Written by
Sylvia Plath |
What is this, behind this veil, is it ugly, is it beautiful?
It is shimmering, has it breasts, has it edges?
I am sure it is unique, I am sure it is what I want.
When I am quiet at my cooking I feel it looking, I feel it thinking
'Is this the one I am too appear for,
Is this the elect one, the one with black eye-pits and a scar?
Measuring the flour, cutting off the surplus,
Adhering to rules, to rules, to rules.
Is this the one for the annunciation?
My god, what a laugh!'
But it shimmers, it does not stop, and I think it wants me.
I would not mind if it were bones, or a pearl button.
I do not want much of a present, anyway, this year.
After all I am alive only by accident.
I would have killed myself gladly that time any possible way.
Now there are these veils, shimmering like curtains,
The diaphanous satins of a January window
White as babies' bedding and glittering with dead breath.
O ivory!
It must be a tusk there, a ghost column.
Can you not see I do not mind what it is.
Can you not give it to me?
Do not be ashamed--I do not mind if it is small.
Do not be mean, I am ready for enormity.
Let us sit down to it, one on either side, admiring the gleam,
The glaze, the mirrory variety of it.
Let us eat our last supper at it, like a hospital plate.
I know why you will not give it to me,
You are terrified
The world will go up in a shriek, and your head with it,
Bossed, brazen, an antique shield,
A marvel to your great-grandchildren.
Do not be afraid, it is not so.
I will only take it and go aside quietly.
You will not even hear me opening it, no paper crackle,
No falling ribbons, no scream at the end.
I do not think you credit me with this discretion.
If you only knew how the veils were killing my days.
To you they are only transparencies, clear air.
But my god, the clouds are like cotton.
Armies of them.
They are carbon monoxide.
Sweetly, sweetly I breathe in,
Filling my veins with invisibles, with the million
Probable motes that tick the years off my life.
You are silver-suited for the occasion.
O adding machine-----
Is it impossible for you to let something go and have it go whole?
Must you stamp each piece purple,
Must you kill what you can?
There is one thing I want today, and only you can give it to me.
It stands at my window, big as the sky.
It breathes from my sheets, the cold dead center
Where split lives congeal and stiffen to history.
Let it not come by the mail, finger by finger.
Let it not come by word of mouth, I should be sixty
By the time the whole of it was delivered, and to numb to use it.
Only let down the veil, the veil, the veil.
If it were death
I would admire the deep gravity of it, its timeless eyes.
I would know you were serious.
There would be a nobility then, there would be a birthday.
And the knife not carve, but enter
Pure and clean as the cry of a baby,
And the universe slide from my side.
|
Written by
Matthew Arnold |
The sea is calm to-night.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanch'd land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.
Sophocles long ago
Heard it on the {AE}gean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.
The Sea of Faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furl'd.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.
Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
|
Written by
Margaret Atwood |
More and more frequently the edges
of me dissolve and I become
a wish to assimilate the world, including
you, if possible through the skin
like a cool plant's tricks with oxygen
and live by a harmless green burning.
I would not consume
you or ever
finish, you would still be there
surrounding me, complete
as the air.
Unfortunately I don't have leaves.
Instead I have eyes
and teeth and other non-green
things which rule out osmosis.
So be careful, I mean it,
I give you fair warning:
This kind of hunger draws
everything into its own
space; nor can we
talk it all over, have a calm
rational discussion.
There is no reason for this, only
a starved dog's logic about bones.
|
Written by
Derek Walcott |
There were still shards of an ancient pastoral
in those shires of the island where the cattle drank
their pools of shadow from an older sky,
surviving from when the landscape copied such objects as
"Herefords at Sunset in the valley of the Wye.
"
The mountain water that fell white from the mill wheel
sprinkling like petals from the star-apple trees,
and all of the windmills and sugar mills moved by mules
on the treadmill of Monday to Monday, would repeat
in tongues of water and wind and fire, in tongues
of Mission School pickaninnies, like rivers remembering
their source, Parish Trelawny, Parish St David, Parish
St Andrew, the names afflicting the pastures,
the lime groves and fences of marl stone and the cattle
with a docile longing, an epochal content.
