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Best Famous Eleusinian Poems

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Written by Adrienne Rich | Create an image from this poem

Cartographies of Silence

 1.

A conversation begins
with a lie. and each 

speaker of the so-called common language feels
the ice-floe split, the drift apart 

as if powerless, as if up against
a force of nature 

A poem can being
with a lie. And be torn up. 

A conversation has other laws
recharges itself with its own 

false energy, Cannot be torn
up. Infiltrates our blood. Repeats itself. 

Inscribes with its unreturning stylus
the isolation it denies. 


2.

The classical music station
playing hour upon hour in the apartment 

the picking up and picking up
and again picking up the telephone 

The syllables uttering
the old script over and over 

The loneliness of the liar
living in the formal network of the lie 

twisting the dials to drown the terror
beneath the unsaid word 


3.

The technology of silence
The rituals, etiquette 

the blurring of terms
silence not absence 

of words or music or even
raw sounds 

Silence can be a plan
rigorously executed 

the blueprint of a life 

It is a presence
it has a history a form 

Do not confuse it
with any kind of absence 


4.

How calm, how inoffensive these words
begin to seem to me 

though begun in grief and anger
Can I break through this film of the abstract 

without wounding myself or you
there is enough pain here 

This is why the classical of the jazz music station plays?
to give a ground of meaning to our pain? 


5.

The silence strips bare:
In Dreyer's Passion of Joan 

Falconetti's face, hair shorn, a great geography
mutely surveyed by the camera 

If there were a poetry where this could happen
not as blank space or as words 

stretched like skin over meaningsof a night through which two people
have talked till dawn. 


6.

The scream
of an illegitimate voice 

It has ceased to hear itself, therefore
it asks itself 

How do I exist? 

This was the silence I wanted to break in you
I had questions but you would not answer 

I had answers but you could not use them
The is useless to you and perhaps to others 


7.

It was an old theme even for me:
Language cannot do everything- 

chalk it on the walls where the dead poets
lie in their mausoleums 

If at the will of the poet the poem
could turn into a thing 

a granite flank laid bare, a lifted head
alight with dew 

If it could simply look you in the face
with naked eyeballs, not letting you turn 

till you, and I who long to make this thing,
were finally clarified together in its stare 


8.

No. Let me have this dust,
these pale clouds dourly lingering, these words 

moving with ferocious accuracy
like the blind child's fingers 

or the newborn infant's mouth
violent with hunger 

No one can give me, I have long ago
taken this method 

whether of bran pouring from the loose-woven sack
or of the bunsen-flame turned low and blue 

If from time to time I envy
the pure annunciation to the eye 

the visio beatifica
if from time to time I long to turn 

like the Eleusinian hierophant
holding up a single ear of grain 

for the return to the concrete and everlasting world
what in fact I keep choosing 

are these words, these whispers, conversations
from which time after time the truth breaks moist and green.


Written by Friedrich von Schiller | Create an image from this poem

The Eleusinian Festival

 Wreathe in a garland the corn's golden ear!
With it, the Cyane [31] blue intertwine
Rapture must render each glance bright and clear,
For the great queen is approaching her shrine,--
She who compels lawless passions to cease,
Who to link man with his fellow has come,
And into firm habitations of peace
Changed the rude tents' ever-wandering home.

Shyly in the mountain-cleft
Was the Troglodyte concealed;
And the roving Nomad left,
Desert lying, each broad field.
With the javelin, with the bow,
Strode the hunter through the land;
To the hapless stranger woe,
Billow-cast on that wild strand!

When, in her sad wanderings lost,
Seeking traces of her child,
Ceres hailed the dreary coast,
Ah, no verdant plain then smiled!
That she here with trust may stay,
None vouchsafes a sheltering roof;
Not a temple's columns gay
Give of godlike worship proof.

Fruit of no propitious ear
Bids her to the pure feast fly;
On the ghastly altars here
Human bones alone e'er dry.
Far as she might onward rove,
Misery found she still in all,
And within her soul of love,
Sorrowed she o'er man's deep fall.

"Is it thus I find the man
To whom we our image lend,
Whose fair limbs of noble span
Upward towards the heavens ascend?
Laid we not before his feet
Earth's unbounded godlike womb?
Yet upon his kingly seat
Wanders he without a home?"

"Does no god compassion feel?
Will none of the blissful race,
With an arm of miracle,
Raise him from his deep disgrace?
In the heights where rapture reigns
Pangs of others ne'er can move;
Yet man's anguish and man's pains
My tormented heart must prove."

"So that a man a man may be,
Let him make an endless bond
With the kind earth trustingly,
Who is ever good and fond
To revere the law of time,
And the moon's melodious song
Who, with silent step sublime,
Move their sacred course along."

And she softly parts the cloud
That conceals her from the sight;
Sudden, in the savage crowd,
Stands she, as a goddess bright.
There she finds the concourse rude
In their glad feast revelling,
And the chalice filled with blood
As a sacrifice they bring.

