10 Best Famous Dozen Poems

Here is a collection of the top 10 all-time best famous Dozen poems. This is a select list of the best famous Dozen poetry. Reading, writing, and enjoying famous Dozen poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of dozen poems.

• All Famous Dozen Poems

 The hands of the clock were reaching high
In an old midtown hotel;
I name no name, but its sordid fame
Is table talk in hell.
I name no name, but hell's own flame
Illumes the lobby garish,
A gilded snare just off Times Square
For the maidens of the parish.

The revolving door swept the grimy floor
Like a crinoline grotesque,
And a lowly bum from an ancient slum
Crept furtively past the desk.
His footsteps sift into the lift
As a knife in the sheath is slipped,
Stealthy and swift into the lift
As a vampire into a crypt.

Old Maxie, the elevator boy,
Was reading an ode by Shelley,
But he dropped the ode as it were a toad
When the gun jammed into his belly.
There came a whisper as soft as mud
In the bed of an old canal:
"Take me up to the suite of Pinball Pete,
The rat who betrayed my gal."

The lift doth rise with groans and sighs
Like a duchess for the waltz,
Then in middle shaft, like a duchess daft,
It changes its mind and halts.
The bum bites lip as the landlocked ship
Doth neither fall nor rise,
But Maxie the elevator boy
Regards him with burning eyes.
"First, to explore the thirteenth floor,"
Says Maxie, "would be wise."

Quoth the bum, "There is moss on your double cross,
I have been this way before,
I have cased the joint at every point,
And there is no thirteenth floor.
The architect he skipped direct
From twelve unto fourteen,
There is twelve below and fourteen above,
And nothing in between,
For the vermin who dwell in this hotel
Could never abide thirteen."

Said Max, "Thirteen, that floor obscene,
Is hidden from human sight;
But once a year it doth appear,
On this Walpurgis Night.
Ere you peril your soul in murderer's role,
Heed those who sinned of yore;
The path they trod led away from God,
And onto the thirteenth floor,
Where those they slew, a grisly crew,
Reproach them forevermore.

"We are higher than twelve and below fourteen,"
Said Maxie to the bum,
"And the sickening draft that taints the shaft
Is a whiff of kingdom come.
The sickening draft that taints the shaft
Blows through the devil's door!"
And he squashed the latch like a fungus patch,
And revealed the thirteenth floor.

It was cheap cigars like lurid scars
That glowed in the rancid gloom,
The murk was a-boil with fusel oil
And the reek of stale perfume.
And round and round there dragged and wound
A loathsome conga chain,
The square and the hep in slow lock step,
The slayer and the slain.
(For the souls of the victims ascend on high,
But their bodies below remain.)

The clean souls fly to their home in the sky,
But their bodies remain below
To pursue the Cain who each has slain
And harry him to and fro.
When life is extinct each corpse is linked
To its gibbering murderer,
As a chicken is bound with wire around
The neck of a killer cur.

Handcuffed to Hate come Doctor Waite
(He tastes the poison now),
And Ruth and Judd and a head of blood
With horns upon its brow.
Up sashays Nan with her feathery fan
From Floradora bright;
She never hung for Caesar Young
But she's dancing with him tonight.

Here's the bulging hip and the foam-flecked lip
Of the mad dog, Vincent Coll,
And over there that ill-met pair,
Becker and Rosenthal,
Here's Legs and Dutch and a dozen such
Of braggart bullies and brutes,
And each one bends 'neath the weight of friends
Who are wearing concrete suits.

Now the damned make way for the double-damned
Who emerge with shuffling pace
From the nightmare zone of persons unknown,
With neither name nor face.
And poor Dot King to one doth cling,
Joined in a ghastly jig,
While Elwell doth jape at a goblin shape
And tickle it with his wig.

See Rothstein pass like breath on a glass,
The original Black Sox kid;
He riffles the pack, riding piggyback
On the killer whose name he hid.
And smeared like brine on a slavering swine,
Starr Faithful, once so fair,
Drawn from the sea to her debauchee,
With the salt sand in her hair.

