10 Best Famous Edifice Poems

Here is a collection of the top 10 all-time best famous Edifice poems. This is a select list of the best famous Edifice poetry. Reading, writing, and enjoying famous Edifice poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of edifice poems.

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Written by Victor Hugo | Create an image from this poem

A Sunset

 I love the evenings, passionless and fair, I love the evens, 
Whether old manor-fronts their ray with golden fulgence leavens, 
In numerous leafage bosomed close; 
Whether the mist in reefs of fire extend its reaches sheer, 
Or a hundred sunbeams splinter in an azure atmosphere 
On cloudy archipelagos. 

Oh, gaze ye on the firmament! a hundred clouds in motion, 
Up-piled in the immense sublime beneath the winds' commotion, 
Their unimagined shapes accord: 
Under their waves at intervals flame a pale levin through, 
As if some giant of the air amid the vapors drew 
A sudden elemental sword. 

The sun at bay with splendid thrusts still keeps the sullen fold; 
And momently at distance sets, as a cupola of gold, 
The thatched roof of a cot a-glance; 
Or on the blurred horizon joins his battle with the haze; 
Or pools the blooming fields about with inter-isolate blaze, 
Great moveless meres of radiance. 

Then mark you how there hangs athwart the firmament's swept track, 
Yonder a mighty crocodile with vast irradiant back, 
A triple row of pointed teeth? 
Under its burnished belly slips a ray of eventide, 
The flickerings of a hundred glowing clouds in tenebrous side 
With scales of golden mail ensheathe. 

Then mounts a palace, then the air vibrates--the vision flees. 
Confounded to its base, the fearful cloudy edifice 
Ruins immense in mounded wrack; 
Afar the fragments strew the sky, and each envermeiled cone 
Hangeth, peak downward, overhead, like mountains overthrown 
When the earthquake heaves its hugy back. 

These vapors, with their leaden, golden, iron, bronzèd glows, 
Where the hurricane, the waterspout, thunder, and hell repose, 
Muttering hoarse dreams of destined harms,-- 
'Tis God who hangs their multitude amid the skiey deep, 
As a warrior that suspendeth from the roof-tree of his keep 
His dreadful and resounding arms! 

All vanishes! The Sun, from topmost heaven precipitated, 
Like a globe of iron which is tossed back fiery red 
Into the furnace stirred to fume, 
Shocking the cloudy surges, plashed from its impetuous ire, 
Even to the zenith spattereth in a flecking scud of fire 
The vaporous and inflamèd spaume. 

O contemplate the heavens! Whenas the vein-drawn day dies pale, 
In every season, every place, gaze through their every veil? 
With love that has not speech for need! 
Beneath their solemn beauty is a mystery infinite: 
If winter hue them like a pall, or if the summer night 
Fantasy them starre brede.

Written by Walt Whitman | Create an image from this poem

As a Strong Bird on Pinions Free

 1
AS a strong bird on pinions free, 
Joyous, the amplest spaces heavenward cleaving, 
Such be the thought I’d think to-day of thee, America, 
Such be the recitative I’d bring to-day for thee. 

The conceits of the poets of other lands I bring thee not,
Nor the compliments that have served their turn so long, 
Nor rhyme—nor the classics—nor perfume of foreign court, or indoor library; 
But an odor I’d bring to-day as from forests of pine in the north, in Maine—or
 breath
 of an Illinois prairie, 
With open airs of Virginia, or Georgia, or Tennessee—or from Texas uplands, or
 Florida’s glades, 
With presentment of Yellowstone’s scenes, or Yosemite;
And murmuring under, pervading all, I’d bring the rustling sea-sound, 
That endlessly sounds from the two great seas of the world. 

And for thy subtler sense, subtler refrains, O Union! 
Preludes of intellect tallying these and thee—mind-formulas fitted for
 thee—real, and
 sane, and large as these and thee; 
Thou, mounting higher, diving deeper than we knew—thou transcendental Union!
By thee Fact to be justified—blended with Thought; 
Thought of Man justified—blended with God: 
Through thy Idea—lo! the immortal Reality! 
Through thy Reality—lo! the immortal Idea! 

