Written by
John Wilmot |
Well Sir, 'tis granted, I said Dryden's Rhimes,
Were stoln, unequal, nay dull many times:
What foolish Patron, is there found of his,
So blindly partial, to deny me this?
But that his Plays, Embroider'd up and downe,
With Witt, and Learning, justly pleas'd the Towne,
In the same paper, I as freely owne:
Yet haveing this allow'd, the heavy Masse,
That stuffs up his loose Volumes must not passe:
For by that Rule, I might as well admit,
Crownes tedious Scenes, for Poetry, and Witt.
'Tis therefore not enough, when your false Sense
Hits the false Judgment of an Audience
Of Clapping-Fooles, assembling a vast Crowd
'Till the throng'd Play-House, crack with the dull Load;
Tho' ev'n that Tallent, merrits in some sort,
That can divert the Rabble and the Court:
Which blundring Settle, never cou'd attaine,
And puzling Otway, labours at in vaine.
But within due proportions, circumscribe
What e're you write; that with a flowing Tyde,
The Stile, may rise, yet in its rise forbeare,
With uselesse Words, t'oppresse the wearyed Eare:
Here be your Language lofty, there more light,
Your Rethorick, with your Poetry, unite:
For Elegance sake, sometimes alay the force
Of Epethets; 'twill soften the discourse;
A Jeast in Scorne, poynts out, and hits the thing,
More home, than the Morosest Satyrs Sting.
Shakespeare, and Johnson, did herein excell,
And might in this be Immitated well;
Whom refin'd Etheridge, Coppys not at all,
But is himself a Sheere Originall:
Nor that Slow Drudge, in swift Pindarique straines,
Flatman, who Cowley imitates with paines,
And rides a Jaded Muse, whipt with loose Raines.
When Lee, makes temp'rate Scipio, fret and Rave,
And Haniball, a whineing Am'rous Slave;
I laugh, and wish the hot-brain'd Fustian Foole,
In Busbys hands, to be well lasht at Schoole.
Of all our Moderne Witts, none seemes to me,
Once to have toucht upon true Comedy,
But hasty Shadwell, and slow Witcherley.
Shadwells unfinisht workes doe yet impart,
Great proofes of force of Nature, none of Art.
With just bold Stroakes, he dashes here and there,
Shewing great Mastery with little care;
And scornes to varnish his good touches o're,
To make the Fooles, and Women, praise 'em more.
But Witcherley, earnes hard, what e're he gaines,
He wants noe Judgment, nor he spares noe paines;
He frequently excells, and at the least,
Makes fewer faults, than any of the best.
Waller, by Nature for the Bayes design'd,
With force, and fire, and fancy unconfin'd,
In Panigericks does Excell Mankind:
He best can turne, enforce, and soften things,
To praise great Conqu'rours, or to flatter Kings.
For poynted Satyrs, I wou'd Buckhurst choose,
The best good Man, with the worst Natur'd Muse:
For Songs, and Verses, Mannerly Obscene,
That can stirr Nature up, by Springs unseene,
And without forceing blushes, warme the Queene:
Sidley, has that prevailing gentle Art,
That can with a resistlesse Charme impart,
The loosest wishes to the Chastest Heart,
Raise such a Conflict, kindle such a ffire
Betwixt declineing Virtue, and desire,
Till the poor Vanquisht Maid, dissolves away,
In Dreames all Night, in Sighs, and Teares, all Day.
Dryden, in vaine, try'd this nice way of Witt,
For he, to be a tearing Blade thought fit,
But when he wou'd be sharp, he still was blunt,
To friske his frollique fancy, hed cry ****;
Wou'd give the Ladyes, a dry Bawdy bob,
And thus he got the name of Poet Squab:
But to be just, twill to his praise be found,
His Excellencies, more than faults abound.
Nor dare I from his Sacred Temples teare,
That Lawrell, which he best deserves to weare.
But does not Dryden find ev'n Johnson dull?
Fletcher, and Beaumont, uncorrect, and full
Of Lewd lines as he calls em? Shakespeares Stile
Stiffe, and Affected? To his owne the while
Allowing all the justnesse that his Pride,
Soe Arrogantly, had to these denyd?
And may not I, have leave Impartially
To search, and Censure, Drydens workes, and try,
If those grosse faults, his Choyce Pen does Commit
Proceed from want of Judgment, or of Witt.
