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Best Famous Donkeys Poems

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Written by Robert Frost | Create an image from this poem

A Fountain a Bottle a Donkeys Ears and Some Books

 Old Davis owned a solid mica mountain
In Dalton that would someday make his fortune.
There'd been some Boston people out to see it:
And experts said that deep down in the mountain
The mica sheets were big as plate-glass windows.
He'd like to take me there and show it to me.

"I'll tell you what you show me. You remember
You said you knew the place where once, on Kinsman,
The early Mormons made a settlement
And built a stone baptismal font outdoors—
But Smith, or someone, called them off the mountain
To go West to a worse fight with the desert.
You said you'd seen the stone baptismal font.
Well, take me there."

 Someday I will."

 "Today."

"Huh, that old bathtub, what is that to see?
Let's talk about it."

 "Let's go see the place."

'To shut you up I'll tell you what I'll do:
I'll find that fountain if it takes all summer,
And both of our united strengths, to do it."

"You've lost it, then?"

 "Not so but I can find it.
No doubt it's grown up some to woods around it.
The mountain may have shifted since I saw it
In eighty-five."

 "As long ago as that?"

"If I remember rightly, it had sprung
A leak and emptied then. And forty years
Can do a good deal to bad masonry.
You won't see any Mormon swimming in it.
But you have said it, and we're off to find it.
Old as I am, I'm going to let myself
Be dragged by you all over everywhere——"
"I thought you were a guide.”

 "I am a guide,
And that's why I can't decently refuse you."

We made a day of it out of the world,
Ascending to descend to reascend.
The old man seriously took his bearings,
And spoke his doubts in every open place.

We came out on a look-off where we faced
A cliff, and on the cliff a bottle painted,
Or stained by vegetation from above,
A likeness to surprise the thrilly tourist.

"Well, if I haven't brought you to the fountain,
At least I've brought you to the famous Bottle."

"I won't accept the substitute. It's empty.”

"So's everything."

"I want my fountain."

"I guess you'd find the fountain just as empty.
And anyway this tells me where I am.”

"Hadn't you long suspected where you were?"

"You mean miles from that Mormon settlement?
Look here, you treat your guide with due respect
If you don't want to spend the night outdoors.
I vow we must be near the place from where
The two converging slides, the avalanches,
On Marshall, look like donkey's ears.
We may as well see that and save the day."

"Don't donkey's ears suggest we shake our own?"

"For God's sake, aren't you fond of viewing nature?
You don't like nature. All you like is books.
What signify a donkey's cars and bottle,
However natural? Give you your books!
Well then, right here is where I show you books.
Come straight down off this mountain just as fast
As we can fall and keep a-bouncing on our feet.
It's hell for knees unless done hell-for-leather."

Be ready, I thought, for almost anything.

We struck a road I didn't recognize,
But welcomed for the chance to lave my shoes
In dust once more. We followed this a mile,
Perhaps, to where it ended at a house
I didn't know was there. It was the kind
To bring me to for broad-board paneling.
I never saw so good a house deserted.

"Excuse me if I ask you in a window
That happens to be broken, Davis said.
"The outside doors as yet have held against us.
I want to introduce you to the people
Who used to live here. They were Robinsons.
You must have heard of Clara Robinson,
The poetess who wrote the book of verses
And had it published. It was all about
The posies on her inner windowsill,
And the birds on her outer windowsill,
And how she tended both, or had them tended:
She never tended anything herself.
She was 'shut in' for life. She lived her whole
Life long in bed, and wrote her things in bed.
I'll show You how she had her sills extended
To entertain the birds and hold the flowers.
Our business first's up attic with her books."

