Written by
Henry Wadsworth Longfellow |
How beautiful is the rain!
After the dust and heat,
In the broad and fiery street,
In the narrow lane,
How beautiful is the rain!
How it clatters along the roofs,
Like the tramp of hoofs
How it gushes and struggles out
From the throat of the overflowing spout!
Across the window-pane
It pours and pours;
And swift and wide,
With a muddy tide,
Like a river down the gutter roars
The rain, the welcome rain!
The sick man from his chamber looks
At the twisted brooks;
He can feel the cool
Breath of each little pool;
His fevered brain
Grows calm again,
And he breathes a blessing on the rain.
From the neighboring school
Come the boys,
With more than their wonted noise
And commotion;
And down the wet streets
Sail their mimic fleets,
Till the treacherous pool
Ingulfs them in its whirling
And turbulent ocean.
In the country, on every side,
Where far and wide,
Like a leopard's tawny and spotted hide,
Stretches the plain,
To the dry grass and the drier grain
How welcome is the rain!
In the furrowed land
The toilsome and patient oxen stand;
Lifting the yoke encumbered head,
With their dilated nostrils spread,
They silently inhale
The clover-scented gale,
And the vapors that arise
From the well-watered and smoking soil.
For this rest in the furrow after toil
Their large and lustrous eyes
Seem to thank the Lord,
More than man's spoken word.
Near at hand,
From under the sheltering trees,
The farmer sees
His pastures, and his fields of grain,
As they bend their tops
To the numberless beating drops
Of the incessant rain.
He counts it as no sin
That he sees therein
Only his own thrift and gain.
These, and far more than these,
The Poet sees!
He can behold
Aquarius old
Walking the fenceless fields of air;
And from each ample fold
Of the clouds about him rolled
Scattering everywhere
The showery rain,
As the farmer scatters his grain.
He can behold
Things manifold
That have not yet been wholly told,--
Have not been wholly sung nor said.
For his thought, that never stops,
Follows the water-drops
Down to the graves of the dead,
Down through chasms and gulfs profound,
To the dreary fountain-head
Of lakes and rivers under ground;
And sees them, when the rain is done,
On the bridge of colors seven
Climbing up once more to heaven,
Opposite the setting sun.
Thus the Seer,
With vision clear,
Sees forms appear and disappear,
In the perpetual round of strange,
Mysterious change
From birth to death, from death to birth,
From earth to heaven, from heaven to earth;
Till glimpses more sublime
Of things, unseen before,
Unto his wondering eyes reveal
The Universe, as an immeasurable wheel
Turning forevermore
In the rapid and rushing river of Time.
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Written by
Pam Ayres |
Yes, I’ll marry you, my dear.
And here’s the reason why.
So I can push you out of bed
When the baby starts to cry.
And if we hear a knocking
And it’s creepy and it’s late,
I hand you the torch you see,
And you investigate.
Yes I’ll marry you, my dear,
You may not apprehend it,
But when the tumble-drier goes
It’s you that has to mend it.
You have to face the neighbour
Should our labrador attack him,
And if a drunkard fondles me
It’s you that has to whack him.
Yes, I’ll marry you,
You’re virile and you’re lean,
My house is like a pigsty
You can help to keep it clean.
That sexy little dinner
Which you served by candlelight,
As I do chipolatas,
You can cook it every night!!!
It’s you who has to work the drill
And put up curtain track,
And when I’ve got PMT it’s you who gets the flak,
I do see great advantages,
But none of them for you,
And so before you see the light,
I DO, I DO, I DO!!
