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Best Famous Drawing Poems

Here is a collection of the all-time best famous Drawing poems. This is a select list of the best famous Drawing poetry. Reading, writing, and enjoying famous Drawing poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of drawing poems.

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Written by Henry David Thoreau | Create an image from this poem

Friendship

 I think awhile of Love, and while I think, 
Love is to me a world, 
Sole meat and sweetest drink, 
And close connecting link 
Tween heaven and earth.
I only know it is, not how or why, My greatest happiness; However hard I try, Not if I were to die, Can I explain.
I fain would ask my friend how it can be, But when the time arrives, Then Love is more lovely Than anything to me, And so I'm dumb.
For if the truth were known, Love cannot speak, But only thinks and does; Though surely out 'twill leak Without the help of Greek, Or any tongue.
A man may love the truth and practise it, Beauty he may admire, And goodness not omit, As much as may befit To reverence.
But only when these three together meet, As they always incline, And make one soul the seat, And favorite retreat, Of loveliness; When under kindred shape, like loves and hates And a kindred nature, Proclaim us to be mates, Exposed to equal fates Eternally; And each may other help, and service do, Drawing Love's bands more tight, Service he ne'er shall rue While one and one make two, And two are one; In such case only doth man fully prove Fully as man can do, What power there is in Love His inmost soul to move Resistlessly.
________________________________ Two sturdy oaks I mean, which side by side, Withstand the winter's storm, And spite of wind and tide, Grow up the meadow's pride, For both are strong Above they barely touch, but undermined Down to their deepest source, Admiring you shall find Their roots are intertwined Insep'rably.


Written by Sylvia Plath | Create an image from this poem

Winter Trees

The wet dawn inks are doing their blue dissolve.
On their blotter of fog the trees Seem a botanical drawing-- Memories growning, ring on ring, A series of weddings.
Knowing neither abortions nor bitchery, Truer than women, They seed so effortlessly! Tasting the winds, that are footless, Waisting-deep in history-- Full of wings, otherworldliness.
In this, they are Ledas.
O mother of leaves and sweetness Who are these peitas? The shadows of ringdoves chanting, but easing nothing.
note: 12 Ledas: Leda, the maiden who was raped by Zeus in the guise of a swan.
Written by Lascelles Abercrombie | Create an image from this poem

