-time best famous Encroached poems. This is a select list of the best famous Encroached poetry. Reading, writing, and enjoying famous Encroached poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of encroached poems.

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Written by Emily Dickinson | Create an image from this poem

A light exists in spring

A light exists in spring
   Not present on the year
At any other period.
When March is scarcely here A color stands abroad On solitary hills That science cannot overtake, But human nature feels.
It waits upon the lawn; It shows the furthest tree Upon the furthest slope we know; It almost speaks to me.
Then, as horizons step, Or noons report away, Without the formula of sound, It passes, and we stay: A quality of loss Affecting our content, As trade had suddenly encroached Upon a sacrament.


Written by Charles Baudelaire | Create an image from this poem

Benediction

 When, by decree of the supreme power,
The Poet appears in this annoyed world,
His mother, blasphemous out of horror
At God's pity, cries out with fists curled:

"Ah! I'd rather You'd will me a snake's skin
Than to keep feeding this monstrous slur!
I curse that night's ephemera are sins
To make my womb atone for pleasure.
"Since You have chosen me from all the brides To bear the disgust of my dolorous groom And since I can't throw back into the fires Like an old love letter this gaunt buffoon "I'll replace Your hate that overwhelms me On the instrument of Your wicked gloom And torture so well this miserable tree Its pestiferous buds will never bloom!" She chokes down the eucharist of venom, Not comprehending eternal designs, She prepares a Gehenna of her own, And consecrates a pyre of maternal crimes.
Yet, watched by an invisible seraph, The disinherited child is drunk on the sun And in all he devours and in all he quaffs Receives ambrosia, nectar and honey.
He plays with the wind, chats with the vapors, Deliriously sings the stations of the cross; And the Spirit who follows him in his capers Cries at his joy like a bird in the forest.
Those whom he longs to love look with disdain And dread, strengthened by his tranquillity, They seek to make him complain of his pain So they may try out their ferocity.
In the bread and wine destined for his lips, They mix in cinders and spit with their wrath, And throw out all he touches as he grasps it, And accuse him of putting his feet in their path.
His wife cries out so that everyone hears: "Since he finds me good enough to adore I'll weave as the idols of ancient years A corona of gold as a cover.
"I'll get drunk on nard, incense and myrrh, Get down on bent knee with meats and wines To see if in a heart that admires, My smile denies deference to the divine.
"And, when I tire of these impious farces, I'll arrange for him my frail and hard nails Sharpened just like the claws of a harpy That out of his heart will carve a trail.
"Like a baby bird trembling in the nest I'll dig out his heart all red from my breast To slake the thirst of my favorite pet, And will throw it on the ground with contempt!" Toward the sky, where he sees a great host, The poet, serene, lifts his pious arms high And the vast lightning of his lucid ghost Blinds him to the furious people nearby: "Glory to God, who leaves us to suffer To cure us of all our impurities And like the best, most rarefied buffer Prepares the strong for a saint's ecstasies! "I know that You hold a place for the Poet In the ranks of the blessed and the saint's legions, That You invite him to an eternal fete Of thrones, of virtues, of dominations.
"I know only sorrow is unequaled, It cannot be encroached on from Hell or Earth And if I am to braid my mystic wreath, May I impose it on the universe.
"But the ancient jewels of lost Palmyra, The unknown metals, pearls from the ocean By Your hand mounted, they do not suffice, They cannot dazzle as clearly as this crown "For it will not be made except from halos Drawn of pure light in a holy portal Whose entire splendor, in the eyes of mortals Is only a mirror, obscure and mournful.
"
Written by Robert Browning | Create an image from this poem