© Pam Ayres 2012
Official Website
http://pamayres.com/
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Written by
Allen Ginsberg |
Homage Kenneth Koch
If I were doing my Laundry I'd wash my dirty Iran
I'd throw in my United States, and pour on the Ivory Soap,
scrub up Africa, put all the birds and elephants back in
the jungle,
I'd wash the Amazon river and clean the oily Carib & Gulf of Mexico,
Rub that smog off the North Pole, wipe up all the pipelines in Alaska,
Rub a dub dub for Rocky Flats and Los Alamos, Flush that sparkly
Cesium out of Love Canal
Rinse down the Acid Rain over the Parthenon & Sphinx, Drain the Sludge
out of the Mediterranean basin & make it azure again,
Put some blueing back into the sky over the Rhine, bleach the little
Clouds so snow return white as snow,
Cleanse the Hudson Thames & Neckar, Drain the Suds out of Lake Erie
Then I'd throw big Asia in one giant Load & wash out the blood &
Agent Orange,
Dump the whole mess of Russia and China in the wringer, squeeze out
the tattletail Gray of U.S. Central American police state,
& put the planet in the drier & let it sit 20 minutes or an
Aeon till it came out clean
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Written by
Elizabeth Bishop |
Now can you see the monument? It is of wood
built somewhat like a box. No. Built
like several boxes in descending sizes
one above the other.
Each is turned half-way round so that
its corners point toward the sides
of the one below and the angles alternate.
Then on the topmost cube is set
a sort of fleur-de-lys of weathered wood,
long petals of board, pierced with odd holes,
four-sided, stiff, ecclesiastical.
From it four thin, warped poles spring out,
(slanted like fishing-poles or flag-poles)
and from them jig-saw work hangs down,
four lines of vaguely whittled ornament
over the edges of the boxes
to the ground.
The monument is one-third set against
a sea; two-thirds against a sky.
The view is geared
(that is, the view's perspective)
so low there is no "far away,"
and we are far away within the view.
A sea of narrow, horizontal boards
lies out behind our lonely monument,
its long grains alternating right and left
like floor-boards--spotted, swarming-still,
and motionless. A sky runs parallel,
and it is palings, coarser than the sea's:
splintery sunlight and long-fibred clouds.
"Why does the strange sea make no sound?
Is it because we're far away?
Where are we? Are we in Asia Minor,
or in Mongolia?"
An ancient promontory,
an ancient principality whose artist-prince
might have wanted to build a monument
to mark a tomb or boundary, or make
a melancholy or romantic scene of it...
"But that ***** sea looks made of wood,
half-shining, like a driftwood, sea.
And the sky looks wooden, grained with cloud.
It's like a stage-set; it is all so flat!
Those clouds are full of glistening splinters!
What is that?"
It is the monument.
"It's piled-up boxes,
outlined with shoddy fret-work, half-fallen off,
cracked and unpainted. It looks old."
--The strong sunlight, the wind from the sea,
all the conditions of its existence,
may have flaked off the paint, if ever it was painted,
and made it homelier than it was.
"Why did you bring me here to see it?
A temple of crates in cramped and crated scenery,
what can it prove?
I am tired of breathing this eroded air,
this dryness in which the monument is cracking."
It is an artifact
of wood. Wood holds together better
than sea or cloud or and could by itself,
much better than real sea or sand or cloud.
It chose that way to grow and not to move.
The monument's an object, yet those decorations,
carelessly nailed, looking like nothing at all,
give it away as having life, and wishing;
wanting to be a monument, to cherish something.
The crudest scroll-work says "commemorate,"
while once each day the light goes around it
like a prowling animal,
or the rain falls on it, or the wind blows into it.
It may be solid, may be hollow.
The bones of the artist-prince may be inside
or far away on even drier soil.
But roughly but adequately it can shelter
what is within (which after all
cannot have been intended to be seen).
It is the beginning of a painting,
a piece of sculpture, or poem, or monument,
and all of wood. Watch it closely.
|
Written by
Algernon Charles Swinburne |
HER mouth is fragrant as a vine,
A vine with birds in all its boughs;
Serpent and scarab for a sign
Between the beauty of her brows
And the amorous deep lids divine.
Her great curled hair makes luminous
Her cheeks, her lifted throat and chin.
Shall she not have the hearts of us
To shatter, and the loves therein
To shred between her fingers thus?
Small ruined broken strays of light,
Pearl after pearl she shreds them through
Her long sweet sleepy fingers, white
As any pearl's heart veined with blue,
And soft as dew on a soft night.
As if the very eyes of love
Shone through her shutting lids, and stole
The slow looks of a snake or dove;
As if her lips absorbed the whole
Of love, her soul the soul thereof.
