Get Your Premium Membership

Best Famous Electra Poems

Here is a collection of the all-time best famous Electra poems. This is a select list of the best famous Electra poetry. Reading, writing, and enjoying famous Electra poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of electra poems.

Search and read the best famous Electra poems, articles about Electra poems, poetry blogs, or anything else Electra poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

The Naming Of Cats

 The Naming of Cats is a difficult matter,
It isn't just one of your holiday games;
You may think at first I'm as mad as a hatter
When I tell you, a cat must have THREE DIFFERENT NAMES.
First of all, there's the name that the family use daily,
Such as Peter, Augustus, Alonzo or James,
Such as Victor or Jonathan, George or Bill Bailey--
All of them sensible everyday names.
There are fancier names if you think they sound sweeter,
Some for the gentlemen, some for the dames:
Such as Plato, Admetus, Electra, Demeter--
But all of them sensible everyday names.
But I tell you, a cat needs a name that's particular,
A name that's peculiar, and more dignified,
Else how can he keep up his tail perpendicular,
Or spread out his whiskers, or cherish his pride?
Of names of this kind, I can give you a quorum,
Such as Munkustrap, Quaxo, or Coricopat,
Such as Bombalurina, or else Jellylorum-
Names that never belong to more than one cat.
But above and beyond there's still one name left over,
And that is the name that you never will guess;
The name that no human research can discover--
But THE CAT HIMSELF KNOWS, and will never confess.
When you notice a cat in profound meditation,
The reason, I tell you, is always the same:
His mind is engaged in a rapt contemplation
Of the thought, of the thought, of the thought of his name:
His ineffable effable
Effanineffable
Deep and inscrutable singular Name.


Written by Sylvia Plath | Create an image from this poem

Electra On Azalea Path

 The day you died I went into the dirt,
Into the lightless hibernaculum
Where bees, striped black and gold, sleep out the blizzard
Like hieratic stones, and the ground is hard.
It was good for twenty years, that wintering --
As if you never existed, as if I came
God-fathered into the world from my mother's belly:
Her wide bed wore the stain of divinity.
I had nothing to do with guilt or anything
When I wormed back under my mother's heart.

Small as a doll in my dress of innocence
I lay dreaming your epic, image by image.
Nobody died or withered on that stage.
Everything took place in a durable whiteness.
The day I woke, I woke on Churchyard Hill.
I found your name, I found your bones and all
Enlisted in a cramped necropolis
your speckled stone skewed by an iron fence.

In this charity ward, this poorhouse, where the dead
Crowd foot to foot, head to head, no flower
Breaks the soil. This is Azalea path.
A field of burdock opens to the south.
Six feet of yellow gravel cover you.
The artificial red sage does not stir
In the basket of plastic evergreens they put
At the headstone next to yours, nor does it rot,
Although the rains dissolve a bloody dye:
The ersatz petals drip, and they drip red.

Another kind of redness bothers me:
The day your slack sail drank my sister's breath
The flat sea purpled like that evil cloth
My mother unrolled at your last homecoming.
I borrow the silts of an old tragedy.
The truth is, one late October, at my birth-cry
A scorpion stung its head, an ill-starred thing;
My mother dreamed you face down in the sea.

The stony actors poise and pause for breath.
I brought my love to bear, and then you died.
It was the gangrene ate you to the bone
My mother said: you died like any man.
How shall I age into that state of mind?
I am the ghost of an infamous suicide,
My own blue razor rusting at my throat.
O pardon the one who knocks for pardon at
Your gate, father -- your hound-*****, daughter, friend.
It was my love that did us both to death.
Written by Algernon Charles Swinburne | Create an image from this poem

Ave atque Vale (In memory of Charles Baudelaire)

 SHALL I strew on thee rose or rue or laurel, 
 Brother, on this that was the veil of thee? 
 Or quiet sea-flower moulded by the sea, 
Or simplest growth of meadow-sweet or sorrel, 
 Such as the summer-sleepy Dryads weave, 
 Waked up by snow-soft sudden rains at eve? 
Or wilt thou rather, as on earth before, 
 Half-faded fiery blossoms, pale with heat 
 And full of bitter summer, but more sweet 
To thee than gleanings of a northern shore 
 Trod by no tropic feet? 

For always thee the fervid languid glories 
 Allured of heavier suns in mightier skies; 
 Thine ears knew all the wandering watery sighs 
Where the sea sobs round Lesbian promontories, 
 The barren kiss of piteous wave to wave 
 That knows not where is that Leucadian grave 
Which hides too deep the supreme head of song. 
 Ah, salt and sterile as her kisses were, 
 The wild sea winds her and the green gulfs bear 
Hither and thither, and vex and work her wrong, 
 Blind gods that cannot spare. 

