Written by
William Butler Yeats |
I.
Ribh at the Tomb of Baile and Aillinn
Because you have found me in the pitch-dark night
With open book you ask me what I do.
Mark and digest my tale, carry it afar
To those that never saw this tonsured head
Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak,
All know their tale, all know what leaf and twig,
What juncture of the apple and the yew,
Surmount their bones; but speak what none have heard.
The miracle that gave them such a death
Transfigured to pure substance what had once
Been bone and sinew; when such bodies join
There is no touching here, nor touching there,
Nor straining joy, but whole is joined to whole;
For the intercourse of angels is a light
Where for its moment both seem lost, consumed.
Here in the pitch-dark atmosphere above
The trembling of the apple and the yew,
Here on the anniversary of their death,
The anniversary of their first embrace,
Those lovers, purified by tragedy,
Hurry into each other's arms; these eyes,
By water, herb and solitary prayer
Made aquiline, are open to that light.
Though somewhat broken by the leaves, that light
Lies in a circle on the grass; therein
I turn the pages of my holy book.
II.
Ribh denounces Patrick
An abstract Greek absurdity has crazed the man -
Recall that masculine Trinity.
Man, woman, child
(daughter or son),
That's how all natural or supernatural stories run.
Natural and supernatural with the self-same ring are wed.
As man, as beast, as an ephemeral fly begets, Godhead begets
Godhead,
For things below are copies, the Great Smaragdine Tablet said.
Yet all must copy copies, all increase their kind;
When the conflagration of their passion sinks, damped by the
body or the mind,
That juggling nature mounts, her coil in their embraces
twined.
The mirror-scaled serpent is multiplicity,
But all that run in couples, on earth, in flood or air, share God that is but three,
And could beget or bear themselves could they but love as He.
III.
Ribh in Ecstasy
What matter that you understood no word!
Doubtless I spoke or sang what I had heard
In broken sentences.
My soul had found
All happiness in its own cause or ground.
Godhead on Godhead in sexual spasm begot
Godhead.
Some shadow fell.
My soul forgot
Those amorous cries that out of quiet come
And must the common round of day resume.
IV.
There
There all the barrel-hoops are knit,
There all the serpent-tails are bit,
There all the gyres converge in one,
There all the planets drop in the Sun.
V.
Ribh considers Christian Love insufficient
Why should I seek for love or study it?
It is of God and passes human wit.
I study hatred with great diligence,
For that's a passion in my own control,
A sort of besom that can clear the soul
Of everything that is not mind or sense.
Why do I hate man, woman or event?
That is a light my jealous soul has sent.
From terror and deception freed it can
Discover impurities, can show at last
How soul may walk when all such things are past,
How soul could walk before such things began.
Then my delivered soul herself shall learn
A darker knowledge and in hatred turn
From every thought of God mankind has had.
Thought is a garment and the soul's a bride
That cannot in that trash and tinsel hide:
Hatred of God may bring the soul to God.
At stroke of midnight soul cannot endure
A bodily or mental furniture.
What can she take until her Master give!
Where can she look until He make the show!
What can she know until He bid her know!
How can she live till in her blood He live!
VI.
He and She
As the moon sidles up
Must she sidle up,
As trips the scared moon
Away must she trip:
'His light had struck me blind
Dared I stop".
She sings as the moon sings:
'I am I, am I;
The greater grows my light
The further that I fly.
'
All creation shivers
With that sweet cry.
VII.
What Magic Drum?
He holds him from desire, all but stops his breathing lest
primordial Motherhood forsake his limbs, the child no longer
rest,
Drinking joy as it were milk upon his breast.
Through light-obliterating garden foliage what magic drum?
Down limb and breast or down that glimmering belly move
his mouth and sinewy tongue.
What from the forest came? What beast has licked its young?
VIII.
Whence had they come?
Eternity is passion, girl or boy
Cry at the onset of their sexual joy
'For ever and for ever'; then awake
Ignorant what Dramatis personae spake;
A passion-driven exultant man sings out
Sentences that he has never thought;
The Flagellant lashes those submissive loins
Ignorant what that dramatist enjoins,
What master made the lash.
Whence had they come,
The hand and lash that beat down frigid Rome?
What sacred drama through her body heaved
When world-transforming Charlemagne was conceived?
IX.
The Four Ages of Man
He with body waged a fight,
But body won; it walks upright.
Then he struggled with the heart;
Innocence and peace depart.
Then he struggled with the mind;
His proud heart he left behind.
Now his wars on God begin;
At stroke of midnight God shall win.
X.
