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Best Famous Enchant Poems

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Written by Johann Wolfgang von Goethe | Create an image from this poem

The Metamorphosis Of Plants

 THOU art confused, my beloved, at, seeing the thousandfold 
union

Shown in this flowery troop, over the garden dispers'd;
any a name dost thou hear assign'd; one after another

Falls on thy list'ning ear, with a barbarian sound.
None resembleth another, yet all their forms have a likeness;

Therefore, a mystical law is by the chorus proclaim'd;
Yes, a sacred enigma! Oh, dearest friend, could I only

Happily teach thee the word, which may the mystery 
solve!
Closely observe how the plant, by little and little progressing,

Step by step guided on, changeth to blossom and 
fruit!
First from the seed it unravels itself, as soon as the silent

Fruit-bearing womb of the earth kindly allows Its 
escape,
And to the charms of the light, the holy, the ever-in-motion,

Trusteth the delicate leaves, feebly beginning 
to shoot.
Simply slumber'd the force in the seed; a germ of the future,

Peacefully lock'd in itself, 'neath the integument 
lay,
Leaf and root, and bud, still void of colour, and shapeless;

Thus doth the kernel, while dry, cover that motionless 
life.
Upward then strives it to swell, in gentle moisture confiding,

And, from the night where it dwelt, straightway 
ascendeth to light.
Yet still simple remaineth its figure, when first it appeareth;

And 'tis a token like this, points out the child 
'mid the plants.
Soon a shoot, succeeding it, riseth on high, and reneweth,

Piling-up node upon node, ever the primitive form;
Yet not ever alike: for the following leaf, as thou seest,

Ever produceth itself, fashioned in manifold ways.
Longer, more indented, in points and in parts more divided,

Which. all-deform'd until now, slept in the organ 
below,
So at length it attaineth the noble and destined perfection,

Which, in full many a tribe, fills thee with wondering 
awe.
Many ribb'd and tooth'd, on a surface juicy and swelling,

Free and unending the shoot seemeth in fullness 
to be;
Yet here Nature restraineth, with powerful hands, the formation,

And to a perfecter end, guideth with softness its 
growth,
Less abundantly yielding the sap, contracting the vessels,

So that the figure ere long gentler effects doth 
disclose.
Soon and in silence is check'd the growth of the vigorous branches,

And the rib of the stalk fuller becometh in form.
Leafless, however, and quick the tenderer stem then up-springeth,

And a miraculous sight doth the observer enchant.
Ranged in a circle, in numbers that now are small, and now countless,

Gather the smaller-sized leaves, close by the side 
of their like.
Round the axis compress'd the sheltering calyx unfoldeth,

And, as the perfectest type, brilliant-hued coronals 
forms.
Thus doth Nature bloom, in glory still nobler and fuller,

Showing, in order arranged, member on member uprear'd.
Wonderment fresh dost thou feel, as soon as the stem rears the flower

Over the scaffolding frail of the alternating leaves.
But this glory is only the new creation's foreteller,

Yes, the leaf with its hues feeleth the hand all 
divine,
And on a sudden contracteth itself; the tenderest figures

Twofold as yet, hasten on, destined to blend into 
one.
Lovingly now the beauteous pairs are standing together,

Gather'd in countless array, there where the altar 
is raised.
Hymen hovereth o'er them, and scents delicious and mighty

Stream forth their fragrance so sweet, all things 
enliv'ning around.
Presently, parcell'd out, unnumber'd germs are seen swelling,

Sweetly conceald in the womb, where is made perfect 
the fruit.
Here doth Nature close the ring of her forces eternal;

Yet doth a new one, at once, cling to the one gone 
before,
So that the chain be prolonged for ever through all generations,

And that the whole may have life, e'en as enjoy'd 
by each part.
Now, my beloved one, turn thy gaze on the many-hued thousands

Which, confusing no more, gladden the mind as they 
wave.
Every plant unto thee proclaimeth the laws everlasting,

Every flowered speaks louder and louder to thee;
But if thou here canst decipher the mystic words of the goddess,

