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Best Famous Encroached Poems

Here is a collection of the all-time best famous Encroached poems. This is a select list of the best famous Encroached poetry. Reading, writing, and enjoying famous Encroached poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of encroached poems.

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Written by Emily Dickinson | Create an image from this poem

A light exists in spring

A light exists in spring
   Not present on the year
At any other period.
   When March is scarcely here

A color stands abroad
   On solitary hills
That science cannot overtake,
   But human nature feels.

It waits upon the lawn;
   It shows the furthest tree
Upon the furthest slope we know;
   It almost speaks to me.

Then, as horizons step,
   Or noons report away,
Without the formula of sound,
   It passes, and we stay:

A quality of loss
   Affecting our content,
As trade had suddenly encroached
   Upon a sacrament.


Written by Charles Baudelaire | Create an image from this poem

Benediction

 When, by decree of the supreme power,
The Poet appears in this annoyed world,
His mother, blasphemous out of horror
At God's pity, cries out with fists curled:

"Ah! I'd rather You'd will me a snake's skin
Than to keep feeding this monstrous slur!
I curse that night's ephemera are sins
To make my womb atone for pleasure.

"Since You have chosen me from all the brides
To bear the disgust of my dolorous groom
And since I can't throw back into the fires
Like an old love letter this gaunt buffoon

"I'll replace Your hate that overwhelms me
On the instrument of Your wicked gloom
And torture so well this miserable tree
Its pestiferous buds will never bloom!"

She chokes down the eucharist of venom,
Not comprehending eternal designs,
She prepares a Gehenna of her own,
And consecrates a pyre of maternal crimes.

Yet, watched by an invisible seraph,
The disinherited child is drunk on the sun
And in all he devours and in all he quaffs
Receives ambrosia, nectar and honey.

He plays with the wind, chats with the vapors,
Deliriously sings the stations of the cross;
And the Spirit who follows him in his capers
Cries at his joy like a bird in the forest.

Those whom he longs to love look with disdain
And dread, strengthened by his tranquillity,
They seek to make him complain of his pain
So they may try out their ferocity.

In the bread and wine destined for his lips,
They mix in cinders and spit with their wrath,
And throw out all he touches as he grasps it,
And accuse him of putting his feet in their path.

His wife cries out so that everyone hears:
"Since he finds me good enough to adore
I'll weave as the idols of ancient years
A corona of gold as a cover.

"I'll get drunk on nard, incense and myrrh,
Get down on bent knee with meats and wines
To see if in a heart that admires,
My smile denies deference to the divine.

"And, when I tire of these impious farces,
I'll arrange for him my frail and hard nails
Sharpened just like the claws of a harpy
That out of his heart will carve a trail.

"Like a baby bird trembling in the nest
I'll dig out his heart all red from my breast
To slake the thirst of my favorite pet,
And will throw it on the ground with contempt!"

Toward the sky, where he sees a great host,
The poet, serene, lifts his pious arms high
And the vast lightning of his lucid ghost
Blinds him to the furious people nearby:

"Glory to God, who leaves us to suffer
To cure us of all our impurities
And like the best, most rarefied buffer
Prepares the strong for a saint's ecstasies!

"I know that You hold a place for the Poet
In the ranks of the blessed and the saint's legions,
That You invite him to an eternal fete
Of thrones, of virtues, of dominations.

"I know only sorrow is unequaled,
It cannot be encroached on from Hell or Earth
And if I am to braid my mystic wreath,
May I impose it on the universe.

"But the ancient jewels of lost Palmyra,
The unknown metals, pearls from the ocean
By Your hand mounted, they do not suffice,
They cannot dazzle as clearly as this crown

"For it will not be made except from halos
Drawn of pure light in a holy portal
Whose entire splendor, in the eyes of mortals
Is only a mirror, obscure and mournful."
Written by Robert Browning | Create an image from this poem

Pan and Luna

 Si credere dignum est.--Virgil, Georgics, III, 390


Oh, worthy of belief I hold it was, 
Virgil, your legend in those strange three lines! 
No question, that adventure came to pass 
One black night in Arcadia: yes, the pines, 
Mountains and valleys mingling made one mass 
Of black with void black heaven: the earth's confines, 
The sky's embrace,--below, above, around, 
All hardened into black without a bound. 