And there were, like old wedding lace in an attic,
among the boas and parasols and the tea-colored
daguerreotypes, hints of an epochal happiness
as ordered and infinite to the child
as the great house road to the Great House
down a perspective of casuarinas plunging green manes
in time to the horses, an orderly life
reduced by lorgnettes day and night, one disc the sun,
the other the moon, reduced into a pier glass:
nannies diminished to dolls, mahogany stairways
no larger than those of an album in which
the flash of cutlery yellows, as gamboge as
the piled cakes of teatime on that latticed
bougainvillea verandah that looked down toward
a prospect of Cuyp-like Herefords under a sky
lurid as a porcelain souvenir with these words:
"Herefords at Sunset in the Valley of the Wye.
"
Strange, that the rancor of hatred hid in that dream
of slow rivers and lily-like parasols, in snaps
of fine old colonial families, curled at the edge
not from age of from fire or the chemicals, no, not at all,
but because, off at its edges, innocently excluded
stood the groom, the cattle boy, the housemaid, the gardeners,
the tenants, the good ******* down in the village,
their mouth in the locked jaw of a silent scream.
A scream which would open the doors to swing wildly
all night, that was bringing in heavier clouds,
more black smoke than cloud, frightening the cattle
in whose bulging eyes the Great House diminished;
a scorching wind of a scream
that began to extinguish the fireflies,
that dried the water mill creaking to a stop
as it was about to pronounce Parish Trelawny
all over, in the ancient pastoral voice,
a wind that blew all without bending anything,
neither the leaves of the album nor the lime groves;
blew Nanny floating back in white from a feather
to a chimerical, chemical pin speck that shrank
the drinking Herefords to brown porcelain cows
on a mantelpiece, Trelawny trembling with dusk,
the scorched pastures of the old benign Custos; blew
far the decent servants and the lifelong cook,
and shriveled to a shard that ancient pastoral
of dusk in a gilt-edged frame now catching the evening sun
in Jamaica, making both epochs one.
He looked out from the Great House windows on
clouds that still held the fragrance of fire,
he saw the Botanical Gardens officially drown
in a formal dusk, where governors had strolled
and black gardeners had smiled over glinting shears
at the lilies of parasols on the floating lawns,
the flame trees obeyed his will and lowered their wicks,
the flowers tightened their fists in the name of thrift,
the porcelain lamps of ripe cocoa, the magnolia's jet
dimmed on the one circuit with the ginger lilies
and left a lonely bulb on the verandah,
and, had his mandate extended to that ceiling
of star-apple candelabra, he would have ordered
the sky to sleep, saying, I'm tired,
save the starlight for victories, we can't afford it,
leave the moon on for one more hour,and that's it.
But though his power, the given mandate, extended
from tangerine daybreaks to star-apple dusks,
his hand could not dam that ceaseless torrent of dust
that carried the shacks of the poor, to their root-rock music,
down the gullies of Yallahs and August Town,
to lodge them on thorns of maca, with their rags
crucified by cactus, tins, old tires, cartons;
from the black Warieka Hills the sky glowed fierce as
the dials of a million radios,
a throbbing sunset that glowed like a grid
where the dread beat rose from the jukebox of Kingston.
He saw the fountains dried of quadrilles, the water-music
of the country dancers, the fiddlers like fifes
put aside.
He had to heal
this malarial island in its bath of bay leaves,
its forests tossing with fever, the dry cattle
groaning like winches, the grass that kept shaking
its head to remember its name.
No vowels left
in the mill wheel, the river.
Rock stone.
Rock stone.
The mountains rolled like whales through phosphorous stars,
as he swayed like a stone down fathoms into sleep,
drawn by that magnet which pulls down half the world
between a star and a star, by that black power
that has the assassin dreaming of snow,
that poleaxes the tyrant to a sleeping child.
The house is rocking at anchor, but as he falls
his mind is a mill wheel in moonlight,
and he hears, in the sleep of his moonlight, the drowned
bell of Port Royal's cathedral, sees the copper pennies
of bubbles rising from the empty eye-pockets
of green buccaneers, the parrot fish floating
from the frayed shoulders of pirates, sea horses
drawing gowned ladies in their liquid promenade
across the moss-green meadows of the sea;
he heard the drowned choirs under Palisadoes,
a hymn ascending to earth from a heaven inverted
by water, a crab climbing the steeple,
and he climbed from that submarine kingdom
as the evening lights came on in the institute,
the scholars lamplit in their own aquarium,
he saw them mouthing like parrot fish, as he passed
upward from that baptism, their history lessons,
the bubbles like ideas which he could not break:
Jamaica was captured by Penn and Venables,
Port Royal perished in a cataclysmic earthquake.