2
Brain of the New World! what a task is thine!
To formulate the Modern.....Out of the peerless grandeur of the modern, 
Out of Thyself—comprising Science—to recast Poems, Churches, Art, 
(Recast—may-be discard them, end them—May-be their work is done—who knows?)

By vision, hand, conception, on the background of the mighty past, the dead, 
To limn, with absolute faith, the mighty living present.

(And yet, thou living, present brain! heir of the dead, the Old World brain! 
Thou that lay folded, like an unborn babe, within its folds so long! 
Thou carefully prepared by it so long!—haply thou but unfoldest it—only maturest
 it; 
It to eventuate in thee—the essence of the by-gone time contain’d in thee; 
Its poems, churches, arts, unwitting to themselves, destined with reference to thee,
The fruit of all the Old, ripening to-day in thee.) 

3
Sail—sail thy best, ship of Democracy! 
Of value is thy freight—’tis not the Present only, 
The Past is also stored in thee! 
Thou holdest not the venture of thyself alone—not of thy western continent alone;
Earth’s résumé entire floats on thy keel, O ship—is
 steadied by
 thy spars; 
With thee Time voyages in trust—the antecedent nations sink or swim with thee; 
With all their ancient struggles, martyrs, heroes, epics, wars, thou bear’st the
 other
 continents; 
Theirs, theirs as much as thine, the destination-port triumphant: 
—Steer, steer with good strong hand and wary eye, O helmsman—thou carryest great
 companions,
Venerable, priestly Asia sails this day with thee, 
And royal, feudal Europe sails with thee. 

4
Beautiful World of new, superber Birth, that rises to my eyes, 
Like a limitless golden cloud, filling the western sky; 
Emblem of general Maternity, lifted above all;
Sacred shape of the bearer of daughters and sons; 
Out of thy teeming womb, thy giant babes in ceaseless procession issuing, 
Acceding from such gestation, taking and giving continual strength and life; 
World of the Real! world of the twain in one! 
World of the Soul—born by the world of the real alone—led to identity, body, by
 it
 alone;
Yet in beginning only—incalculable masses of composite, precious materials, 
By history’s cycles forwarded—by every nation, language, hither sent, 
Ready, collected here—a freer, vast, electric World, to be constructed here, 
(The true New World—the world of orbic Science, Morals, Literatures to come,) 
Thou Wonder World, yet undefined, unform’d—neither do I define thee;
How can I pierce the impenetrable blank of the future? 
I feel thy ominous greatness, evil as well as good; 
I watch thee, advancing, absorbing the present, transcending the past; 
I see thy light lighting and thy shadow shadowing, as if the entire globe; 
But I do not undertake to define thee—hardly to comprehend thee;
I but thee name—thee prophecy—as now! 
I merely thee ejaculate! 

Thee in thy future; 
Thee in thy only permanent life, career—thy own unloosen’d mind—thy soaring
 spirit; 
Thee as another equally needed sun, America—radiant, ablaze, swift-moving,
 fructifying
 all;
Thee! risen in thy potent cheerfulness and joy—thy endless, great hilarity! 
(Scattering for good the cloud that hung so long—that weigh’d so long upon the
 mind
 of man, 
The doubt, suspicion, dread, of gradual, certain decadence of man;) 
Thee in thy larger, saner breeds of Female, Male—thee in thy athletes, moral,
 spiritual,
 South, North, West, East, 
(To thy immortal breasts, Mother of All, thy every daughter, son, endear’d alike,
 forever
 equal;)
Thee in thy own musicians, singers, artists, unborn yet, but certain; 
Thee in thy moral wealth and civilization (until which thy proudest material wealth and
 civilization must remain in vain;) 
Thee in thy all-supplying, all-enclosing Worship—thee in no single bible, saviour,
 merely,

