Written by
Carolyn Kizer |
for Maxine Kumin
Where did these enormous children come from,
More ladylike than we have ever been?
Some of ours look older than we feel.
How did they appear in their long dresses
More ladylike than we have ever been?
But they moan about their aging more than we do,
In their fragile heels and long black dresses.
They say they admire our youthful spontaneity.
They moan about their aging more than we do,
A somber group--why don't they brighten up?
Though they say they admire our youthful spontaneity
The beg us to be dignified like them
As they ignore our pleas to brighten up.
Someday perhaps we'll capture their attention
Then we won't try to be dignified like them
Nor they to be so gently patronizing.
Someday perhaps we'll capture their attention.
Don't they know that we're supposed to be the stars?
Instead they are so gently patronizing.
It makes us feel like children--second-childish?
Perhaps we're too accustomed to be stars.
The famous flowers glowing in the garden,
So now we pout like children. Second-childish?
Quaint fragments of forgotten history?
Our daughters stroll together in the garden,
Chatting of news we've chosen to ignore,
Pausing to toss us morsels of their history,
Not questions to which only we know answers.
Eyes closed to news we've chosen to ignore,
We'd rather excavate old memories,
Disdaining age, ignoring pain, avoiding mirrors.
Why do they never listen to our stories?
Because they hate to excavate old memories
They don't believe our stories have an end.
They don't ask questions because they dread the answers.
They don't see that we've become their mirrors,
We offspring of our enormous children.
|
Written by
Rg Gregory |
(a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there
poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light
people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)
and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside
a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers
it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction
there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench
the rites of words in orthodox
belief - difference is essential
and delightful (integrity's all)
quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay
(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)
can surface in a side-attempt
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works
the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and
impolitic to confront - ball
to be bounced from high art to low
when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down
and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since
plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all
fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time
and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace
they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres
all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests
inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment
these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich
poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause
everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog
to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all
the praisiest worms but in the nest
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads
winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams
prometheus gnawed by eagles
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references
and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend
agents breathing fire up their pants
those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens
universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me
above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up
waving their thin bright books
for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)
a poem from one of them is like
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that
but what i can't accept is (all
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of
shoved in wilderness by those
who've gone the gilded route (mapped out
by ego and a driving need to claim
best prick with a capital pee)
it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there
it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)
|
Written by
Jean Toomer |
The sky, lazily disdaining to pursue
The setting sun, too indolent to hold
A lengthened tournament for flashing gold,
Passively darkens for night's barbecue,
A feast of moon and men and barking hounds,
An orgy for some genius of the South
With blood-hot eyes and cane-lipped scented mouth,
Surprised in making folk-songs from soul sounds.
The sawmill blows its whistle, buzz-saws stop,
And silence breaks the bud of knoll and hill,
Soft settling pollen where plowed lands fulfill
Their early promise of a bumper crop.
Smoke from the pyramidal sawdust pile
Curls up, blue ghosts of trees, tarrying low
Where only chips and stumps are left to show
The solid proof of former domicile.
Meanwhile, the men, with vestiges of pomp,
Race memories of king and caravan,
High-priests, an ostrich, and a juju-man,
Go singing through the footpaths of the swamp.
Their voices rise . . the pine trees are guitars,
Strumming, pine-needles fall like sheets of rain . .
Their voices rise . . the chorus of the cane
Is caroling a vesper to the stars . .
O singers, resinous and soft your songs
Above the sarcred whisper of the pines,
Give virgin lips to cornfield concubines,
Bring dreams of Christ to dusky cane-lipped throngs.
|
Written by
Richard Crashaw |
LO here a little volume, but great Book
A nest of new-born sweets;
Whose native fires disdaining
To ly thus folded, and complaining
Of these ignoble sheets,
Affect more comly bands
(Fair one) from the kind hands
And confidently look
To find the rest
Of a rich binding in your Brest.
It is, in one choise handfull, heavenn; and all
Heavn’s Royall host; incamp’t thus small
To prove that true schooles use to tell,
Ten thousand Angels in one point can dwell.
It is love’s great artillery
Which here contracts itself, and comes to ly
Close couch’t in their white bosom: and from thence
As from a snowy fortresse of defence,
Against their ghostly foes to take their part,
And fortify the hold of their chast heart.
It is an armory of light
Let constant use but keep it bright,
You’l find it yeilds
To holy hands and humble hearts
More swords and sheilds
Then sin hath snares, or Hell hath darts.
Only be sure
The hands be pure
That hold these weapons; and the eyes
Those of turtles, chast and true;
Wakefull and wise;
Here is a freind shall fight for you,
Hold but this book before their heart;
Let prayer alone to play his part,
But ? the heart
That studyes this high Art
Must be a sure house-keeper
And yet no sleeper.
Dear soul, be strong.
