Get Your Premium Membership

Best Famous Displaced Poems

Here is a collection of the all-time best famous Displaced poems. This is a select list of the best famous Displaced poetry. Reading, writing, and enjoying famous Displaced poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of displaced poems.

Search and read the best famous Displaced poems, articles about Displaced poems, poetry blogs, or anything else Displaced poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Adrienne Rich | Create an image from this poem

Victory

 Something spreading underground won't speak to us
under skin won't declare itself
not all life-forms want dialogue with the
machine-gods in their drama hogging down
the deep bush clear-cutting refugees
from ancient or transient villages into
our opportunistic fervor to search
 crazily for a host a lifeboat

Suddenly instead of art we're eyeing
organisms traced and stained on cathedral transparencies
cruel blues embroidered purples succinct yellows
a beautiful tumor

•

I guess you're not alone I fear you're alone
There's, of course, poetry:
awful bridge rising over naked air: I first
took it as just a continuation of the road: 
"a masterpiece of engineering
praised, etc.
" then on the radio: "incline too steep for ease of, etc.
" Drove it nonetheless because I had to this being how— So this is how I find you: alive and more • As if (how many conditionals must we suffer?) I'm driving to your side —an intimate collusion— packed in the trunk my bag of foils for fencing with pain glasses of varying spectrum for sun or fog or sun-struck rain or bitterest night my sack of hidden poetries, old glue shredding from their spines my time exposure of the Leonids over Joshua Tree As if we're going to win this O because • If you have a sister I am not she nor your mother nor you my daughter nor are we lovers or any kind of couple except in the intensive care of poetry and death's master plan architecture-in-progress draft elevations of a black-and-white mosaic dome the master left on your doorstep with a white card in black calligraphy: Make what you will of this As if leaving purple roses • If (how many conditionals must we suffer?) I tell you a letter from the master is lying on my own doorstep glued there with leaves and rain and I haven't bent to it yet if I tell you I surmise he writes differently to me: Do as you will, you have had your life many have not signing it in his olden script: Meister aus Deutschland • In coldest Europe end of that war frozen domes iron railings frozen stoves lit in the streets memory banks of cold the Nike of Samothrace on a staircase wings in blazing backdraft said to me : : to everyone she met Displaced, amputated never discount me Victory indented in disaster striding at the head of stairs for Tory Dent