And still they come, and from the bum
The icy sweat doth spray;
His white lips scream as in a dream,
"For God's sake, let's away!
If ever I meet with Pinball Pete
I will not seek his gore,
Lest a treadmill grim I must trudge with him
On the hideous thirteenth floor."

"For you I rejoice," said Maxie's voice,
"And I bid you go in peace,
But I am late for a dancing date
That nevermore will cease.
So remember, friend, as your way you wend,
That it would have happened to you,
But I turned the heat on Pinball Pete;
You see - I had a daughter, too!"

The bum reached out and he tried to shout,
But the door in his face was slammed,
And silent as stone he rode down alone
From the floor of the double-damned.

You do not do, you do not do
Any more, black shoe
In which I have lived like a foot
For thirty years, poor and white,
Barely daring to breathe or Achoo. 

Daddy, I have had to kill you.
You died before I had time---
Marble-heavy, a bag full of God,
Ghastly statue with one gray toe
Big as a Frisco seal 

And a head in the freakish Atlantic
Where it pours bean green over blue
In the waters off the beautiful Nauset.
I used to pray to recover you.
Ach, du. 

In the German tongue, in the Polish town
Scraped flat by the roller
Of wars, wars, wars.
But the name of the town is common.
My Polack friend 

Says there are a dozen or two.
So I never could tell where you
Put your foot, your root, 
I never could talk to you.
The tongue stuck in my jaw. 

It stuck in a barb wire snare.
Ich, ich, ich, ich,
I could hardly speak.
I thought every German was you.
And the language obscene 

An engine, an engine, 
Chuffing me off like a Jew.
A Jew to Dachau, Auschwitz, Belsen.
I began to talk like a Jew.
I think I may well be a Jew. 

The snows of the Tyrol, the clear beer of Vienna 
Are not very pure or true.
With my gypsy ancestress and my weird luck
And my Taroc pack and my Taroc pack
I may be a bit of a Jew. 

I have always been sacred of you,
With your Luftwaffe, your gobbledygoo.
And your neat mustache
And your Aryan eye, bright blue.
Panzer-man, panzer-man, O You---- 

Not God but a swastika
So black no sky could squeak through.
Every woman adores a Fascist,
The boot in the face, the brute
Brute heart of a brute like you. 

You stand at the blackboard, daddy,
In the picture I have of you,
A cleft in your chin instead of your foot
But no less a devil for that, no not
Any less the black man who 

Bit my pretty red heart in two.
I was ten when they buried you.
At twenty I tried to die
And get back, back, back to you.
I thought even the bones would do. 

But they pulled me out of the sack,
And they stuck me together with glue.
And then I knew what to do.
I made a model of you,
A man in black with a Meinkampf look 

And a love of the rack and the screw.
And I said I do, I do.
So daddy, I'm finally through.
The black telephone's off at the root,
The voices just can't worm through. 

If I've killed one man, I've killed two---
The vampire who said he was you
And drank my blood for a year,
Seven years, if you want to know.
Daddy, you can lie back now. 

There's a stake in your fat black heart
And the villagers never liked you.
They are dancing and stamping on you.
They always knew it was you.
Daddy, daddy, you bastard, I'm through. 

(1962)

 I. Ancestral Houses

Surely among a rich man's flowering lawns,
Amid the rustle of his planted hills,
Life overflows without ambitious pains;
And rains down life until the basin spills,
And mounts more dizzy high the more it rains
As though to choose whatever shape it wills
And never stoop to a mechanical
Or servile shape, at others' beck and call.

Mere dreams, mere dreams! Yet Homer had not Sung
Had he not found it certain beyond dreams
That out of life's own self-delight had sprung
The abounding glittering jet; though now it seems
As if some marvellous empty sea-shell flung
Out of the obscure dark of the rich streams,
And not a fountain, were the symbol which
Shadows the inherited glory of the rich.