Thou sawest, in thine old singing season, brother, 
 Secrets and sorrows unbeheld of us: 
 Fierce loves, and lovely leaf-buds poisonous, 
Bare to thy subtler eye, but for none other 
 Blowing by night in some unbreathed-in clime; 
 The hidden harvest of luxurious time, 
Sin without shape, and pleasure without speech; 
 And where strange dreams in a tumultuous sleep 
 Make the shut eyes of stricken spirits weep; 
And with each face thou sawest the shadow on each, 
 Seeing as men sow men reap. 

O sleepless heart and sombre soul unsleeping, 
 That were athirst for sleep and no more life 
 And no more love, for peace and no more strife! 
Now the dim gods of death have in their keeping 
 Spirit and body and all the springs of song, 
 Is it well now where love can do no wrong, 
Where stingless pleasure has no foam or fang 
 Behind the unopening closure of her lips? 
 Is it not well where soul from body slips 
And flesh from bone divides without a pang 
 As dew from flower-bell drips? 

It is enough; the end and the beginning 
 Are one thing to thee, who art past the end. 
 O hand unclasp'd of unbeholden friend, 
For thee no fruits to pluck, no palms for winning, 
 No triumph and no labour and no lust, 
 Only dead yew-leaves and a little dust. 
O quiet eyes wherein the light saith naught, 
 Whereto the day is dumb, nor any night 
 With obscure finger silences your sight, 
Nor in your speech the sudden soul speaks thought, 
 Sleep, and have sleep for light. 

Now all strange hours and all strange loves are over, 
 Dreams and desires and sombre songs and sweet, 
 Hast thou found place at the great knees and feet 
Of some pale Titan-woman like a lover, 
 Such as thy vision here solicited, 
 Under the shadow of her fair vast head, 
The deep division of prodigious breasts, 
 The solemn slope of mighty limbs asleep, 
 The weight of awful tresses that still keep 
The savour and shade of old-world pine-forests 
 Where the wet hill-winds weep? 

Hast thou found any likeness for thy vision? 
 O gardener of strange flowers, what bud, what bloom, 
 Hast thou found sown, what gather'd in the gloom? 
What of despair, of rapture, of derision, 
 What of life is there, what of ill or good? 
 Are the fruits gray like dust or bright like blood? 
Does the dim ground grow any seed of ours, 
 The faint fields quicken any terrene root, 
 In low lands where the sun and moon are mute 
And all the stars keep silence? Are there flowers 
 At all, or any fruit? 

Alas, but though my flying song flies after, 
 O sweet strange elder singer, thy more fleet 
 Singing, and footprints of thy fleeter feet, 
Some dim derision of mysterious laughter 
 From the blind tongueless warders of the dead, 
 Some gainless glimpse of Proserpine's veil'd head, 
Some little sound of unregarded tears 
 Wept by effaced unprofitable eyes, 
 And from pale mouths some cadence of dead sighs-- 
These only, these the hearkening spirit hears, 
 Sees only such things rise. 

Thou art far too far for wings of words to follow, 
 Far too far off for thought or any prayer. 
 What ails us with thee, who art wind and air? 
What ails us gazing where all seen is hollow? 
 Yet with some fancy, yet with some desire, 
 Dreams pursue death as winds a flying fire, 
Our dreams pursue our dead and do not find. 
 Still, and more swift than they, the thin flame flies, 
 The low light fails us in elusive skies, 
Still the foil'd earnest ear is deaf, and blind 
 Are still the eluded eyes. 

Not thee, O never thee, in all time's changes, 
 Not thee, but this the sound of thy sad soul, 
 The shadow of thy swift spirit, this shut scroll 
I lay my hand on, and not death estranges 
 My spirit from communion of thy song-- 
 These memories and these melodies that throng 
Veil'd porches of a Muse funereal-- 
 These I salute, these touch, these clasp and fold 
 As though a hand were in my hand to hold, 
Or through mine ears a mourning musical 
 Of many mourners roll'd. 

I among these, I also, in such station 
 As when the pyre was charr'd, and piled the sods. 
 And offering to the dead made, and their gods, 
The old mourners had, standing to make libation, 
 I stand, and to the Gods and to the dead 
 Do reverence without prayer or praise, and shed 
Offering to these unknown, the gods of gloom, 
 And what of honey and spice my seed-lands bear, 
 And what I may of fruits in this chill'd air, 
And lay, Orestes-like, across the tomb 
 A curl of sever'd hair. 

But by no hand nor any treason stricken, 
 Not like the low-lying head of Him, the King, 
 The flame that made of Troy a ruinous thing, 
Thou liest and on this dust no tears could quicken. 
 There fall no tears like theirs that all men hear 
 Fall tear by sweet imperishable tear 
Down the opening leaves of holy poets' pages. 
 Thee not Orestes, not Electra mourns; 
 But bending us-ward with memorial urns 
The most high Muses that fulfil all ages 
 Weep, and our God's heart yearns. 