Conjunctions
If Jupiter and Saturn meet,
What a cop of mummy wheat!
The sword's a cross; thereon He died:
On breast of Mars the goddess sighed.
XI.
A Needle's Eye
All the stream that's roaring by
Came out of a needle's eye;
Things unborn, things that are gone,
From needle's eye still goad it on.
XII.
Meru
Civilisation is hooped together, brought
Under a mle, under the semblance of peace
By manifold illusion; but man's life is thought,
And he, despite his terror, cannot cease
Ravening through century after century,
Ravening, raging, and uprooting that he may come
Into the desolation of reality:
Egypt and Greece, good-bye, and good-bye, Rome!
Hermits upon Mount Meru or Everest,
Caverned in night under the drifted snow,
Or where that snow and winter's dreadful blast
Beat down upon their naked bodies, know
That day brings round the night, that before dawn
His glory and his monuments are gone.
|
Written by
William Topaz McGonagall |
Immortal! William Shakespeare, there's none can you excel,
You have drawn out your characters remarkably well,
Which is delightful for to see enacted upon the stage
For instance, the love-sick Romeo, or Othello, in a rage;
His writings are a treasure, which the world cannot repay,
He was the greatest poet of the past or of the present day
Also the greatest dramatist, and is worthy of the name,
I'm afraid the world shall never look upon his like again.
His tragedy of Hamlet is moral and sublime,
And for purity of langucge, nothing can be more fine
For instance, to hear the fair Ophelia making her moan,
At her father's grave, sad and alone.
.
.
.
In his beautiful play, "As You Like If," one passage is very fine,
Just for instance in fhe forest of Arden, the language is sublime,
Where Orlando speaks of his Rosilind, most lovely and divine,
And no other poet I am sure has written anything more fine;
His language is spoken in the Church and by the Advocate at the bar,
Here and there and everywhere throughout the world afar;
His writings abound with gospel truths, moral and sublime,
And I'm sure in my opinion they are surpassing fine;
In his beautiful tragedy of Othello, one passage is very fine,
Just for instance where Cassio looses his lieutenancy
.
.
.
By drinking too much wine;
And in grief he exclaims, "Oh! that men should put an
Enemy in their mouths to steal away their brains.
"
In his great tragedy of Richard the III, one passage is very fine
Where the Duchess of York invokes the aid of the Divine
For to protect her innocent babes from the murderer's uplifted hand,
And smite him powerless, and save her babes, I'm sure 'tie really grand.
Immortal! Bard of Avon, your writings are divine,
And will live in the memories of you admirers until the end of time;
Your plays are read in family ciFcles with wonder and delight,
While seated around the fireside on a cold winter's night.
|
Written by
Carl Sandburg |
MRS.
GABRIELLE GIOVANNITTI comes along Peoria Street
every morning at nine o'clock
With kindling wood piled on top of her head, her eyes
looking straight ahead to find the way for her old feet.
Her daughter-in-law, Mrs.
Pietro Giovannitti, whose
husband was killed in a tunnel explosion through
the negligence of a fellow-servant,
Works ten hours a day, sometimes twelve, picking onions
for Jasper on the Bowmanville road.
She takes a street car at half-past five in the morning,
Mrs.
Pietro Giovannitti does,
And gets back from Jasper's with cash for her day's
work, between nine and ten o'clock at night.
Last week she got eight cents a box, Mrs.
Pietro
Giovannitti, picking onions for Jasper,
But this week Jasper dropped the pay to six cents a
box because so many women and girls were answering
the ads in the Daily News.
Jasper belongs to an Episcopal church in Ravenswood
and on certain Sundays
He enjoys chanting the Nicene creed with his daughters
on each side of him joining their voices with his.
If the preacher repeats old sermons of a Sunday, Jasper's
mind wanders to his 700-acre farm and how he
can make it produce more efficiently
And sometimes he speculates on whether he could word
an ad in the Daily News so it would bring more
women and girls out to his farm and reduce operating
costs.
Mrs.
Pietro Giovannitti is far from desperate about life;
her joy is in a child she knows will arrive to her in
three months.
And now while these are the pictures for today there are
other pictures of the Giovannitti people I could give
you for to-morrow,
And how some of them go to the county agent on winter
mornings with their baskets for beans and cornmeal
and molasses.
I listen to fellows saying here's good stuff for a novel or
it might be worked up into a good play.
I say there's no dramatist living can put old Mrs.
Gabrielle Giovannitti into a play with that kindling
wood piled on top of her head coming along Peoria
Street nine o'clock in the morning.
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