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Best Famous Disgrace Poems

Here is a collection of the all-time best famous Disgrace poems. This is a select list of the best famous Disgrace poetry. Reading, writing, and enjoying famous Disgrace poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of disgrace poems.

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Written by William Shakespeare | Create an image from this poem

Sonnet 29

When, in disgrace with fortune and men's eyes,
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself, and curse my fate,
Wishing me like to one more rich in hope,
Featured like him, like him with friends possessed,
Desiring this man's art and that man's scope,
With what I most enjoy contented least;
Yet in these thoughts myself almost despising,
Haply I think on thee—and then my state,
Like to the lark at break of day arising
From sullen earth, sings hymns at heaven's gate;
   For thy sweet love rememb'red such wealth brings
   That then I scorn to change my state with kings.


Written by William Shakespeare | Create an image from this poem

Sonnet XXXIV

 Why didst thou promise such a beauteous day,
And make me travel forth without my cloak,
To let base clouds o'ertake me in my way,
Hiding thy bravery in their rotten smoke?
'Tis not enough that through the cloud thou break,
To dry the rain on my storm-beaten face,
For no man well of such a salve can speak
That heals the wound and cures not the disgrace:
Nor can thy shame give physic to my grief;
Though thou repent, yet I have still the loss:
The offender's sorrow lends but weak relief
To him that bears the strong offence's cross.
Ah! but those tears are pearl which thy love sheds, And they are rich and ransom all ill deeds.
Written by Robert William Service | Create an image from this poem

The Ballad Of Caseys Billy-Goat

 You've heard of "Casey at The Bat,"
 And "Casey's Tabble Dote";
 But now it's time
 To write a rhyme
 Of "Casey's Billy-goat.
" Pat Casey had a billy-goat he gave the name of Shamus, Because it was (the neighbours said) a national disgrace.
And sure enough that animal was eminently famous For masticating every rag of laundry round the place.
For shirts to skirts prodigiously it proved its powers of chewing; The question of digestion seemed to matter not at all; But you'll agree, I think with me, its limit of misdoing Was reached the day it swallowed Missis Rooney's ould red shawl.
Now Missis Annie Rooney was a winsome widow women, And many a bouncing boy had sought to make her change her name; And living just across the way 'twas surely only human A lonesome man like Casey should be wishfully the same.
So every Sunday, shaved and shined, he'd make the fine occasion To call upon the lady, and she'd take his and coat; And supping tea it seemed that she might yield to his persuasion, But alas! he hadn't counted on that devastating goat.
For Shamus loved his master with a deep and dumb devotion, And everywhere that Casey went that goat would want to go; And though I cannot analyze a quadruped's emotion, They said the baste was jealous, and I reckon it was so.
For every time that Casey went to call on Missis Rooney, Beside the gate the goat would wait with woefulness intense; Until one day it chanced that they were fast becoming spooney, When Shamus spied that ould red shawl a-flutter on the fence.
Now Missis Rooney loved that shawl beyond all rhyme or reason, And maybe 'twas an heirloom or a cherished souvenir; For judging by the way she wore it season after season, I might have been as precious as a product of Cashmere.
So Shamus strolled towards it, and no doubt the colour pleased him, For he biffed it and he sniffed it, as most any goat might do; Then his melancholy vanished as a sense of hunger seized him, And he wagged his tail with rapture as he started in to chew.
"Begorrah! you're a daisy," said the doting Mister Casey to the blushing Widow Rooney as they parted at the door.
"Wid yer tinderness an' tazin' sure ye've set me heart a-blazin', And I dread the day I'll nivver see me Anniw anny more.
" "Go on now wid yer blarney," said the widow softly sighing; And she went to pull his whiskers, when dismay her bosom smote.
.
.
.
Her ould red shawl! 'Twas missin' where she'd left it bravely drying - Then she saw it disappearing - down the neck of Casey's goat.
Fiercely flamed her Irish temper, "Look!" says she, "The thavin' divvle! Sure he's made me shawl his supper.
Well, I hope it's to his taste; But excuse me, Mister Casey, if I seem to be oncivil, For I'll nivver wed a man wid such a misbegotten baste.
" So she slammed the door and left him in a state of consternation, And he couldn't understand it, till he saw that grinning goat: Then with eloquence he cussed it, and his final fulmination Was a poem of profanity impossible to quote.
So blasting goats and petticoats and feeling downright sinful, Despairfully he wandered in to Shinnigan's shebeen; And straightway he proceeded to absorb a might skinful Of the deadliest variety of Shinnigan's potheen.
And when he started homeward it was in the early morning, But Shamus followed faithfully, a yard behind his back; Then Casey slipped and stumbled, and without the slightest warning like a lump of lead he tumbled - right across the railroad track.
And there he lay, serenely, and defied the powers to budge him, Reposing like a baby, with his head upon the rail; But Shamus seemed unhappy, and from time to time would nudge him, Though his prods to protestation were without the least avail.
Then to that goatish mind, maybe, a sense of fell disaster Came stealing like a spectre in the dim and dreary dawn; For his bleat of warning blended with the snoring of his master In a chorus of calamity - but Casey slumbered on.
Yet oh, that goat was troubled, for his efforts were redoubled; Now he tugged at Casey's whisker, now he nibbled at his ear; Now he shook him by the shoulder, and with fear become bolder, He bellowed like a fog-horn, but the sleeper did not hear.
Then up and down the railway line he scampered for assistance; But anxiously he hurried back and sought with tug and strain To pull his master off the track .
.
.
when sudden! in the distance He heard the roar and rumble of the fast approaching train.
Did Shamus faint and falter? No, he stood there stark and splendid.
True, his tummy was distended, but he gave his horns a toss.
By them his goathood's honour would be gallantly defended, And if their valour failed him - he would perish with his boss So dauntlessly he lowered his head, and ever clearer, clearer, He heard the throb and thunder of the Continental Mail.
He would face the mighty monster.
It was coming nearer, nearer; He would fight it, he would smite it, but he'd never show his tail.
Can you see that hirsute hero, standing there in tragic glory? Can you hear the Pullman porters shrieking horror to the sky? No, you can't; because my story has no end so grim and gory, For Shamus did not perish and his master did not die.
At this very present moment Casey swaggers hale and hearty, And Shamus strolls beside him with a bright bell at his throat; While recent Missis Rooney is the gayest of the party, For now she's Missis Casey and she's crazy for that goat.
You're wondering what happened? Well, you know that truth is stranger Than the wildest brand of fiction, so Ill tell you without shame.
.
.
.
There was Shamus and his master in the face of awful danger, And the giant locomotive dashing down in smoke and flame.
.
.
.
What power on earth could save them? Yet a golden inspiration To gods and goats alike may come, so in that brutish brain A thought was born - the ould red shawl.
.
.
.
Then rearing with elation, Like lightning Shamus threw it up - AND FLAGGED AND STOPPED THE TRAIN.
Written by Wystan Hugh (W H) Auden | Create an image from this poem