We trod uncomfortably on crunching glass
Through a house stripped of everything
Except, it seemed, the poetess's poems.
Books, I should say!—-if books are what is needed.
A whole edition in a packing case
That, overflowing like a horn of plenty,
Or like the poetess's heart of love,
Had spilled them near the window, toward the light
Where driven rain had wet and swollen them.
Enough to stock a village library—
Unfortunately all of one kind, though.
They bad been brought home from some publisher
And taken thus into the family.
Boys and bad hunters had known what to do
With stone and lead to unprotected glass:
Shatter it inward on the unswept floors.
How had the tender verse escaped their outrage?
By being invisible for what it was,
Or else by some remoteness that defied them
To find out what to do to hurt a poem.
Yet oh! the tempting flatness of a book,
To send it sailing out the attic window
Till it caught wind and, opening out its covers,
Tried to improve on sailing like a tile
By flying like a bird (silent in flight,
But all the burden of its body song),
Only to tumble like a stricken bird,
And lie in stones and bushes unretrieved.
Books were not thrown irreverently about.
They simply lay where someone now and then,
Having tried one, had dropped it at his feet
And left it lying where it fell rejected.
Here were all those the poetess's life
Had been too short to sell or give away.

"Take one," Old Davis bade me graciously.

"Why not take two or three?"

 "Take all you want."
Good-looking books like that." He picked one fresh
In virgin wrapper from deep in the box,
And stroked it with a horny-handed kindness.
He read in one and I read in another,
Both either looking for or finding something.

The attic wasps went missing by like bullets.

I was soon satisfied for the time being.

All the way home I kept remembering
The small book in my pocket. It was there.
The poetess had sighed, I knew, in heaven
At having eased her heart of one more copy—
Legitimately. My demand upon her,
Though slight, was a demand. She felt the tug.
In time she would be rid of all her books.


Written by Rabindranath Tagore | Create an image from this poem

Superior

 Mother, your baby is silly! She is so absurdly childish!
She does not know the difference between the lights in the
streets and the stars.
When we play at eating with pebbles, she thinks they are real
food, and tries to put them into her mouth.
When I open a book before her and ask her to learn her a, b,
c, she tears the leaves with her hands and roars for joy at
nothing; this is your baby's way of doing her lesson.
When I shake my head at her in anger and scold her and call
her naughty, she laughs and thinks it great fun.
Everybody knows that father is away, but if in play I call
aloud "Father," she looks about her in excitement and thinks that
father is near.
When I hold my class with the donkeys that our washer man
brings to carry away the clothes and I warn her that I am the
schoolmaster, she will scream for no reason and call me dada.
Your baby wants to catch the moon. She is so funny; she calls
Ganesh Ganush.
Mother, your baby is silly! She is so absurdly childish!
Written by Rudyard Kipling | Create an image from this poem

The Explorer

 There's no sense in going further -- it's the edge of cultivation,"
 So they said, and I believed it -- broke my land and sowed my crop --
Built my barns and strung my fences in the little border station
 Tucked away below the foothills where the trails run out and stop.

Till a voice, as bad as Conscience, rang interminable changes
 On one everlasting Whisper day and night repeated -- so:
"Something hidden. Go and find it. Go and look behind the Ranges --
 "Something lost behind the Ranges. Lost in wating for you. Go!"

So I went, worn out of patience; never told my nearest neighbours --
 Stole away with pack and ponies -- left 'em drinking in the town;
And the faith that moveth mountains didn't seem to help my labours
 As I faced the sheer main-ranges, whipping up and leading down.

March by march I puzzled through 'em, turning flanks and dodging shoulders,
 Hurried on in hope of water, headed back for lack of grass;
Till I camped above the tree-line -- drifted snow and naked boulders --
 Felt free air astir to windward -- knew I'd stumbled on the Pass.

'Thought to name it for the finder: but that night the Norther found me --
 Froze and killed the plains-bred ponies; so I called the camp Despair
(It's the Railway Gap to-day, though). Then my Whisper waked to hound me: --
 "Something lost behind the Ranges. Over yonder! Go you there!"

Then I knew, the while I doubted -- knew His Hand was certain o'er me.
 Still -- it might be self-delusion -- scores of better men had died --
I could reach the township living, but. . . He knows what terror tore me . . .
 But I didn't . . . but I didn't. I went down the other side,

Till the snow ran out in flowers, and the flowers turned to aloes,
 And the aloes sprung to thickets and a brimming stream ran by;
But the thickets dwined to thorn-scrub, and the water drained to shallows,
 And I dropped again on desert -- blasterd earth, and blasting sky. . . .