Emblems of Love

She

ONLY to be twin elements of joy
In this extravagance of Being, Love,
Were our divided natures shaped in twain;
And to this hour the whole world must consent.
Is it not very marvellous, our lives Can only come to this out of a long Strange sundering, with the years of the world between us? He Shall life do more than God? for hath not God Striven with himself, when into known delight His unaccomplisht joy he would put forth,— This mystery of a world sign of his striving? Else wherefore this, a thing to break the mind With labouring in the wonder of it, that here Being—the world and we—is suffered to be!— But, lying on thy breast one notable day, Sudden exceeding agony of love Made my mind a trance of infinite knowledge.
I was not: yet I saw the will of God As light unfashion’d, unendurable flame, Interminable, not to be supposed; And there was no more creature except light,— The dreadful burning of the lonely God’s Unutter’d joy.
And then, past telling, came Shuddering and division in the light: Therein, like trembling, was desire to know Its own perfect beauty; and it became A cloven fire, a double flaming, each Adorable to each; against itself Waging a burning love, which was the world;— A moment satisfied in that love-strife I knew the world!—And when I fell from there, Then knew I also what this life would do In being twin,—in being man and woman! For it would do even as its endless Master, Making the world, had done; yea, with itself Would strive, and for the strife would into sex Be cloven, double burning, made thereby Desirable to itself.
Contrivèd joy Is sex in life; and by no other thing Than by a perfect sundering, could life Change the dark stream of unappointed joy To perfect praise of itself, the glee that loves And worships its own Being.
This is ours! Yet only for that we have been so long Sundered desire: thence is our life all praise.
— But we, well knowing by our strength of joy There is no sundering more, how far we love From those sad lives that know a half-love only, Alone thereby knowing themselves for ever Sealed in division of love, and therefore made To pour their strength always into their love’s Fierceness, as green wood bleeds its hissing sap Into red heat of a fire! Not so do we: The cloven anger, life, hath left to wage Its flame against itself, here turned to one Self-adoration.
—Ah, what comes of this? The joy falters a moment, with closed wings Wearying in its upward journey, ere Again it goes on high, bearing its song, Its delight breathing and its vigour beating The highest height of the air above the world.
She What hast thou done to me!—I would have soul, Before I knew thee, Love, a captive held By flesh.
Now, inly delighted with desire, My body knows itself to be nought else But thy heart’s worship of me; and my soul Therein is sunlight held by warm gold air.
Nay, all my body is become a song Upon the breath of spirit, a love-song.
He And mine is all like one rapt faculty, As it were listening to the love in thee, My whole mortality trembling to take Thy body like heard singing of thy spirit.
She Surely by this, Beloved, we must know Our love is perfect here,—that not as holds The common dullard thought, we are things lost In an amazement that is all unware; But wonderfully knowing what we are! Lo, now that body is the song whereof Spirit is mood, knoweth not our delight? Knoweth not beautifully now our love, That Life, here to this festival bid come Clad in his splendour of worldly day and night, Filled and empower’d by heavenly lust, is all The glad imagination of the Spirit? He Were it not so, Love could not be at all: Nought could be, but a yearning to fulfil Desire of beauty, by vain reaching forth Of sense to hold and understand the vision Made by impassion’d body,—vision of thee! But music mixt with music are, in love, Bodily senses; and as flame hath light, Spirit this nature hath imagined round it, No way concealed therein, when love comes near, Nor in the perfect wedding of desires Suffering any hindrance.
She Ah, but now, Now am I given love’s eternal secret! Yea, thou and I who speak, are but the joy Of our for ever mated spirits; but now The wisdom of my gladness even through Spirit Looks, divinely elate.
Who hath for joy Our Spirits? Who hath imagined them Round him in fashion’d radiance of desire, As into light of these exulting bodies Flaming Spirit is uttered? He Yea, here the end Of love’s astonishment! Now know we Spirit, And Who, for ease of joy, contriveth Spirit.
Now all life’s loveliness and power we have Dissolved in this one moment, and our burning Carries all shining upward, till in us Life is not life, but the desire of God, Himself desiring and himself accepting.
Now what was prophecy in us is made Fulfilment: we are the hour and we are the joy, We in our marvellousness of single knowledge, Of Spirit breaking down the room of fate And drawing into his light the greeting fire Of God,—God known in ecstasy of love Wedding himself to utterance of himself
Written by Barry Tebb | Create an image from this poem

MY PERFECT ROSE

 At ten she came to me, three years ago,

There was ‘something between us’ even then;

Watching her write like Eliot every day,

Turn prose into haiku in ten minutes flat,

Write a poem in Greek three weeks from learning the alphabet;

Then translate it as ‘Sun on a tomb, gold place, small sacred horse’.
I never got over having her in the room, though Every day she was impossible in a new way, Stamping her foot like a naughty Enid Blyton child, Shouting "Poets don’t do arithmetic!" Or drawing caricatures of me in her book.
Then there were the ‘moments of vision’, her eyes Dissolving the blank walls and made-up faces, Genius painfully going through her paces, The skull she drew, the withered chrysanthemum And scarlet rose, ‘Descensus averno’, like Virgil, I supposed.
Now three years later, in nylons and tight skirt, She returns from grammar school to make a chaos of my room; Plaiting a rose in her hair, I remember the words of her poem - ‘For love is wrong/in word, in deed/But you will be mine’ And now her promise to come the last two days of term, "But not tell them", the diamond bomb exploding In her eyes, the key left ‘Accidentally’ on my desk And the faint surprise.
Written by Edna St Vincent Millay | Create an image from this poem