Pan and Luna

 Si credere dignum est.
--Virgil, Georgics, III, 390 Oh, worthy of belief I hold it was, Virgil, your legend in those strange three lines! No question, that adventure came to pass One black night in Arcadia: yes, the pines, Mountains and valleys mingling made one mass Of black with void black heaven: the earth's confines, The sky's embrace,--below, above, around, All hardened into black without a bound.
Fill up a swart stone chalice to the brim With fresh-squeezed yet fast-thickening poppy-juice: See how the sluggish jelly, late a-swim, Turns marble to the touch of who would loose The solid smooth, grown jet from rim to rim, By turning round the bowl! So night can fuse Earth with her all-comprising sky.
No less, Light, the least spark, shows air and emptiness.
And thus it proved when--diving into space, Stript of all vapor, from each web of mist, Utterly film-free--entered on her race The naked Moon, full-orbed antagonist Of night and dark, night's dowry: peak to base, Upstarted mountains, and each valley, kissed To sudden life, lay silver-bright: in air Flew she revealed, Maid-Moon with limbs all bare.
Still as she fled, each depth,--where refuge seemed-- Opening a lone pale chamber, left distinct Those limbs: mid still-retreating blue, she teemed Herself with whiteness,--virginal, uncinct By any halo save what finely gleamed To outline not disguise her: heavenwas linked In one accord with earth to quaff the joy, Drain beauty to the dregs without alloy.
Whereof she grew aware.
What help? When, lo, A succorable cloud with sleep lay dense: Some pinetree-top had caught it sailing slow, And tethered for a prize: in evidence Captive lay fleece on fleece of piled-up snow Drowsily patient: flake-heaped how or whence, The structure of that succorable cloud, What matter? Shamed she plunged into its shroud.
Orbed--so the woman-figure poets call Because of rounds on rounds--that apple-shaped Head which its hair binds close into a ball Each side the curving ears--that pure undraped Pout of the sister paps--that .
.
.
once for all, Say--her consummate circle thus escaped With its innumerous circlets, sank absorbed, Safe in the cloud--O naked Moon full-orbed! But what means this? The downy swathes combine, Conglobe, the smothery coy-caressing stuff Curdles about her! Vain each twist and twine Those lithe limbs try, encroached on by a fluff Fitting as close as fits the dented spine Its flexible ivory outside-flesh: enough! The plumy drifts contract, condense, constringe, Till she is swallowed by the feathery springe.
As when a pearl slips lost in the thin foam Churned on a sea-shore, and, o'er-frothed, conceits Herself safe-housed in Amphitrite's dome,-- If, through the bladdery wave-worked yeast, she meets What most she loathes and leaps from,--elf from gnome No gladlier,--finds that safest of retreats Bubble about a treacherous hand wide ope To grasp her--(divers who pick pearls so grope)-- So lay this Maid-Moon clasped around and caught By rough red Pan, the god of all that tract: He it was schemed the snare thus subtly wrought With simulated earth-breath,--wool-tufts packed Into a billowy wrappage.
Sheep far-sought For spotless shearings yield such: take the fact As learned Virgil gives it,--how the breed Whitens itself forever: yes, indeed! If one forefather ram, though pure as chalk From tinge on fleece, should still display a tongue Black 'neath the beast's moist palate, prompt men balk The propagating plague: he gets no young: They rather slay him,--sell his hide to calk Ships with, first steeped with pitch,--nor hands are wrung In sorrow for his fate: protected thus, The purity we loved is gained for us.
So did girl-Moon, by just her attribute Of unmatched modesty betrayed, lie trapped, Bruised to the breast of Pan, half god half brute, Raked by his bristly boar-sward while he lapped --Never say, kissed her! that were to pollute Love's language--which moreover proves unapt To tell how she recoiled--as who finds thorns Where she sought flowers--when, feeling, she touched--horns! Then--does the legend say?--first moon-eclipse Happened, first swooning-fit which puzzled sore The early sages? Is that why she dips Into the dark, a minute and no more, Only so long as serves her while she rips The cloud's womb through and, faultless as before, Pursues her way? No lesson for a maid Left she, a maid herself thus trapped, betrayed? Ha, Virgil? Tell the rest, you! "To the deep Of his domain the wildwood, Pan forthwith Called her, and so she followed"--in her sleep, Surely?--"by no means spurning him.
" The myth Explain who may! Let all else go, I keep --As of a ruin just a monolith-- Thus much, one verse of five words, each a boon: Arcadia, night, a cloud, Pan, and the moon.

Book: Reflection on the Important Things