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Best Famous Drafting Poems

Here is a collection of the all-time best famous Drafting poems. This is a select list of the best famous Drafting poetry. Reading, writing, and enjoying famous Drafting poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of drafting poems.

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Written by Jorie Graham | Create an image from this poem

The Guardian Angel Of The Private Life

 All this was written on the next day's list.
On which the busyness unfurled its cursive roots, pale but effective, and the long stem of the necessary, the sum of events, built-up its tiniest cathedral.
.
.
(Or is it the sum of what takes place? ) If I lean down, to whisper, to them, down into their gravitational field, there where they head busily on into the woods, laying the gifts out one by one, onto the path, hoping to be on the air, hoping to please the children -- (and some gifts overwrapped and some not wrapped at all) -- if I stir the wintered ground-leaves up from the paths, nimbly, into a sheet of sun, into an escape-route-width of sun, mildly gelatinous where wet, though mostly crisp, fluffing them up a bit, and up, as if to choke the singularity of sun with this jubilation of manyness, all through and round these passers-by -- just leaves, nothing that can vaporize into a thought, no, a burning bush's worth of spidery, up-ratcheting, tender-cling leaves, oh if -- the list gripped hard by the left hand of one, the busyness buried so deep into the puffed-up greenish mind of one, the hurried mind hovering over its rankings, the heart -- there at the core of the drafting leaves -- wet and warm at the zero of the bright mock-stairwaying-up of the posthumous leaves -- the heart, formulating its alleyways of discovery, fussing about the integrity of the whole, the heart trying to make time and place seem small, sliding its slim tears into the deep wallet of each new event on the list then checking it off -- oh the satisfaction -- each check a small kiss, an echo of the previous one, off off it goes the dry high-ceilinged obligation, checked-off by the fingertips, by the small gust called done that swipes the unfinishable's gold hem aside, revealing what might have been, peeling away what should .
.
.
There are flowerpots at their feet.
There is fortune-telling in the air they breathe.
It filters-in with its flashlight-beam, its holy-water-tinted air, down into the open eyes, the lampblack open mouth.
Oh listen to these words I'm spitting out for you.
My distance from you makes them louder.
Are we all waiting for the phone to ring? Who should it be? What fountain is expected to thrash forth mysteries of morning joy? What quail-like giant tail of promises, pleiades, psalters, plane-trees, what parapets petalling-forth the invisible into the world of things, turning the list into its spatial-form at last, into its archival many-headed, many-legged colony .
.
.
Oh look at you.
What is it you hold back? What piece of time is it the list won't cover? You down there, in the theater of operations -- you, throat of the world -- so diacritical -- (are we all waiting for the phone to ring?) -- (what will you say? are you home? are you expected soon?) -- oh wanderer back from break, all your attention focused -- as if the thinking were an oar, this ship the last of some original fleet, the captains gone but some of us who saw the plan drawn-out still here -- who saw the thinking clot-up in the bodies of the greater men, who saw them sit in silence while the voices in the other room lit-up with passion, itchings, dreams of landings, while the solitary ones, heads in their hands, so still, the idea barely forming at the base of that stillness, the idea like a homesickness starting just to fold and pleat and knot-itself out of the manyness -- the plan -- before it's thought, before it's a done deal or the name-you're-known-by -- the men of x, the outcomes of y -- before -- the mind still gripped hard by the hands that would hold the skull even stiller if they could, that nothing distract, that nothing but the possible be let to filter through, the possible and then the finely filamented hope, the filigree, without the distractions of wonder -- oh tiny golden spore just filtering-in to touch the good idea, which taking-form begins to twist, coursing for bottom-footing, palpating for edge-hold, limit, now finally about to rise, about to go into the other room -- and yet not having done so yet, not yet -- the intake -- before the credo, before the plan -- right at the homesickness -- before this list you hold in your exhausted hand.
Oh put it down.


Written by Du Fu | Create an image from this poem

Song of the Wagons

Wagons rumble rumble
Hhorses whinny whinny
Foot person bow arrow each at waist
Father mother wife children go mutual see off
Dust dust not see Xianyang bridge
Pull clothes stamp foot bar way weep
Weep sound directly up strike clouds clouds
Road side passerby ask foot person
Foot person only say mark down often
Some from ten five north guard river
Even until four ten west army fields
Leave time village chief give bind head
Return come head white go back garrison border
Border post shed blood become sea water
Warlike emperor expand border idea no end
Gentleman not see Han homes hill east two hundred districts
1000 villages 10000 hamlets grow thorns trees
Though be strong women hold hoe plough
Seed grow dyked field not order
Besides again Qin soldier withstand bitter fighting
Be driven not different dogs and chickens
Venerable elder though be ask
Battle person dare state bitterness
Even like this year winter
Not stop pass west soldier
District official urgent demand tax
Tax tax way how pay
True know produce males bad
Contrast be produce females good
Produce female still get married neighbour
Produce male bury follow hundred grass
Gentleman not see Qinghai edge
Past come white skeleton no person gather
New ghost vexed injustice old ghosts weep
Heaven dark rain wet sound screech screech