Mercy will come e’re long
And bring his bosom fraught with blessings,
Flowers of never fading graces
To make immortall dressings
For worthy soules, whose wise embraces
Store up themselves for Him, who is alone
The Spouse of Virgins and the Virgin’s son.
But if the noble Bridegroom, when he come
Shall find the loytering Heart from home;
Leaving her chast aboad
To gadde abroad
Among the gay mates of the god of flyes;
To take her pleasure and to play
And keep the devill’s holyday;
To dance th’sunshine of some smiling
But beguiling
Spheares of sweet and sugred Lyes,
Some slippery Pair
Of false, perhaps as fair,
Flattering but forswearing eyes;
Doubtlesse some other heart
Will gett the start
Mean while, and stepping in before
Will take possession of that sacred store
Of hidden sweets and holy ioyes.
Words which are not heard with Eares
(Those tumultuous shops of noise)
Effectuall wispers, whose still voice
The soul it selfe more feeles then heares;
Amorous languishments; luminous trances;
Sights which are not seen with eyes;
Spirituall and soul-peircing glances
Whose pure and subtil lightning flyes
Home to the heart, and setts the house on fire
And melts it down in sweet desire
Yet does not stay
To ask the windows leave to passe that way;
Delicious Deaths; soft exalations
Of soul; dear and divine annihilations;
A thousand unknown rites
Of ioyes and rarefy’d delights;
A hundred thousand goods, glories, and graces,
And many a mystick thing
Which the divine embraces
Of the deare spouse of spirits with them will bring
For which it is no shame
That dull mortality must not know a name.
Of all this store
Of blessings and ten thousand more
(If when he come
He find the Heart from home)
Doubtlesse he will unload
Himself some other where,
And poure abroad
His pretious sweets
On the fair soul whom first he meets.
O fair, ? fortunate! O riche, ? dear!
O happy and thrice happy she
Selected dove
Who ere she be,
Whose early love
With winged vowes
Makes hast to meet her morning spouse
And close with his immortall kisses.
Happy indeed, who never misses
To improve that pretious hour,
And every day
Seize her sweet prey
All fresh and fragrant as he rises
Dropping with a baulmy Showr
A delicious dew of spices;
O let the blissfull heart hold fast
Her heavnly arm-full, she shall tast
At once ten thousand paradises;
She shall have power
To rifle and deflour
The rich and roseall spring of those rare sweets
Which with a swelling bosome there she meets
Boundles and infinite
Bottomles treasures
Of pure inebriating pleasures
Happy proof! she shal discover
What ioy, what blisse,
How many Heav’ns at once it is
To have her God become her Lover.
|
Written by
Emily Dickinson |
Of Bronze -- and Blaze --
The North -- Tonight --
So adequate -- it forms --
So preconcerted with itself --
So distant -- to alarms --
And Unconcern so sovereign
To Universe, or me --
Infects my simple spirit
With Taints of Majesty --
Till I take vaster attitudes --
And strut upon my stem --
Disdaining Men, and Oxygen,
For Arrogance of them --
My Splendors, are Menagerie --
But their Completeless Show
Will entertain the Centuries
When I, am long ago,
An Island in dishonored Grass --
Whom none but Beetles -- know.
|
Written by
Andrew Marvell |
See how the Orient Dew,
Shed from the Bosom of the Morn
Into the blowing Roses,
Yet careless of its Mansion new;
For the clear Region where 'twas born
Round in its self incloses:
And in its little Globes Extent,
Frames as it can its native Element.
How it the purple flow'r does slight,
Scarce touching where it lyes,
But gazing back upon the Skies,
Shines with a mournful Light;
Like its own Tear,
Because so long divided from the Sphear.
Restless it roules and unsecure,
Trembling lest it grow impure:
Till the warm Sun pitty it's Pain,
And to the Skies exhale it back again.
So the Soul, that Drop, that Ray
Of the clear Fountain of Eternal Day,
Could it within the humane flow'r be seen,
Remembring still its former height,
Shuns the sweat leaves and blossoms green;
And, recollecting its own Light,
Does, in its pure and circling thoughts, express
The greater Heaven in an Heaven less.
In how coy a Figure wound,
Every way it turns away:
So the World excluding round,
Yet receiving in the Day.
Dark beneath, but bright above:
Here disdaining, there in Love.
How loose and easie hence to go:
How girt and ready to ascend.
Moving but on a point below,
It all about does upwards bend.
Such did the Manna's sacred Dew destil;
White, and intire, though congeal'd and chill.
Congeal'd on Earth: but does, dissolving, run
Into the Glories of th' Almighty Sun.
|
Written by
James Joyce |
I hear an army charging upon the land,
And the thunder of horses plunging, foam about their knees:
Arrogant, in black armour, behind them stand,
Disdaining the reins, with fluttering whips, the charioteers.
They cry unto the night their battle-name:
I moan in sleep when I hear afar their whirling laughter.