I remember lighting fires; I remember sitting by 'em;
 I remember seeing faces, hearing voices, through the smoke;
I remember they were fancy -- for I threw a stone to try 'em.
 "Something lost behind the Ranges" was the only word they spoke.

But at last the country altered -- White Man's country past disputing --
 Rolling grass and open timber, with a hint of hills behind --
There I found me food and water, and I lay a week recruiting.
 Got my strength and lost my nightmares. Then I entered on my find.

Thence I ran my first rough survey -- chose my trees and blazed and ringed 'em --
 Week by week I pried and smhampled -- week by week my findings grew.
Saul he went to look for donkeys, and by God he found a kingdom!
 But by God, who sent His Whisper, I had struck the worth of two!

Up along the hostile mountains, where the hair-poised snowslide shivers --
 Down and through the big fat marshes that the virgin ore-bed stains,
Till I heard the mile-wide mutterings of unimagined rivers,
 And beyond the nameless timber saw illimitable plains!

'Plotted sites of future cities, traced the easy grades between 'em;
 Watched unharnessed rapids wasting fifty thousand head an hour;
Counted leagues of water-frontage through the axe-ripe woods that screen 'em --
 Saw the plant to feed a people -- up and waiting for the power!

Well, I know who'll take the credit -- all the clever chaps that followed --
 Came, a dozen men together -- never knew my desert-fears;
Tracked me by the camps I'd quitted, used the water-holes I hollowed.
 They'll go back and do the talking. They'll be called the Pioneers!

They will find my sites of townships -- not the cities that I set there.
 They will rediscover rivers -- not my rivers heard at night.
By my own old marks and bearings they will show me how to get there,
 By the lonely cairns I builded they will guide my feet aright.

Have I named one single river? Have I claimed one single acre?
 Have I kept one single nugget -- (barring samples)? No, not I!
Because my price was paid me ten times over by my Maker.
 But you wouldn't understand it. You go up and occupy.

Ores you'll find there; wood and cattle; water-transit sure and steady
 (That should keep the railway rates down), coal and iron at your doors.
God took care to hide that country till He judged His people ready,
 Then He chose me for His Whisper, and I've found it, and it's yours!

Yes, your "Never-never country" -- yes, your "edge of cultivation"
 And "no sense in going further" -- till I crossed the range to see.
God forgive me! No, I didn't. It's God's present to our nation.
 Anybody might have found it but -- His Whisper came to Me!
Written by Rg Gregory | Create an image from this poem

to the seaside

 to the seaside
to the seaside
to the change and peace of mind
to the easy la-
zy holiday
the leave-it-all-behind

to the seaside
to the sunshine
to the body-littered sands
to the deckchairs
and the funfairs
and the burst-your-ears brass bands

to the ice-cream
to the wasp-stings
to the sand-in-every-meal
to the castles
and the donkeys
and the plates of jellied eel

to the bosoms
and the bottoms
to the bodies-in-the-raw
to the he-men
and the paunches
to the what-the-butler-saw

(to the catch-my-eye
the hold-me-tight
the kiss-me-in-the-park
to the will-you
wont-you-let-me
to the bathing-in-the-dark)

to the landladies
and gloomy rooms
and out-of-here-by-ten
to the drizzle 
and the boredom
and the going-round-the-bend

to the blisters
and the crying kids
the peeling aching backs
to the god-i-wish-
we'd-never-come-
i-wish-we'd-gone-to-jack's

to the getting-on
the train again
the joy of going home
to the roses 
in the garden
and the being-left-alone

to the no-food-
in-the-larder
and the not-an-open-shop
to the ashes
in the fireplace
and the week-old washing up
Written by Andrew Barton Paterson | Create an image from this poem

Saltbush Bill on the Patriarchs

 Come all you little rouseabouts and climb upon my knee; 
To-day, you see, is Christmas Day, and so it’s up to me 
To give you some instruction like—a kind of Christmas tale— 
So name your yarn, and off she goes. What, “Jonah and the Whale”? 
Well, whales is sheep I’ve never shore; I’ve never been to sea, 
So all them great Leviathans is mysteries to me; 
But there’s a tale the Bible tells I fully understand, 
About the time the Patriarchs were settling on the land. 