The wagons rumble and roll,
The horses whinny and neigh,
The conscripts each have bows and arrows at their waists.
Their parents, wives and children run to see them off,
So much dust's stirred up, it hides the Xianyang bridge.
They pull clothes, stamp their feet and, weeping, bar the way,
The weeping voices rise straight up and strike the clouds.
A passer-by at the roadside asks a conscript why,
The conscript answers only that drafting happens often.
"At fifteen, many were sent north to guard the river,
Even at forty, they had to till fields in the west.
When we went away, the elders bound our heads,
Returning with heads white, we're sent back off to the frontier.
At the border posts, shed blood becomes a sea,
The martial emperor's dream of expansion has no end.
Have you not seen the two hundred districts east of the mountains,
Where thorns and brambles grow in countless villages and hamlets?
Although there are strong women to grasp the hoe and the plough,
They grow some crops, but there's no order in the fields.
What's more, we soldiers of Qin withstand the bitterest fighting,
We're always driven onwards just like dogs and chickens.
Although an elder can ask me this,
How can a soldier dare to complain?
Even in this winter time,
Soldiers from west of the pass keep moving.
The magistrate is eager for taxes,
But how can we afford to pay?
We know now having boys is bad,
While having girls is for the best;
Our girls can still be married to the neighbours,
Our sons are merely buried amid the grass.
Have you not seen on the border of Qinghai,
The ancient bleached bones no man's gathered in?
The new ghosts are angered by injustice, the old ghosts weep,
Moistening rain falls from dark heaven on the voices' screeching.
"
Written by Henry Lawson | Create an image from this poem

The Shearers Dream

 O I dreamt I shore in a shearing shed and it was a dream of joy
For every one of the rouseabouts was a girl dressed up as a boy
Dressed up like a page in a pantomime the prettiest ever seen
They had flaxen hair they had coal black hair and every shade between

There was short plump girls there was tall slim girls and the handsomest ever seen
They was four foot five they was six foot high and every shade between

The shed was cooled by electric fans that was over every shoot
The pens was of polished mahogany and everything else to suit
The huts had springs to the mattresses and the tucker was simply grand
And every night by the billabong we danced to a German band

Our pay was the wool on the jumbucks' backs so we shore till all was blue
The sheep was washed afore they was shore and the rams were scented too
And we all of us cried when the shed cut out in spite of the long hot days
For every hour them girls waltzed in with whisky and beer on trays

There was three of them girls to every chap and as jealous as they could be
There was three of them girls to every chap and six of them picked on me
We was drafting them out for the homeward track and sharing them round like steam
When I woke with my head in the blazing sun to find it a shearer's dream
Written by Philip Larkin | Create an image from this poem

No Road

 Since we agreed to let the road between us
Fall to disuse,
And bricked our gates up, planted trees to screen us,
And turned all time's eroding agents loose,
Silence, and space, and strangers - our neglect
Has not had much effect.
Leaves drift unswept, perhaps; grass creeps unmown; No other change.
So clear it stands, so little overgrown, Walking that way tonight would not seem strange, And still would be followed.
A little longer, And time would be the stronger, Drafting a world where no such road will run From you to me; To watch that world come up like a cold sun, Rewarding others, is my liberty.
Not to prevent it is my will's fulfillment.
Willing it, my ailment.
Written by Andrew Barton Paterson | Create an image from this poem

