Written by
Rainer Maria Rilke |
The First Elegy
Who if I cried out would hear me among the angels'
hierarchies? and even if one of them pressed me
suddenly against his heart: I would be consumed
I that overwhelming existence. For beauty is nothing
but the beginning of terror which we still are just able to endure
and we are so awed because it serenely disdains
to annihilate us. Every angel is terrifying.
And so I hold myself back and swallow the call-note
Of my dark sobbing. Ah whom can we ever turn to
in our need? Not angels not humans
and already the knowing animals are aware
that we are not really at home in
our interpreted world. Perhaps there remains for us
some tree on a hillside which every day we can take
into our vision; there remains for us yesterday's street
and the loyalty of a habit so much at ease
when it stayed with us that it moved in and never left.
Oh and night: there is night when a wind full of infinite space
gnaws at out faces. Whom would it not remain for-that longed-after
mildly disillusioning presence which the solitary heart
so painfully meets. Is it any less difficult for lovers?
But they keep on using each other to hide their own fate.
Don't you know yet? Fling the emptiness out of your arms
Into the spaces we breathe; perhaps the birds
will feel the expanded air with more passionate flying.
Yes-the springtime needed you. Often a star
was waiting for you to notice it. A wave rolled toward you
out of the distant past or as you walked
under an open window a violin
yielded itself to your hearing. All this was mission.
But could you accomplish it? Weren't you always
Distracted by expectation as if every event
announced a beloved? (Where can you find a place
to keep her with all the huge strange thoughts inside you
going and coming and often staying all night.)
But when you feel longing sing of women in love;
for their famous passion is still not immortal. Sing
of women abandoned and desolate (you envy them almost)
who could love so much more purely than those who were gratified.
Begin again and again the never-attainable praising;
remember: the hero lives on; even his downfall was
merely a pretext for achieving his final birth.
But Nature spent and exhausted takes lovers back
into herself as if there were not enough strength
to create them a second time. Have you imagined
Gaspara Stampa intensely enough so that any girl
deserted by her beloved might be inspired
by that fierce example of soaring objectless love
and might say to herself Perhaps I can be like her ?
Shouldn't this most ancient suffering finally grow
more fruitful for us? Isn't it time that we lovingly
freed ourselves from the beloved and quivering endured:
as the arrow endures the bowstring's tension so that
gathered in the snap of release it can be more than
itself. For there is no place where we can remain.
Voices. Voices. Listen my heart as only
Saints have listened: until the gigantic call lifted them
off the ground; yet they kept on impossibly
kneeling and didn't notice at all:
so complete was their listening. Not that you could endure
God's voice-far from it. But listen to the voice of the wind
and the ceaseless message that forms itself out of silence.
It is murmuring toward you now from those who died young.
Didn't their fate whenever you stepped into a church
In Naples or Rome quietly come to address you?
Or high up some eulogy entrusted you with a mission
as last year on the plaque in Santa Maria Formosa.
What they want of me is that I gently remove the appearance
of injustice about their death-which at times
slightly hinders their souls from proceeding onward.
Of course it is strange to inhabit the earth no longer
to give up customs one barely had time to learn
not to see roses and other promising Things
in terms of a human future; no longer to be
what one was in infinitely anxious hands; to leave
even one's own first name behind forgetting it
as easily as a child abandons a broken toy.
Strange to no longer desire one's desires. Strange
to see meanings that clung together once floating away
in every direction. And being dead is hard work
and full of retrieval before one can gradually feel
a trace of eternity. -Though the living are wrong to believe
in the too-sharp distinctions which they themselves have created.
Angels (they say) don't know whether it is the living
they are moving among or the dead. The eternal torrent
whirls all ages along in it through both realms
forever and their voices are drowned out in its thunderous roar.
In the end those who were carried off early no longer need us:
they are weaned from earth's sorrows and joys as gently as children
outgrow the soft breasts of their mothers. But we who do need
such great mysteries we for whom grief is so often
the source of our spirit's growth-: could we exist without them?
Is the legend meaningless that tells how in the lament for Linus
the daring first notes of song pierced through the barren numbness;
and then in the startled space which a youth as lovely as a god
had suddenly left forever the Void felt for the first time
that harmony which now enraptures and comforts and helps us.
|
Written by
Thomas Hood |
I Saw old Autumn in the misty morn
Stand shadowless like Silence, listening
To silence, for no lonely bird would sing
Into his hollow ear from woods forlorn,
Nor lowly hedge nor solitary thorn;—
Shaking his languid locks all dewy bright
With tangled gossamer that fell by night,
Pearling his coronet of golden corn.
