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Best Famous Distortion Poems

Here is a collection of the all-time best famous Distortion poems. This is a select list of the best famous Distortion poetry. Reading, writing, and enjoying famous Distortion poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of distortion poems.

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Written by Margaret Atwood | Create an image from this poem

This Is A Photograph Of Me

 It was taken some time ago.
At first it seems to be
a smeared
print: blurred lines and grey flecks
blended with the paper;

then, as you scan
it, you see in the left-hand corner
a thing that is like a branch: part of a tree
(balsam or spruce) emerging
and, to the right, halfway up
what ought to be a gentle
slope, a small frame house.

In the background there is a lake,
and beyond that, some low hills.

(The photograph was taken
the day after I drowned.

I am in the lake, in the center
of the picture, just under the surface.

It is difficult to say where
precisely, or to say
how large or small I am:
the effect of water
on light is a distortion

but if you look long enough,
eventually
you will be able to see me.)


Written by Jim Carroll | Create an image from this poem

8 Fragments For Kurt Cobain

 1/
Genius is not a generous thing
In return it charges more interest than any amount of royalties can cover
And it resents fame
With bitter vengeance 

Pills and powdres only placate it awhile
Then it puts you in a place where the planet's poles reverse
Where the currents of electricity shift 

Your Body becomes a magnet and pulls to it despair and rotten teeth,
Cheese whiz and guns 

Whose triggers are shaped tenderly into a false lust
In timeless illusion 

2/
The guitar claws kept tightening, I guess on your heart stem.
The loops of feedback and distortion, threaded right thru
Lucifer's wisdom teeth, and never stopped their reverbrating
In your mind 

And from the stage
All the faces out front seemed so hungry
With an unbearably wholesome misunderstanding

From where they sat, you seemed so far up there
High and live and diving

And instead you were swamp crawling
Down, deeper
Until you tasted the Earth's own blood
And chatted with the Buzzing-eyed insects that heroin breeds 

3/
You should have talked more with the monkey
He's always willing to negotiate
I'm still paying him off...
The greater the money and fame
The slower the Pendulum of fortune swings

Your will could have sped it up...
But you left that in a plane
Because it wouldn't pass customs and immigration

4/
Here's synchronicity for you:

Your music's tape was inside my walkman
When my best friend from summer camp
Called with the news about you

I listened them...
It was all there!
Your music kept cutting deeper and deeper valleys of sound
Less and less light
Until you hit solid rock

The drill bit broke
and the valley became
A thin crevice, impassible in time,
As time itself stopped. 

And the walls became cages of brilliant notes
Pressing in...
Pressure
That's how diamonds are made
And that's WHERE it sometimes all collapses
Down in on you

5/
Then I translated your muttered lyrics
And the phrases were curious:
Like "incognito libido"
And "Chalk Skin Bending"

The words kept getting smaller and smaller
Until
Separated from their music
Each letter spilled out into a cartridge
Which fit only in the barrel of a gun

6/
And you shoved the barrel in as far as possible
Because that's where the pain came from
That's where the demons were digging

The world outside was blank
Its every cause was just a continuation
Of another unsolved effect

7/
But Kurt...
Didn't the thought that you would never write another song
Another feverish line or riff
Make you think twice?
That's what I don't understand
Because it's kept me alive, above any wounds

8/
If only you hadn't swallowed yourself into a coma in Roma...
You could have gone to Florence
And looked into the eyes of Bellinni or Rafael's Portraits

Perhaps inside them
You could have found a threshold back to beauty's arms
Where it all began...

