Written by
John Donne |
By our first strange and fatal interview,
By all desires which thereof did ensue,
By our long starving hopes, by that remorse
Which my words' masculine persuasive force
Begot in thee, and by the memory
Of hurts, which spies and rivals threatened me,
I calmly beg: but by thy father's wrath,
By all pains, which want and divorcement hath,
I conjure thee, and all the oaths which I
And thou have sworn to seal joint constancy,
Here I unswear, and overswear them thus,
Thou shalt not love by ways so dangerous.
Temper, O fair Love, love's impetuous rage,
Be my true Mistress still, not my feigned Page;
I'll go, and, by thy kind leave, leave behind
Thee, only worthy to nurse in my mind
Thirst to come back; O if thou die before,
My soul from other lands to thee shall soar.
Thy (else Almighty) beauty cannot move
Rage from the Seas, nor thy love teach them love,
Nor tame wild Boreas' harshness; thou hast read
How roughly he in pieces shivered
Fair Orithea, wbom he swore he loved.
Fall ill or good, 'tis madness to have proved
Dangers unurged; feed on this flattery,
That absent Lovers one in th' other be.
Dissemble nothing, not a boy, nor change
Thy body's habit, nor mind's; be not strange
To thyself only; all will spy in thy face
A blushing womanly discovering grace;
Ricbly clothed Apes are called Apes, and as soon
Eclipsed as bright we call the Moon the Moon.
Men of France, changeable chameleons,
Spitals of diseases, shops of fashions,
Love's fuellers, and the rightest company
Of Players, which upon the world's stage be,
Will quickly know thee, and no less, alas!
Th' indifferent Italian, as we pass
His warm land, well content to think thee Page,
Will hunt thee with such lust, and hideous rage,
As Lot's fair guests were vexed. But none of these
Nor spongy hydroptic Dutch shall thee displease,
If thou stay here. O stay here, for, for thee
England is only a worthy gallery,
To walk in expectation, till from thence
Our greatest King call thee to his presence.
When I am gone, dream me some happiness,
Nor let thy looks our long-hid love confess,
Nor praise, nor dispraise me, nor bless nor curse
Openly love's force, nor in bed fright thy Nurse
With midnight's startings, crying out—oh, oh
Nurse, O my love is slain, I saw him go
O'er the white Alps alone; I saw him, I,
Assailed, fight, taken, stabbed, bleed, fall, and die.
Augur me better chance, except dread Jove
Think it enough for me t' have had thy love.
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Written by
Francesco Petrarch |
SONNET XII. Quando fra l' altre donne ad ora ad ora. THE BEAUTY OF LAURA LEADS HIM TO THE CONTEMPLATION OF THE SUPREME GOOD. Throned on her angel brow, when Love displaysHis radiant form among all other fair,Far as eclipsed their choicest charms appear,I feel beyond its wont my passion blaze.And still I bless the day, the hour, the place,When first so high mine eyes I dared to rear;And say, "Fond heart, thy gratitude declare,That then thou had'st the privilege to gaze.'Twas she inspired the tender thought of love,Which points to heaven, and teaches to despiseThe earthly vanities that others prize:She gave the soul's light grace, which to the skiesBids thee straight onward in the right path move;Whence buoy'd by hope e'en, now I soar to worlds above." Wrangham. [Pg 12] When Love, whose proper throne is that sweet face,At times escorts her 'mid the sisters fair,As their each beauty is than hers less rare,So swells in me the fond desire apace.I bless the hour, the season and the place,So high and heavenward when my eyes could dare;And say: "My heart! in grateful memory bearThis lofty honour and surpassing grace:From her descends the tender truthful thought,Which follow'd, bliss supreme shall thee repay,Who spurn'st the vanities that win the crowd:From her that gentle graceful love is caught,To heaven which leads thee by the right-hand way,And crowns e'en here with hopes both pure and proud." Macgregor.
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Written by
Henry Wadsworth Longfellow |
In those days said Hiawatha,
"Lo! how all things fade and perish!
From the memory of the old men
Pass away the great traditions,
The achievements of the warriors,
The adventures of the hunters,
All the wisdom of the Medas,
All the craft of the Wabenos,
All the marvellous dreams and visions
Of the Jossakeeds, the Prophets!