In Memory of W. B. Yeats

I


He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
And snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.
Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.
But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.
Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.
But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the Bourse,
And the poor have the sufferings to which they are fairly accustomed,
And each in the cell of himself is almost convinced of his freedom,
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.
What instruments we have agree
The day of his death was a dark cold day.
 You were silly like us; your gift survived it all:
The parish of rich women, physical decay,
Yourself.
Mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.

 Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.

In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;
Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.

Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;
With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;
In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.
Written by Emily Brontë | Create an image from this poem

Honours Martyr

 The moon is full this winter night;
The stars are clear, though few;
And every window glistens bright,
With leaves of frozen dew.
The sweet moon through your lattice gleams And lights your room like day; And there you pass, in happy dreams, The peaceful hours away! While I, with effort hardly quelling The anguish in my breast, Wander about the silent dwelling, And cannot think of rest.
The old clock in the gloomy hall Ticks on, from hour to hour; And every time its measured call Seems lingering slow and slower: And oh, how slow that keen-eyed star Has tracked the chilly grey! What, watching yet! how very far The morning lies away! Without your chamber door I stand; Love, are you slumbering still? My cold heart, underneath my hand, Has almost ceased to thrill.
Bleak, bleak the east wind sobs and sighs, And drowns the turret bell, Whose sad note, undistinguished, dies Unheard, like my farewell! To-morrow, Scorn will blight my name, And Hate will trample me, Will load me with a coward's shame? A traitor's perjury.
False friends will launch their covert sneers; True friends will wish me dead; And I shall cause the bitterest tears That you have ever shed.
The dark deeds of my outlawed race Will then like virtues shine; And men will pardon their disgrace, Beside the guilt of mine.
For, who forgives the accursed crime Of dastard treachery? Rebellion, in its chosen time, May Freedom's champion be; Revenge may stain a righteous sword, It may be just to slay; But, traitor, traitor, from that word All true breasts shrink away! Oh, I would give my heart to death, To keep my honour fair; Yet, I'll not give my inward faith My honour's name to spare! Not even to keep your priceless love, Dare I, Beloved, deceive; This treason should the future prove, Then, only then, believe! I know the path I ought to go; I follow fearlessly, Inquiring not what deeper woe Stern duty stores for me.
So foes pursue, and cold allies Mistrust me, every one: Let me be false in others' eyes, If faithful in my own.