No matter that you felt betrayed by her

That is always the cost
As Frank said,
Of a young artist's remorseless passion

Which starts out as a kiss
And follows like a curse
Written by Alan Seeger | Create an image from this poem

The Torture of Cuauhtemoc

 Their strength had fed on this when Death's white arms 
Came sleeved in vapors and miasmal dew, 
Curling across the jungle's ferny floor, 
Becking each fevered brain. On bleak divides, 
Where Sleep grew niggardly for nipping cold 
That twinged blue lips into a mouthed curse, 
Not back to Seville and its sunny plains 
Winged their brief-biding dreams, but once again, 
Lords of a palace in Tenochtitlan, 
They guarded Montezuma's treasure-hoard. 
Gold, like some finny harvest of the sea, 
Poured out knee deep around the rifted floors, 
Shiny and sparkling, -- arms and crowns and rings: 
Gold, sweet to toy with as beloved hair, -- 
To plunge the lustful, crawling fingers down, 
Arms elbow deep, and draw them out again, 
And watch the glinting metal trickle off, 
Even as at night some fisherman, home bound 
With speckled cargo in his hollow keel 
Caught off Campeche or the Isle of Pines, 
Dips in his paddle, lifts it forth again, 
And laughs to see the luminous white drops 
Fall back in flakes of fire. . . . Gold was the dream 
That cheered that desperate enterprise. And now? . . . 
Victory waited on the arms of Spain, 
Fallen was the lovely city by the lake, 
The sunny Venice of the western world; 
There many corpses, rotting in the wind, 
Poked up stiff limbs, but in the leprous rags 
No jewel caught the sun, no tawny chain 
Gleamed, as the prying halberds raked them o'er. 
Pillage that ran red-handed through the streets 
Came railing home at evening empty-palmed; 
And they, on that sad night a twelvemonth gone, 
Who, ounce by ounce, dear as their own life's blood 
Retreating, cast the cumbrous load away: 
They, when brown foemen lopped the bridges down, 
Who tipped thonged chests into the stream below 
And over wealth that might have ransomed kings 
Passed on to safety; -- cheated, guerdonless -- 
Found (through their fingers the bright booty slipped) 
A city naked, of that golden dream 
Shorn in one moment like a sunset sky. 


Deep in a chamber that no cheerful ray 
Purged of damp air, where in unbroken night 
Black scorpions nested in the sooty beams, 
Helpless and manacled they led him down -- 
Cuauhtemotzin -- and other lords beside -- 
All chieftains of the people, heroes all -- 
And stripped their feathered robes and bound them there 
On short stone settles sloping to the head, 
But where the feet projected, underneath 
Heaped the red coals. Their swarthy fronts illumed, 
The bearded Spaniards, helmed and haubergeoned, 
Paced up and down beneath the lurid vault. 
Some kneeling fanned the glowing braziers; some 
Stood at the sufferers' heads and all the while 
Hissed in their ears: "The gold . . . the gold . . . the gold. 
Where have ye hidden it -- the chested gold? 
Speak -- and the torments cease!" 


They answered not. 
Past those proud lips whose key their sovereign claimed 
No accent fell to chide or to betray, 
Only it chanced that bound beside the king 
Lay one whom Nature, more than other men 
Framing for delicate and perfumed ease, 
Not yet, along the happy ways of Youth, 
Had weaned from gentle usages so far 
To teach that fortitude that warriors feel 
And glory in the proof. He answered not, 
But writhing with intolerable pain, 
Convulsed in every limb, and all his face 
Wrought to distortion with the agony, 
Turned on his lord a look of wild appeal, 
The secret half atremble on his lips, 
Livid and quivering, that waited yet 
For leave -- for leave to utter it -- one sign -- 
One word -- one little word -- to ease his pain. 


As one reclining in the banquet hall, 
Propped on an elbow, garlanded with flowers, 
Saw lust and greed and boisterous revelry 
Surge round him on the tides of wine, but he, 
Staunch in the ethic of an antique school -- 
Stoic or Cynic or of Pyrrho's mind -- 
With steady eyes surveyed the unbridled scene, 
Himself impassive, silent, self-contained: 
So sat the Indian prince, with brow unblanched, 
Amid the tortured and the torturers. 
He who had seen his hopes made desolate, 
His realm despoiled, his early crown deprived him, 
And watched while Pestilence and Famine piled 
His stricken people in their reeking doors, 
Whence glassy eyes looked out and lean brown arms 
Stretched up to greet him in one last farewell 
As back and forth he paced along the streets 
With words of hopeless comfort -- what was this 
That one should weaken now? He weakened not. 
Whate'er was in his heart, he neither dealt 
In pity nor in scorn, but, turning round, 
Met that racked visage with his own unmoved, 
Bent on the sufferer his mild calm eyes, 
And while the pangs smote sharper, in a voice, 
As who would speak not all in gentleness 
Nor all disdain, said: "Yes! And am -I- then 
Upon a bed of roses?" 


