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Best Famous Dorcas Poems

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Written by Rainer Maria Rilke | Create an image from this poem

The Gazelle

Gazella Dorcas


Enchanted thing: how can two chosen words
ever attain the harmony of pure rhyme
that pulses through you as your body stirs?
Out of your forehead branch and lyre climb

and all your features pass in simile through
the songs of love whose words as light as rose-
petals rest on the face of someone who
has put his book away and shut his eyes:

to see you: tensed as if each leg were a gun
loaded with leaps but not fired while your neck
holds your head still listening: as when

while swimming in some isolated place
a girl hears leaves rustle and turns to look:
the forest pool reflected in her face.


Written by Siegfried Sassoon | Create an image from this poem

The Old Huntsman

 I’ve never ceased to curse the day I signed 
A seven years’ bargain for the Golden Fleece. 
’Twas a bad deal all round; and dear enough 
It cost me, what with my daft management, 
And the mean folk as owed and never paid me, 
And backing losers; and the local bucks 
Egging me on with whiskys while I bragged 
The man I was when huntsman to the Squire. 

I’d have been prosperous if I’d took a farm 
Of fifty acres, drove my gig and haggled 
At Monday markets; now I’ve squandered all 
My savings; nigh three hundred pound I got 
As testimonial when I’d grown too stiff 
And slow to press a beaten fox. 

The Fleece! 
’Twas the damned Fleece that wore my Emily out, 
The wife of thirty years who served me well; 
(Not like this beldam clattering in the kitchen, 
That never trims a lamp nor sweeps the floor, 
And brings me greasy soup in a foul crock.) 

Blast the old harridan! What’s fetched her now, 
Leaving me in the dark, and short of fire? 
And where’s my pipe? ’Tis lucky I’ve a turn 
For thinking, and remembering all that’s past. 
And now’s my hour, before I hobble to bed, 
To set the works a-wheezing, wind the clock 
That keeps the time of life with feeble tick 
Behind my bleared old face that stares and wonders. 

. . . . 
It’s ***** how, in the dark, comes back to mind 
Some morning of September. We’ve been digging 
In a steep sandy warren, riddled with holes, 
And I’ve just pulled the terrier out and left 
A sharp-nosed cub-face blinking there and snapping, 
Then in a moment seen him mobbed and torn 
To strips in the baying hurly of the pack. 
I picture it so clear: the dusty sunshine 
On bracken, and the men with spades, that wipe 
Red faces: one tilts up a mug of ale. 
And, having stopped to clean my gory hands, 
I whistle the jostling beauties out of the wood. 

I’m but a daft old fool! I often wish 
The Squire were back again—ah! he was a man! 
They don’t breed men like him these days; he’d come 
For sure, and sit and talk and suck his briar 
Till the old wife brings up a dish of tea. 

Ay, those were days, when I was serving Squire! 
I never knowed such sport as ’85, 
The winter afore the one that snowed us silly. 

. . . . 
Once in a way the parson will drop in 
And read a bit o’ the Bible, if I’m bad, 
And pray the Lord to make my spirit whole 
In faith: he leaves some ’baccy on the shelf, 
And wonders I don’t keep a dog to cheer me 
Because he knows I’m mortal fond of dogs! 

I ask you, what’s a gent like that to me 
As wouldn’t know Elijah if I saw him, 
Nor have the wit to keep him on the talk? 
’Tis kind of parson to be troubling still 
With such as me; but he’s a town-bred chap, 
Full of his college notions and Christmas hymns. 

Religion beats me. I’m amazed at folk
Drinking the gospels in and never scratching 
Their heads for questions. When I was a lad 
I learned a bit from mother, and never thought 
To educate myself for prayers and psalms. 

But now I’m old and bald and serious-minded,
With days to sit and ponder. I’d no chance 
When young and gay to get the hang of all 
This Hell and Heaven: and when the clergy hoick 
And holloa from their pulpits, I’m asleep, 
However hard I listen; and when they pray
It seems we’re all like children sucking sweets 
In school, and wondering whether master sees. 

I used to dream of Hell when I was first 
Promoted to a huntsman’s job, and scent 
Was rotten, and all the foxes disappeared,
And hounds were short of blood; and officers 
From barracks over-rode ’em all day long 
On weedy, whistling nags that knocked a hole 
In every fence; good sportsmen to a man 
And brigadiers by now, but dreadful hard
On a young huntsman keen to show some sport. 

Ay, Hell was thick with captains, and I rode 
The lumbering brute that’s beat in half a mile, 
And blunders into every blind old ditch. 
Hell was the coldest scenting land I’ve known,
And both my whips were always lost, and hounds 
Would never get their heads down; and a man 
On a great yawing chestnut trying to cast ’em 
While I was in a corner pounded by 
The ugliest hog-backed stile you’ve clapped your eyes on.
There was an iron-spiked fence round all the coverts, 
And civil-spoken keepers I couldn’t trust, 
And the main earth unstopp’d. The fox I found 
Was always a three-legged ’un from a bag, 
Who reeked of aniseed and wouldn’t run.
The farmers were all ploughing their old pasture 
And bellowing at me when I rode their beans 
To cast for beaten fox, or galloped on 
With hounds to a lucky view. I’d lost my voice 
Although I shouted fit to burst my guts,
And couldn’t blow my horn. 