Travel

 I should like to rise and go 
Where the golden apples grow;-- 
Where below another sky 
Parrot islands anchored lie, 
And, watched by cockatoos and goats, 
Lonely Crusoes building boats;-- 
Where in sunshine reaching out 
Eastern cities, miles about, 
Are with mosque and minaret 
Among sandy gardens set, 
And the rich goods from near and far 
Hang for sale in the bazaar;-- 
Where the Great Wall round China goes, 
And on one side the desert blows, 
And with the voice and bell and drum, 
Cities on the other hum;-- 
Where are forests hot as fire, 
Wide as England, tall as a spire, 
Full of apes and cocoa-nuts 
And the ***** hunters' huts;-- 
Where the knotty crocodile 
Lies and blinks in the Nile, 
And the red flamingo flies 
Hunting fish before his eyes;-- 
Where in jungles near and far, 
Man-devouring tigers are, 
Lying close and giving ear 
Lest the hunt be drawing near, 
Or a comer-by be seen 
Swinging in the palanquin;-- 
Where among the desert sands 
Some deserted city stands, 
All its children, sweep and prince, 
Grown to manhood ages since, 
Not a foot in street or house, 
Not a stir of child or mouse, 
And when kindly falls the night, 
In all the town no spark of light.
There I'll come when I'm a man With a camel caravan; Light a fire in the gloom Of some dusty dining-room; See the pictures on the walls, Heroes fights and festivals; And in a corner find the toys Of the old Egyptian boys.


Written by G K Chesterton | Create an image from this poem

A Ballad Of Suicide

 The gallows in my garden, people say,

Is new and neat and adequately tall; 
I tie the noose on in a knowing way

As one that knots his necktie for a ball;
But just as all the neighbours—on the wall— 
Are drawing a long breath to shout "Hurray!"

The strangest whim has seized me.
.
.
.
After all I think I will not hang myself to-day.
To-morrow is the time I get my pay— My uncle's sword is hanging in the hall— I see a little cloud all pink and grey— Perhaps the rector's mother will not call— I fancy that I heard from Mr.
Gall That mushrooms could be cooked another way— I never read the works of Juvenal— I think I will not hang myself to-day.
The world will have another washing-day; The decadents decay; the pedants pall; And H.
G.
Wells has found that children play, And Bernard Shaw discovered that they squall, Rationalists are growing rational— And through thick woods one finds a stream astray So secret that the very sky seems small— I think I will not hang myself to-day.
ENVOI Prince, I can hear the trumpet of Germinal, The tumbrils toiling up the terrible way; Even to-day your royal head may fall, I think I will not hang myself to-day
Written by John Greenleaf Whittier | Create an image from this poem