For, sparing of his sacred strength, not often 
 Among us darkling here the lord of light 
 Makes manifest his music and his might 
In hearts that open and in lips that soften 
 With the soft flame and heat of songs that shine. 
 Thy lips indeed he touch'd with bitter wine, 
And nourish'd them indeed with bitter bread; 
 Yet surely from his hand thy soul's food came, 
 The fire that scarr'd thy spirit at his flame 
Was lighted, and thine hungering heart he fed 
 Who feeds our hearts with fame. 

Therefore he too now at thy soul's sunsetting, 
 God of all suns and songs, he too bends down 
 To mix his laurel with thy cypress crown, 
And save thy dust from blame and from forgetting. 
 Therefore he too, seeing all thou wert and art, 
 Compassionate, with sad and sacred heart, 
Mourns thee of many his children the last dead, 
 And hollows with strange tears and alien sighs 
 Thine unmelodious mouth and sunless eyes, 
And over thine irrevocable head 
 Sheds light from the under skies. 

And one weeps with him in the ways Lethean, 
 And stains with tears her changing bosom chill; 
 That obscure Venus of the hollow hill, 
That thing transform'd which was the Cytherean, 
 With lips that lost their Grecian laugh divine 
 Long since, and face no more call'd Erycine-- 
A ghost, a bitter and luxurious god. 
 Thee also with fair flesh and singing spell 
 Did she, a sad and second prey, compel 
Into the footless places once more trod, 
 And shadows hot from hell. 

And now no sacred staff shall break in blossom, 
 No choral salutation lure to light 
 A spirit sick with perfume and sweet night 
And love's tired eyes and hands and barren bosom. 
 There is no help for these things; none to mend, 
 And none to mar; not all our songs, O friend, 
Will make death clear or make life durable. 
 Howbeit with rose and ivy and wild vine 
 And with wild notes about this dust of thine 
At least I fill the place where white dreams dwell 
 And wreathe an unseen shrine. 

Sleep; and if life was bitter to thee, pardon, 
 If sweet, give thanks; thou hast no more to live; 
 And to give thanks is good, and to forgive. 
Out of the mystic and the mournful garden 
 Where all day through thine hands in barren braid 
 Wove the sick flowers of secrecy and shade, 
Green buds of sorrow and sin, and remnants gray, 
 Sweet-smelling, pale with poison, sanguine-hearted, 
 Passions that sprang from sleep and thoughts that started, 
Shall death not bring us all as thee one day 
 Among the days departed? 

For thee, O now a silent soul, my brother, 
 Take at my hands this garland, and farewell. 
 Thin is the leaf, and chill the wintry smell, 
And chill the solemn earth, a fatal mother, 
 With sadder than the Niobean womb, 
 And in the hollow of her breasts a tomb. 
Content thee, howsoe'er, whose days are done; 
 There lies not any troublous thing before, 
 Nor sight nor sound to war against thee more, 
For whom all winds are quiet as the sun, 
 All waters as the shore.
Written by Robert Herrick | Create an image from this poem

A Conjuration To Electra

 By those soft tods of wool
With which the air is full;
By all those tinctures there,
That paint the hemisphere;
By dews and drizzling rain
That swell the golden grain;
By all those sweets that be
I' the flowery nunnery;
By silent nights, and the
Three forms of Hecate;
By all aspects that bless
The sober sorceress,
While juice she strains, and pith
To make her philters with;
By time that hastens on
Things to perfection;
And by yourself, the best
Conjurement of the rest:
O my Electra! be
In love with none but me.
Written by Elizabeth Barrett Browning | Create an image from this poem

Sonnet 05 - I lift my heavy heart up solemnly

 I lift my heavy heart up solemnly,
As once Electra her sepulchral urn,
And, looking in thine eyes, I overturn
The ashes at thy feet. Behold and see
What a great heap of grief lay hid in me,
And how the red wild sparkles dimly burn
Through the ashen grayness. If thy foot in scorn
Could tread them out to darkness utterly,
It might be well perhaps. But if instead
Thou wait beside me for the wind to blow
The gray dust up, . . . those laurels on thine head,
O my Beloved, will not shield thee so,
That none of all the fires shall scorch and shred
The hair beneath. Stand farther off then! go.


Written by Robert Herrick | Create an image from this poem

Upon The Loss Of His Mistresses

 I have lost, and lately, these
Many dainty mistresses:--
Stately Julia, prime of all;
Sapho next, a principal:
Smooth Anthea, for a skin
White, and heaven-like crystalline:
Sweet Electra, and the choice
Myrha, for the lute and voice.
Next, Corinna, for her wit,
And the graceful use of it;
With Perilla:--All are gone;
Only Herrick's left alone,
For to number sorrow by
Their departures hence, and die.
Written by Robert Herrick | Create an image from this poem

To Electra

 I dare not ask a kiss,
I dare not beg a smile;
Lest having that, or this,
I might grow proud the while.

No, no, the utmost share
Of my desire shall be,
Only to kiss that air
That lately kissed thee,

Book: Radiant Verses: A Journey Through Inspiring Poetry