Before the coruscating façades of cathedrals
from Santiago to Caracas, where penitential archbishops
washed the feet of paupers (a parenthetical moment
that made the Caribbean a baptismal font,
turned butterflies to stone, and whitened like doves
the buzzards circling municipal garbage),
the Caribbean was borne like an elliptical basin
in the hands of acolytes, and a people were absolved
of a history which they did not commit;
the slave pardoned his whip, and the dispossessed
said the rosary of islands for three hundred years,
a hymn that resounded like the hum of the sea
inside a sea cave, as their knees turned to stone,
while the bodies of patriots were melting down walls
still crusted with mute outcries of La Revolucion!
"San Salvador, pray for us,St.
Thomas, San Domingo,
ora pro nobis, intercede for us, Sancta Lucia
of no eyes," and when the circular chaplet
reached the last black bead of Sancta Trinidad
they began again, their knees drilled into stone,
where Colon had begun, with San Salvador's bead,
beads of black colonies round the necks of Indians.
And while they prayed for an economic miracle,
ulcers formed on the municipal portraits,
the hotels went up, and the casinos and brothels,
and the empires of tobacco, sugar, and bananas,
until a black woman, shawled like a buzzard,
climbed up the stairs and knocked at the door
of his dream, whispering in the ear of the keyhole:
"Let me in, I'm finished with praying, I'm the Revolution.
I am the darker, the older America.
"
She was as beautiful as a stone in the sunrise,
her voice had the gutturals of machine guns
across khaki deserts where the cactus flower
detonates like grenades, her sex was the slit throat
of an Indian, her hair had the blue-black sheen of the crow.
She was a black umbrella blown inside out
by the wind of revolution, La Madre Dolorosa,
a black rose of sorrow, a black mine of silence,
raped wife, empty mother, Aztec virgin
transfixed by arrows from a thousand guitars,
a stone full of silence, which, if it gave tongue
to the tortures done in the name of the Father,
would curdle the blood of the marauding wolf,
the fountain of generals, poets, and cripples
who danced without moving over their graves
with each revolution; her Caesarean was stitched
by the teeth of machine guns,and every sunset
she carried the Caribbean's elliptical basin
as she had once carried the penitential napkins
to be the footbath of dictators, Trujillo, Machado,
and those whose faces had yellowed like posters
on municipal walls.
Now she stroked his hair
until it turned white, but she would not understand
that he wanted no other power but peace,
that he wanted a revolution without any bloodshed,
he wanted a history without any memory,
streets without statues,
and a geography without myth.
He wanted no armies
but those regiments of bananas, thick lances of cane,
and he sobbed,"I am powerless, except for love.
"
She faded from him, because he could not kill;
she shrunk to a bat that hung day and night
in the back of his brain.
He rose in his dream.
(to be continued)
|
Written by
Philip Larkin |
I work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see what's really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.
The mind blanks at the glare.
Not in remorse
-- The good not done, the love not given, time
Torn off unused -- nor wretchedly because
An only life can take so long to climb
Clear of its wrong beginnings, and may never;
But at the total emptiness for ever,
The sure extinction that we travel to
And shall be lost in always.
Not to be here,
Not to be anywhere,
And soon; nothing more terrible, nothing more true.
This is a special way of being afraid
No trick dispels.
Religion used to try,
That vast moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says No rational being
Can fear a thing it will not feel, not seeing
That this is what we fear -- no sight, no sound,
No touch or taste or smell, nothing to think with,
Nothing to love or link with,
The anaesthetic from which none come round.
And so it stays just on the edge of vision,
A small unfocused blur, a standing chill
That slows each impulse down to indecision.
Most things may never happen: this one will,
And realisation of it rages out
In furnace-fear when we are caught without
People or drink.
Courage is no good:
It means not scaring others.
Being brave
Lets no one off the grave.
Death is no different whined at than withstood.
Slowly light strengthens, and the room takes shape.