But she turns her face away,
Horror-struck, and speaks the while
"Bloody tiger-feasts ne'er may
Of a god the lips defile,
He needs victims free from stain,
Fruits matured by autumn's sun;
With the pure gifts of the plain
Honored is the Holy One!"

And she takes the heavy shaft
From the hunter's cruel hand;
With the murderous weapon's haft
Furrowing the light-strown sand,--
Takes from out her garland's crown,
Filled with life, one single grain,
Sinks it in the furrow down,
And the germ soon swells amain.

And the green stalks gracefully
Shoot, ere long, the ground above,
And, as far as eye can see,
Waves it like a golden grove.
With her smile the earth she cheers,
Binds the earliest sheaves so fair,
As her hearth the landmark rears,--
And the goddess breathes this prayer:

"Father Zeus, who reign'st o'er all
That in ether's mansions dwell,
Let a sign from thee now fall
That thou lov'st this offering well!
And from the unhappy crowd
That, as yet, has ne'er known thee,
Take away the eye's dark cloud,
Showing them their deity!"

Zeus, upon his lofty throne,
Harkens to his sister's prayer;
From the blue heights thundering down,
Hurls his forked lightning there,
Crackling, it begins to blaze,
From the altar whirling bounds,--
And his swift-winged eagle plays
High above in circling rounds.

Soon at the feet of their mistress are kneeling,
Filled with emotion, the rapturous throng;
Into humanity's earliest feeling
Melt their rude spirits, untutored and strong.
Each bloody weapon behind them they leave,
Rays on their senses beclouded soon shine,
And from the mouth of the queen they receive,
Gladly and meekly, instruction divine.

All the deities advance
Downward from their heavenly seats;
Themis' self 'tis leads the dance,
And, with staff of justice, metes
Unto every one his rights,--
Landmarks, too, 'tis hers to fix;
And in witness she invites
All the hidden powers of Styx.

And the forge-god, too, is there,
The inventive son of Zeus;
Fashioner of vessels fair
Skilled in clay and brass's use.
'Tis from him the art man knows
Tongs and bellows how to wield;
'Neath his hammer's heavy blows
Was the ploughshare first revealed.

With projecting, weighty spear,
Front of all, Minerva stands,
Lifts her voice so strong and clear,
And the godlike host commands.
Steadfast walls 'tis hers to found,
Shield and screen for every one,
That the scattered world around
Bind in loving unison.

The immortals' steps she guides
O'er the trackless plains so vast,
And where'er her foot abides
Is the boundary god held fast;
And her measuring chain is led
Round the mountain's border green,--
E'en the raging torrent's bed
In the holy ring is seen.

All the Nymphs and Oreads too
Who, the mountain pathways o'er,
Swift-foot Artemis pursue,
All to swell the concourse, pour,
Brandishing the hunting-spear,--
Set to work,--glad shouts uprise,--
'Neath their axes' blows so clear
Crashing down the pine-wood flies.

E'en the sedge-crowned God ascends
From his verdant spring to light,
And his raft's direction bends
At the goddess' word of might,--
While the hours, all gently bound,
Nimbly to their duty fly;
Rugged trunks are fashioned round
By her skilled hand gracefully.

E'en the sea-god thither fares;--
Sudden, with his trident's blow,
He the granite columns tears
From earth's entrails far below;--
In his mighty hands, on high,
Waves he them, like some light ball,
And with nimble Hermes by,
Raises up the rampart-wall.

But from out the golden strings
Lures Apollo harmony,
Measured time's sweet murmurings,
And the might of melody.
The Camoenae swell the strain
With their song of ninefold tone:
Captive bound in music's chain,
Softly stone unites to stone.

Cybele, with skilful hand,
Open throws the wide-winged door;
Locks and bolts by her are planned,
Sure to last forevermore.
Soon complete the wondrous halls
By the gods' own hands are made,
And the temple's glowing walls
Stand in festal pomp arrayed.

With a crown of myrtle twined,
Now the goddess queen comes there,
And she leads the fairest hind
To the shepherdess most fair.
Venus, with her beauteous boy,
That first pair herself attires;
All the gods bring gifts of joy,
Blessing their love's sacred fires.

Guided by the deities,
Soon the new-born townsmen pour,
Ushered in with harmonies,
Through the friendly open door.
Holding now the rites divine,
Ceres at Zeus' altar stands,--
Blessing those around the shrine,
Thus she speaks, with folded hands:--

"Freedom's love the beast inflames,
And the god rules free in air,
While the law of Nature tames
Each wild lust that lingers there.
Yet, when thus together thrown,
Man with man must fain unite;
And by his own worth alone
Can he freedom gain, and might."

Wreathe in a garland the corn's golden ear!
With it, the Cyane blue intertwine!
Rapture must render each glance bright and clear,
For the great queen is approaching her shrine,--
She who our homesteads so blissful has given,
She who has man to his fellow-man bound:
Let our glad numbers extol then to heaven,
Her who the earth's kindly mother is found!

Book: Reflection on the Important Things