Written by Rudyard Kipling | Create an image from this poem

The Ballad of the Kings Mercy

 Abdhur Rahman, the Durani Chief, of him is the story told.
His mercy fills the Khyber hills -- his grace is manifold; He has taken toll of the North and the South -- his glory reacheth far, And they tell the tale of his charity from Balkh to Kandahar.
Before the old Peshawur Gate, where Kurd and Kaffir meet, The Governor of Kabul dealt the Justice of the Street, And that was strait as running noose and swift as plunging knife, Tho' he who held the longer purse might hold the longer life.
There was a hound of Hindustan had struck a Euzufzai, Wherefore they spat upon his face and led him out to die.
It chanced the King went forth that hour when throat was bared to knife; The Kaffir grovelled under-hoof and clamoured for his life.
Then said the King: "Have hope, O friend! Yea, Death disgraced is hard; Much honour shall be thine"; and called the Captain of the Guard, Yar Khan, a bastard of the Blood, so city-babble saith, And he was honoured of the King -- the which is salt to Death; And he was son of Daoud Shah, the Reiver of the Plains, And blood of old Durani Lords ran fire in his veins; And 'twas to tame an Afghan pride nor Hell nor Heaven could bind, The King would make him butcher to a yelping cur of Hind.
"Strike!" said the King.
"King's blood art thou -- his death shall be his pride!" Then louder, that the crowd might catch: "Fear not -- his arms are tied!" Yar Khan drew clear the Khyber knife, and struck, and sheathed again.
"O man, thy will is done," quoth he; "a King this dog hath slain.
" Abdhur Rahman, the Durani Chief, to the North and the South is sold.
The North and the South shall open their mouth to a Ghilzai flag unrolled, When the big guns speak to the Khyber peak, and his dog-Heratis fly: Ye have heard the song -- How long? How long? Wolves of the Abazai! That night before the watch was set, when all the streets were clear, The Governor of Kabul spoke: "My King, hast thou no fear? Thou knowest -- thou hast heard," -- his speech died at his master's face.
And grimly said the Afghan King: "I rule the Afghan race.
My path is mine -- see thou to thine -- to-night upon thy bed Think who there be in Kabul now that clamour for thy head.
" That night when all the gates were shut to City and to throne, Within a little garden-house the King lay down alone.
Before the sinking of the moon, which is the Night of Night, Yar Khan came softly to the King to make his honour white.
The children of the town had mocked beneath his horse's hoofs, The harlots of the town had hailed him "butcher!" from their roofs.
But as he groped against the wall, two hands upon him fell, The King behind his shoulder spake: "Dead man, thou dost not well! 'Tis ill to jest with Kings by day and seek a boon by night; And that thou bearest in thy hand is all too sharp to write.
But three days hence, if God be good, and if thy strength remain, Thou shalt demand one boon of me and bless me in thy pain.
For I am merciful to all, and most of all to thee.
My butcher of the shambles, rest -- no knife hast thou for me!" Abdhur Rahman, the Durani Chief, holds hard by the South and the North; But the Ghilzai knows, ere the melting snows, when the swollen banks break forth, When the red-coats crawl to the sungar wall, and his Usbeg lances fail: Ye have heard the song -- How long? How long? Wolves of the Zuka Kheyl! They stoned him in the rubbish-field when dawn was in the sky, According to the written word, "See that he do not die.
" They stoned him till the stones were piled above him on the plain, And those the labouring limbs displaced they tumbled back again.
One watched beside the dreary mound that veiled the battered thing, And him the King with laughter called the Herald of the King.
It was upon the second night, the night of Ramazan, The watcher leaning earthward heard the message of Yar Khan.
From shattered breast through shrivelled lips broke forth the rattling breath, "Creature of God, deliver me from agony of Death.
" They sought the King among his girls, and risked their lives thereby: "Protector of the Pitiful, give orders that he die!" "Bid him endure until the day," a lagging answer came; "The night is short, and he can pray and learn to bless my name.
" Before the dawn three times he spoke, and on the day once more: "Creature of God, deliver me, and bless the King therefor!" They shot him at the morning prayer, to ease him of his pain, And when he heard the matchlocks clink, he blessed the King again.
Which thing the singers made a song for all the world to sing, So that the Outer Seas may know the mercy of the King.
Abdhur Rahman, the Durani Chief, of him is the story told, He has opened his mouth to the North and the South, they have stuffed his mouth with gold.
Ye know the truth of his tender ruth -- and sweet his favours are: Ye have heard the song -- How long? How long? from Balkh to Kandahar.
Written by Delmore Schwartz | Create an image from this poem

All Night All Night

 "I have been one acquainted with the night" - Robert Frost


Rode in the train all night, in the sick light.
A bird Flew parallel with a singular will.
In daydream's moods and attitudes The other passengers slumped, dozed, slept, read, Waiting, and waiting for place to be displaced On the exact track of safety or the rack of accident.
Looked out at the night, unable to distinguish Lights in the towns of passage from the yellow lights Numb on the ceiling.
And the bird flew parallel and still As the train shot forth the straight line of its whistle, Forward on the taut tracks, piercing empty, familiar -- The bored center of this vision and condition looked and looked Down through the slick pages of the magazine (seeking The seen and the unseen) and his gaze fell down the well Of the great darkness under the slick glitter, And he was only one among eight million riders and readers.
And all the while under his empty smile the shaking drum Of the long determined passage passed through him By his body mimicked and echoed.
And then the train Like a suddenly storming rain, began to rush and thresh-- The silent or passive night, pressing and impressing The patients' foreheads with a tightening-like image Of the rushing engine proceeded by a shaft of light Piercing the dark, changing and transforming the silence Into a violence of foam, sound, smoke and succession.
A bored child went to get a cup of water, And crushed the cup because the water too was Boring and merely boredom's struggle.
The child, returning, looked over the shoulder Of a man reading until he annoyed the shoulder.
A fat woman yawned and felt the liquid drops Drip down the fleece of many dinners.
And the bird flew parallel and parallel flew The black pencil lines of telephone posts, crucified, At regular intervals, post after post Of thrice crossed, blue-belled, anonymous trees.
And then the bird cried as if to all of us: 0 your life, your lonely life What have you ever done with it, And done with the great gift of consciousness? What will you ever do with your life before death's knife Provides the answer ultimate and appropriate? As I for my part felt in my heart as one who falls, Falls in a parachute, falls endlessly, and feel the vast Draft of the abyss sucking him down and down, An endlessly helplessly falling and appalled clown: This is the way that night passes by, this Is the overnight endless trip to the famous unfathomable abyss.
Written by Philip Larkin | Create an image from this poem