It stands plain as a wardrobe, what we know,
Have always known, know that we can't escape,
Yet can't accept.
One side will have to go.
Meanwhile telephones crouch, getting ready to ring
In locked-up offices, and all the uncaring
Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.
|
Written by
Charles Baudelaire |
Down the street as I was drifting with the city's human tide,
Came a ghost, and for a moment walked in silence by my side --
Now my heart was hard and bitter, and a bitter spirit he,
So I felt no great aversion to his ghostly company.
Said the Shade: `At finer feelings let your lip in scorn be curled,
`Self and Pelf', my friend, has ever been the motto for the world.
'
And he said: `If you'd be happy, you must clip your fancy's wings,
Stretch your conscience at the edges to the size of earthly things;
Never fight another's battle, for a friend can never know
When he'll gladly fly for succour to the bosom of the foe.
At the power of truth and friendship let your lip in scorn be curled --
`Self and Pelf', my friend, remember, is the motto of the world.
`Where Society is mighty, always truckle to her rule;
Never send an `i' undotted to the teacher of a school;
Only fight a wrong or falsehood when the crowd is at your back,
And, till Charity repay you, shut the purse, and let her pack;
At the fools who would do other let your lip in scorn be curled,
`Self and Pelf', my friend, remember, that's the motto of the world.
`Ne'er assail the shaky ladders Fame has from her niches hung,
Lest unfriendly heels above you grind your fingers from the rung;
Or the fools who idle under, envious of your fair renown,
Heedless of the pain you suffer, do their worst to shake you down.
At the praise of men, or censure, let your lip in scorn be curled,
`Self and Pelf', my friend, remember, is the motto of the world.
`Flowing founts of inspiration leave their sources parched and dry,
Scalding tears of indignation sear the hearts that beat too high;
Chilly waters thrown upon it drown the fire that's in the bard;
And the banter of the critic hurts his heart till it grows hard.
At the fame your muse may offer let your lip in scorn be curled,
`Self and Pelf', my friend, remember, that's the motto of the world.
`Shun the fields of love, where lightly, to a low and mocking tune,
Strong and useful lives are ruined, and the broken hearts are strewn.
Not a farthing is the value of the honest love you hold;
Call it lust, and make it serve you! Set your heart on nought but gold.
At the bliss of purer passions let your lip in scorn be curled --
`Self and Pelf', my friend, shall ever be the motto of the world.
'
Then he ceased and looked intently in my face, and nearer drew;
But a sudden deep repugnance to his presence thrilled me through;
Then I saw his face was cruel, by the look that o'er it stole,
Then I felt his breath was poison, by the shuddering of my soul,
Then I guessed his purpose evil, by his lip in sneering curled,
And I knew he slandered mankind, by my knowledge of the world.
But he vanished as a purer brighter presence gained my side --
`Heed him not! there's truth and friendship
in this wondrous world,' she cried,
And of those who cleave to virtue in their climbing for renown,
Only they who faint or falter from the height are shaken down.
At a cynic's baneful teaching let your lip in scorn be curled!
`Brotherhood and Love and Honour!' is the motto for the world.
'
|
Written by
Annie Finch |
HLF, August 8, 1918—August 22, 1997
“Bequeath us to no earthly shore until
Is answered in the vortex of our grave
The seal’s wide spindrift gaze towards paradise.
”
—Hart Crane, “Voyages”
“If a lion could talk, we couldn’t understand it”
—Ludwig Wittgenstein
Under the ocean that stretches out wordlessly
past the long edge of the last human shore,
there are deep windows the waves haven't opened,
where night is reflected through decades of glass.
There is the nursery, there is the nanny,
there are my father’s unreachable eyes
turned towards the window.
Is the child uneasy?
His is the death that is circling the stars.
In the deep room where candles burn soundlessly
and peace pours at last through the cells of our bodies,
three of us are watching, one of us is staring
with the wide gaze of a wild, wave-fed seal.
Incense and sage speak in smoke loud as waves,
and crickets sing sand towards the edge of the hourglass.
We wait outside time, while night collects courage
around us.
The vigil is wordless.
And you
watch the longest, move the farthest, besieged by your breath,
pulling into your body.
You stare towards your death,
head arched on the pillow, your left fingers curled.