Everywhere will they be seen, e'en though the features 
are changed.
Creeping insects may linger, the eager butterfly hasten,--

Plastic and forming, may man change e'en the figure 
decreed!
Oh, then, bethink thee, as well, how out of the germ of acquaintance,

Kindly intercourse sprang, slowly unfolding its 
leaves;
Soon how friendship with might unveil'd itself in our bosoms,

And how Amor, at length, brought forth blossom 
and fruit
Think of the manifold ways wherein Nature hath lent to our feelings,

Silently giving them birth, either the first or 
the last!
Yes, and rejoice in the present day! For love that is holy

Seeketh the noblest of fruits,--that where the 
thoughts are the same,
Where the opinions agree,--that the pair may, in rapt contemplation,

Lovingly blend into one,--find the more excellent 
world.

 1797.


Written by Friedrich von Schiller | Create an image from this poem

Longing

 Could I from this valley drear,
Where the mist hangs heavily,
Soar to some more blissful sphere,
Ah! how happy should I be!
Distant hills enchant my sight,
Ever young and ever fair;
To those hills I'd take my flight
Had I wings to scale the air.

Harmonies mine ear assail,
Tunes that breathe a heavenly calm;
And the gently-sighing gale
Greets me with its fragrant balm.
Peeping through the shady bowers,
Golden fruits their charms display.
And those sweetly-blooming flowers
Ne'er become cold winter's prey.

In you endless sunshine bright,
Oh! what bliss 'twould be to dwell!
How the breeze on yonder height
Must the heart with rapture swell!
Yet the stream that hems my path
Checks me with its angry frown,
While its waves, in rising wrath,
Weigh my weary spirit down.

See--a bark is drawing near,
But, alas, the pilot fails!
Enter boldly--wherefore fear?
Inspiration fills its sails,
Faith and courage make thine own,--
Gods ne'er lend a helping-hand;
'Tis by magic power alone
Thou canst reach the magic land!
Written by Sarojini Naidu | Create an image from this poem

Indian Dancers

 EYES ravished with rapture, celestially panting, what passionate bosoms aflaming with fire 
Drink deep of the hush of the hyacinth heavens that glimmer around them in fountains of light; 
O wild and entrancing the strain of keen music that cleaveth the stars like a wail of desire, 
And beautiful dancers with houri-like faces bewitch the voluptuous watches of night. 
The scents of red roses and sandalwood flutter and die in the maze of their gem-tangled hair, 


And smiles are entwining like magical serpents the poppies of lips that are opiate-sweet; 
Their glittering garments of purple are burning like tremulous dawns in the quivering air, 
And exquisite, subtle and slow are the tinkle and tread of their rhythmical, slumber-soft feet. 


Now silent, now singing and swaying and swinging, like blossoms that bend to the breezes or showers, 
Now wantonly winding, they flash, now they falter, and, lingering, languish in radiant choir; 
Their jewel-girt arms and warm, wavering, lily-long fingers enchant through melodious hours, 
Eyes ravished with rapture, celestially panting, what passionate bosoms aflaming with fire!
Written by Sarojini Naidu | Create an image from this poem

Indian Dancer

 EYES ravished with rapture, celestially panting, what passionate bosoms aflaming with fire 
Drink deep of the hush of the hyacinth heavens that glimmer around them in fountains of light; 
O wild and entrancing the strain of keen music that cleaveth the stars like a wail of desire, 
And beautiful dancers with houri-like faces bewitch the voluptuous watches of night.


The scents of red roses and sandalwood flutter and die in the maze of their gem-tangled hair, 
And smiles are entwining like magical serpents the poppies of lips that are opiate-sweet; 
Their glittering garments of purple are burning like tremulous dawns in the quivering air, 
And exquisite, subtle and slow are the tinkle and tread of their rhythmical, slumber-soft feet.