Written by Mary Darby Robinson | Create an image from this poem

The Mistletoe (A Christmas Tale)

 A farmer's wife, both young and gay,
And fresh as op'ning buds of May;
Had taken to herself, a Spouse,
And plighted many solemn vows,
That she a faithful mate would prove,
In meekness, duty, and in love!
That she, despising joy and wealth,
Would be, in sickness and in health,
His only comfort and his Friend--
But, mark the sequel,--and attend!

This Farmer, as the tale is told--
Was somewhat cross, and somewhat old!
His, was the wintry hour of life,
While summer smiled before his wife;
A contrast, rather form'd to cloy
The zest of matrimonial joy!

'Twas Christmas time, the peasant throng
Assembled gay, with dance and Song:
The Farmer's Kitchen long had been
Of annual sports the busy scene;
The wood-fire blaz'd, the chimney wide
Presented seats, on either side;
Long rows of wooden Trenchers, clean,
Bedeck'd with holly-boughs, were seen;
The shining Tankard's foamy ale
Gave spirits to the Goblin tale,
And many a rosy cheek--grew pale.
It happen'd, that some sport to shew The ceiling held a MISTLETOE.
A magic bough, and well design'd To prove the coyest Maiden, kind.
A magic bough, which DRUIDS old Its sacred mysteries enroll'd; And which, or gossip Fame's a liar, Still warms the soul with vivid fire; Still promises a store of bliss While bigots snatch their Idol's kiss.
This MISTLETOE was doom'd to be The talisman of Destiny; Beneath its ample boughs we're told Full many a timid Swain grew bold; Full many a roguish eye askance Beheld it with impatient glance, And many a ruddy cheek confest, The triumphs of the beating breast; And many a rustic rover sigh'd Who ask'd the kiss, and was denied.
First MARG'RY smil'd and gave her Lover A Kiss; then thank'd her stars, 'twas over! Next, KATE, with a reluctant pace, Was tempted to the mystic place; Then SUE, a merry laughing jade A dimpled yielding blush betray'd; While JOAN her chastity to shew Wish'd "the bold knaves would serve her so," She'd "teach the rogues such wanton play!" And well she could, she knew the way.
The FARMER, mute with jealous care, Sat sullen, in his wicker chair; Hating the noisy gamesome host Yet, fearful to resign his post; He envied all their sportive strife But most he watch'd his blooming wife, And trembled, lest her steps should go, Incautious, near the MISTLETOE.
Now HODGE, a youth of rustic grace With form athletic; manly face; On MISTRESS HOMESPUN turn'd his eye And breath'd a soul-declaring sigh! Old HOMESPUN, mark'd his list'ning Fair And nestled in his wicker chair; HODGE swore, she might his heart command-- The pipe was dropp'd from HOMESPUN'S hand! HODGE prest her slender waist around; The FARMER check'd his draught, and frown'd! And now beneath the MISTLETOE 'Twas MISTRESS HOMESPUN'S turn to go; Old Surly shook his wicker chair, And sternly utter'd--"Let her dare!" HODGE, to the FARMER'S wife declar'd Such husbands never should be spar'd; Swore, they deserv'd the worst disgrace, That lights upon the wedded race; And vow'd--that night he would not go Unblest, beneath the MISTLETOE.
The merry group all recommend An harmless Kiss, the strife to end: "Why not ?" says MARG'RY, "who would fear, "A dang'rous moment, once a year?" SUSAN observ'd, that "ancient folks "Were seldom pleas'd with youthful jokes;" But KATE, who, till that fatal hour, Had held, o'er HODGE, unrivall'd pow'r, With curving lip and head aside Look'd down and smil'd in conscious pride, Then, anxious to conceal her care, She humm'd--"what fools some women are!" Now, MISTRESS HOMESPUN, sorely vex'd, By pride and jealous rage perplex'd, And angry, that her peevish spouse Should doubt her matrimonial vows, But, most of all, resolved to make An envious rival's bosom ache; Commanded Hodge to let her go, Nor lead her to the Mistletoe; "Why should you ask it o'er and o'er?" Cried she, "we've been there twice before!" 'Tis thus, to check a rival's sway, That Women oft themselves betray; While VANITY, alone, pursuing, They rashly prove, their own undoing.
Written by Anne Sexton | Create an image from this poem