Of if his lumpish fancy does refuse,
Spirit, and grace to his loose slatterne Muse?
Five Hundred Verses, ev'ry Morning writ,
Proves you noe more a Poet, than a Witt.
Such scribling Authors, have beene seene before,
Mustapha, the English Princesse, Forty more,
Were things perhaps compos'd in Half an Houre.
To write what may securely stand the test
Of being well read over Thrice oat least
Compare each Phrase, examin ev'ry Line,
Weigh ev'ry word, and ev'ry thought refine;
Scorne all Applause the Vile Rout can bestow,
And be content to please those few, who know.
Canst thou be such a vaine mistaken thing
To wish thy Workes might make a Play-house ring,
With the unthinking Laughter, and poor praise
Of Fopps, and Ladys, factious for thy Plays?
Then send a cunning Friend to learne thy doome,
From the shrew'd Judges in the Drawing-Roome.
I've noe Ambition on that idle score,
But say with Betty Morice, heretofore
When a Court-Lady, call'd her Buckleys Whore,
I please one Man of Witt, am proud on't too,
Let all the Coxcombs, dance to bed to you.
Shou'd I be troubled when the Purblind Knight
Who squints more in his Judgment, than his sight,
Picks silly faults, and Censures what I write?
Or when the poor-fed Poets of the Towne
For Scrapps, and Coach roome cry my Verses downe?
I loath the Rabble, 'tis enough for me,
If Sidley, Shadwell, Shepherd, Witcherley,
Godolphin, Buttler, Buckhurst, Buckingham,
And some few more, whom I omit to name
Approve my Sense, I count their Censure Fame.
|
Written by
Lady Mary Chudleigh |
Melissa: I've still rever'd your Order [she is responding to a Parson] as Divine;
And when I see unblemish'd Virtue shine,
When solid Learning, and substantial Sense,
Are joyn'd with unaffected Eloquence;
When Lives and Doctrices of a Piece are made,
And holy Truths with humble Zeal convey'd;
When free from Passion, Bigottry, and Pride,
Not sway'd by Int'rest, nor to Parties ty'd,
Contemning Riches, and abhorring strife,
And shunning all the noisy Pomps of Life,
You live the aweful Wonders of your time,
Without the least Suspicion of a Crime:
I shall with Joy the highest Deference pay,
and heedfully attend to all you say.
From such, Reproofs shall always welcome prove,
As being th' Effects of Piety and Love.
But those from me can challenge no Respect,
Who on us all without just Cause reflect:
Who without Mercy all the Sex decry,
And into open Defamations fly:
Who think us Creatures for Derision made,
And the Creator with his Works upbraid:
What he call'd good, they proudly think not so,
And with their Malice, their Prophaneness show.
'Tis hard we shou'd be by the Men despis'd,
Yet kept from knowing what wou'd make us priz'd:
Debarr'd from Knowledge, banish'd from the Schools,
And with the utmost Industry bred Fools.
Laugh'd out of Reason, jested out of Sense,
And nothing left but Native Innocence:
Then told we are incapable of Wit,
And only for the meanest Drudgeries fit:
Made Slaves to serve their Luxury and Pride,
And with innumerable Hardships try'd,
'Till Pitying Heav'n release us from our Pain,
Kind Heav'n to whom alone we dare complain.
Th' ill-natur'd World will no Compassion show;
Such as are wretched, it wou'd still have so:
It gratifies its Envy and its Spight;
The most in others Miseries take Delight.
While we are present they some Pity spare,
And feast us on a thin Repast of Air:
Look Grave and Sigh, when we our Wrongs relate,
An in a Compliment accuse our Fate:
Blame those to whom we our Misfortunes owe,
And all the Signs of real Friendship show.
But when we're absent, we their Sport are made,
They fan the Flame, and our Oppressors aid;
Joyn with the Stronger, the Victorious Side,
And all our Suff'ring, all our griefs deride.
Those gen'rous few, whom kinder Thoughts inspire,
And who the Happiness of all desire;
Who wish we were from barb'rous Usage free,
Exempt from Toils, and shameful Slavery,
Yet let us, unreprov'd, mis. spend our Hours,
And to mean Purposes employ our nobler Pow'rs.
They think, if we our Thoughts can but express,
And know but how to Work, to Dance and Dress,
It is enough, as much as we shou'd mind,
As if we were for nothing else design'd,
But made, like Puppets, to divert Mankind.