Lost, all the lordly pearls that were
Wrung from the sea's heart, from the green
Coasts of the Indian gulf-river;
Lost, all the loves of the world---so keen
Towards this queen for love of her.
You see against her throat the small
Sharp glittering shadows of them shake;
And through her hair the imperial
Curled likeness of the river snake,
Whose bite shall make an end of all.
Through the scales sheathing him like wings,
Through hieroglyphs of gold and gem,
The strong sense of her beauty stings,
Like a keen pulse of love in them,
A running flame through all his rings.
Under those low large lids of hers
She hath the histories of all time;
The fruit of foliage-stricken years;
The old seasons with their heavy chime
That leaves its rhyme in the world's ears.
She sees the hand of death made bare,
The ravelled riddle of the skies,
The faces faded that were fair,
The mouths made speechless that were wise,
The hollow eyes and dusty hair;
The shape and shadow of mystic things,
Things that fate fashions or forbids;
The staff of time-forgotten Kings
Whose name falls off the Pyramids,
Their coffin-lids and grave-clothings;
Dank dregs, the scum of pool or clod,
God-spawn of lizard-footed clans,
And those dog-headed hulks that trod
Swart necks of the old Egyptians,
Raw draughts of man's beginning God;
The poised hawk, quivering ere he smote,
With plume-like gems on breast and back;
The asps and water-worms afloat
Between the rush-flowers moist and slack;
The cat's warm black bright rising throat.
The purple days of drouth expand
Like a scroll opened out again;
The molten heaven drier than sand,
The hot red heaven without rain,
Sheds iron pain on the empty land.
All Egypt aches in the sun's sight;
The lips of men are harsh for drouth,
The fierce air leaves their cheeks burnt white,
Charred by the bitter blowing south,
Whose dusty mouth is sharp to bite.
All this she dreams of, and her eyes
Are wrought after the sense hereof.
There is no heart in her for sighs;
The face of her is more than love---
A name above the Ptolemies.
Her great grave beauty covers her
As that sleek spoil beneath her feet
Clothed once the anointed soothsayer;
The hallowing is gone forth from it
Now, made unmeet for priests to wear.
She treads on gods and god-like things,
On fate and fear and life and death,
On hate that cleaves and love that clings,
All that is brought forth of man's breath
And perisheth with what it brings.
She holds her future close, her lips
Hold fast the face of things to be;
Actium, and sound of war that dips
Down the blown valleys of the sea,
Far sails that flee, and storms of ships;
The laughing red sweet mouth of wine
At ending of life's festival;
That spice of cerecloths, and the fine
White bitter dust funereal
Sprinkled on all things for a sign;
His face, who was and was not he,
In whom, alive, her life abode;
The end, when she gained heart to see
Those ways of death wherein she trod,
Goddess by god, with Antony.
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Written by
Anne Sexton |
I have a pack of letters,
I have a pack of memories.
I could cut out the eyes of both.
I could wear them like a patchwork apron.
I could stick them in the washer, the drier,
and maybe some of the pain would float off like dirt?
Perhaps down the disposal I could grind up the loss.
Besides -- what a bargain -- no expensive phone calls.
No lengthy trips on planes in the fog.
No manicky laughter or blessing from an odd-lot priest.
That priest is probably still floating on a fog pillow.
Blessing us. Blessing us.
Am I to bless the lost you,
sitting here with my clumsy soul?
Propaganda time is over.
I sit here on the spike of truth.
No one to hate except the slim fish of memory
that slides in and out of my brain.
No one to hate except the acute feel of my nightgown
brushing my body like a light that has gone out.
It recalls the kiss we invented, tongues like poems,
meeting, returning, inviting, causing a fever of need.
Laughter, maps, cassettes, touch singing its path -
all to be broken and laid away in a tight strongbox.
The monotonous dead clog me up and there is only
black done in black that oozes from the strongbox.
I must disembowel it and then set the heart, the legs,
of two who were one upon a large woodpile
and ignite, as I was once ignited, and let it whirl
into flame, reaching the sky
making it dangerous with its red.