Thy saviours countless, latent within thyself—thy bibles incessant, within thyself,
 equal
 to any, divine as any; 
Thee in an education grown of thee—in teachers, studies, students, born of thee;
Thee in thy democratic fetes, en masse—thy high original festivals, operas,
 lecturers,
 preachers; 
Thee in thy ultimata, (the preparations only now completed—the edifice on sure
 foundations
 tied,) 
Thee in thy pinnacles, intellect, thought—thy topmost rational joys—thy love,
 and
 godlike aspiration, 
In thy resplendent coming literati—thy full-lung’d orators—thy sacerdotal
 bards—kosmic savans, 
These! these in thee, (certain to come,) to-day I prophecy.

5
Land tolerating all—accepting all—not for the good alone—all good for thee;

Land in the realms of God to be a realm unto thyself; 
Under the rule of God to be a rule unto thyself. 

(Lo! where arise three peerless stars, 
To be thy natal stars, my country—Ensemble—Evolution—Freedom,
Set in the sky of Law.) 

Land of unprecedented faith—God’s faith! 
Thy soil, thy very subsoil, all upheav’d; 
The general inner earth, so long, so sedulously draped over, now and hence for what it is,
 boldly laid bare, 
Open’d by thee to heaven’s light, for benefit or bale.

Not for success alone; 
Not to fair-sail unintermitted always; 
The storm shall dash thy face—the murk of war, and worse than war, shall cover thee
 all
 over; 
(Wert capable of war—its tug and trials? Be capable of peace, its trials; 
For the tug and mortal strain of nations come at last in peace—not war;)
In many a smiling mask death shall approach, beguiling thee—thou in disease shalt
 swelter;

The livid cancer spread its hideous claws, clinging upon thy breasts, seeking to strike
 thee
 deep within; 
Consumption of the worst—moral consumption—shall rouge thy face with hectic: 
But thou shalt face thy fortunes, thy diseases, and surmount them all, 
Whatever they are to-day, and whatever through time they may be,
They each and all shall lift, and pass away, and cease from thee; 
While thou, Time’s spirals rounding—out of thyself, thyself still extricating,
 fusing, 
Equable, natural, mystical Union thou—(the mortal with immortal blent,) 
Shalt soar toward the fulfilment of the future—the spirit of the body and the mind, 
The Soul—its destinies.

The Soul, its destinies—the real real, 
(Purport of all these apparitions of the real;) 
In thee, America, the Soul, its destinies; 
Thou globe of globes! thou wonder nebulous! 
By many a throe of heat and cold convuls’d—(by these thyself solidifying;)
Thou mental, moral orb! thou New, indeed new, Spiritual World! 
The Present holds thee not—for such vast growth as thine—for such
 unparallel’d
 flight as thine, 
The Future only holds thee, and can hold thee.
Written by Anne Sexton | Create an image from this poem

That Day

 This is the desk I sit at
and this is the desk where I love you too much
and this is the typewriter that sits before me
where yesterday only your body sat before me
with its shoulders gathered in like a Greek chorus,
with its tongue like a king making up rules as he goes,
with its tongue quite openly like a cat lapping milk,
with its tongue -- both of us coiled in its slippery life.
That was yesterday, that day.
That was the day of your tongue,
your tongue that came from your lips,
two openers, half animals, half birds
caught in the doorway of your heart.
That was the day I followed the king's rules,
passing by your red veins and your blue veins,
my hands down the backbone, down quick like a firepole,
hands between legs where you display your inner knowledge,
where diamond mines are buried and come forth to bury,
come forth more sudden than some reconstructed city.
It is complete within seconds, that monument.
The blood runs underground yet brings forth a tower.
A multitude should gather for such an edifice.
For a miracle one stands in line and throws confetti.
Surely The Press is here looking for headlines.
Surely someone should carry a banner on the sidewalk.
If a bridge is constructed doesn't the mayor cut a ribbon?
If a phenomenon arrives shouldn't the Magi come bearing gifts?
Yesterday was the day I bore gifts for your gift
and came from the valley to meet you on the pavement.
That was yesterday, that day.
That was the day of your face,
your face after love, close to the pillow, a lullaby.
Half asleep beside me letting the old fashioned rocker stop,
our breath became one, became a child-breath together,
while my fingers drew little o's on your shut eyes,
while my fingers drew little smiles on your mouth,
while I drew I LOVE YOU on your chest and its drummer
and whispered, "Wake up!" and you mumbled in your sleep,
"Sh. We're driving to Cape Cod. We're heading for the Bourne
Bridge. We're circling the Bourne Circle." Bourne!
Then I knew you in your dream and prayed of our time
that I would be pierced and you would take root in me
and that I might bring forth your born, might bear
the you or the ghost of you in my little household.
Yesterday I did not want to be borrowed
but this is the typewriter that sits before me
and love is where yesterday is at.
Written by Alan Seeger | Create an image from this poem

