Written by
Thomas Hood |
Oh, very gloomy is the house of woe,
Where tears are falling while the bell is knelling,
With all the dark solemnities that show
That Death is in the dwelling!
Oh, very, very dreary is the room
Where Love, domestic Love, no longer nestles,
But smitten by the common stroke of doom,
The corpse lies on the trestles!
But house of woe, and hearse, and sable pall,
The narrow home of the departed mortal,
Ne’er looked so gloomy as that Ghostly Hall,
With its deserted portal!
The centipede along the threshold crept,
The cobweb hung across in mazy tangle,
And in its winding sheet the maggot slept
At every nook and angle.
The keyhole lodged the earwig and her brood,
The emmets of the steps has old possession,
And marched in search of their diurnal food
In undisturbed procession.
As undisturbed as the prehensile cell
Of moth or maggot, or the spider’s tissue,
For never foot upon that threshold fell,
To enter or to issue.
O’er all there hung the shadow of a fear,
A sense of mystery the spirit daunted,
And said, as plain as whisper in the ear,
The place is haunted.
Howbeit, the door I pushed—or so I dreamed--
Which slowly, slowly gaped, the hinges creaking
With such a rusty eloquence, it seemed
That Time himself was speaking.
But Time was dumb within that mansion old,
Or left his tale to the heraldic banners
That hung from the corroded walls, and told
Of former men and manners.
Those tattered flags, that with the opened door,
Seemed the old wave of battle to remember,
While fallen fragments danced upon the floor
Like dead leaves in December.
The startled bats flew out, bird after bird,
The screech-owl overhead began to flutter,
And seemed to mock the cry that she had heard
Some dying victim utter!
A shriek that echoed from the joisted roof,
And up the stair, and further still and further,
Till in some ringing chamber far aloof
In ceased its tale of murther!
Meanwhile the rusty armor rattled round,
The banner shuddered, and the ragged streamer;
All things the horrid tenor of the sound
Acknowledged with a tremor.
The antlers where the helmet hung, and belt,
Stirred as the tempest stirs the forest branches,
Or as the stag had trembled when he felt
The bloodhound at his haunches.
The window jingled in its crumbled frame,
And through its many gaps of destitution
Dolorous moans and hollow sighings came,
Like those of dissolution.
The wood-louse dropped, and rolled into a ball,
Touched by some impulse occult or mechanic;
And nameless beetles ran along the wall
In universal panic.
The subtle spider, that, from overhead,
Hung like a spy on human guilt and error,
Suddenly turned, and up its slender thread
Ran with a nimble terror.
The very stains and fractures on the wall,
Assuming features solemn and terrific,
Hinted some tragedy of that old hall,
Locked up in hieroglyphic.
Some tale that might, perchance, have solved the doubt,
Wherefore, among those flags so dull and livid,
The banner of the bloody hand shone out
So ominously vivid.
Some key to that inscrutable appeal
Which made the very frame of Nature quiver,
And every thrilling nerve and fiber feel
So ague-like a shiver.
For over all there hung a cloud of fear,
A sense of mystery the spirit daunted,
And said, as plain as whisper in the ear,
The place is haunted!
Prophetic hints that filled the soul with dread,
But through one gloomy entrance pointing mostly,
The while some secret inspiration said,
“That chamber is the ghostly!”
Across the door no gossamer festoon
Swung pendulous, --no web, no dusty fringes,
No silky chrysalis or white cocoon,
About its nooks and hinges.
The spider shunned the interdicted room,
The moth, the beetle, and the fly were banished,
And when the sunbeam fell athwart the gloom,
The very midge had vanished.
One lonely ray that glanced upon a bed,
As if with awful aim direct and certain,
To show the Bloody Hand, in burning red,
Embroidered on the curtain.
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Written by
Robert Herrick |
Hapcot! To thee the Fairy State
I with discretion, dedicate.
Because thou prizest things that are
Curious, and un-familiar.
Take first the feast; these dishes gone,
We'll see the Fairy Court anon.
A little mushroon table spread,
After short prayers, they set on bread;
A moon-parched grain of purest wheat,
With some small glit'ring grit, to eat
His choice bits with; then in a trice
They make a feast less great than nice.
But all this while his eye is serv'd,
We must not think his ear was sterv'd:
But that there was in place to stir
His spleen, the chirring grasshopper,
The merry cricket, the puling fly,
The piping gnat for minstralcy.
And now, we must imagine first,
The elves present to quench his thirst
A pure seed-pearl of infant dew,
Brought and besweetened in a blue
And pregnant violet; which done
His kitling eyes begin to run
Quite through the table, where he spies
The horns of papery butterflies,
Of which he eats, and tastes a little
Of that we call the "cuckoo's spittle."
A little fuzz-ball-pudding stands
By, yet not blessed by his hands,
That was too coarse; but then forthwith
He ventures boldly on the pith
Of sugar'd rush, and eats the sag
And well bestrutted bee's sweet bag;
Gladding his palate with some store
Of emit's eggs; what would he more?
But beards of mice, a newt's stew'd thigh,
A bloated earwig, and a fly,
With the red-capp'd worm that's shut
Within the concave of a nut,
Brown as his tooth. a little moth
Late fatten'd in a piece of cloth;
With wither'd cherries, mandrake's ears,
Mole's eyes; to these, the slain stag's tears,
The unctuous dewlaps of a snail,
The broke-heart of a nightingale
O'er-come in music; with a wine,
Ne'er ravish'd from the flattering vine,
But gently press'd from the soft side
Of the most sweet and dainty bride,
Brought in a dainty daisy, which
He fully quaffs up to bewitch
His blood to height; this done, commended
Grace by his priest, the feast is ended.
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