O that my Sex wou'd all such Toys despise;
And only study to be Good, and Wise;
Inspect themselves, and every Blemish find,
Search all the close Recesses of the Mind,
And leave no vice, no ruling Passion there,
Nothing to raise a Blush, or cause a Fear:
Their Memories with solid Notions fill,
And let their Reason dictate to their Will,
Instead of Novels, Histories peruse,
And for their Guides the wiser Ancients chuse,
Thro' all the Labyrinths of Learning go,
And grow more humble, as they more do know.
By doing this, they will Respect procure,
Silence the Men, and lasting Fame secure;
And to themselves the best Companions prove,
And neither fear their Malice, nor desire their Love.
|
Written by
William Shakespeare |
Those lines that I before have writ do lie,
Even those that said I could not love you dearer;
Yet then my judgment knew no reason why
My most full flame should afterwards burn clearer,
But reckoning Time, whose millioned accidents
Creep in 'twixt vows, and change decrees of kings,
Tan sacred beauty, blunt the sharp'st intents,
Divert strong minds to the course of alt'ring things—
Alas, why, fearing of Time's tyranny,
Might I not then say, "Now I love you best,"
When I was certain o'er incertainty,
Crowning the present, doubting of the rest?
Love is a babe; then might I not say so,
To give full growth to that which still doth grow.
|
Written by
Anne Kingsmill Finch |
Weary, at last, of the Pindarick way,
Thro' which advent'rously the Muse wou'd stray;
To Fable I descend with soft Delight,
Pleas'd to Translate, or easily Endite:
Whilst aery Fictions hastily repair
To fill my Page, and rid my Thoughts of Care,
As they to Birds and Beasts new Gifts impart,
And Teach, as Poets shou'd, whilst they Divert.
But here, the Critick bids me check this Vein.
Fable, he crys, tho' grown th' affected Strain,
But dies, as it was born, without Regard or Pain.
Whilst of his Aim the lazy Trifler fails,
Who seeks to purchase Fame by childish Tales.
Then, let my Verse, once more attempt the Skies,
The easily persuaded Poet cries,
Since meaner Works you Men of Taste despise.
The Walls of Troy shall be our loftier Stage,
Our mighty Theme the fierce Achilles Rage.
The Strength of Hector, and Ulysses Arts
Shall boast such Language, to adorn their Parts,
As neither Hobbes, nor Chapman cou'd bestow,
Or did from Congreve, or from Dryden flow.
Amidst her Towers, the dedicated Horse
Shall be receiv'd, big with destructive Force;
Till Men shall say, when Flames have brought her down.
" Troy is no more, and Ilium was a Town.
Is this the way to please the Men of Taste,
The Interrupter cries, this old Bombast?
I'm sick of Troy, and in as great a Fright,
When some dull Pedant wou'd her Wars recite,
As was soft Paris, when compell'd to Fight.
To Shades and Springs shall we awhile repair,
The Muse demands, and in that milder Air
Describe some gentle Swain's unhappy Smart
Whose folded Arms still press upon his Heart,
And deeper drive the too far enter'd Dart?
Whilst Phillis with a careless pleasure reigns
The Joy, the Grief, the Envy of the Plains;
Heightens the Beauty of the verdant Woods,
And softens all the Murmurs of the Floods.
Oh! stun me not with these insipid Dreams,
Th' Eternal Hush, the Lullaby of Streams.
Which still, he cries, their even Measures keep,
Till both the Writers, and the Readers sleep.
But urge thy Pen, if thou wouldst move our Thoughts,
To shew us private, or the publick Faults.
Display the Times, High-Church or Low provoke;
We'll praise the Weapon, as we like the Stroke,
And warmly sympathizing with the Spite
Apply to Thousands, what of One you write.
Then, must that single Stream the Town supply,
The harmless Fable-writer do's reply,
And all the Rest of Helicon be dry ?
And when so many choice Productions swarm,
Must only Satire keep your Fancies warm?
Whilst even there, you praise with such Reserve,
As if you'd in the midst of Plenty starve,
Tho' ne'er so liberally we Authors carve.
Happy the Men, whom we divert with Ease,
Whom Opera's and Panegyricks please.
|
Written by
Anne Kingsmill Finch |
Why was that baleful Creature made,
Which seeks our Quiet to invade,
And screams ill Omens through the Shade?