Some violent bitter man, some powerful man
Called architect and artist in, that they,
Bitter and violent men, might rear in stone
The sweetness that all longed for night and day,
The gentleness none there had ever known;
But when the master's buried mice can play.
And maybe the great-grandson of that house,
For all its bronze and marble, 's but a mouse.

O what if gardens where the peacock strays
With delicate feet upon old terraces,
Or else all Juno from an urn displays
Before the indifferent garden deities;
O what if levelled lawns and gravelled ways
Where slippered Contemplation finds his ease
And Childhood a delight for every sense,
But take our greatness with our violence?

What if the glory of escutcheoned doors,
And buildings that a haughtier age designed,
The pacing to and fro on polished floors
Amid great chambers and long galleries, lined
With famous portraits of our ancestors;
What if those things the greatest of mankind
Consider most to magnify, or to bless,
But take our greatness with our bitterness?


 II. My House

An ancient bridge, and a more ancient tower,
A farmhouse that is sheltered by its wall,
An acre of stony ground,
Where the symbolic rose can break in flower,
Old ragged elms, old thorns innumerable,
The sound of the rain or sound
Of every wind that blows;
The stilted water-hen
Crossing Stream again
Scared by the splashing of a dozen cows;

A winding stair, a chamber arched with stone,
A grey stone fireplace with an open hearth,
A candle and written page.
Il Penseroso's Platonist toiled on
In some like chamber, shadowing forth
How the daemonic rage
Imagined everything.
Benighted travellers
From markets and from fairs
Have seen his midnight candle glimmering.

Two men have founded here. A man-at-arms
Gathered a score of horse and spent his days
In this tumultuous spot,
Where through long wars and sudden night alarms
His dwinding score and he seemed castaways
Forgetting and forgot;
And I, that after me
My bodily heirs may find,
To exalt a lonely mind,
Befitting emblems of adversity.


 III. My Table

Two heavy trestles, and a board
Where Sato's gift, a changeless sword,
By pen and paper lies,
That it may moralise
My days out of their aimlessness.
A bit of an embroidered dress
Covers its wooden sheath.
Chaucer had not drawn breath
When it was forged. In Sato's house,
Curved like new moon, moon-luminous
It lay five hundred years.
Yet if no change appears
No moon; only an aching heart
Conceives a changeless work of art.
Our learned men have urged
That when and where 'twas forged
A marvellous accomplishment,
In painting or in pottery, went
From father unto son
And through the centuries ran
And seemed unchanging like the sword.
Soul's beauty being most adored,
Men and their business took
Me soul's unchanging look;
For the most rich inheritor,
Knowing that none could pass Heaven's door,
That loved inferior art,
Had such an aching heart
That he, although a country's talk
For silken clothes and stately walk.
Had waking wits; it seemed
Juno's peacock screamed.


 IV. My Descendants

Having inherited a vigorous mind
From my old fathers, I must nourish dreams
And leave a woman and a man behind
As vigorous of mind, and yet it seems
Life scarce can cast a fragrance on the wind,
Scarce spread a glory to the morning beams,
But the torn petals strew the garden plot;
And there's but common greenness after that.

And what if my descendants lose the flower
Through natural declension of the soul,
Through too much business with the passing hour,
Through too much play, or marriage with a fool?
May this laborious stair and this stark tower
Become a roofless min that the owl
May build in the cracked masonry and cry
Her desolation to the desolate sky.

The primum Mobile that fashioned us
Has made the very owls in circles move;
And I, that count myself most prosperous,
Seeing that love and friendship are enough,
For an old neighbour's friendship chose the house
And decked and altered it for a girl's love,
And know whatever flourish and decline
These stones remain their monument and mine.


 V. The Road at My Door

An affable Irregular,
A heavily-built Falstaffian man,
Comes cracking jokes of civil war
As though to die by gunshot were
The finest play under the sun.

A brown Lieutenant and his men,
Half dressed in national uniform,
Stand at my door, and I complain
Of the foul weather, hail and rain,
A pear-tree broken by the storm.