And when I woke, 
Emily snored, and barn-cocks started crowing, 
And morn was at the window; and I was glad 
To be alive because I heard the cry 
Of hounds like church-bells chiming on a Sunday.
Ay, that’s the song I’d wish to hear in Heaven! 
The cry of hounds was Heaven for me: I know 
Parson would call me crazed and wrong to say it, 
But where’s the use of life and being glad 
If God’s not in your gladness? 

I’ve no brains
For book-learned studies; but I’ve heard men say 
There’s much in print that clergy have to wink at: 
Though many I’ve met were jolly chaps, and rode 
To hounds, and walked me puppies; and could pick 
Good legs and loins and necks and shoulders, ay,
And feet—’twas necks and feet I looked at first. 

Some hounds I’ve known were wise as half your saints, 
And better hunters. That old dog of the Duke’s, 
Harlequin; what a dog he was to draw! 
And what a note he had, and what a nose
When foxes ran down wind and scent was catchy! 
And that light lemon ***** of the Squire’s, old Dorcas— 
She were a marvellous hunter, were old Dorcas! 
Ay, oft I’ve thought, ‘If there were hounds in Heaven, 
With God as master, taking no subscription; 
And all His bless?d country farmed by tenants, 
And a straight-necked old fox in every gorse!’ 
But when I came to work it out, I found 
There’d be too many huntsmen wanting places, 
Though some I’ve known might get a job with Nick! 

. . . . 
I’ve come to think of God as something like 
The figure of a man the old Duke was 
When I was turning hounds to Nimrod King, 
Before his Grace was took so bad with gout 
And had to quit the saddle. Tall and spare,
Clean-shaved and grey, with shrewd, kind eyes, that twinkled, 
And easy walk; who, when he gave good words, 
Gave them whole-hearted; and would never blame 
Without just cause. Lord God might be like that, 
Sitting alone in a great room of books
Some evening after hunting. 

Now I’m tired 
With hearkening to the tick-tack on the shelf; 
And pondering makes me doubtful. 

Riding home 
On a moonless night of cloud that feels like frost 
Though stars are hidden (hold your feet up, horse!) 
And thinking what a task I had to draw 
A pack with all those lame ’uns, and the lot 
Wanting a rest from all this open weather; 
That’s what I’m doing now. 

And likely, too, 
The frost’ll be a long ’un, and the night 
One sleep. The parsons say we’ll wake to find 
A country blinding-white with dazzle of snow. 

The naked stars make men feel lonely, wheeling 
And glinting on the puddles in the road. 

And then you listen to the wind, and wonder 
If folk are quite such bucks as they appear 
When dressed by London tailors, looking down 
Their boots at covert side, and thinking big. 

. . . . 
This world’s a funny place to live in. Soon 
I’ll need to change my country; but I know 
’Tis little enough I’ve understood my life, 
And a power of sights I’ve missed, and foreign marvels. 

I used to feel it, riding on spring days 
In meadows pied with sun and chasing clouds, 
And half forget how I was there to catch
The foxes; lose the angry, eager feeling 
A huntsman ought to have, that’s out for blood, 
And means his hounds to get it! 

Now I know 
It’s God that speaks to us when we’re bewitched, 
Smelling the hay in June and smiling quiet;
Or when there’s been a spell of summer drought, 
Lying awake and listening to the rain. 

. . . . 
I’d like to be the simpleton I was 
In the old days when I was whipping-in 
To a little harrier-pack in Worcestershire,
And loved a dairymaid, but never knew it 
Until she’d wed another. So I’ve loved 
My life; and when the good years are gone down, 
Discover what I’ve lost. 

I never broke 
Out of my blundering self into the world,
But let it all go past me, like a man 
Half asleep in a land that’s full of wars. 

What a grand thing ’twould be if I could go 
Back to the kennels now and take my hounds 
For summer exercise; be riding out
With forty couple when the quiet skies 
Are streaked with sunrise, and the silly birds 
Grown hoarse with singing; cobwebs on the furze 
Up on the hill, and all the country strange, 
With no one stirring; and the horses fresh,
Sniffing the air I’ll never breathe again. 

. . . . 
You’ve brought the lamp, then, Martha? I’ve no mind 
For newspaper to-night, nor bread and cheese. 
Give me the candle, and I’ll get to bed.
Written by Eugene Field | Create an image from this poem

Ballad of women i love

 Prudence Mears hath an old blue plate
Hid away in an oaken chest,
And a Franklin platter of ancient date
Beareth Amandy Baker's crest;
What times soever I've been their guest,
Says I to myself in an undertone:
"Of womenfolk, it must be confessed,
These do I love, and these alone."