The Whitsun Weddings

 That Whitsun, I was late getting away:
 Not till about
One-twenty on the sunlit Saturday 
Did my three-quarters-empty train pull out,
All windows down, all cushions hot, all sense
Of being in a hurry gone.
We ran Behind the backs of houses, crossed a street Of blinding windscreens, smelt the fish-dock; thence The river's level drifting breadth began, Where sky and Lincolnshire and water meet.
All afternoon, through the tall heat that slept For miles inland, A slow and stopping curve southwards we kept.
Wide farms went by, short-shadowed cattle, and Canals with floatings of industrial froth; A hothouse flashed uniquely: hedges dipped And rose: and now and then a smell of grass Displaced the reek of buttoned carriage-cloth Until the next town, new and nondescript, Approached with acres of dismantled cars.
At first, I didn't notice what a noise The weddings made Each station that we stopped at: sun destroys The interest of what's happening in the shade, And down the long cool platforms whoops and skirls I took for porters larking with the mails, And went on reading.
Once we started, though, We passed them, grinning and pomaded, girls In parodies of fashion, heels and veils, All posed irresolutely, watching us go, As if out on the end of an event Waving goodbye To something that survived it.
Struck, I leant More promptly out next time, more curiously, And saw it all again in different terms: The fathers with broad belts under their suits And seamy foreheads; mothers loud and fat; An uncle shouting smut; and then the perms, The nylon gloves and jewellery-substitutes, The lemons, mauves, and olive-ochres that Marked off the girls unreally from the rest.
Yes, from cafés And banquet-halls up yards, and bunting-dressed Coach-party annexes, the wedding-days Were coming to an end.
All down the line Fresh couples climbed aboard: the rest stood round; The last confetti and advice were thrown, And, as we moved, each face seemed to define Just what it saw departing: children frowned At something dull; fathers had never known Success so huge and wholly farcical; The women shared The secret like a happy funeral; While girls, gripping their handbags tighter, stared At a religious wounding.
Free at last, And loaded with the sum of all they saw, We hurried towards London, shuffling gouts of steam.
Now fields were building-plots, and poplars cast Long shadows over major roads, and for Some fifty minutes, that in time would seem Just long enough to settle hats and say I nearly died, A dozen marriages got under way.
They watched the landscape, sitting side by side - An Odeon went past, a cooling tower, And someone running up to bowl - and none Thought of the others they would never meet Or how their lives would all contain this hour.
I thought of London spread out in the sun, Its postal districts packed like squares of wheat: There we were aimed.
And as we raced across Bright knots of rail Past standing Pullmans, walls of blackened moss Came close, and it was nearly done, this frail Travelling coincidence; and what it held stood ready to be loosed with all the power That being changed can give.
We slowed again, And as the tightened brakes took hold, there swelled A sense of falling, like an arrow-shower Sent out of sight, somewhere becoming rain.
Written by Walt Whitman | Create an image from this poem

After the Sea-Ship

 AFTER the Sea-Ship—after the whistling winds; 
After the white-gray sails, taut to their spars and ropes, 
Below, a myriad, myriad waves, hastening, lifting up their necks, 
Tending in ceaseless flow toward the track of the ship: 
Waves of the ocean, bubbling and gurgling, blithely prying,
Waves, undulating waves—liquid, uneven, emulous waves, 
Toward that whirling current, laughing and buoyant, with curves, 
Where the great Vessel, sailing and tacking, displaced the surface; 
Larger and smaller waves, in the spread of the ocean, yearnfully flowing; 
The wake of the Sea-Ship, after she passes—flashing and frolicsome, under the sun,
A motley procession, with many a fleck of foam, and many fragments, 
Following the stately and rapid Ship—in the wake following.