I count those feathered balls of soot
The moor-hen guides upon the stream.
To silence the envy in my thought;
And turn towards my chamber, caught
In the cold snows of a dream.


 VI. The Stare's Nest by My Window

The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening; honey-bees,
Come build in the empty house of the state.

We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned,
Yet no clear fact to be discerned:
Come build in he empty house of the stare.

A barricade of stone or of wood;
Some fourteen days of civil war;
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.

We had fed the heart on fantasies,
The heart's grown brutal from the fare;
More Substance in our enmities
Than in our love; O honey-bees,
Come build in the empty house of the stare.


 VII. I see Phantoms of Hatred and of the Heart's
 Fullness and of the Coming Emptiness

I climb to the tower-top and lean upon broken stone,
A mist that is like blown snow is sweeping over all,
Valley, river, and elms, under the light of a moon
That seems unlike itself, that seems unchangeable,
A glittering sword out of the east. A puff of wind
And those white glimmering fragments of the mist sweep by.
Frenzies bewilder, reveries perturb the mind;
Monstrous familiar images swim to the mind's eye.

'Vengeance upon the murderers,' the cry goes up,
'Vengeance for Jacques Molay.' In cloud-pale rags, or in lace,
The rage-driven, rage-tormented, and rage-hungry troop,
Trooper belabouring trooper, biting at arm or at face,
Plunges towards nothing, arms and fingers spreading wide
For the embrace of nothing; and I, my wits astray
Because of all that senseless tumult, all but cried
For vengeance on the murderers of Jacques Molay.

Their legs long, delicate and slender, aquamarine their eyes,
Magical unicorns bear ladies on their backs.
The ladies close their musing eyes. No prophecies,
Remembered out of Babylonian almanacs,
Have closed the ladies' eyes, their minds are but a pool
Where even longing drowns under its own excess;
Nothing but stillness can remain when hearts are full
Of their own sweetness, bodies of their loveliness.

The cloud-pale unicorns, the eyes of aquamarine,
The quivering half-closed eyelids, the rags of cloud or of lace,
Or eyes that rage has brightened, arms it has made lean,
Give place to an indifferent multitude, give place
To brazen hawks. Nor self-delighting reverie,
Nor hate of what's to come, nor pity for what's gone,
Nothing but grip of claw, and the eye's complacency,
The innumerable clanging wings that have put out the moon.

I turn away and shut the door, and on the stair
Wonder how many times I could have proved my worth
In something that all others understand or share;
But O! ambitious heart, had such a proof drawn forth
A company of friends, a conscience set at ease,
It had but made us pine the more. The abstract joy,
The half-read wisdom of daemonic images,
Suffice the ageing man as once the growing boy.

 Fresh-shaven, past months & a picture in New York
of Beard Two, I did have Three took off. Well. .
Shadow & act, shadow & act,
Better get white or you' get whacked,
or keep so-called black
& raise new hell.

I've had enough of this dying.
You've done me a dozen goodnesses; get well.
Fight again for our own.
Henry felt baffled, in the middle of the thing.
He spent his whole time in Ireland on the Book of Kells,
the jackass, made of bone.

No tremor, no perspire: Heaven is here
now, in Minneapolis.
It's easier to vomit than it was,
beardless.
There's always the cruelty of scholarship.
I once was a slip.

 You have the grit and the guts, I know; 
You are ready to answer blow for blow 
You are virile, combative, stubborn, hard, 
But your honor ends with your own back-yard; 
Each man intent on his private goal, 
You have no feeling for the whole; 
What singly none would tolerate 
You let unpunished hit the state, 
Unmindful that each man must share 
The stain he lets his country wear, 
And (what no traveller ignores) 
That her good name is often yours. 