Fragments

 In that fair capital where Pleasure, crowned 
Amidst her myriad courtiers, riots and rules, 
I too have been a suitor. Radiant eyes 
Were my life's warmth and sunshine, outspread arms 
My gilded deep horizons. I rejoiced 
In yielding to all amorous influence 
And multiple impulsion of the flesh, 
To feel within my being surge and sway 
The force that all the stars acknowledge too. 
Amid the nebulous humanity 
Where I an atom crawled and cleaved and sundered, 
I saw a million motions, but one law; 
And from the city's splendor to my eyes 
The vapors passed and there was nought but Love, 
A ferment turbulent, intensely fair, 
Where Beauty beckoned and where Strength pursued. 

II 


There was a time when I thought much of Fame, 
And laid the golden edifice to be 
That in the clear light of eternity 
Should fitly house the glory of my name. 


But swifter than my fingers pushed their plan, 
Over the fair foundation scarce begun, 
While I with lovers dallied in the sun, 
The ivy clambered and the rose-vine ran. 


And now, too late to see my vision, rise, 
In place of golden pinnacles and towers, 
Only some sunny mounds of leaves and flowers, 
Only beloved of birds and butterflies. 


My friends were duped, my favorers deceived; 
But sometimes, musing sorrowfully there, 
That flowered wreck has seemed to me so fair 
I scarce regret the temple unachieved. 

III 


For there were nights . . . my love to him whose brow 
Has glistened with the spoils of nights like those, 
Home turning as a conqueror turns home, 
What time green dawn down every street uprears 
Arches of triumph! He has drained as well 
Joy's perfumed bowl and cried as I have cried: 
Be Fame their mistress whom Love passes by. 
This only matters: from some flowery bed, 
Laden with sweetness like a homing bee, 
If one have known what bliss it is to come, 
Bearing on hands and breast and laughing lips 
The fragrance of his youth's dear rose. To him 
The hills have bared their treasure, the far clouds 
Unveiled the vision that o'er summer seas 
Drew on his thirsting arms. This last thing known, 
He can court danger, laugh at perilous odds, 
And, pillowed on a memory so sweet, 
Unto oblivious eternity 
Without regret yield his victorious soul, 
The blessed pilgrim of a vow fulfilled. 

IV 


What is Success? Out of the endless ore 
Of deep desire to coin the utmost gold 
Of passionate memory; to have lived so well 
That the fifth moon, when it swims up once more 
Through orchard boughs where mating orioles build 
And apple flowers unfold, 
Find not of that dear need that all things tell 
The heart unburdened nor the arms unfilled. 