Burning Drift-Wood

Before my drift-wood fire I sit, 
And see, with every waif I burn, 
Old dreams and fancies coloring it, 
And folly's unlaid ghosts return.
O ships of mine, whose swift keels cleft The enchanted sea on which they sailed, Are these poor fragments only left Of vain desires and hopes that failed? Did I not watch from them the light Of sunset on my towers in Spain, And see, far off, uploom in sight The Fortunate Isles I might not gain? Did sudden lift of fog reveal Arcadia's vales of song and spring, And did I pass, with grazing keel, The rocks whereon the sirens sing? Have I not drifted hard upon The unmapped regions lost to man, The cloud-pitched tents of Prester John, The palace domes of Kubla Khan? Did land winds blow from jasmine flowers, Where Youth the ageless Fountain fills? Did Love make sign from rose blown bowers, And gold from Eldorado's hills? Alas! the gallant ships, that sailed On blind Adventure's errand sent, Howe'er they laid their courses, failed To reach the haven of Content.
And of my ventures, those alone Which Love had freighted, safely sped, Seeking a good beyond my own, By clear-eyed Duty piloted.
O mariners, hoping still to meet The luck Arabian voyagers met, And find in Bagdad's moonlit street, Haroun al Raschid walking yet, Take with you, on your Sea of Dreams, The fair, fond fancies dear to youth.
I turn from all that only seems, And seek the sober grounds of truth.
What matter that it is not May, That birds have flown, and trees are bare, That darker grows the shortening day, And colder blows the wintry air! The wrecks of passion and desire, The castles I no more rebuild, May fitly feed my drift-wood fire, And warm the hands that age has chilled.
Whatever perished with my ships, I only know the best remains; A song of praise is on my lips For losses which are now my gains.
Heap high my hearth! No worth is lost; No wisdom with the folly dies.
Burn on, poor shreds, your holocaust Shall be my evening sacrifice! Far more than all I dared to dream, Unsought before my door I see; On wings of fire and steeds of steam The world's great wonders come to me, And holier signs, unmarked before, Of Love to seek and Power to save,— The righting of the wronged and poor, The man evolving from the slave; And life, no longer chance or fate, Safe in the gracious Fatherhood.
I fold o'er-wearied hands and wait, In full assurance of the good.
And well the waiting time must be, Though brief or long its granted days, If Faith and Hope and Charity Sit by my evening hearth-fire's blaze.
And with them, friends whom Heaven has spared, Whose love my heart has comforted, And, sharing all my joys, has shared My tender memories of the dead,— Dear souls who left us lonely here, Bound on their last, long voyage, to whom We, day by day, are drawing near, Where every bark has sailing room.
I know the solemn monotone Of waters calling unto me; I know from whence the airs have blown That whisper of the Eternal Sea.
As low my fires of drift-wood burn, I hear that sea's deep sounds increase, And, fair in sunset light, discern Its mirage-lifted Isles of Peace.
Written by William Wordsworth | Create an image from this poem