Those Patriarchs of olden time, when all is said and done, 
They lived the same as far-out men on many a Queensland run— 
A lot of roving, droving men who drifted to and fro, 
The same we did out Queensland way a score of years ago. 

Now Isaac was a squatter man, and Jacob was his son, 
And when the boy grew up, you see, he wearied of the run. 
You know the way that boys grow up—there’s some that stick at home; 
But any boy that’s worth his salt will roll his swag and roam. 

So Jacob caught the roving fit and took the drovers’ track 
To where his uncle had a run, beyond the outer back; 
You see they made for out-back runs for room to stretch and grow, 
The same we did out Queensland way a score of years ago. 

Now, Jacob knew the ways of stock—that’s most uncommon clear— 
For when he got to Laban’s Run, they made him overseer; 
He didn’t ask a pound a week, but bargained for his pay 
To take the roan and strawberry calves—the same we’d take to-day. 

The duns and blacks and “Goulburn roans” (that’s brindles), coarse and hard, 
He branded them with Laban’s brand, in Old Man Laban’s yard; 
So, when he’d done the station work for close on seven year, 
Why, all the choicest stock belonged to Laban’s overseer. 

It’s often so with overseers—I’ve seen the same thing done 
By many a Queensland overseer on many a Queensland run. 
But when the mustering time came on old Laban acted straight, 
And gave him country of his own outside the boundary gate. 

He gave him stock, and offered him his daughter’s hand in troth; 
And Jacob first he married one, and then he married both; 
You see, they weren’t particular about a wife or so— 
No more were we up Queensland way a score of years ago. 

But when the stock were strong and fat with grass and lots of rain, 
Then Jacob felt the call to take the homeward road again. 
It’s strange in every creed and clime, no matter where you roam, 
There comes a day when every man would like to make for home. 

So off he set with sheep and goats, a mighty moving band, 
To battle down the homeward track along the Overland— 
It’s droving mixed-up mobs like that that makes men cut their throats. 
I’ve travelled rams, which Lord forget, but never travelled goats. 

But Jacob knew the ways of stock, for (so the story goes) 
When battling through the Philistines—selectors, I suppose— 
He thought he’d have to fight his way, an awkward sort of job; 
So what did Old Man Jacob do? of course, he split the mob. 

He sent the strong stock on ahead to battle out the way; 
He couldn’t hurry lambing ewes—no more you could to-day— 
And down the road, from run to run, his hand ’gainst every hand, 
He moved that mighty mob of stock across the Overland. 

The thing is made so clear and plain, so solid in and out, 
There isn’t any room at all for any kind of doubt. 
It’s just a plain straightforward tale—a tale that lets you know 
The way they lived in Palestine three thousand years ago. 

It’s strange to read it all to-day, the shifting of the stock; 
You’d think you see the caravans that loaf behind the flock, 
The little donkeys and the mules, the sheep that slowly spread, 
And maybe Dan or Naphthali a-ridin’ on ahead. 

The long, dry, dusty summer days, the smouldering fires at night; 
The stir and bustle of the camp at break of morning light; 
The little kids that skipped about, the camels’ dead-slow tramp— 
I wish I’d done a week or two in Old Man Jacob’s camp! 

But if I keep the narrer path, some day, perhaps, I’ll know 
How Jacob bred them strawberry calves three thousand years ago.


Written by Robert William Service | Create an image from this poem

Titine

 Although I have a car of class,
 A limousine,
I also have a jenny ass
 I call Titine.
And if I had in sober sense
 To choose between,
I know I'd give the preference
 To sleek Titine.

My chauffeur drives my Cadillac
 In uniform.
I wear a worn coat on my back
 That he would scorn.
He speeds with umpty equine power,
 Like an express;
I amble at eight miles an hour,
 Or even less.

My wife can use our fancy bus
 To cut a dash;
She very definitely does,
 And blows my cash.
But this old codger seeks the sane
 And simple scene;
Content to jog along a lane
 With old Titine.

So as in country ways I go
 Wife loves the town;
But though I'm slow, serene I know
 I won't break down.
With brawn and bone I reckon mine
 The best machine:
Old folks and donkeys best combine,
 --"Giddup, Titine!"

Book: Reflection on the Important Things