Where are the songs of Summer?—With the sun,
Oping the dusky eyelids of the south,
Till shade and silence waken up as one,
And Morning sings with a warm odorous mouth.
Where are the merry birds?—Away, away,
On panting wings through the inclement skies,
Lest owls should prey
Undazzled at noonday,
And tear with horny beak their lustrous eyes.
Where are the blooms of Summer?—In the west,
Blushing their last to the last sunny hours,
When the mild Eve by sudden Night is prest
Like tearful Proserpine, snatch'd from her flow'rs
To a most gloomy breast.
Where is the pride of Summer,—the green prime,—
The many, many leaves all twinkling?—Three
On the moss'd elm; three on the naked lime
Trembling,—and one upon the old oak-tree!
Where is the Dryad's immortality?—
Gone into mournful cypress and dark yew,
Or wearing the long gloomy Winter through
In the smooth holly's green eternity.
The squirrel gloats on his accomplish'd hoard,
The ants have brimm'd their garners with ripe grain,
And honey bees have stored
The sweets of Summer in their luscious cells;
The swallows all have wing'd across the main;
But here the Autumn melancholy dwells,
And sighs her tearful spells
Amongst the sunless shadows of the plain.
Alone, alone,
Upon a mossy stone,
She sits and reckons up the dead and gone
With the last leaves for a love-rosary,
Whilst all the wither'd world looks drearily,
Like a dim picture of the drownèd past
In the hush'd mind's mysterious far away,
Doubtful what ghostly thing will steal the last
Into that distance, gray upon the gray.
O go and sit with her, and be o'ershaded
Under the languid downfall of her hair:
She wears a coronal of flowers faded
Upon her forehead, and a face of care;—
There is enough of wither'd everywhere
To make her bower,—and enough of gloom;
There is enough of sadness to invite,
If only for the rose that died, whose doom
Is Beauty's,—she that with the living bloom
Of conscious cheeks most beautifies the light:
There is enough of sorrowing, and quite
Enough of bitter fruits the earth doth bear,—
Enough of chilly droppings for her bowl;
Enough of fear and shadowy despair,
To frame her cloudy prison for the soul!
|
Written by
Rainer Maria Rilke |
Who, if I cried out, would hear me among the angels'
hierarchies? and even if one of them suddenly
pressed me against his heart, I would perish
in the embrace of his stronger existence.
For beauty is nothing but the beginning of terror
which we are barely able to endure and are awed
because it serenely disdains to annihilate us.
Each single angel is terrifying.
And so I force myself, swallow and hold back
the surging call of my dark sobbing.
Oh, to whom can we turn for help?
Not angels, not humans;
and even the knowing animals are aware that we feel
little secure and at home in our interpreted world.
There remains perhaps some tree on a hillside
daily for us to see; yesterday's street remains for us
stayed, moved in with us and showed no signs of leaving.
Oh, and the night, the night, when the wind
full of cosmic space invades our frightened faces.
Whom would it not remain for -that longed-after,
gently disenchanting night, painfully there for the
solitary heart to achieve? Is it easier for lovers?
Don't you know yet ? Fling out of your arms the
emptiness into the spaces we breath -perhaps the birds
will feel the expanded air in their more ferven flight.
Yes, the springtime were in need of you. Often a star
waited for you to espy it and sense its light.
A wave rolled toward you out of the distant past,
or as you walked below an open window,
a violin gave itself to your hearing.
All this was trust. But could you manage it?
Were you not always distraught by expectation,
as if all this were announcing the arrival
of a beloved? (Where would you find a place
to hide her, with all your great strange thoughts
coming and going and often staying for the night.)
When longing overcomes you, sing of women in love;
for their famous passion is far from immortal enough.
Those whom you almost envy, the abandoned and
desolate ones, whom you found so much more loving
than those gratified. Begin ever new again
the praise you cannot attain; remember:
the hero lives on and survives; even his downfall
was for him only a pretext for achieving
his final birth. But nature, exhausted, takes lovers
back into itself, as if such creative forces could never be
achieved a second time.
Have you thought of Gaspara Stampa sufficiently:
that any girl abandoned by her lover may feel
from that far intenser example of loving:
"Ah, might I become like her!" Should not their oldest
sufferings finally become more fruitful for us?