'Twas, sure, for every Mortals good,
When, by wrong painting of her Brood,
She doom'd them for the Eagle's Food:
Who proffer'd Safety to her Tribe,
Wou'd she but shew them or describe,
And serving him, his Favour bribe.
When thus she did his Highness tell;
In Looks my Young do all excel,
Nor Nightingales can sing so well.
You'd joy to see the pretty Souls,
With wadling Steps and frowzy Poles,
Come creeping from their secret Holes.
But I ne'er let them take the Air,
The Fortune-hunters do so stare;
And Heiresses indeed they are.
This ancient Yew three hundred Years,
Has been possess'd by Lineal Heirs:
The Males extinct, now All is Theirs.
I hope I've done their Beauties right,
Whose Eyes outshine the Stars by Night;
Their Muffs and Tippets too are White.
The King of Cedars wav'd his Power,
And swore he'd fast ev'n from that Hour,
Ere he'd such Lady Birds devour.
Th' Agreement seal'd, on either part,
The Owl now promis'd, from her Heart,
All his Night-Dangers to divert;
As Centinel to stand and whoop,
If single Fowl, or Shoal, or Troop
Should at his Palace aim or stoop.
But home, one Evening without Meat,
The Eagle comes, and takes his Seat,
Where they did these Conditions treat.
The Mother-Owl was prol'd away,
To seek abroad for needful Prey,
And forth the Misses came to play.
What's here ! the hungry Monarch cry'd,
When near him living Flesh he spy'd,
With which he hop'd to be supply'd.
But recollecting, 'twas the Place,
Where he'd so lately promis'd Grace
To an enchanting, beauteous Race;
He paus'd a while, and kept his Maw,
With sober Temperance, in awe,
Till all their Lineaments he saw.
What are these Things, and of what Sex,
At length he cry'd, with Vultur's Becks,
And Shoulders higher than their Necks?
These wear no Palatines, nor Muffs,
Italian Silks, or Doyley Stuffs,
But motley Callicoes, and Ruffs.
Nor Brightness in their Eyes is seen,
But through the Film a dusky Green,
And like old Margery is their Mien.
Then for my Supper they're design'd,
Nor can be of that lovely Kind,
To whom my Pity was inclin'd.
No more Delays; as soon as spoke,
The Plumes are stripped, the Grisles broke,
And near the Feeder was to choak.
When now return'd the grizly Dame,
(Whose Family was out of Frame)
Against League-Breakers does exclaim.
How! quoth the Lord of soaring Fowls,
(Whilst horribly she wails and howls)
Were then your Progeny but Owls?
I thought some Phoenix was their Sire,
Who did those charming Looks inspire,
That you'd prepar'd me to admire.
Upon your self the Blame be laid;
My Talons you've to Blood betray'd,
And ly'd in every Word you said.
Faces or Books, beyond their Worth extoll'd,
Are censur'd most, and thus to pieces pulled.
|
Written by
Lisel Mueller |
I. Insomnia
The bulb at the front door burns and burns.
If it were a white rose it would tire of blooming
through another endless night.
The moon knows the routine;
it beats the bushes from east to west
and sets empty-handed. Again the one
she is waiting for has outrun the moon.
II. Old Money
The spotted hands shake as they polish the coins.
The shiny penny goes under the tongue,
the two silver pieces
weighted by pyramids
will shut down the eyes.
All the rest is paper,
useless in any world but this.
III. Home Movie
She knows that walk, that whistle, that knock.
It's the black wolf who sticks
his floured paw underneath the door.
She tries not to open. One look at his face
and she'll drop the gun. He will pick it up
and turn it on her where she waits,
her eyes shining, her hands over her head.
IV. Golden Boy
Whitewashed, the eyes refuse you.
And so the mouth must be serene,
the muscles play, the body
take an easy stance
to divert you from the two
boarded-up chambers
where someone has died.
V. Washing Day
Each year her laundry line gets lighter.
One by one they disappear,
ten little Indians. They take their socks,
their jeans, their stiff plaid shirts.
Above the Ford on its concrete blocks,
striped and zippered,
her cotton dress flutters on and on.
|
Written by
William Shakespeare |
Those lines that I before have writ do lie,
Even those that said I could not love you dearer:
Yet then my judgment knew no reason why
My most full flame should afterwards burn clearer.