"Great men die and are forgotten,
Wise men speak; their words of wisdom
Perish in the ears that hear them,
Do not reach the generations
That, as yet unborn, are waiting
In the great, mysterious darkness
Of the speechless days that shall be!
"On the grave-posts of our fathers
Are no signs, no figures painted;
Who are in those graves we know not,
Only know they are our fathers.
Of what kith they are and kindred,
From what old, ancestral Totem,
Be it Eagle, Bear, or Beaver,
They descended, this we know not,
Only know they are our fathers.
"Face to face we speak together,
But we cannot speak when absent,
Cannot send our voices from us
To the friends that dwell afar off;
Cannot send a secret message,
But the bearer learns our secret,
May pervert it, may betray it,
May reveal it unto others."
Thus said Hiawatha, walking
In the solitary forest,
Pondering, musing in the forest,
On the welfare of his people.
From his pouch he took his colors,
Took his paints of different colors,
On the smooth bark of a birch-tree
Painted many shapes and figures,
Wonderful and mystic figures,
And each figure had a meaning,
Each some word or thought suggested.
Gitche Manito the Mighty,
He, the Master of Life, was painted
As an egg, with points projecting
To the four winds of the heavens.
Everywhere is the Great Spirit,
Was the meaning of this symbol.
Gitche Manito the Mighty,
He the dreadful Spirit of Evil,
As a serpent was depicted,
As Kenabeek, the great serpent.
Very crafty, very cunning,
Is the creeping Spirit of Evil,
Was the meaning of this symbol.
Life and Death he drew as circles,
Life was white, but Death was darkened;
Sun and moon and stars he painted,
Man and beast, and fish and reptile,
Forests, mountains, lakes, and rivers.
For the earth he drew a straight line,
For the sky a bow above it;
White the space between for daytime,
Filled with little stars for night-time;
On the left a point for sunrise,
On the right a point for sunset,
On the top a point for noontide,
And for rain and cloudy weather
Waving lines descending from it.
Footprints pointing towards a wigwam
Were a sign of invitation,
Were a sign of guests assembling;
Bloody hands with palms uplifted
Were a symbol of destruction,
Were a hostile sign and symbol.
All these things did Hiawatha
Show unto his wondering people,
And interpreted their meaning,
And he said: "Behold, your grave-posts
Have no mark, no sign, nor symbol,
Go and paint them all with figures;
Each one with its household symbol,
With its own ancestral Totem;
So that those who follow after
May distinguish them and know them."
And they painted on the grave-posts
On the graves yet unforgotten,
Each his own ancestral Totem,
Each the symbol of his household;
Figures of the Bear and Reindeer,
Of the Turtle, Crane, and Beaver,
Each inverted as a token
That the owner was departed,
That the chief who bore the symbol
Lay beneath in dust and ashes.
And the Jossakeeds, the Prophets,
The Wabenos, the Magicians,
And the Medicine-men, the Medas,
Painted upon bark and deer-skin
Figures for the songs they chanted,
For each song a separate symbol,
Figures mystical and awful,
Figures strange and brightly colored;
And each figure had its meaning,
Each some magic song suggested.
The Great Spirit, the Creator,
Flashing light through all the heaven;
The Great Serpent, the Kenabeek,
With his bloody crest erected,
Creeping, looking into heaven;
In the sky the sun, that listens,
And the moon eclipsed and dying;
Owl and eagle, crane and hen-hawk,
And the cormorant, bird of magic;
Headless men, that walk the heavens,
Bodies lying pierced with arrows,
Bloody hands of death uplifted,
Flags on graves, and great war-captains
Grasping both the earth and heaven!
Such as these the shapes they painted
On the birch-bark and the deer-skin;
Songs of war and songs of hunting,
Songs of medicine and of magic,
All were written in these figures,
For each figure had its meaning,
Each its separate song recorded.
Nor forgotten was the Love-Song,
The most subtle of all medicines,
The most potent spell of magic,
Dangerous more than war or hunting!
Thus the Love-Song was recorded,
Symbol and interpretation.
First a human figure standing,
Painted in the brightest scarlet;
`T Is the lover, the musician,
And the meaning is, "My painting
Makes me powerful over others."
Then the figure seated, singing,
Playing on a drum of magic,
And the interpretation, "Listen!
`T Is my voice you hear, my singing!"
Then the same red figure seated
In the shelter of a wigwam,
And the meaning of the symbol,
"I will come and sit beside you
In the mystery of my passion!"