You are proud in the pride that feels its might; 
From your imaginary height 
Men of another race or hue 
Are men of a lesser breed to you: 
The neighbor at your southern gate 
You treat with the scorn that has bred his hate. 
To lend a spice to your disrespect 
You call him the "greaser". But reflect! 
The greaser has spat on you more than once; 
He has handed you multiple affronts; 
He has robbed you, banished you, burned and killed; 
He has gone untrounced for the blood he spilled; 
He has jeering used for his bootblack's rag 
The stars and stripes of the gringo's flag; 
And you, in the depths of your easy-chair -- 
What did you do, what did you care? 
Did you find the season too cold and damp 
To change the counter for the camp? 
Were you frightened by fevers in Mexico? 
I can't imagine, but this I know -- 
You are impassioned vastly more 
By the news of the daily baseball score 
Than to hear that a dozen countrymen 
Have perished somewhere in Darien, 
That greasers have taken their innocent lives 
And robbed their holdings and raped their wives. 


Not by rough tongues and ready fists 
Can you hope to jilt in the modern lists. 
The armies of a littler folk 
Shall pass you under the victor's yoke, 
Sobeit a nation that trains her sons 
To ride their horses and point their guns -- 
Sobeit a people that comprehends 
The limit where private pleasure ends 
And where their public dues begin, 
A people made strong by discipline 
Who are willing to give -- what you've no mind to -- 
And understand -- what you are blind to -- 
The things that the individual 
Must sacrifice for the good of all. 


You have a leader who knows -- the man 
Most fit to be called American, 
A prophet that once in generations 
Is given to point to erring nations 
Brighter ideals toward which to press 
And lead them out of the wilderness. 
Will you turn your back on him once again? 
Will you give the tiller once more to men 
Who have made your country the laughing-stock 
For the older peoples to scorn and mock, 
Who would make you servile, despised, and weak, 
A country that turns the other cheek, 
Who care not how bravely your flag may float, 
Who answer an insult with a note, 
Whose way is the easy way in all, 
And, seeing that polished arms appal 
Their marrow of milk-fed pacifist, 
Would tell you menace does not exist? 
Are these, in the world's great parliament, 
The men you would choose to represent 
Your honor, your manhood, and your pride, 
And the virtues your fathers dignified? 
Oh, bury them deeper than the sea 
In universal obloquy; 
Forget the ground where they lie, or write 
For epitaph: "Too proud to fight." 


I have been too long from my country's shores 
To reckon what state of mind is yours, 
But as for myself I know right well 
I would go through fire and shot and shell 
And face new perils and make my bed 
In new privations, if ROOSEVELT led; 
But I have given my heart and hand 
To serve, in serving another land, 
Ideals kept bright that with you are dim; 
Here men can thrill to their country's hymn, 
For the passion that wells in the Marseillaise 
Is the same that fires the French these days, 
And, when the flag that they love goes by, 
With swelling bosom and moistened eye 
They can look, for they know that it floats there still 
By the might of their hands and the strength of their will, 
And through perils countless and trials unknown 
Its honor each man has made his own. 
They wanted the war no more than you, 
But they saw how the certain menace grew, 
And they gave two years of their youth or three 
The more to insure their liberty 
When the wrath of rifles and pennoned spears 
Should roll like a flood on their wrecked frontiers. 
They wanted the war no more than you, 
But when the dreadful summons blew 
And the time to settle the quarrel came 
They sprang to their guns, each man was game; 
And mark if they fight not to the last 
For their hearths, their altars, and their past: 
Yea, fight till their veins have been bled dry 
For love of the country that WILL not die. 


O friends, in your fortunate present ease 
(Yet faced by the self-same facts as these), 
If you would see how a race can soar 
That has no love, but no fear, of war, 
How each can turn from his private role 
That all may act as a perfect whole, 
How men can live up to the place they claim 
And a nation, jealous of its good name, 
Be true to its proud inheritance, 
Oh, look over here and learn from FRANCE!