Resolution And Independence

 I 

There was a roaring in the wind all night; 
The rain came heavily and fell in floods; 
But now the sun is rising calm and bright; 
The birds are singing in the distant woods; 
Over his own sweet voice the Stock-dove broods; 
The Jay makes answer as the Magpie chatters; 
And all the air is filled with pleasant noise of waters.
II All things that love the sun are out of doors; The sky rejoices in the morning's birth; The grass is bright with rain-drops;--on the moors The hare is running races in her mirth; And with her feet she from the plashy earth Raises a mist, that, glittering in the sun, Runs with her all the way, wherever she doth run.
III I was a Traveller then upon the moor, I saw the hare that raced about with joy; I heard the woods and distant waters roar; Or heard them not, as happy as a boy: The pleasant season did my heart employ: My old remembrances went from me wholly; And all the ways of men, so vain and melancholy.
IV But, as it sometimes chanceth, from the might Of joy in minds that can no further go, As high as we have mounted in delight In our dejection do we sink as low; To me that morning did it happen so; And fears and fancies thick upon me came; Dim sadness--and blind thoughts, I knew not, nor could name.
V I heard the sky-lark warbling in the sky; And I bethought me of the playful hare: Even such a happy Child of earth am I; Even as these blissful creatures do I fare; Far from the world I walk, and from all care; But there may come another day to me-- Solitude, pain of heart, distress, and poverty.
VI My whole life I have lived in pleasant thought, As if life's business were a summer mood; As if all needful things would come unsought To genial faith, still rich in genial good; But how can He expect that others should Build for him, sow for him, and at his call Love him, who for himself will take no heed at all? VII I thought of Chatterton, the marvellous Boy, The sleepless Soul that perished in his pride; Of Him who walked in glory and in joy Following his plough, along the mountain-side: By our own spirits are we deified: We Poets in our youth begin in gladness; But thereof come in the end despondency and madness.
VIII Now, whether it were by peculiar grace, A leading from above, a something given, Yet it befell, that, in this lonely place, When I with these untoward thoughts had striven, Beside a pool bare to the eye of heaven I saw a Man before me unawares: The oldest man he seemed that ever wore grey hairs.
IX As a huge stone is sometimes seen to lie Couched on the bald top of an eminence; Wonder to all who do the same espy, By what means it could thither come, and whence; So that it seems a thing endued with sense: Like a sea-beast crawled forth, that on a shelf Of rock or sand reposeth, there to sun itself; X Such seemed this Man, not all alive nor dead, Nor all asleep--in his extreme old age: His body was bent double, feet and head Coming together in life's pilgrimage; As if some dire constraint of pain, or rage Of sickness felt by him in times long past, A more than human weight upon his frame had cast.
XI Himself he propped, limbs, body, and pale face, Upon a long grey staff of shaven wood: And, still as I drew near with gentle pace, Upon the margin of that moorish flood Motionless as a cloud the old Man stood, That heareth not the loud winds when they call And moveth all together, if it move at all.
XII At length, himself unsettling, he the pond Stirred with his staff, and fixedly did look Upon the muddy water, which he conned, As if he had been reading in a book: And now a stranger's privilege I took; And, drawing to his side, to him did say, "This morning gives us promise of a glorious day.
" XIII A gentle answer did the old Man make, In courteous speech which forth he slowly drew: And him with further words I thus bespake, "What occupation do you there pursue? This is a lonesome place for one like you.
" Ere he replied, a flash of mild surprise Broke from the sable orbs of his yet-vivid eyes, XIV His words came feebly, from a feeble chest, But each in solemn order followed each, With something of a lofty utterance drest-- Choice word and measured phrase, above the reach Of ordinary men; a stately speech; Such as grave Livers do in Scotland use, Religious men, who give to God and man their dues.
XV He told, that to these waters he had come To gather leeches, being old and poor: Employment hazardous and wearisome! And he had many hardships to endure: From pond to pond he roamed, from moor to moor; Housing, with God's good help, by choice or chance, And in this way he gained an honest maintenance.
XVI The old Man still stood talking by my side; But now his voice to me was like a stream Scarce heard; nor word from word could I divide; And the whole body of the Man did seem Like one whom I had met with in a dream; Or like a man from some far region sent, To give me human strength, by apt admonishment.
XVII My former thoughts returned: the fear that kills; And hope that is unwilling to be fed; Cold, pain, and labour, and all fleshly ills; And mighty Poets in their misery dead.
--Perplexed, and longing to be comforted, My question eagerly did I renew, "How is it that you live, and what is it you do?" XVIII He with a smile did then his words repeat; And said, that, gathering leeches, far and wide He travelled; stirring thus about his feet The waters of the pools where they abide.
"Once I could meet with them on every side; But they have dwindled long by slow decay; Yet still I persevere, and find them where I may.
" XIX While he was talking thus, the lonely place, The old Man's shape, and speech--all troubled me: In my mind's eye I seemed to see him pace About the weary moors continually, Wandering about alone and silently.
While I these thoughts within myself pursued, He, having made a pause, the same discourse renewed.
XX And soon with this he other matter blended, Cheerfully uttered, with demeanour kind, But stately in the main; and when he ended, I could have laughed myself to scorn to find In that decrepit Man so firm a mind.
"God," said I, "be my help and stay secure; I'll think of the Leech-gatherer on the lonely moor!"
Written by Derek Walcott | Create an image from this poem