Fill up a swart stone chalice to the brim 
With fresh-squeezed yet fast-thickening poppy-juice: 
See how the sluggish jelly, late a-swim, 
Turns marble to the touch of who would loose 
The solid smooth, grown jet from rim to rim, 
By turning round the bowl! So night can fuse 
Earth with her all-comprising sky. No less, 
Light, the least spark, shows air and emptiness. 

And thus it proved when--diving into space, 
Stript of all vapor, from each web of mist, 
Utterly film-free--entered on her race 
The naked Moon, full-orbed antagonist 
Of night and dark, night's dowry: peak to base, 
Upstarted mountains, and each valley, kissed 
To sudden life, lay silver-bright: in air 
Flew she revealed, Maid-Moon with limbs all bare. 

Still as she fled, each depth,--where refuge seemed-- 
Opening a lone pale chamber, left distinct 
Those limbs: mid still-retreating blue, she teemed 
Herself with whiteness,--virginal, uncinct 
By any halo save what finely gleamed 
To outline not disguise her: heavenwas linked 
In one accord with earth to quaff the joy, 
Drain beauty to the dregs without alloy. 

Whereof she grew aware. What help? When, lo, 
A succorable cloud with sleep lay dense: 
Some pinetree-top had caught it sailing slow, 
And tethered for a prize: in evidence 
Captive lay fleece on fleece of piled-up snow 
Drowsily patient: flake-heaped how or whence, 
The structure of that succorable cloud, 
What matter? Shamed she plunged into its shroud. 

Orbed--so the woman-figure poets call 
Because of rounds on rounds--that apple-shaped 
Head which its hair binds close into a ball 
Each side the curving ears--that pure undraped 
Pout of the sister paps--that . . . once for all, 
Say--her consummate circle thus escaped 
With its innumerous circlets, sank absorbed, 
Safe in the cloud--O naked Moon full-orbed! 

But what means this? The downy swathes combine, 
Conglobe, the smothery coy-caressing stuff 
Curdles about her! Vain each twist and twine 
Those lithe limbs try, encroached on by a fluff 
Fitting as close as fits the dented spine 
Its flexible ivory outside-flesh: enough! 
The plumy drifts contract, condense, constringe, 
Till she is swallowed by the feathery springe. 

As when a pearl slips lost in the thin foam 
Churned on a sea-shore, and, o'er-frothed, conceits 
Herself safe-housed in Amphitrite's dome,-- 
If, through the bladdery wave-worked yeast, she meets 
What most she loathes and leaps from,--elf from gnome 
No gladlier,--finds that safest of retreats 
Bubble about a treacherous hand wide ope 
To grasp her--(divers who pick pearls so grope)-- 

So lay this Maid-Moon clasped around and caught 
By rough red Pan, the god of all that tract: 
He it was schemed the snare thus subtly wrought 
With simulated earth-breath,--wool-tufts packed 
Into a billowy wrappage. Sheep far-sought 
For spotless shearings yield such: take the fact 
As learned Virgil gives it,--how the breed 
Whitens itself forever: yes, indeed! 

If one forefather ram, though pure as chalk 
From tinge on fleece, should still display a tongue 
Black 'neath the beast's moist palate, prompt men balk 
The propagating plague: he gets no young: 
They rather slay him,--sell his hide to calk 
Ships with, first steeped with pitch,--nor hands are wrung 
In sorrow for his fate: protected thus, 
The purity we loved is gained for us. So did girl-Moon, by just her attribute 
Of unmatched modesty betrayed, lie trapped, 
Bruised to the breast of Pan, half god half brute, 
Raked by his bristly boar-sward while he lapped 
--Never say, kissed her! that were to pollute 
Love's language--which moreover proves unapt 
To tell how she recoiled--as who finds thorns 
Where she sought flowers--when, feeling, she touched--horns! 

Then--does the legend say?--first moon-eclipse 
Happened, first swooning-fit which puzzled sore 
The early sages? Is that why she dips 
Into the dark, a minute and no more, 
Only so long as serves her while she rips 
The cloud's womb through and, faultless as before, 
Pursues her way? No lesson for a maid 
Left she, a maid herself thus trapped, betrayed? 

Ha, Virgil? Tell the rest, you! "To the deep 
Of his domain the wildwood, Pan forthwith 
Called her, and so she followed"--in her sleep, 
Surely?--"by no means spurning him." The myth 
Explain who may! Let all else go, I keep 
--As of a ruin just a monolith-- 
Thus much, one verse of five words, each a boon: 
Arcadia, night, a cloud, Pan, and the moon.

Book: Reflection on the Important Things