Your mouth sucking gently, unmoved by these hours
and their vigil of salt spray, you show us how far
you are going, and how long the long minutes are,
while spiralling night watches over the room
and takes you, until you watch us in turn.
Lions speak their own language.
You are still breathing.
Here is release.
Here is your pillow,
cool like a handkerchief pressed in a pocket.
Here is your white tousled long growing hair.
Here is a kiss on your temple to hold you
safe through your solitude’s long steady war;
here, you can go.
We will stay with you,
keeping the silence we all came here for.
Night, take his left hand, turning the pages.
Spin with the windows and doors that he mended.
Spin with his answers, patient, impatient.
Spin with his dry independence, his arms
warmed by the needs of his family, his hands
flying under the wide, carved gold ring, and the pages
flying so his thought could fly.
His breath slows,
lending its edges out to the night.
Here is his open mouth.
Silence is here
like one more new question that he will not answer.
A leaf is his temple.
The dark is the prayer.
He has given his body; his hand lies above
the sheets in a symbol of wholeness, a curve
of thumb and forefinger, ringed with wide gold,
and the instant that empties his breath is a flame
faced with a sudden cathedral's new stone.
|
Written by
Lucille Clifton |
me and you be sisters.
we be the same.
me and you
coming from the same place.
me and you
be greasing our legs
touching up our edges.
me and you
be scared of rats
be stepping on roaches.
me and you
come running high down purdy street one time
and mama laugh and shake her head at
me and you.
me and you
got babies
got thirty-five
got black
let our hair go back
be loving ourselves
be loving ourselves
be sisters.
only where you sing,
I poet.
Credit: Copyright © 1987 by Lucille Clifton.
Reprinted with the permission of BOA Editions, Ltd.
, www.
boaeditions.
org.
|
Written by
Elizabeth Barrett Browning |
O Rose! who dares to name thee?
No longer roseate now, nor soft, nor sweet;
But pale, and hard, and dry, as stubble-wheat,---
Kept seven years in a drawer---thy titles shame thee.
The breeze that used to blow thee
Between the hedgerow thorns, and take away
An odour up the lane to last all day,---
If breathing now,---unsweetened would forego thee.
The sun that used to smite thee,
And mix his glory in thy gorgeous urn,
Till beam appeared to bloom, and flower to burn,---
If shining now,---with not a hue would light thee.
The dew that used to wet thee,
And, white first, grow incarnadined, because
It lay upon thee where the crimson was,---
If dropping now,---would darken where it met thee.
The fly that lit upon thee,
To stretch the tendrils of its tiny feet,
Along thy leaf's pure edges, after heat,---
If lighting now,---would coldly overrun thee.
The bee that once did suck thee,
And build thy perfumed ambers up his hive,
And swoon in thee for joy, till scarce alive,---
If passing now,---would blindly overlook thee.
The heart doth recognise thee,
Alone, alone! The heart doth smell thee sweet,
Doth view thee fair, doth judge thee most complete,---
Though seeing now those changes that disguise thee.
Yes, and the heart doth owe thee
More love, dead rose! than to such roses bold
As Julia wears at dances, smiling cold!---
Lie still upon this heart---which breaks below thee!
|
Written by
Eavan Boland |
This harbour was made by art and force.
And called Kingstown and afterwards Dun Laoghaire.
And holds the sea behind its barrier
less than five miles from my house.
Lord be with us say the makers of a nation.
Lord look down say the builders of a harbour.
They came and cut a shape out of ocean
and left stone to close around their labour.
Officers and their wives promenaded
on this spot once and saw with their own eyes
the opulent horizon and obedient skies
which nine tenths of the law provided.
And frigates with thirty-six guns, cruising
the outer edges of influence, could idle
and enter here and catch the tide of
empire and arrogance and the Irish Sea rising
and rising through a century of storms
and cormorants and moonlight the whole length of this coast,
while an ocean forgot an empire and the armed
ships under it changed: to slime weed and cold salt and rust.
City of shadows and of the gradual
capitulations to the last invader
this is the final one: signed in water
and witnessed in granite and ugly bronze and gun-metal.
And by me.
I am your citizen: composed of
your fictions, your compromise, I am
a part of your story and its outcome.
And ready to record its contradictions.
|