Is it not time that lovingly we freed ourselves
from the beloved and, quivering, endured:
as the arrow endures the bow-string's tension,
and in this tense release becomes more than itself.
For staying is nowhere.
Voices, voices. Listen my heart, as only saints
have listened: until the gigantic call lifted them
clear off the ground. Yet they went on, impossibly,
kneeling, completely unawares: so intense was
their listening. Not that you could endure
the voice of God -far from it! But listen
to the voice of the wind and the ceaseless message
that forms itself out of silence. They sweep
toward you now from those who died young.
Whenever they entered a church in Rome or Naples,
did not their fate quietly speak to you as recently
as the tablet did in Santa Maria Formosa?
What do they want of me? to quietly remove
the appearance of suffered injustice that,
at times, hinders a little their spirits from
freely proceeding onward.
Of course, it is strange to inhabit the earth no longer,
to no longer use skills on had barely time to acquire;
not to observe roses and other things that promised
so much in terms of a human future, no longer
to be what one was in infinitely anxious hands;
to even discard one's own name as easily as a child
abandons a broken toy.
Strange, not to desire to continue wishing one's wishes.
Strange to notice all that was related, fluttering
so loosely in space. And being dead is hard work
and full of retrieving before one can gradually feel a
trace of eternity. -Yes, but the liviing make
the mistake of drawing too sharp a distinction.
Angels (they say) are often unable to distinguish
between moving among the living or the dead.
The eternal torrent whirls all ages along with it,
through both realms forever, and their voices are lost in
its thunderous roar.
In the end the early departed have no longer
need of us. One is gently weaned from things
of this world as a child outgrows the need
of its mother's breast. But we who have need
of those great mysteries, we for whom grief is
so often the source of spiritual growth,
could we exist without them?
Is the legend vain that tells of music's beginning
in the midst of the mourning for Linos?
the daring first sounds of song piercing
the barren numbness, and how in that stunned space
an almost godlike youth suddenly left forever,
and the emptiness felt for the first time
those harmonious vibrations which now enrapture
and comfort and help us.
|
Written by
Walt Whitman |
1
COURAGE yet! my brother or my sister!
Keep on! Liberty is to be subserv’d, whatever occurs;
That is nothing, that is quell’d by one or two failures, or any number of failures,
Or by the indifference or ingratitude of the people, or by any unfaithfulness,
Or the show of the tushes of power, soldiers, cannon, penal statutes.
Revolt! and still revolt! revolt!
What we believe in waits latent forever through all the continents, and all the islands
and
archipelagos of the sea;
What we believe in invites no one, promises nothing, sits in calmness and light, is
positive
and composed, knows no discouragement,
Waiting patiently, waiting its time.
(Not songs of loyalty alone are these,
But songs of insurrection also;
For I am the sworn poet of every dauntless rebel, the world over,
And he going with me leaves peace and routine behind him,
And stakes his life, to be lost at any moment.)
2
Revolt! and the downfall of tyrants!
The battle rages with many a loud alarm, and frequent advance and retreat,
The infidel triumphs—or supposes he triumphs,
Then the prison, scaffold, garrote, hand-cuffs, iron necklace and anklet, lead-balls, do
their
work,
The named and unnamed heroes pass to other spheres,
The great speakers and writers are exiled—they lie sick in distant lands,
The cause is asleep—the strongest throats are still, choked with their own blood,
The young men droop their eyelashes toward the ground when they meet;
—But for all this, liberty has not gone out of the place, nor the infidel
enter’d
into full possession.
When liberty goes out of a place, it is not the first to go, nor the second or third to
go,
It waits for all the rest to go—it is the last.
When there are no more memories of heroes and martyrs,
And when all life, and all the souls of men and women are discharged from any part of the
earth,
Then only shall liberty, or the idea of liberty, be discharged from that part of the
earth,
And the infidel come into full possession.
3
Then courage! European revolter! revoltress!
For, till all ceases, neither must you cease.
I do not know what you are for, (I do not know what I am for myself, nor what anything is
for,)
But I will search carefully for it even in being foil’d,
In defeat, poverty, misconception, imprisonment—for they too are great.
Revolt! and the bullet for tyrants!
Did we think victory great?