O Love, whereof my boyhood was the dream, 
My youth the beautiful novitiate, 
Life was so slight a thing and thou so great, 
How could I make thee less than all-supreme! 
In thy sweet transports not alone I thought 
Mingled the twain that panted breast to breast. 
The sun and stars throbbed with them; they were caught 
Into the pulse of Nature and possessed 
By the same light that consecrates it so. 
Love! -- 'tis the payment of the debt we owe 
The beauty of the world, and whensoe'er 
In silks and perfume and unloosened hair 
The loveliness of lovers, face to face, 
Lies folded in the adorable embrace, 
Doubt not as of a perfect sacrifice 
That soul partakes whose inspiration fills 
The springtime and the depth of summer skies, 
The rainbow and the clouds behind the hills, 
That excellence in earth and air and sea 
That makes things as they are the real divinity.
Written by Marianne Moore | Create an image from this poem

The Fish

 wade
through black jade.
 Of the crow-blue mussel-shells, one keeps
 adjusting the ash-heaps;
 opening and shutting itself like

an
injured fan.
 The barnacles which encrust the side
 of the wave, cannot hide
 there for the submerged shafts of the

sun,
split like spun
 glass, move themselves with spotlight swiftness
 into the crevices—
 in and out, illuminating

the
turquoise sea
 of bodies. The water drives a wedge
 of iron throught the iron edge
 of the cliff; whereupon the stars,

pink
rice-grains, ink-
 bespattered jelly fish, crabs like green
 lilies, and submarine
 toadstools, slide each on the other.

All
external
 marks of abuse are present on this
 defiant edifice—
 all the physical features of

ac-
cident—lack
 of cornice, dynamite grooves, burns, and
 hatchet strokes, these things stand
 out on it; the chasm-side is

dead.
Repeated
 evidence ahs proved that it can live
 on what can not revive
 its youth. The sea grows old in it.

Written by Rg Gregory | Create an image from this poem

a reader's de profundis

 in my reading of the moment i have learned
the figure next to christ in da vinci’s last supper
(a painting i have actually seen in a milan church
fragilely restored) is a woman – an honour earned
by mary magdalene who (according to research)
turns out to be christ’s wife – hang on what a whopper

cry those who can’t contemplate centuries of teaching
down the drain – who suck up to the precious thought
of divine purity (eternity’s abstention from all
the dirty business of the body) pasteurising preaching
let christ stay a product of the time before the fall
(da vinci had a darkness different from what’s taught)

mona lisa (amon-isis) – enigmatic smile and code
for male and female balance – offensive to the powers
that ran the bible their way (hoodwinked future ages)
turned the bright sun black to mask the path they strode
wrapped their ascetic bloodstreams in the holy pages
before which (even today) the congregation cowers

da vinci was an artist scientist (probably a necromancer)
had his own black sun – dabbled in the anti-matter
that official truth hates (creates) – that nurtures riddles 
through passageways that breed the ill-reputed answer
(soiled honour’s defence against sly caesar’s fiddles)
hissing its way lightwards through conspiracy chatter

christ had a woman at his right hand – locked together
(so da vinci had the painting say) like the letter m
the rumoured whore redeemed – the partner siamesed
into the one flesh – sharing the equal tragic tether
the whole edifice of the holy roman church teased
into collapse – virginal rose snapped at the stem

not that it seemed to make a difference – the vatican
still had its glory years ahead (its gory inquisitions)
da vinci stayed honoured in the breeches the word advanced
though its priests wore skirts – the brutality of man
multiplied its converts (scientifically enhanced)
not one power in the world changed its dirty dispositions

yesterday was aeons ago – tomorrow’s loath to come
no one really cares if magdalene was wife or whore
da vinci is someone to gawp at – all’s mutable (unreal)
what’s truth - we still know bugger-all (live by rule of thumb)
so educatedly dumb can’t trust what we think know feel
a thriller brought this on – half opened a not-there door
Written by Martin Armstrong | Create an image from this poem

Honey Harvest

Late in March, when the days are growing longer
And sight of early green
Tells of the coming spring and suns grow stronger,
Round the pale willow-catkins there are seen
The year's first honey-bees
Stealing the nectar: and bee-masters know
This for the first sign of the honey-flow.