Saltbush Bills Gamecock

 'Twas Saltbush Bill, with his travelling sheep, was making his way to town; 
He crossed them over the Hard Times Run, and he came to the Take 'Em Down; 
He counted through at the boundary gate, and camped at the drafting yard: 
For Stingy Smith, of the Hard Times Run, had hunted him rather hard.
He bore no malice to Stingy Smith -- 'twas simply the hand of Fate That caused his waggon to swerve aside and shatter old Stingy's gate; And being only the hand of Fate, it follows, without a doubt, It wasn't the fault of Saltbush Bill that Stingy's sheep got out.
So Saltbush Bill, with an easy heart, prepared for what might befall, Commenced his stages on Take 'Em Down, the station of Roostr Hall.
'Tis strange how often the men out back will take to some curious craft, Some ruling passion to keep their thoughts away from the overdraft: And Rooster Hall, of the Take 'Em Down, was widely known to fame As breeder of champion fighting cocks -- his forte was the British Game.
The passing stranger within his gates that camped with old Rooster Hall Was forced to talk about fowls all noght, or else not talk at all.
Though droughts should come, and though sheep should die, his fowls were his sole delight; He left his shed in the flood of work to watch two game-cocks fight.
He held in scorn the Australian Game, that long-legged child of sin; In a desperate fight, with the steel-tipped spurs, the British Game must win! The Australian bird was a mongrel bird, with a touch of the jungle cock; The want of breeding must find him out, when facing the English stock; For British breeding, and British pluck, must triumph it over all -- And that was the root of the simple creed that governed old Rooster Hall.
'Twas Saltbush Bill to the station rode ahead of his travelling sheep, And sent a message to Rooster Hall that wakened him out of his sleep -- A crafty message that fetched him out, and hurried him as he came -- "A drover has an Australian bird to match with your British Game.
" 'Twas done, and done in half a trice; a five-pound note a side; Old Rooster Hall, with his champion bird, and the drover's bird untried.
"Steel spurs, of course?" said old Rooster Hall; "you'll need 'em, without a doubt!" "You stick the spurs on your bird!" said Bill, "but mine fights best without.
" "Fights best without?" said old Rooster Hall; "he can't fight best unspurred! You must be crazy!" But Saltbush Bill said, "Wait till you see my bird!" So Rooster Hall to his fowl-yard went, and quickly back he came, Bearing a clipt and a shaven cock, the pride of his English Game; With an eye as fierce as an eaglehawk, and a crow like a trumbet call, He strutted about on the garden walk, and cackled at Rooster Hall.
Then Rooster Hall sent off a boy with a word to his cronies two, McCrae (the boss of the Black Police) and Father Donahoo.
Full many a cockfight old McCrae had held in his empty Court, With Father D.
as the picker-up -- a regular all-round Sport! They got the message of Rooster Hall, and down to his run they came, Prepared to scoff at the drover's bird, and to bet on the English Game; They hied them off to the drover's camp, while Saltbush rode before -- Old Rooster Hall was a blithsome man, when he thought of the treat in store.
They reached the camp, where the drover's cook, with countenance all serene, Was boiling beef in an iron pot, but never a fowl was seen.
"Take off the beef from the fire," said Bill, "and wait till you see the fight; There's something fresh for the bill-of-fare -- there's game-fowl stew tonight! For Mister Hall has a fighting cock, all feathered and clipped and spurred; And he's fetched him here, for a bit of sport, to fight our Australian bird.
I've made a match for our pet will win, though he's hardly a fighting cock, But he's game enough, and it's many a mile that he's tramped with the travelling stock.
" The cook he banged on a saucepan lid; and, soon as the sound was heard, Under the dray, in the shallow hid, a something moved and stirred: A great tame emu strutted out.
Said Saltbush, "Here's our bird!" Bur Rooster Hall, and his cronies two, drove home without a word.
The passing stranger within his gates that camps with old Rooster Hall Must talk about something else than fowls, if he wishes to talk at all.
For the record lies in the local Court, and filed in its deepest vault, That Peter Hall, of the Take 'Em Down, was tried for a fierce assault On a stranger man, who, in all good faith, and prompted by what he heard, Had asked old Hall if a British Game could beat an Australian bird; And Old McCrae, who was on the bench, as soon as the case was tried, Remarked, "Discharged with a clean discharge -- the assault was justified!"


Written by Andrew Barton Paterson | Create an image from this poem

T.y.s.o.n

 Across the Queensland border line
The mobs of cattle go;
They travel down in sun and shine
On dusty stage, and slow.
The drovers, riding slowly on To let the cattle spread, Will say: "Here's one old landmark gone, For old man Tyson's dead.
" What tales there'll be in every camp By men that Tyson knew! The swagmen, meeting on the tramp, Will yarn the long day through, And tell of how he passed as "Brown", And fooled the local men: "But not for me -- I struck the town, And passed the message further down; That's T.
Y.
S.
O.
N.
!" There stands a little country town Beyond the border line, Where dusty roads go up and down, And banks with pubs combine.
A stranger came to cash a cheque -- Few were the words he said -- A handkerchief about his neck, An old hat on his head.
A long grey stranger, eagle-eyed -- "Know me? Of course you do?" "It's not my work," the boss replied, "To know such tramps as you.
" "Well, look here, Mister, don't be flash," Replied the stranger then, "I never care to make a splash, I'm simple, but I've got the cash; I'm T.
Y.
S.
O.
N.
" But in that last great drafting-yard, Where Peter keeps the gate, And souls of sinners find it barred, And go to meet their fate, There's one who ought to enter in For good deeds done on earth, One who from Peter's self must win That meed of sterling worth.
Not to the strait and narrow gate Reserved for wealthy men, But to the big gate, opened wide, The grizzled figure, eagle-eyed, Will saunter up -- and then Old Peter'll say: "Let's pass him through; There's many a thing he used to do, Good-hearted things that no one knew; That's T.
Y.
S.
O.
N.
"

Book: Shattered Sighs