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Written by
Derek Walcott |
Those villages stricken with the melancholia of Sunday,
in all of whose ocher streets one dog is sleeping
those volcanoes like ashen roses, or the incurable sore
of poverty, around whose puckered mouth thin boys are
selling yellow sulphur stone
the burnt banana leaves that used to dance
the river whose bed is made of broken bottles
the cocoa grove where a bird whose cry sounds green and
yellow and in the lights under the leaves crested with
orange flame has forgotten its flute
gommiers peeling from sunburn still wrestling to escape the sea
the dead lizard turning blue as stone
those rivers, threads of spittle, that forgot the old music
that dry, brief esplanade under the drier sea almonds
where the dry old men sat
watching a white schooner stuck in the branches
and playing draughts with the moving frigate birds
those hillsides like broken pots
those ferns that stamped their skeletons on the skin
and those roads that begin reciting their names at vespers
mention them and they will stop
those crabs that were willing to let an epoch pass
those herons like spinsters that doubted their reflections
inquiring, inquiring
those nettles that waited
those Sundays, those Sundays
those Sundays when the lights at the road's end were an occasion
those Sundays when my mother lay on her back
those Sundays when the sisters gathered like white moths
round their street lantern
and cities passed us by on the horizon
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Written by
Rg Gregory |
for a man whose eyes till now were a bed of rock
whose hands were drier than deserts
the sea's voice drove fear up through the valley
the tributaries meandering inside me longing for outlet
shrivelled even as their own courses became straight
my demand for ocean died now the ocean approached
the clouds put up with a lot of invective from me today
not a stone lay upon the earth in its right place
the valley upheaved into a mountain and the sea froze
the hardness in me was all fluid - i cried to be melted away
i could not bring myself down into the green pastures
or lay myself out amidst fruits and believe the sun
the truth i'd been stumbling towards i hated the heart of
the sayings of those i'd killed enchanted my ears
my instinct was to turn and run inland forever
and on the morrow i went down to the sea
and stood for a long time for the waters to calm me
i let my feet root among the shingle and seaweed
and my mind bobbed on the cove's waves absorbing their rhythms
what i had come for i found looking for me - and the green
world conceiving inside me smashed through my skin
(b) the sheer stupidity of the sea
going on and on mounting the land
and falling away again
gathering to itself a compendium
of its own tricks
not thinking
that any one cares which way the tides
alter the look of the beach
but just doing it like an animal
because it has to - having nothing else
it could reasonably do and remain
sea
it's that stupidity
in all its sheerness that people
(unable to admit in themselves)
find to worship in water - and that's why
they can't get it out of their dreams
and (near it) regress into children
(the only unashamed animal-bit
they have left in themselves)
all
classrooms should be down by the sea
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Written by
Anne Killigrew |
TEll me thou safest End of all our Woe,
Why wreched Mortals do avoid thee so:
Thou gentle drier o'th' afflicteds Tears,
Thou noble ender of the Cowards Fears;
Thou sweet Repose to Lovers sad dispaire,
Thou Calm t'Ambitions rough Tempestuous Care.
If in regard of Bliss thou wert a Curse,
And then the Joys of Paradise art worse;
Yet after Man from his first Station fell,
And God from Eden Adam did expel,
Thou wert no more an Evil, but Relief;
The Balm and Cure to ev'ry Humane Grief:
Through thee (what Man had forfeited before)
He now enjoys, and ne'r can loose it more.
No subtile Serpents in the Grave betray,
Worms on the Body there, not Soul do prey;
No Vice there Tempts, no Terrors there afright,
No Coz'ning Sin affords a false delight:
No vain Contentions do that Peace annoy,
No feirce Alarms break the lasting Joy.
Ah since from thee so many Blessings flow,
Such real Good as Life can never know;
Come when thou wilt, in thy afrighting'st Dress,
Thy Shape shall never make thy Welcome less.
Thou mayst to Joy, but ne'er to Fear give Birth,
Thou Best, as well as Certain'st thing on Earth.
Fly thee? May Travellers then fly their Rest,
And hungry Infants fly the profer'd Brest.
No, those that faint and tremble at thy Name,
Fly from their Good on a mistaken Fame.
Thus Childish fear did Israel of old
From Plenty and the Promis'd Land with-hold;
They fancy'd Giants, and refus'd to go,
When Canaan did with Milk and Honey flow.
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