Then in the dark hillsides the Cherry-trees
Gleam white with loads of blossom where the gleams
Of piled snow lately hung, and richer streams
The honey. Now, if chilly April days
Delay the Apple-blossom, and the May's
First week come in with sudden summer weather,
The Apple and the Hawthorn bloom together,
And all day long the plundering hordes go round
And every overweighted blossom nods.
But from that gathered essence they compound
Honey more sweet than nectar of the gods.

Those blossoms fall ere June, warm June that brings
The small white Clover. Field by scented field,
Round farms like islands in the rolling weald,
It spreads thick-flowering or in wildness springs
Short-stemmed upon the naked downs, to yield
A richer store of honey than the Rose,
The Pink, the Honeysuckle. Thence there flows
Nectar of clearest amber, redolent
Of every flowery scent
That the warm wind upgathers as he goes.

In mid-July be ready for the noise
Of million bees in old Lime-avenues,
As though hot noon had found a droning voice
To ease her soul. Here for those busy crews
Green leaves and pale-stemmed clusters of green strong flowers
Build heavy-perfumed, cool, green-twilight bowers
Whence, load by load, through the long summer days
They fill their glassy cells
With dark green honey, clear as chrysoprase,
Which housewives shun; but the bee-master tells
This brand is more delicious than all else.

In August-time, if moors are near at hand,
Be wise and in the evening-twilight load
Your hives upon a cart, and take the road
By night: that, ere the early dawn shall spring
And all the hills turn rosy with the Ling,
Each waking hive may stand
Established in its new-appointed land
Without harm taken, and the earliest flights
Set out at once to loot the heathery heights.

That vintage of the Heather yields so dense
And glutinous a syrup that it foils
Him who would spare the comb and drain from thence
Its dark, full-flavoured spoils:
For he must squeeze to wreck the beautiful
Frail edifice. Not otherwise he sacks
Those many-chambered palaces of wax.

Then let a choice of every kind be made,
And, labelled, set upon your storehouse racks —
Of Hawthorn-honey that of almond smacks:
The luscious Lime-tree-honey, green as jade:
Pale Willow-honey, hived by the first rover:
That delicate honey culled
From Apple-blossom, that of sunlight tastes:
And sunlight-coloured honey of the Clover.
Then, when the late year wastes,
When night falls early and the noon is dulled
And the last warm days are over,
Unlock the store and to your table bring
Essence of every blossom of the spring.
And if, when wind has never ceased to blow
All night, you wake to roofs and trees becalmed
In level wastes of snow,
Bring out the Lime-tree-honey, the embalmed
Soul of a lost July, or Heather-spiced
Brown-gleaming comb wherein sleeps crystallised
All the hot perfume of the heathery slope.
And, tasting and remembering, live in hope.
Written by Robert William Service | Create an image from this poem

The Three Bares

 Ma tried to wash her garden slacks but couldn't get 'em clean
And so she thought she'd soak 'em in a bucket o' benzine.
It worked all right. She wrung 'em out then wondered what she'd do
With all that bucket load of high explosive residue.
She knew that it was dangerous to scatter it around,
For Grandpa liked to throw his lighted matches on the ground.
Somehow she didn't dare to pour it down the kitchen sink, 
And what the heck to do with it, poor Ma jest couldn't think.

Then Nature seemed to give the clue, as down the garden lot
She spied the edifice that graced a solitary spot, 
Their Palace of Necessity, the family joy and pride,
Enshrined in morning-glory vine, with graded seats inside;
Jest like that cabin Goldylocks found occupied by three,
But in this case B-E-A-R was spelt B-A-R-E----
A tiny seat for Baby Bare, a medium for Ma,
A full-sized section sacred to the Bare of Grandpapa.

Well, Ma was mighty glad to get that worry off her mind,
And hefting up the bucket so combustibly inclined,
She hurried down the garden to that refuge so discreet,
And dumped the liquid menace safely through the centre seat.

Next morning old Grandpa arose; he made a hearty meal,
And sniffed the air and said: 'By Gosh! how full of beans I feel.
Darned if I ain't as fresh as paint; my joy will be complete
With jest a quiet session on the usual morning seat;
To smoke me pipe an' meditate, an' maybe write a pome,
For that's the time when bits o' rhyme gits jiggin' in me dome.'