 Whenever I walk to Suffern along the Erie track
I go by a poor old farmhouse with its shingles broken and black.
I suppose I've passed it a hundred times, but I always stop for 
a minute
And look at the house, the tragic house, the house with nobody in 
it.
I never have seen a haunted house, but I hear there 
are such things;
That they hold the talk of spirits, their mirth and sorrowings.
I know this house isn't haunted, and I wish it were, I do;
For it wouldn't be so lonely if it had a ghost or two.
This house on the road to Suffern needs a dozen 
panes of glass,
And somebody ought to weed the walk and take a scythe to the grass.
It needs new paint and shingles, and the vines should be trimmed 
and tied;
But what it needs the most of all is some people living inside.
If I had a lot of money and all my debts were paid
I'd put a gang of men to work with brush and saw and spade.
I'd buy that place and fix it up the way it used to be
And I'd find some people who wanted a home and give it to them free.
Now, a new house standing empty, with staring window 
and door,
Looks idle, perhaps, and foolish, like a hat on its block in the 
store.
But there's nothing mournful about it; it cannot be sad and lone
For the lack of something within it that it has never known.
But a house that has done what a house should do,
a house that has sheltered life,
That has put its loving wooden arms around a man and his wife,
A house that has echoed a baby's laugh and held up his stumbling 
feet,
Is the saddest sight, when it's left alone, that ever your eyes 
could meet.
So whenever I go to Suffern along the Erie track
I never go by the empty house without stopping and looking back,
Yet it hurts me to look at the crumbling roof and the shutters fallen 
apart,
For I can't help thinking the poor old house is a house with a broken 
heart.

 I am Super Samson Simpson,
I'm superlatively strong,
I like to carry elephants,
I do it all day long,
I pick up half a dozen
and hoist them in the air,
it's really somewhat simple,
for I have strength to spare.

My muscles are enormous,
they bulge from top to toe,
and when I carry elephants,
they ripple to and fro,
but I am not the strongest
in the Simpson family,
for when I carry elephants,
my grandma carries me.

 There are many cumbersome ways to kill a man.
You can make him carry a plank of wood
to the top of a hill and nail him to it. To do this
properly you require a crowd of people
wearing sandals, a cock that crows, a cloak
to dissect, a sponge, some vinegar and one
man to hammer the nails home.

Or you can take a length of steel,
shaped and chased in a traditional way,
and attempt to pierce the metal cage he wears.
But for this you need white horses,
English trees, men with bows and arrows,
at least two flags, a prince, and a
castle to hold your banquet in.

Dispensing with nobility, you may, if the wind
allows, blow gas at him. But then you need
a mile of mud sliced through with ditches,
not to mention black boots, bomb craters,
more mud, a plague of rats, a dozen songs
and some round hats made of steel.

In an age of aeroplanes, you may fly
miles above your victim and dispose of him by
pressing one small switch. All you then
require is an ocean to separate you, two
systems of government, a nation's scientists,
several factories, a psychopath and
land that no-one needs for several years.

These are, as I began, cumbersome ways
to kill a man. Simpler, direct, and much more neat
is to see that he is living somewhere in the middle
of the twentieth century, and leave him there.

a man who had fallen among thieves

lay by the roadside on his back
dressed in fifteenthrate ideas
wearing a round jeer for a hat

fate per a somewhat more than less
emancipated evening
had in return for consciousness
endowed him with a changeless grin

whereon a dozen staunch and Meal
citizens did graze at pause
then fired by hypercivic zeal
sought newer pastures or because

swaddled with a frozen brook
of pinkest vomit out of eyes
which noticed nobody he looked
as if he did not care to rise

one hand did nothing on the vest
its wideflung friend clenched weakly dirt
while the mute trouserfly confessed
a button solemnly inert.

Brushing from whom the stiffened puke
i put him all into my arms
and staggered banged with terror through
a million billion trillion stars

 A Drop Fell on the Apple Tree --
Another -- on the Roof --
A Half a Dozen kissed the Eaves --
And made the Gables laugh --

A few went out to help the Brook
That went to help the Sea --
Myself Conjectured were they Pearls --
What Necklace could be --

The Dust replaced, in Hoisted Roads --
The Birds jocoser sung --
The Sunshine threw his Hat away --
The Bushes -- spangles flung --

The Breezes brought dejected Lutes --
And bathed them in the Glee --
Then Orient showed a single Flag,
And signed the Fete away --