So it is—But now it seems to me, when it cannot be help’d, that defeat is great,
And that death and dismay are great.
|
Written by
Edna St. Vincent Millay |
When I was a windy boy and a bit
And the black spit of the chapel fold,
(Sighed the old ram rod, dying of women),
I tiptoed shy in the gooseberry wood,
The rude owl cried like a tell-tale tit,
I skipped in a blush as the big girls rolled
Nine-pin down on donkey's common,
And on seesaw sunday nights I wooed
Whoever I would with my wicked eyes,
The whole of the moon I could love and leave
All the green leaved little weddings' wives
In the coal black bush and let them grieve.
When I was a gusty man and a half
And the black beast of the beetles' pews
(Sighed the old ram rod, dying of bitches),
Not a boy and a bit in the wick-
Dipping moon and drunk as a new dropped calf,
I whistled all night in the twisted flues,
Midwives grew in the midnight ditches,
And the sizzling sheets of the town cried, Quick!-
Whenever I dove in a breast high shoal,
Wherever I ramped in the clover quilts,
Whatsoever I did in the coal-
Black night, I left my quivering prints.
When I was a man you could call a man
And the black cross of the holy house,
(Sighed the old ram rod, dying of welcome),
Brandy and ripe in my bright, bass prime,
No springtailed tom in the red hot town
With every simmering woman his mouse
But a hillocky bull in the swelter
Of summer come in his great good time
To the sultry, biding herds, I said,
Oh, time enough when the blood runs cold,
And I lie down but to sleep in bed,
For my sulking, skulking, coal black soul!
When I was half the man I was
And serve me right as the preachers warn,
(Sighed the old ram rod, dying of downfall),
No flailing calf or cat in a flame
Or hickory bull in milky grass
But a black sheep with a crumpled horn,
At last the soul from its foul mousehole
Slunk pouting out when the limp time came;
And I gave my soul a blind, slashed eye,
Gristle and rind, and a roarers' life,
And I shoved it into the coal black sky
To find a woman's soul for a wife.
Now I am a man no more no more
And a black reward for a roaring life,
(Sighed the old ram rod, dying of strangers),
Tidy and cursed in my dove cooed room
I lie down thin and hear the good bells jaw--
For, oh, my soul found a sunday wife
In the coal black sky and she bore angels!
Harpies around me out of her womb!
Chastity prays for me, piety sings,
Innocence sweetens my last black breath,
Modesty hides my thighs in her wings,
And all the deadly virtues plague my death!
|
Written by
James Joyce |
Again!
Come, give, yield all your strength to me!
From far a low word breathes on the breaking brain
Its cruel calm, submission's misery,
Gentling her awe as to a soul predestined.
Cease, silent love! My doom!
Blind me with your dark nearness, O have mercy, beloved enemy of my will!
I dare not withstand the cold touch that I dread.
Draw from me still
My slow life! Bend deeper on me, threatening head,
Proud by my downfall, remembering, pitying
Him who is, him who was!
Again!
Together, folded by the night, they lay on earth. I hear
From far her low word breathe on my breaking brain.
Come! I yield. Bend deeper upon me! I am here.
Subduer, do not leave me! Only joy, only anguish,
Take me, save me, soothe me, O spare me!
|
Written by
William Topaz McGonagall |
Ye sons of Mars, come list to me,
And I will relate to ye
A great and heroic naval fight,
Which will fill your hearts with delight.
The fight was between the French Frigate "Pique" and the British Frigate "Blanche,"
But the British crew were bold and staunch;
And the battle was fought in West Indian waters in the year of 1795,
And for to gain the victory the French did nobly strive.
And on the morning of the 4th of January while cruising off Gadulope,
The look-out man from the foretop loudly spoke,
And cried, "Sail ahoy!" "Where away ?"
"On the lee bow, close in shore, sir," was answered without delay.
Then Captain Faulkner cried, "Clear the decks!"
And the French vessel with his eyeglass he inspects;
And he told his men to hoist the British flag,
And "prepare my heroes to pull down that French rag."
Then the "Blanche" made sail and bore away
In the direction of the "Pique" without delay;
And Captain Fauikner cried, "Now, my lads, bear down on him,
And make ready quickly and begin."
It was about midnight when the Frenchman hove in sight,
And could be seen distinctly in the starlight;
And for an hour and a half they fired away
Broadsides into each other without dismay.
And with tne rapid flashes the Heavens were aflame,
As each volley from the roaring cannons came;
And the incessant roll of musketry was awful to hear,
As it broke over the silent sea and smote upon the ear.
The French vessel had nearly 400 men,
Her decks were literally crowded from stem to stern;
And the musketeers kept up a fierce fire on the " Blanche,"
But still the "Blanche" on them did advance.