He sat down on that special seat slicked shiny by his age,
And looking like Walt Whitman, jest a silver-whiskered sage,
He filled his corn-cob to the brim and tapped it snugly down,
And chuckled: 'Of a perfect day I reckon this the crown.'
He lit the weed, it soothed his need, it was so soft and sweet:
And then he dropped the lighted match clean through the middle seat.

His little grand-child Rosyleen cried from the kichen door:
'Oh, Ma, come quick; there's sompin wrong; I heared a dreffel roar;
Oh, Ma, I see a sheet of flame; it's rising high and higher...
Oh, Mummy dear, I sadly fear our comfort-cot's caught fire.'

Poor Ma was thrilled with horror at them words o' Rosyleen.
She thought of Grandpa's matches and that bucket of benzine;
So down the garden geared on high, she ran with all her power,
For regular was Grandpa, and she knew it was his hour.
Then graspin' gaspin' Rosyleen she peered into the fire,
A roarin' soarin' furnace now, perchance old Grandpa's pyre....

But as them twain expressed their pain they heard a hearty cheer----
Behold the old rapscallion squattinn' in the duck pond near,
His silver whiskers singed away, a gosh-almighty wreck,
Wi' half a yard o' toilet seat entwined about his neck....

He cried: 'Say, folks, oh, did ye hear the big blow-out I made?
It scared me stiff - I hope you-uns was not too much afraid?
But now I best be crawlin' out o' this dog-gasted wet....
For what I aim to figger out is----WHAT THE HECK I ET?'
Written by Friedrich von Schiller | Create an image from this poem

Parables And Riddles

 I.

A bridge of pearls its form uprears
High o'er a gray and misty sea;
E'en in a moment it appears,
And rises upwards giddily.

Beneath its arch can find a road
The loftiest vessel's mast most high,
Itself hath never borne a load,
And seems, when thou draw'st near, to fly.

It comes first with the stream, and goes
Soon as the watery flood is dried.
Where may be found this bridge, disclose,
And who its beauteous form supplied!

II.

It bears thee many a mile away,
And yet its place it changes ne'er;
It has no pinions to display,
And yet conducts thee through the air.

It is the bark of swiftest motion
That every weary wanderer bore;
With speed of thought the greatest ocean
It carries thee in safety o'er;
One moment wafts thee to the shore.

III.

Upon a spacious meadow play
Thousands of sheep, of silvery hue;
And as we see them move to-day,
The man most aged saw them too.

They ne'er grow old, and, from a rill
That never dries, their life is drawn;
A shepherd watches o'er them still,
With curved and beauteous silver horn.

He drives them out through gates of gold,
And every night their number counts;
Yet ne'er has lost, of all his fold,
One lamb, though oft that path he mounts.

A hound attends him faithfully,
A nimble ram precedes the way;
Canst thou point out that flock to me,
And who the shepherd, canst thou say?

IV.

There stands a dwelling, vast and tall,
On unseen columns fair;
No wanderer treads or leaves its hall,
And none can linger there.

Its wondrous structure first was planned
With art no mortal knows;
It lights the lamps with its own hand
'Mongst which it brightly glows.

It has a roof, as crystal bright,
Formed of one gem of dazzling light;
Yet mortal eye has ne'er
Seen Him who placed it there.

V.

Within a well two buckets lie,
One mounts, and one descends;
When one is full, and rises high,
The other downward wends.

They wander ever to and fro--
Now empty are, now overflow.
If to the mouth thou liftest this,
That hangs within the dark abyss.
In the same moment they can ne'er
Refresh thee with their treasures fair.

VI.

Know'st thou the form on tender ground?
It gives itself its glow, its light;
And though each moment changing found.
Is ever whole and ever bright.
In narrow compass 'tis confined,
Within the smallest frame it lies;
Yet all things great that move thy mind,
That form alone to thee supplies.