Written by Thomas Hardy | Create an image from this poem

Her Death And After

 'TWAS a death-bed summons, and forth I went
By the way of the Western Wall, so drear
On that winter night, and sought a gate--
The home, by Fate,
Of one I had long held dear.
And there, as I paused by her tenement, And the trees shed on me their rime and hoar, I thought of the man who had left her lone-- Him who made her his own When I loved her, long before.
The rooms within had the piteous shine The home-things wear which the housewife miss; From the stairway floated the rise and fall Of an infant's call, Whose birth had brought her to this.
Her life was the price she would pay for that whine-- For a child by the man she did not love.
"But let that rest forever," I said, And bent my tread To the chamber up above.
She took my hand in her thin white own, And smiled her thanks--though nigh too weak-- And made them a sign to leave us there; Then faltered, ere She could bring herself to speak.
"'Twas to see you before I go--he'll condone Such a natural thing now my time's not much-- When Death is so near it hustles hence All passioned sense Between woman and man as such! "My husband is absent.
As heretofore The City detains him.
But, in truth, He has not been kind.
.
.
.
I will speak no blame, But--the child is lame; O, I pray she may reach his ruth! "Forgive past days--I can say no more-- Maybe if we'd wedded you'd now repine!.
.
.
But I treated you ill.
I was punished.
Farewell! --Truth shall I tell? Would the child were yours and mine! "As a wife I was true.
But, such my unease That, could I insert a deed back in Time, I'd make her yours, to secure your care; And the scandal bear, And the penalty for the crime!" --When I had left, and the swinging trees Rang above me, as lauding her candid say, Another was I.
Her words were enough: Came smooth, came rough, I felt I could live my day.
Next night she died; and her obsequies In the Field of Tombs, by the Via renowned, Had her husband's heed.
His tendance spent, I often went And pondered by her mound.
All that year and the next year whiled, And I still went thitherward in the gloam; But the Town forgot her and her nook, And her husband took Another Love to his home.
And the rumor flew that the lame lone child Whom she wished for its safety child of mine, Was treated ill when offspring came Of the new-made dame, And marked a more vigorous line.
A smarter grief within me wrought Than even at loss of her so dear; Dead the being whose soul my soul suffused, Her child ill-used, I helpless to interfere! One eve as I stood at my spot of thought In the white-stoned Garth, brooding thus her wrong, Her husband neared; and to shun his view By her hallowed mew I went from the tombs among To the Cirque of the Gladiators which faced-- That haggard mark of Imperial Rome, Whose Pagan echoes mock the chime Of our Christian time: It was void, and I inward clomb.
Scarce had night the sun's gold touch displaced From the vast Rotund and the neighboring dead When her husband followed; bowed; half-passed, With lip upcast; Then, halting, sullenly said: "It is noised that you visit my first wife's tomb.
Now, I gave her an honored name to bear While living, when dead.
So I've claim to ask By what right you task My patience by vigiling there? "There's decency even in death, I assume; Preserve it, sir, and keep away; For the mother of my first-born you Show mind undue! --Sir, I've nothing more to say.
" A desperate stroke discerned I then-- God pardon--or pardon not--the lie; She had sighed that she wished (lest the child should pine Of slights) 'twere mine, So I said: "But the father I.
"That you thought it yours is the way of men; But I won her troth long ere your day: You learnt how, in dying, she summoned me? 'Twas in fealty.
--Sir, I've nothing more to say, "Save that, if you'll hand me my little maid, I'll take her, and rear her, and spare you toil.
Think it more than a friendly act none can; I'm a lonely man, While you've a large pot to boil.
"If not, and you'll put it to ball or blade-- To-night, to-morrow night, anywhen-- I'll meet you here.
.
.
.
But think of it, And in season fit Let me hear from you again.
" --Well, I went away, hoping; but nought I heard Of my stroke for the child, till there greeted me A little voice that one day came To my window-frame And babbled innocently: "My father who's not my own, sends word I'm to stay here, sir, where I belong!" Next a writing came: "Since the child was the fruit Of your passions brute, Pray take her, to right a wrong.
" And I did.
And I gave the child my love, And the child loved me, and estranged us none.
But compunctions loomed; for I'd harmed the dead By what I'd said For the good of the living one.
--Yet though, God wot, I am sinner enough, And unworthy the woman who drew me so, Perhaps this wrong for her darling's good She forgives, or would, If only she could know!
Written by Stephen Crane | Create an image from this poem