Now silent, now singing and swaying and swinging, like blossoms that bend to the breezes or showers, 
Now wantonly winding, they flash, now they falter, and, lingering, languish in radiant choir; 
Their jewel-girt arms and warm, wavering, lily-long fingers enchant through melodious hours, 
Eyes ravished with rapture, celestially panting, what passionate bosoms aflaming with fire!
Written by George William Russell | Create an image from this poem

Dana

 I AM the tender voice calling “Away,”
Whispering between the beatings of the heart,
And inaccessible in dewy eyes
I dwell, and all unkissed on lovely lips,
Lingering between white breasts inviolate,
And fleeting ever from the passionate touch,
I shine afar, till men may not divine
Whether it is the stars or the beloved
They follow with rapt spirit. And I weave
My spells at evening, folding with dim caress,
Aerial arms and twilight dropping hair,
The lonely wanderer by wood or shore,
Till, filled with some deep tenderness, he yields,
Feeling in dreams for the dear mother heart
He knew, ere he forsook the starry way,
And clings there, pillowed far above the smoke
And the dim murmur from the duns of men.
I can enchant the trees and rocks, and fill
The dumb brown lips of earth with mystery,
Make them reveal or hide the god. I breathe
A deeper pity than all love, myself
Mother of all, but without hands to heal:
Too vast and vague, they know me not. But yet,
I am the heartbreak over fallen things,
The sudden gentleness that stays the blow,
And I am in the kiss that foemen give
Pausing in battle, and in the tears that fall
Over the vanquished foe, and in the highest,
Among the Danaan gods, I am the last
Council of mercy in their hearts where they
Mete justice from a thousand starry thrones.


Written by Robert William Service | Create an image from this poem

Prelude

 I sing no idle songs of dalliance days,
No dreams Elysian inspire my rhyming;
I have no Celia to enchant my lays,
No pipes of Pan have set my heart to chiming.
I am no wordsmith dripping gems divine
Into the golden chalice of a sonnet;
If love songs witch you, close this book of mine,
 Waste no time on it.

Yet bring I to my work an eager joy,
A lusty love of life and all things human;
Still in me leaps the wonder of the boy,
A pride in man, a deathless faith in woman.
Still red blood calls, still rings the valiant fray;
Adventure beacons through the summer gloaming:
Oh long and long and long will be the day
 Ere I come homing!

This earth is ours to love: lute, brush and pen,
They are but tongues to tell of life sincerely;
The thaumaturgic Day, the might of men,
O God of Scribes, grant us to grave them clearly!
Grant heart that homes in heart, then all is well.
Honey is honey-sweet, howe'er the hiving.
Each to his work, his wage at evening bell
 The strength of striving.
Written by Emily Brontë | Create an image from this poem

Shall Earth No More Inspire Thee

 Shall Earth no more inspire thee,
Thou lonely dreamer now ?
Since passion may not fire thee
Shall nature cease to bow ? 

Thy mind is ever moving
In regions dark to thee;
Recall its useless roving -
Come back and dwell with me - 

I know my mountain breezes
Enchant annd soothe thee still -
I know my sunshine pleases
Despite thy wayward will - 

When day with evening blending
Sinks from the summer sky,
I've seen thy spirit bending
In fond idolotry - 

I've watched thee every hour -
I know my mighty sway -
I know my magic power
To drive thy griefs away - 

Few hearts to mortal given
On earth so wildly pine
Yet none would ask a Heaven
More like this Earth than thine - 

Then let my winds caress thee -
Thy comrade let me be -
Since nought beside can bless thee
Return and dwell with me -
Written by Philip Freneau | Create an image from this poem

To A New England Poet

 Though skilled in Latin and in Greek,
And earning fifty cents a week,
Such knowledge, and the income, too,
Should teach you better what to do:
The meanest drudges, kept in pay,
Can pocket fifty cents a day.

Why stay in such a tasteless land,
Where all must on a level stand,
(Excepting people, at their ease,
Who choose the level where they please:)
See Irving gone to Britain's court
To people of another sort,
He will return, with wealth and fame,
While Yankees hardly know your name.