But reckoning time, whose million'd accidents
Creep in 'twixt vows and change decrees of kings,
Tan sacred beauty, blunt the sharp'st intents,
Divert strong minds to the course of altering things;
Alas, why, fearing of time's tyranny,
Might I not then say 'Now I love you best,'
When I was certain o'er incertainty,
Crowning the present, doubting of the rest?
Love is a babe; then might I not say so,
To give full growth to that which still doth grow?
|
Written by
William Topaz McGonagall |
In a humble room in London sat a pretty little boy,
By the bedside of his sick mother her only joy,
Who was called Little Pierre, and who's father was dead;
There he sat poor boy, hungry and crying for bread.
There he sat humming a little song, which was his own,
But to the world it was entirely unknown,
And as he sang the song he felt heartsick,
But he resolved to get Madame Malibran to sing his song in public
Then he paused for a moment and clasped his hands,
And running to the looking-glass before it he stands,
Then he smoothed his yellow curls without delay,
And from a tin box takes a scroll of paper worn and grey.
Then he gave one fond eager glance at his mother,
Trying hard brave boy his grief to smother,
As he gazed on the bed where she lay,
But he resolved to see Madame Malibran without delay.
Then he kissed his mother while she slept,
And stealthily from the house he crept,
And direct to Madame Malibran's house he goes,
Resolved to see her no matter who did him oppose.
And when he reached the door he knocked like a brave gallant
And the door was answered by her lady servant,
Then he told the servant Madame Malibran he wished to see
And the servant said, oh yes, I'll tell her immediately.
Then away the servant goes quite confident,
And told her a little boy wished to see her just one moment
Oh! well, said Madame Malibran, with a smile,
Fetch in the little boy he will divert me a while.
So Little Pierre was broght in with his hat under his arm
And in his hand a scroll of paper, thinking it no harm,
Then walked straight up to Madame Malibran without dread
And said, dear lady my mother is sick and in want of bread.
And I have called to see if you would sing my little song,
At someof your grand concerts, Ah! Say before long,
Or perhaps you could sell it to a publisher for a small sum,
Then I could buy food for my mother and with it would run.
Then Madame Malibran rose from her seat most costly and grand
And took the scroll of paper from Pierre's hand
And hummed his little song, to a plaintive air,
Then said, your song is soul stirring I do declare.
Dear child did you compose the words she asked Pierre,
Oh yes my dear lady just as you see,
Well my dear boy I will sing your song to-night,
And you shall have a seat near me on the right.
Then Pierre, said, Oh! lady I cannot leave my mother,
But my dear boy, as for her you need not bother,
So dear child don't be the least cast down,
And in the meantime here is a crown.
And for your mother you can buy food and medicine,
So run away and be at the concert to-night in time
Then away he ran and bought many little necessary things
And while doing so his little song he hums and sings.
Then home to his poor sick mother he quickly ran,
And told her of his success with Madame Malibran,
Then his mother cried, Oh! Pierre, you are a very good boy,
And to hear of your success my heart is full of joy.
Dear mother, I am going to the concert hall to-night,
To hear Madame Malibran, which will my heart delight,
Oh! well said his mother, God speed you my little man,
I hope you will be delighted to hear Madame Malibran.
So to the concert hall he goes, and found a seat there,
And the lights and flashing of diamonds made him stare,
And caused a joyous smile to play upon his face,
For never had he been in so grand a place.
There the brave boy sat and Madame Malibran came at last
And with his eyes rivetted on her he sared aghast,
And to hear her sing, Oh! how he did long,
And he wondered if the lady would really sing his song.
At last the great singer commenced his little song,
And many a heart was moved and the plaudits loud and long
And as she sang it Pierre clapped his hands for joy.
That he felt as if it were free from the world's annoy.
When the concert was over his heart felt as light as the air
And as for money now he didn't seem to care,
Since the great singer in Europe had sung his little song,
But he hoped that dame fortune would smile on him ere long
The next day he was frightened by a visit from Madame Malibran
And turning to his mother, she said your little boy Madame
Will make a fortune for himself and you before long,
Because I've been offered a large sum for his little song.
And Madame thank God you have such a gifted son,
But dear Madame heavens will must be done,
Then Pierre knelt and prayed that God would the lady bless
For helping them in the time of their distress.
And the memory of Pierre's prayer made the singer do more good
By visiting the poor and giving them clothing and food
And Pierre lightened her last moments ere her soul fled away
And he came to be one of the most talented composers of the day.
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