And the "Blanche's" crew without dismay
Fired a broadside into the "Pique" without delay,
Which raked her fore and aft, and knocked her to smash,
And the mizzen mast fell overboard with a terrible crash.
Then the Frenohmen rushed forward to board the "Blanche,"
But in doing so they had a very poor chance,
For the British Tars in courage didn't lack,
Because thrice in succession on their own deck they were driven back.
Then "Brave, my lads!" Captain Faulkner loudly cries,
"Lash her bowsprit to our capstan, she's our prize";
And he seized some ropes to lash round his foe,
But a musket ball pierced his heart and laid him low.
Then a yell of rage burst from the noble crew,
And near to his fallen body they drew;
And tears for his loss fell fast on the deck,
Their grief was so great their tears they conldn 't check.
The crew was very sorry for their captain's downfall,
But the sight didn't their brave hearts appall;
Because they fastened the ropes to the "Pique" at the capstan,
And the "Pique" was dragged after the "Blanche," the sight was grand.
Yet the crew of the "Pique" maintained the fight,
Oh! most courageously they fought in the dead of night;
And for two hours they kept up firing without dismay,
But it was a sacrifice of human life, they had to give way.
And about five o'clock in the morning the French cried for quarter,
Because on board there had been a great slaughter;
Their Captain Consail was mortally wounded in the fight
Along with many officers and men; oh! it was a heartrending sight
To see the wounded and dead weltering in their gore
After the cannonading had ceased and the fighting was o'er.
|
Written by
William Topaz McGonagall |
In a little town in Devonshire, in the mellow September moonlight,
A gentleman passing along a street saw a pitiful sight,
A man bending over the form of a woman on the pavement.
He was uttering plaintive words and seemingly discontent.
"What's the matter with the woman?" asked the gentleman,
As the poor, fallen woman he did narrowly scan.
"There's something the matter, as yer honour can see,
But it's not right to prate about my wife, blame me."
"Is that really your wife?" said the gentleman.
"Yes, sor, but she looks very pale and wan."
"But surely she is much younger than you?"
"Only fourteen years, sor, that is thrue."
"It's myself that looks a deal oulder nor I really am,
Throuble have whitened my heir, my good gintleman,
Which was once as black as the wings of a crow,
And it's throuble as is dyed it as white as the snow.
Come, my dear sowl, Bridget, it's past nine o'clock,
And to see yez lying there it gives my heart a shock."
And he smoothed away the raven hair from her forehead,
And her hands hung heavily as if she had been dead.
The gentleman saw what was the matter and he sighed again,
And he said, "It's a great trial and must give you pain,
But I see you are willing to help her all you can."
But the encouraging words was not lost upon the Irishman.
"Thrial!" he echoed, "Don't mintion it, yer honour,
But the blessing of God rest upon her.
Poor crathur, she's good barrin' this one fault,
And by any one I don't like to hear her miscault."
"What was the reason of her taking to drink?"
"Bless yer honour, that's jest what I oftentimes think,
Some things is done without any rason at all,
And, sure, this one to me is a great downfall.
'Ah, Bridget, my darlin', I never dreamt ye'd come to this,"
And stooping down, her cheek he did kiss.
While a glittering tear flashed in the moonlight to the ground,
For the poor husband's grief was really profound.
"Have you any children?" asked the gentleman.
"No, yer honour, bless the Lord, contented I am,
I wouldn't have the lambs know any harm o' their mother,
Besides, sor, to me they would be a great bother."
"What is your trade, my good man?"
"Gardening, sor, and mighty fond of it I am.
Kind sor, I am out of a job and I am dying with sorrow."
"Well, you can call at my house by ten o'clock to-morrow.
"And I'll see what I can do for you.
Now, hasten home with your wife, and I bid you adieu.
But stay, my good man, I did not ask your name."
"My name is Matthew Mahoney, after Father Matthew of great fame,"
Then Mahoney stooped and lifted Bridget tenderly,
And carried her home in his arms cheerfully,
And put her to bed while he felt quite content,
Still hoping Bridget would see the folly of drinking and repent.
And at ten o'clock next morning Matthew was at Blandford Hall,
And politely for Mr Gillespie he did call,
But he was told Mrs Gillespie he would see,
And was invited into the parlour cheerfully.
And when Mrs Gillespie entered the room
She said, "Matthew Mahoney, I suppose you want to know your doom.
Well, Matthew, tell your wife to call here to-morrow."
"I'll ax her, my lady, for my heart's full of sorrow."