Well, again, in the Nutmeg State,
Dorothy Pratt is richly blest
With a relic of art and a land effete--
A pitcher of glass that's cut, not pressed.
And a Washington teapot is possessed
Down in Pelham by Marthy Stone--
Think ye now that I say in jest
"These do I love, and these alone?"

Were Hepsy Higgins inclined to mate,
Or Dorcas Eastman prone to invest
In Cupid's bonds, they could find their fate
In the bootless bard of Crockery Quest.
For they've heaps of trumpery--so have the rest
Of those spinsters whose ware I'd like to own;
You can see why I say with such certain zest,
"These do I love, and these alone."
Written by Robert Herrick | Create an image from this poem

The Widows Tears; Or Dirge Of Dorcas

 Come pity us, all ye who see
Our harps hung on the willow-tree;
Come pity us, ye passers-by,
Who see or hear poor widows' cry;
Come pity us, and bring your ears
And eyes to pity widows' tears.
CHOR. And when you are come hither,
Then we will keep
A fast, and weep
Our eyes out all together,

For Tabitha; who dead lies here,
Clean wash'd, and laid out for the bier.
O modest matrons, weep and wail!
For now the corn and wine must fail;
The basket and the bin of bread,
Wherewith so many souls were fed,
CHOR. Stand empty here for ever;
And ah! the poor,
At thy worn door,
Shall be relieved never.

Woe worth the time, woe worth the day,
That reft us of thee, Tabitha!
For we have lost, with thee, the meal,
The bits, the morsels, and the deal
Of gentle paste and yielding dough,
That thou on widows did bestow.
CHOR. All's gone, and death hath taken
Away from us
Our maundy; thus
Thy widows stand forsaken.

Ah, Dorcas, Dorcas! now adieu
We bid the cruise and pannier too;
Ay, and the flesh, for and the fish,
Doled to us in that lordly dish.
We take our leaves now of the loom
From whence the housewives' cloth did come;
CHOR. The web affords now nothing;
Thou being dead,
The worsted thread
Is cut, that made us clothing.

Farewell the flax and reaming wool,
With which thy house was plentiful;
Farewell the coats, the garments, and
The sheets, the rugs, made by thy hand;
Farewell thy fire and thy light,
That ne'er went out by day or night:--
CHOR. No, or thy zeal so speedy,
That found a way,
By peep of day,
To feed and clothe the needy.

But ah, alas! the almond-bough
And olive-branch is wither'd now;
The wine-press now is ta'en from us,
The saffron and the calamus;
The spice and spikenard hence is gone,
The storax and the cinnamon;
CHOR. The carol of our gladness
Has taken wing;
And our late spring
Of mirth is turn'd to sadness.

How wise wast thou in all thy ways!
How worthy of respect and praise!
How matron-like didst thou go drest!
How soberly above the rest
Of those that prank it with their plumes,
And jet it with their choice perfumes!
CHOR. Thy vestures were not flowing;
Nor did the street
Accuse thy feet
Of mincing in their going.

And though thou here liest dead, we see
A deal of beauty yet in thee.
How sweetly shews thy smiling face,
Thy lips with all diffused grace!
Thy hands, though cold, yet spotless, white,
And comely as the chrysolite.
CHOR. Thy belly like a hill is,
Or as a neat
Clean heap of wheat,
All set about with lilies.

Sleep with thy beauties here, while we
Will shew these garments made by thee;
These were the coats; in these are read
The monuments of Dorcas dead:
These were thy acts, and thou shalt have
These hung as honours o'er thy grave:--
CHOR. And after us, distressed,
Should fame be dumb,
Thy very tomb
Would cry out, Thou art blessed.
Written by Edgar Lee Masters | Create an image from this poem

Dorcas Gustine

 I was not beloved of the villagers,
But all because I spoke my mind,
And met those who transgressed against me
With plain remonstrance, hiding nor nurturing
Nor secret griefs nor grudges.
That act of the Spartan boy is greatly praised,
Who hid the wolf under his cloak,
Letting it devour him, uncomplainingly.
It is braver, I think, to snatch the wolf forth
And fight him openly, even in the street,
Amid dust and howls of pain.
The tongue may be an unruly member --
But silence poisons the soul.
Berate me who will -- I am content.


Written by Edgar Lee Masters | Create an image from this poem

Jeduthan Hawley

 There would be a knock at the door
And I would arise at midnight and go to the shop,
Where belated travelers would hear me hammering
Sepulchral boards and tacking satin.
And often I wondered who would go with me
To the distant land, our names the theme
For talk, in the same week, for I've observed
Two always go together.
Chase Henry was paired with Edith Conant;
And Jonathan Somers with Willie Metcalf;
And Editor Hamblin with Francis Turner,
When he prayed to live longer than Editor Whedon;
And Thomas Rhodes with widow McFarlane;
And Emily Sparks with Barry Holden;
And Oscar Hummel with Davis Matlock;
And Editor Whedon with Fiddler Jones;
And Faith Matheny with Dorcas Gustine.
And I, the solemnest man in town,
Stepped off with Daisy Fraser.

Book: Reflection on the Important Things