Then two figures, man and woman,
Standing hand in hand together
With their hands so clasped together
That they seemed in one united,
And the words thus represented
Are, "I see your heart within you,
And your cheeks are red with blushes!"
Next the maiden on an island,
In the centre of an Island;
And the song this shape suggested
Was, "Though you were at a distance,
Were upon some far-off island,
Such the spell I cast upon you,
Such the magic power of passion,
I could straightway draw you to me!"
Then the figure of the maiden
Sleeping, and the lover near her,
Whispering to her in her slumbers,
Saying, "Though you were far from me
In the land of Sleep and Silence,
Still the voice of love would reach you!"
And the last of all the figures
Was a heart within a circle,
Drawn within a magic circle;
And the image had this meaning:
"Naked lies your heart before me,
To your naked heart I whisper!"
Thus it was that Hiawatha,
In his wisdom, taught the people
All the mysteries of painting,
All the art of Picture-Writing,
On the smooth bark of the birch-tree,
On the white skin of the reindeer,
On the grave-posts of the village.
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Written by
Herman Melville |
Ye elms that wave on Malvern Hill
In prime of morn and May,
Recall ye how McClellan's men
Here stood at bay?
While deep within yon forest dim
Our rigid comrades lay -
Some with the cartridge in their mouth,
Others with fixed arms lifted South -
Invoking so
The cypress glades? Ah wilds of woe!
The spires of Richmond, late beheld
Through rifts in musket-haze,
Were closed from view in clouds of dust
On leaf-walled ways,
Where streamed our wagons in caravan;
And the Seven Nights and Days
Of march and fast, retreat and fight,
Pinched our grimed faces to ghastly plight -
Does the elm wood
Recall the haggard beards of blood?
The battle-smoked flag, with stars eclipsed,
We followed (it never fell!) -
In silence husbanded our strength -
Received their yell;
Till on this slope we patient turned
With cannon ordered well;
Reverse we proved was not defeat;
But ah, the sod what thousands meet! -
Does Malvern Wood
Bethink itself, and muse and brood?
We elms of Malvern Hill
Remember every thing;
But sap the twig will fill:
Wag the world how it will,
Leaves must be green in Spring.
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Written by
Francesco Petrarch |
CANZONE XVII. Di pensier in pensier, di monte in monte. DISTANCE AND SOLITUDE. From hill to hill I roam, from thought to thought,With Love my guide; the beaten path I fly,For there in vain the tranquil life is sought:If 'mid the waste well forth a lonely rill,Or deep embosom'd a low valley lie,In its calm shade my trembling heart's still;And there, if Love so will,[Pg 128]I smile, or weep, or fondly hope, or fear.While on my varying brow, that speaks the soul,The wild emotions roll,Now dark, now bright, as shifting skies appear;That whosoe'er has proved the lover's stateWould say, He feels the flame, nor knows his future fate. On mountains high, in forests drear and wide,I find repose, and from the throng'd resortOf man turn fearfully my eyes aside;At each lone step thoughts ever new ariseOf her I love, who oft with cruel sportWill mock the pangs I bear, the tears, the sighs;Yet e'en these ills I prize,Though bitter, sweet, nor would they were removedFor my heart whispers me, Love yet has powerTo grant a happier hour:Perchance, though self-despised, thou yet art loved:E'en then my breast a passing sigh will heave,Ah! when, or how, may I a hope so wild believe? Where shadows of high rocking pines dark waveI stay my footsteps, and on some rude stoneWith thought intense her beauteous face engrave;Roused from the trance, my bosom bathed I findWith tears, and cry, Ah! whither thus aloneHast thou far wander'd, and whom left behind?But as with fixed mindOn this fair image I impassion'd rest,And, viewing her, forget awhile my ills,Love my rapt fancy fills;In its own error sweet the soul is blest,While all around so bright the visions glide;Oh! might the cheat endure, I ask not aught beside. Her form portray'd within the lucid streamWill oft appear, or on the verdant lawn,Or glossy beech, or fleecy cloud, will gleamSo lovely fair, that Leda's self might say,Her Helen sinks eclipsed, as at the dawnA star when cover'd by the solar ray:And, as o'er wilds I stray[Pg 129]Where the eye nought but savage nature meets,There Fancy most her brightest tints employs;But when rude truth destroysThe loved illusion of those dreamed sweets,I sit me down on the cold rugged stone,Less coid, less dead than I, and think, and weep alone. Where the huge mountain rears his brow sublime,On which no neighbouring height its shadow flings,Led by desire intense the steep I climb;And tracing in the boundless space each woe,Whose sad remembrance my torn bosom wrings,Tears, that bespeak the heart o'erfraught, will flow:While, viewing all below,From me, I cry, what worlds of air divideThe beauteous form, still absent and still near!Then, chiding soft the tear,I whisper low, haply she too has sigh'dThat thou art far away: a thought so sweetAwhile my labouring soul will of its burthen cheat. Go thou, my song, beyond that Alpine bound,Where the pure smiling heavens are most serene,There by a murmuring stream may I be found,Whose gentle airs aroundWaft grateful odours from the laurel green;Nought but my empty form roams here unblest,There dwells my heart with her who steals it from my breast.