So Matthew got his wife to make her appearance at Blandford Hall,
And, trembling, upon Mrs Gillespie poor Bridget did call,
And had a pleasant interview with Mrs Gillespie,
And was told she was wanted for a new lodge-keeper immediately.
"But, Bridget, my dear woman, you mustn't drink any more,
For you have got a good husband you ought to adore,
And Mr Gillespie will help you, I'm sure,
Because he is very kind to deserving poor."
And Bridget's repentance was hearty and sincere,
And by the grace of God she never drank whisky, rum, or beer,
And good thoughts come into her mind of Heaven above,
And Matthew Mahoney dearly does her love.
|
Written by
Victor Hugo |
("Il neigeait.")
{Bk. V. xiii., Nov. 25-30, 1852.}
It snowed. A defeat was our conquest red!
For once the eagle was hanging its head.
Sad days! the Emperor turned slowly his back
On smoking Moscow, blent orange and black.
The winter burst, avalanche-like, to reign
Over the endless blanched sheet of the plain.
Nor chief nor banner in order could keep,
The wolves of warfare were 'wildered like sheep.
The wings from centre could hardly be known
Through snow o'er horses and carts o'erthrown,
Where froze the wounded. In the bivouacs forlorn
Strange sights and gruesome met the breaking morn:
Mute were the bugles, while the men bestrode
Steeds turned to marble, unheeding the goad.
The shells and bullets came down with the snow
As though the heavens hated these poor troops below.
Surprised at trembling, though it was with cold,
Who ne'er had trembled out of fear, the veterans bold
Marched stern; to grizzled moustache hoarfrost clung
'Neath banners that in leaden masses hung.
It snowed, went snowing still. And chill the breeze
Whistled upon the glassy endless seas,
Where naked feet on, on for ever went,
With naught to eat, and not a sheltering tent.
They were not living troops as seen in war,
But merely phantoms of a dream, afar
In darkness wandering, amid the vapor dim,—
A mystery; of shadows a procession grim,
Nearing a blackening sky, unto its rim.
Frightful, since boundless, solitude behold
Where only Nemesis wove, mute and cold,
A net all snowy with its soft meshes dense,
A shroud of magnitude for host immense;
Till every one felt as if left alone
In a wide wilderness where no light shone,
To die, with pity none, and none to see
That from this mournful realm none should get free.
Their foes the frozen North and Czar—That, worst.
Cannon were broken up in haste accurst
To burn the frames and make the pale fire high,
Where those lay down who never woke or woke to die.
Sad and commingled, groups that blindly fled
Were swallowed smoothly by the desert dread.
'Neath folds of blankness, monuments were raised
O'er regiments. And History, amazed,
Could not record the ruin of this retreat,
Unlike a downfall known before or the defeat
Of Hannibal—reversed and wrapped in gloom!
Of Attila, when nations met their doom!
Perished an army—fled French glory then,
Though there the Emperor! he stood and gazed
At the wild havoc, like a monarch dazed
In woodland hoar, who felt the shrieking saw—
He, living oak, beheld his branches fall, with awe.
Chiefs, soldiers, comrades died. But still warm love
Kept those that rose all dastard fear above,
As on his tent they saw his shadow pass—
Backwards and forwards, for they credited, alas!
His fortune's star! it could not, could not be
That he had not his work to do—a destiny?
To hurl him headlong from his high estate,
Would be high treason in his bondman, Fate.
But all the while he felt himself alone,
Stunned with disasters few have ever known.
Sudden, a fear came o'er his troubled soul,
What more was written on the Future's scroll?
Was this an expiation? It must be, yea!
He turned to God for one enlightening ray.
"Is this the vengeance, Lord of Hosts?" he sighed,
But the first murmur on his parched lips died.
"Is this the vengeance? Must my glory set?"
A pause: his name was called; of flame a jet
Sprang in the darkness;—a Voice answered; "No!
Not yet."
Outside still fell the smothering snow.
Was it a voice indeed? or but a dream?
It was the vulture's, but how like the sea-bird's scream.
TORU DUTT.
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Written by
Donald Justice |
But these maneuverings to avoid
The touching of hands,
These shifts to keep the eyes employed
On objects more or less neutral
(As honor, for time being, commands)
Will hardly prevent their downfall.
Stronger medicines are needed.
Already they find
None of their strategems have succeeded,
Nor would have, no,
Not had their eyes been stricken blind,
Hands cut off at the elbow.
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