The trees in the garden rained flowers

 The trees in the garden rained flowers.
Children ran there joyously.
They gathered the flowers Each to himself.
Now there were some Who gathered great heaps -- Having opportunity and skill -- Until, behold, only chance blossoms Remained for the feeble.
Then a little spindling tutor Ran importantly to the father, crying: "Pray, come hither! See this unjust thing in your garden!" But when the father had surveyed, He admonished the tutor: "Not so, small sage! This thing is just.
For, look you, Are not they who possess the flowers Stronger, bolder, shrewder Than they who have none? Why should the strong -- The beautiful strong -- Why should they not have the flowers?" Upon reflection, the tutor bowed to the ground, "My lord," he said, "The stars are displaced By this towering wisdom.
"
Written by Robert Browning | Create an image from this poem

Porphyrias Lover

 The rain set early in tonight, 
 The sullen wind was soon awake, 
It tore the elm-tops down for spite, 
 And did its worst to vex the lake: 
 I listened with heart fit to break.
When glided in Porphyria; straight She shut the cold out and the storm, And kneeled and made the cheerless grate Blaze up, and all the cottage warm; Which done, she rose, and from her form Withdrew the dripping cloak and shawl, And laid her soiled gloves by, untied Her hat and let the damp hair fall, And, last, she sat down by my side And called me.
When no voice replied, She put my arm about her waist, And made her smooth white shoulder bare, And all her yellow hair displaced, And, stooping, made my cheek lie there, And spread, o'er all, her yellow hair, Murmuring how she loved me--she Too weak, for all her heart's endeavor, To set its struggling passion free From pride, and vainer ties dissever, And give herself to me forever.
But passion sometimes would prevail, Nor could tonight's gay feast restrain A sudden thought of one so pale For love of her, and all in vain: So, she was come through wind and rain.
Be sure I looked up at her eyes Happy and proud; at last I knew Porphyria worshiped me: surprise Made my heart swell, and still it grew While I debated what to do.
That moment she was mine, mine, fair, Perfectly pure and good: I found A thing to do, and all her hair In one long yellow string I wound Three times her little throat around, And strangled her.
No pain felt she; I am quite sure she felt no pain.
As a shut bud that holds a bee, I warily oped her lids: again Laughed the blue eyes without a stain.
And I untightened next the tress About her neck; her cheek once more Blushed bright beneath my burning kiss: I propped her head up as before Only, this time my shoulder bore Her head, which droops upon it still: The smiling rosy little head, So glad it has its utmost will, That all it scorned at once is fled, And I, its love, am gained instead! Porphyria's love: she guessed not how Her darling one wish would be heard.
And thus we sit together now, And all night long we have not stirred, And yet God has not said a word!
Written by Robert Louis Stevenson | Create an image from this poem

Ne Sit Ancillae Tibi Amor Pudor

 THERE'S just a twinkle in your eye
That seems to say I MIGHT, if I
Were only bold enough to try
An arm about your waist.
I hear, too, as you come and go, That pretty nervous laugh, you know; And then your cap is always so Coquettishly displaced.
Your cap! the word's profanely said.
That little top-knot, white and red, That quaintly crowns your graceful head, No bigger than a flower, Is set with such a witching art, Is so provocatively smart, I'd like to wear it on my heart, An order for an hour! O graceful housemaid, tall and fair, I love your shy imperial air, And always loiter on the stair When you are going by.
A strict reserve the fates demand; But, when to let you pass I stand, Sometimes by chance I touch your hand And sometimes catch your eye.

Book: Shattered Sighs