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Written by
Johann Wolfgang von Goethe |
HE.
CANST thou give, oh fair and matchless maiden,
'Neath the shadow of the lindens yonder,--
Where I'd fain one moment cease to wander,--
Food and drink to one so heavy laden?
SHE.
Wouldst thou find refreshment, traveller weary,
Bread, ripe fruit and cream to meet thy wishes,--
None but Nature's plain and homely dishes,--
Near the spring may soothe thy wanderings dreary.
HE.
Dreams of old acquaintance now pass through me,
Ne'er-forgotten queen of hours of blisses.
Likenesses I've often found, but this is
One that quite a marvel seemeth to me!
SHE.
Travellers often wonder beyond measure,
But their wonder soon see cause to smother;
Fair and dark are often like each other,
Both inspire the mind with equal pleasure.
HE.
Not now for the first time I surrender
To this form, in humble adoration;
It was brightest midst the constellation
In the hail adorn'd with festal splendour.
SHE.
Be thou joyful that 'tis in my power
To complete thy strange and merry story!
Silks behind her, full of purple glory,
Floated, when thou saw'st her in that hour.
HE.
No, in truth, thou hast not sung it rightly!
Spirits may have told thee all about it;
Pearls and gems they spoke of, do not doubt it,--
By her gaze eclipsed,--it gleam'd so brightly!
SHE.
This one thing I certainly collected:
That the fair one--(say nought, I entreat thee!)
Fondly hoping once again to meet thee,
Many a castle in the air erected.
HE.
By each wind I ceaselessly was driven,
Seeking gold and honour, too, to capture!
When my wand'rings end, then oh, what rapture,
If to find that form again 'tis given!
SHE.
'Tis the daughter of the race now banish'd
That thou seest, not her likeness only;
Helen and her brother, glad though lonely,
Till this farm of their estate now vanish'd.
HE.
But the owner surely is not wanting
Of these plains, with ev'ry beauty teeming?
Verdant fields, broad meads, and pastures gleaming,
Gushing springs, all heav'nly and enchanting.
SHE.
Thou must hunt the world through, wouldst thou find him!--
We have wealth enough in our possession,
And intend to purchase the succession,
When the good man leaves the world behind him.
HE.
I have learnt the owner's own condition,
And, fair maiden, thou indeed canst buy it;
But the cost is great, I won't deny it,--
Helen is the price,--with thy permission!
SHE.
Did then fate and rank keep us asunder,
And must Love take this road, and no other?
Yonder comes my dear and trusty brother;
What will he say to it all, I wonder?
1803.*
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Written by
William Strode |
Happy Grave, thou dost enshrine
That which makes thee a rich mine:
Remember yet, 'tis but a loane;
And wee must have it back, Her owne,
The very same; Marke mee, the same:
Thou canst not cheat us with a lame
Deformed Carcase; Shee was fayre,
Fresh as Morning, sweete as Ayre:
Purer than other flesh as farre
As other Soules than Bodies are:
And that thou mayst the better see
To finde her out: two stars there bee
Eclipsed now; uncloude but those
And they will poynt thee to the Rose
That dyde each cheeke, now pale and wan,
But will bee when shee wakes againe
Fresher than ever: And howere
Her long sleepe may alter Her
Her Soule will know her Body streight,
Twas made so fitt for't. Noe deceite
Can suite another to it: none
Cloath it so neatly as its owne.
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