The Star-Apple Kingdom

 There were still shards of an ancient pastoral 
in those shires of the island where the cattle drank 
their pools of shadow from an older sky, 
surviving from when the landscape copied such objects as 
"Herefords at Sunset in the valley of the Wye.
" The mountain water that fell white from the mill wheel sprinkling like petals from the star-apple trees, and all of the windmills and sugar mills moved by mules on the treadmill of Monday to Monday, would repeat in tongues of water and wind and fire, in tongues of Mission School pickaninnies, like rivers remembering their source, Parish Trelawny, Parish St David, Parish St Andrew, the names afflicting the pastures, the lime groves and fences of marl stone and the cattle with a docile longing, an epochal content.
And there were, like old wedding lace in an attic, among the boas and parasols and the tea-colored daguerreotypes, hints of an epochal happiness as ordered and infinite to the child as the great house road to the Great House down a perspective of casuarinas plunging green manes in time to the horses, an orderly life reduced by lorgnettes day and night, one disc the sun, the other the moon, reduced into a pier glass: nannies diminished to dolls, mahogany stairways no larger than those of an album in which the flash of cutlery yellows, as gamboge as the piled cakes of teatime on that latticed bougainvillea verandah that looked down toward a prospect of Cuyp-like Herefords under a sky lurid as a porcelain souvenir with these words: "Herefords at Sunset in the Valley of the Wye.
" Strange, that the rancor of hatred hid in that dream of slow rivers and lily-like parasols, in snaps of fine old colonial families, curled at the edge not from age of from fire or the chemicals, no, not at all, but because, off at its edges, innocently excluded stood the groom, the cattle boy, the housemaid, the gardeners, the tenants, the good ******* down in the village, their mouth in the locked jaw of a silent scream.
A scream which would open the doors to swing wildly all night, that was bringing in heavier clouds, more black smoke than cloud, frightening the cattle in whose bulging eyes the Great House diminished; a scorching wind of a scream that began to extinguish the fireflies, that dried the water mill creaking to a stop as it was about to pronounce Parish Trelawny all over, in the ancient pastoral voice, a wind that blew all without bending anything, neither the leaves of the album nor the lime groves; blew Nanny floating back in white from a feather to a chimerical, chemical pin speck that shrank the drinking Herefords to brown porcelain cows on a mantelpiece, Trelawny trembling with dusk, the scorched pastures of the old benign Custos; blew far the decent servants and the lifelong cook, and shriveled to a shard that ancient pastoral of dusk in a gilt-edged frame now catching the evening sun in Jamaica, making both epochs one.
He looked out from the Great House windows on clouds that still held the fragrance of fire, he saw the Botanical Gardens officially drown in a formal dusk, where governors had strolled and black gardeners had smiled over glinting shears at the lilies of parasols on the floating lawns, the flame trees obeyed his will and lowered their wicks, the flowers tightened their fists in the name of thrift, the porcelain lamps of ripe cocoa, the magnolia's jet dimmed on the one circuit with the ginger lilies and left a lonely bulb on the verandah, and, had his mandate extended to that ceiling of star-apple candelabra, he would have ordered the sky to sleep, saying, I'm tired, save the starlight for victories, we can't afford it, leave the moon on for one more hour,and that's it.
But though his power, the given mandate, extended from tangerine daybreaks to star-apple dusks, his hand could not dam that ceaseless torrent of dust that carried the shacks of the poor, to their root-rock music, down the gullies of Yallahs and August Town, to lodge them on thorns of maca, with their rags crucified by cactus, tins, old tires, cartons; from the black Warieka Hills the sky glowed fierce as the dials of a million radios, a throbbing sunset that glowed like a grid where the dread beat rose from the jukebox of Kingston.
He saw the fountains dried of quadrilles, the water-music of the country dancers, the fiddlers like fifes put aside.
He had to heal this malarial island in its bath of bay leaves, its forests tossing with fever, the dry cattle groaning like winches, the grass that kept shaking its head to remember its name.
No vowels left in the mill wheel, the river.
Rock stone.
Rock stone.
The mountains rolled like whales through phosphorous stars, as he swayed like a stone down fathoms into sleep, drawn by that magnet which pulls down half the world between a star and a star, by that black power that has the assassin dreaming of snow, that poleaxes the tyrant to a sleeping child.