And canst thou, too, the crystal name?
No gem can equal it in worth;
It gleams, yet kindles near to flame,
It sucks in even all the earth.
Within its bright and wondrous ring
Is pictured forth the glow of heaven,
And yet it mirrors back each thing
Far fairer than to it 'twas given.

VII.

For ages an edifice here has been found,
It is not a dwelling, it is not a Pane;
A horseman for hundreds of days may ride round,
Yet the end of his journey he ne'er can attain.

Full many a century o'er it has passed,
The might of the storm and of time it defies!
Neath the rainbow of Heaven stands free to the last,--
In the ocean it dips, and soars up to the skies.

It was not vain glory that bade its ********,
It serves as a refuge, a shield, a protection;
Its like on the earth never yet has been known
And yet by man's hand it is fashioned alone.

VIII.

Among all serpents there is one,
Born of no earthly breed;
In fury wild it stands alone,
And in its matchless speed.

With fearful voice and headlong force
It rushes on its prey,
And sweeps the rider and his horse
In one fell swoop away.

The highest point it loves to gain;
And neither bar nor lock
Its fiery onslaught can restrain;
And arms--invite its shock.

It tears in twain like tender grass,
The strongest forest-trees;
It grinds to dust the hardened brass,
Though stout and firm it be.

And yet this beast, that none can tame,
Its threat ne'er twice fulfils;
It dies in its self-kindled flame.
And dies e'en when it kills.

IX.

We children six our being had
From a most strange and wondrous pair,--
Our mother ever grave and sad,
Our father ever free from care.

Our virtues we from both receive,--
Meekness from her, from him our light;
And so in endless youth we weave
Round thee a circling figure bright.

We ever shun the caverns black,
And revel in the glowing day;
'Tis we who light the world's dark track,
With our life's clear and magic ray.

Spring's joyful harbingers are we,
And her inspiring streams we swell;
And so the house of death we flee,
For life alone must round us dwell.

Without us is no perfect bliss,
When man is glad, we, too, attend,
And when a monarch worshipped is,
To him our majesty attend.

X.

What is the thing esteemed by few?
The monarch's hand it decks with pride,
Yet it is made to injure too,
And to the sword is most allied.

No blood it sheds, yet many a wound
Inflicts,--gives wealth, yet takes from none;
Has vanquished e'en the earth's wide round,
And makes life's current smoothly run.

The greatest kingdoms it has framed,
The oldest cities reared from dust,
Yet war's fierce torch has ne'er inflamed;
Happy are they who in it trust!

XI.

I live within a dwelling of stone,
There buried in slumber I dally;
Yet, armed with a weapon of iron alone,
The foe to encounter I sally.
At first I'm invisible, feeble, and mean,
And o'er me thy breath has dominion;
I'm easily drowned in a raindrop e'en,
Yet in victory waxes my pinion.
When my sister, all-powerful, gives me her hand,
To the terrible lord of the world I expand.

XII.

Upon a disk my course I trace,
There restlessly forever flit;
Small is the circuit I embrace,
Two hands suffice to cover it.
Yet ere that field I traverse, I
Full many a thousand mile must go,
E'en though with tempest-speed I fly,
Swifter than arrow from a bow.

XIII.

A bird it is, whose rapid motion
With eagle's flight divides the air;
A fish it is, and parts the ocean,
That bore a greater monster ne'er;
An elephant it is, whose rider
On his broad back a tower has put:
'Tis like the reptile base, the spider,
Whenever it extends its foot;
And when, with iron tooth projecting,
It seeks its own life-blood to drain,
On footing firm, itself erecting,
It braves the raging hurricane.
Written by Emily Dickinson | Create an image from this poem

Just as He spoke it from his Hands

 Just as He spoke it from his Hands
This Edifice remain --
A Turret more, a Turret less
Dishonor his Design --

According as his skill prefer
It perish, or endure --
Content, soe'er, it ornament
His absent character.
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