Lo! he has kissed a Monarch's--hand!
Before a prince I see him stand,
And with the glittering nobles mix,
Forgetting times of seventy-six,
While you with terror meet the frown
Of Bank Directors of the town,
The home-made nobles of our times,
Who hate the bard, and spurn his rhymes.

Why pause?--like Irving, haste away,
To England your addresses pay;
And England will reward you well,
Of British feats, and British arms,
The maids of honor, and their charms.

Dear bard, I pray you, take the hint,
In England what you write and print,
Republished here in shop, or stall,
Will perfectly enchant us all:
It will assume a different face,
And post your name at every place,
From splendid domes of first degree
Where ladies meet, to sip their tea;
From marble halls, where lawyers plead,
Or Congress-men talk loud, indeed,
To huts, where evening clubs appear,
And 'squires resort--to guzzle Beer.
Written by Lisel Mueller | Create an image from this poem

Why We Tell Stories

 For Linda Foster


I
Because we used to have leaves
and on damp days
our muscles feel a tug,
painful now, from when roots
pulled us into the ground

and because our children believe
they can fly, an instinct retained
from when the bones in our arms
were shaped like zithers and broke
neatly under their feathers

and because before we had lungs
we knew how far it was to the bottom
as we floated open-eyed
like painted scarves through the scenery
of dreams, and because we awakened

and learned to speak

2
We sat by the fire in our caves,
and because we were poor, we made up a tale
about a treasure mountain
that would open only for us

and because we were always defeated,
we invented impossible riddles 
only we could solve,
monsters only we could kill,
women who could love no one else
and because we had survived
sisters and brothers, daughters and sons,
we discovered bones that rose
from the dark earth and sang
as white birds in the trees

3
Because the story of our life 
becomes our life

Because each of us tells
the same story
but tells it differently

and none of us tells it
the same way twice

Because grandmothers looking like spiders
want to enchant the children
and grandfathers need to convince us
what happened happened because of them

and though we listen only
haphazardly, with one ear,
we will begin our story
with the word and
Written by Arthur Symons | Create an image from this poem

The Old Women

 They pass upon their old, tremulous feet, 
Creeping with little satchels down the street, 
And they remember, many years ago, 
Passing that way in silks. They wander, slow 
And solitary, through the city ways, 
And they alone remember those old days 
Men have forgotten. In their shaking heads 
A dancer of old carnivals yet treads 
The measure of past waltzes, and they see 
The candles lit again, the patchouli 
Sweeten the air, and the warm cloud of musk 
Enchant the passing of the passionate dusk. 
Then you will see a light begin to creep 
Under the earthen eyelids, dimmed with sleep, 
And a new tremor, happy and uncouth, 
Jerking about the corners of the mouth. 
Then the old head drops down again, and shakes, 
Muttering.

Sometimes, when the swift gaslight wakes 
The dreams and fever of the sleepless town, 
A shaking huddled thing in a black gown 
Will steal at midnight, carrying with her 
Violet bags of lavender, 
Into the taproom full of noisy light; 
Or, at the crowded earlier hour of night, 
Sidle, with matches, up to some who stand 
About a stage-door, and, with furtive hand, 
Appealing: "I too was a dancer, when 
Your fathers would have been young gentlemen!" 
And sometimes, out of some lean ancient throat, 
A broken voice, with here and there a note 
Of unspoiled crystal, suddenly will arise 
Into the night, while a cracked fiddle cries 
Pantingly after; and you know she sings 
The passing of light, famous, passing things. 
And sometimes, in the hours past midnight, reels 
Out of an alley upon staggering heels, 
Or into the dark keeping of the stones 
About a doorway, a vague thing of bones 
And draggled hair. 

And all these have been loved. 
And not one ruinous body has not moved 
The heart of man's desire, nor has not seemed 
Immortal in the eyes of one who dreamed 
The dream that men call love. This is the end 
Of much fair flesh; it is for this you tend 
Your delicate bodies many careful years, 
To be this thing of laughter and of tears, 
To be this living judgment of the dead, 
An old gray woman with a shaking head.

Book: Reflection on the Important Things