The house is rocking at anchor, but as he falls his mind is a mill wheel in moonlight, and he hears, in the sleep of his moonlight, the drowned bell of Port Royal's cathedral, sees the copper pennies of bubbles rising from the empty eye-pockets of green buccaneers, the parrot fish floating from the frayed shoulders of pirates, sea horses drawing gowned ladies in their liquid promenade across the moss-green meadows of the sea; he heard the drowned choirs under Palisadoes, a hymn ascending to earth from a heaven inverted by water, a crab climbing the steeple, and he climbed from that submarine kingdom as the evening lights came on in the institute, the scholars lamplit in their own aquarium, he saw them mouthing like parrot fish, as he passed upward from that baptism, their history lessons, the bubbles like ideas which he could not break: Jamaica was captured by Penn and Venables, Port Royal perished in a cataclysmic earthquake.
Before the coruscating façades of cathedrals from Santiago to Caracas, where penitential archbishops washed the feet of paupers (a parenthetical moment that made the Caribbean a baptismal font, turned butterflies to stone, and whitened like doves the buzzards circling municipal garbage), the Caribbean was borne like an elliptical basin in the hands of acolytes, and a people were absolved of a history which they did not commit; the slave pardoned his whip, and the dispossessed said the rosary of islands for three hundred years, a hymn that resounded like the hum of the sea inside a sea cave, as their knees turned to stone, while the bodies of patriots were melting down walls still crusted with mute outcries of La Revolucion! "San Salvador, pray for us,St.
Thomas, San Domingo, ora pro nobis, intercede for us, Sancta Lucia of no eyes," and when the circular chaplet reached the last black bead of Sancta Trinidad they began again, their knees drilled into stone, where Colon had begun, with San Salvador's bead, beads of black colonies round the necks of Indians.
And while they prayed for an economic miracle, ulcers formed on the municipal portraits, the hotels went up, and the casinos and brothels, and the empires of tobacco, sugar, and bananas, until a black woman, shawled like a buzzard, climbed up the stairs and knocked at the door of his dream, whispering in the ear of the keyhole: "Let me in, I'm finished with praying, I'm the Revolution.
I am the darker, the older America.
" She was as beautiful as a stone in the sunrise, her voice had the gutturals of machine guns across khaki deserts where the cactus flower detonates like grenades, her sex was the slit throat of an Indian, her hair had the blue-black sheen of the crow.
She was a black umbrella blown inside out by the wind of revolution, La Madre Dolorosa, a black rose of sorrow, a black mine of silence, raped wife, empty mother, Aztec virgin transfixed by arrows from a thousand guitars, a stone full of silence, which, if it gave tongue to the tortures done in the name of the Father, would curdle the blood of the marauding wolf, the fountain of generals, poets, and cripples who danced without moving over their graves with each revolution; her Caesarean was stitched by the teeth of machine guns,and every sunset she carried the Caribbean's elliptical basin as she had once carried the penitential napkins to be the footbath of dictators, Trujillo, Machado, and those whose faces had yellowed like posters on municipal walls.
Now she stroked his hair until it turned white, but she would not understand that he wanted no other power but peace, that he wanted a revolution without any bloodshed, he wanted a history without any memory, streets without statues, and a geography without myth.
He wanted no armies but those regiments of bananas, thick lances of cane, and he sobbed,"I am powerless, except for love.
" She faded from him, because he could not kill; she shrunk to a bat that hung day and night in the back of his brain.
He rose in his dream.
(to be continued)
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Whispers of Immortality

 WEBSTER was much possessed by death
And saw the skull beneath the skin;
And breastless creatures under ground
Leaned backward with a lipless grin.
Daffodil bulbs instead of balls Stared from the sockets of the eyes! He knew that thought clings round dead limbs Tightening its lusts and luxuries.
Donne, I suppose, was such another Who found no substitute for sense, To seize and clutch and penetrate; Expert beyond experience, He knew the anguish of the marrow The ague of the skeleton; No contact possible to flesh Allayed the fever of the bone.
.
.
.
.
.
Grishkin is nice: her Russian eye Is underlined for emphasis; Uncorseted, her friendly bust Gives promise of pneumatic bliss.
The couched Brazilian jaguar Compels the scampering marmoset With subtle effluence of cat; Grishkin has a maisonette; The sleek Brazilian jaguar Does not in its arboreal gloom Distil so rank a feline smell As Grishkin in a drawing-room.
And even the Abstract Entities Circumambulate her charm; But our lot crawls between dry ribs To keep our metaphysics warm.

Book: Reflection on the Important Things