Stung with shame -- 
Shame bitterer than his anguish -- to betray 
Such cowardice before the man he loved, 
And merit such rebuke, the boy grew calm; 
And stilled his struggling limbs and moaning cries, 
And shook away his tears, and strove to smile, 
And turned his face against the wall -- and died.
Written by Robert Browning | Create an image from this poem

The Guardian-Angel

 A PICTURE AT FANO.

I.

Dear and great Angel, wouldst thou only leave
That child, when thou hast done with him, for me!
Let me sit all the day here, that when eve
Shall find performed thy special ministry,
And time come for departure, thou, suspending
Thy flight, mayst see another child for tending,
Another still, to quiet and retrieve.

II.

Then I shall feel thee step one step, no more,
From where thou standest now, to where I gaze,
---And suddenly my head is covered o'er
With those wings, white above the child who prays
Now on that tomb---and I shall feel thee guarding
Me, out of all the world; for me, discarding
Yon heaven thy home, that waits and opes its door.

III.

I would not look up thither past thy head
Because the door opes, like that child, I know,
For I should have thy gracious face instead,
Thou bird of God! And wilt thou bend me low
Like him, and lay, like his, my hands together,
And lift them up to pray, and gently tether
Me, as thy lamb there, with thy garment's spread?

IV.

If this was ever granted, I would rest
My bead beneath thine, while thy healing hands
Close-covered both my eyes beside thy breast,
Pressing the brain, which too much thought expands,
Back to its proper size again, and smoothing
Distortion down till every nerve had soothing,
And all lay quiet, happy and suppressed.

V.

How soon all worldly wrong would be repaired!
I think how I should view the earth and skies
And sea, when once again my brow was bared
After thy healing, with such different eyes. 
O world, as God has made it! All is beauty:
And knowing this, is love, and love is duty.
What further may be sought for or declared?

VI.

Guercino drew this angel I saw teach
(Alfred, dear friend!)---that little child to pray,
Holding the little hands up, each to each
Pressed gently,---with his own head turned away
Over the earth where so much lay before him
Of work to do, though heaven was opening o'er him,
And he was left at Fano by the beach.

VII.

We were at Fano, and three times we went
To sit and see him in his chapel there,
And drink his beauty to our soul's content
---My angel with me too: and since I care
For dear Guercino's fame (to which in power
And glory comes this picture for a dower,
Fraught with a pathos so magnificent)---

VIII.

And since he did not work thus earnestly
At all times, and has else endured some wrong---
I took one thought his picture struck from me,
And spread it out, translating it to song.
My love is here. Where are you, dear old friend? 
How rolls the Wairoa at your world's far end? 
This is Ancona, yonder is the sea.
Written by Rg Gregory | Create an image from this poem

the eyes that haunt me

 there are eyes that refuse to exist
in the fresh air - they are invented
by the lies of paint or make their mark
in a memory that had a truth
to feed on but only by distortion

right now they sell a dream
i'd like to see the back of - they come
with a whole body rippling me apart
disturbing me with echoes of a flesh
so many layers down the light derides it

why can't i grasp it now
this love's reverberation of a sound
that tunes me deeper than my marrow
but runs from me when wanted to be real
(today's a dried pool whispering of an ocean)

the eyes (unreal or not) persist
life is at base such unreality - it stirs
surfaces through pretences who i am
each a wash of wish (its listless traces
the febrile flickings of a tight core's ends)

i'm struggling now for safety
want something from these diadems
this old light scores in me - these eyes
cradling me as i look through them
(won't let me go and i can't let them)

beyond love they cup aloneness
they're your eyes but my at-one-ment
(more to sing of than i can fathom)
sensing them calmly's the ripest pain
these eyes so poignant they daren't exist



Book: Reflection on the Important Things