The Legend Of The One-Eyed Man

 Like Oedipus I am losing my sight.
LIke Judas I have done my wrong.
Their punishment is over; the shame and disgrace of it are all used up.
But as for me, look into my face and you will know that crimes dropped upon me as from a high building and although I cannot speak of them or explain the degrading details I have remembered much about Judas - about Judas, the old and the famous - that you overlooked.
The story of his life is the story of mine.
I have one glass eye.
My nerves push against its painted surface but the other one waiting for judgement continues to see .
.
.
Of course the New Testament is very small.
Its mouth opens four times - as out-of-date as a prehistoric monster, yet somehow man-made held together by pullies like the stone jaw of a back-hoe.
It gouges out the Judaic ground, taking its own backyard like a virgin daughter.
And furthermore how did Judas come into it - that Judas Iscariot, belonging to the tribe of Reuben? He should have tried to lift him up there! His neck like an iron pole, hard as Newcastle, his heart as stiff as beeswax, his legs swollen and unmarked, his other limbs still growing.
All of it heavy! That dead weight that would have been his fault .
He should have known! In the first place who builds up such ugliness? I think of this man saying .
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Look! Here's the price to do it plus the cost of the raw materials and if it took him three or four days to do it, then, they'd understand.
They figured it weighed enough to support a man.
They said, fifteen stone is the approximate weight of a thief.
Its ugliness is a matter of custom.
If there was a mistake made then the Crucifix was constructed wrong .
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not from the quality of the pine, not from hanging a mirror, not from dropping the studding or the drill but from having an inspriation.
But Judas was not a genius or under the auspices of an inspiration.
I don't know whether it was gold or silver.
I don't know why he betrayed him other than his motives, other than the avaricious and dishonest man.
And then there were the forbidden crimes, those that were expressly foretold, and then overlooked and then forgotten except by me .
.
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Judas had a mother just as I had a mother.
Oh! Honor and relish the facts! Do not think of the intense sensation I have as I tell you this but think only .
.
.
Judas had a mother.
His mother had a dream.
Because of this dream he was altogether managed by fate and thus he raped her.
As a crime we hear little of this.
Also he sold his God.
Written by Sir Philip Sidney | Create an image from this poem

Sonnet XIX: On Cupids Bow

 On Cupid's bow how are my heartstrings bent, 
That see my wrack, and yet embrace the same? 
When most I glory, then I feel most shame: 
I willing run, yet while I run, repent.
My best wits still their own disgrace invent: My very ink turns straight to Stella's name; And yet my words, as them my pen doth frame, Avise themselves that they are vainly spent.
For though she pass all things, yet what is all That unto me, who fare like him that both Looks to the skies and in a ditch doth fall? Oh let me prop my mind, yet in his growth, And not in Nature, for best fruits unfit: "Scholar," saith Love, "bend hitherward your wit.
"
Written by Ralph Waldo Emerson | Create an image from this poem

Fable

THE MOUNTAIN and the squirrel 
Had a quarrel; 
And the former called the latter "Little Prig.
" Bun replied You are doubtless very big; 5 But all sorts of things and weather Must be taken in together, To make up a year And a sphere.
And I think it no disgrace 10 To occupy my place.
If I'm not as large as you, You are not so small as I, And not half so spry.
I'll not deny you make 15 A very pretty squirrel track; Talents differ; all is well and wisely put; If I cannot carry forests on my back, Neither can you crack a nut.
Written by Henry Wadsworth Longfellow | Create an image from this poem

Belisarius

 I am poor and old and blind;
The sun burns me, and the wind
Blows through the city gate
And covers me with dust
From the wheels of the august
Justinian the Great.
It was for him I chased The Persians o'er wild and waste, As General of the East; Night after night I lay In their camps of yesterday; Their forage was my feast.
For him, with sails of red, And torches at mast-head, Piloting the great fleet, I swept the Afric coasts And scattered the Vandal hosts, Like dust in a windy street.
For him I won again The Ausonian realm and reign, Rome and Parthenope; And all the land was mine From the summits of Apennine To the shores of either sea.
For him, in my feeble age, I dared the battle's rage, To save Byzantium's state, When the tents of Zabergan, Like snow-drifts overran The road to the Golden Gate.
And for this, for this, behold! Infirm and blind and old, With gray, uncovered head, Beneath the very arch Of my triumphal march, I stand and beg my bread! Methinks I still can hear, Sounding distinct and near, The Vandal monarch's cry, As, captive and disgraced, With majestic step he paced,-- "All, all is Vanity!" Ah! vainest of all things Is the gratitude of kings; The plaudits of the crowd Are but the clatter of feet At midnight in the street, Hollow and restless and loud.
But the bitterest disgrace Is to see forever the face Of the Monk of Ephesus! The unconquerable will This, too, can bear;--I still Am Belisarius!

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