They cleave the gloom of dreams, a blinding flame,
Clanging, clanging upon the heart as upon an anvil.
They come shaking in triumph their long, green hair:
They come out of the sea and run shouting by the shore.
My heart, have you no wisdom thus to despair?
My love, my love, my love, why have you left me alone?
|
Written by
John McCrae |
Amid my books I lived the hurrying years,
Disdaining kinship with my fellow man;
Alike to me were human smiles and tears,
I cared not whither Earth's great life-stream ran,
Till as I knelt before my mouldered shrine,
God made me look into a woman's eyes;
And I, who thought all earthly wisdom mine,
Knew in a moment that the eternal skies
Were measured but in inches, to the quest
That lay before me in that mystic gaze.
"Surely I have been errant: it is best
That I should tread, with men their human ways."
God took the teacher, ere the task was learned,
And to my lonely books again I turned.
|
Written by
Anne Killigrew |
I Sing the Man that never Equal knew,
Whose Mighty Arms all Asia did subdue,
Whose Conquests through the spacious World do ring,
That City-Raser, King-destroying King,
Who o're the Warlike Macedons did Reign,
And worthily the Name of Great did gain.
This is the Prince (if Fame you will believe,
To ancient Story any credit give.)
Who when the Globe of Earth he had subdu'd,
With Tears the easie Victory pursu'd;
Because that no more Worlds there were to win,
No further Scene to act his Glorys in.
Ah that some pitying Muse would now inspire
My frozen style with a Poetique fire,
And Raptures worthy of his Matchless Fame,
Whose Deeds I sing, whose never fading Name
Long as the world shall fresh and deathless last,
No less to future Ages, then the past.
Great my presumption is, I must confess,
But if I thrive, my Glory's ne're the less;
Nor will it from his Conquests derogate
A Female Pen his Acts did celebrate.
If thou O Muse wilt thy assistance give,
Such as made Naso and great Maro live,
With him whom Melas fertile Banks did bear,
Live, though their Bodies dust and ashes are;
Whose Laurels were not fresher, than their Fame
Is now, and will for ever be the same.
If the like favour thou wilt grant to me,
O Queen of Verse, I'll not ungrateful be,
My choicest hours to thee I'll Dedicate,
'Tis thou shalt rule, 'tis thou shalt be my Fate.
But if Coy Goddess thou shalt this deny,
And from my humble suit disdaining fly,
I'll stoop and beg no more, since I know this,
Writing of him, I cannot write amiss:
His lofty Deeds will raise each feeble line,
And God-like Acts will make my Verse Divine.
'Twas at the time the golden Sun doth rise,
And with his Beams enlights the azure skies,
When lo a Troop in Silver Arms drew near,
The glorious Sun did nere so bright appear;
Dire Scarlet Plumes adorn'd their haughty Crests,
And crescent Shields did shade their shining Brests;
Down from their shoulders hung a Panthers Hide,
A Bow and Quiver ratled by their side;
Their hands a knotty well try'd Speare did bear,
Jocund they seem'd, and quite devoyd of fear.
These warlike Virgins were, that do reside
Near Thermodons smooth Banks and verdant side,
The Plains of Themiscyre their Birth do boast,
Thalestris now did head the beauteous Host;
She emulating that Illustrious Dame,
Who to the aid of Troy and Priam came,
And her who the Retulian Prince did aid,
Though dearly both for their Assistance paid.
But fear she scorn'd, nor the like fate did dread,
Her Host she often to the field had lead,
As oft in Triumph had return'd again,
Glory she only sought for all her pain.
This Martial Queen had heard how lowdly fame,
Eccho'd our Conquerors redoubted Name,
Her Soul his Conduct and his Courage fir'd,
To see the Hero she so much admir'd;
And to Hyrcania for this cause she went,
Where Alexander (wholly then intent
On Triumphs and such Military sport)
At Truce with War held both his Camp and Court.
And while before the Town she did attend
Her Messengers return, she saw ascend
A cloud of Dust, that cover'd all the skie,
And still at every pause there stroke her eye.
The interrupted Beams of Burnisht Gold,
As dust the Splendour hid, or did unfold;
Loud Neighings of the Steeds, and Trumpets sound
Fill'd all the Air, and eccho'd from the ground:
The gallant Greeks with a brisk March drew near,
And their great Chief did at their Head appear.
And now come up to th'Amazonian Band,
They made a Hault and a respectful Stand:
And both the Troops (with like amazement strook)
Did each on other with deep silence look.
Th'Heroick Queen (whose high pretence to War
Cancell'd the bashful Laws and nicer Bar
Of Modesty, which did her Sex restrain)
First boldly did advance before her Train,
And thus she spake. All but a God in Name,
And that a debt Time owes unto thy Fame.
This was the first Essay of this young Lady in Poetry, but finding the Task she had undertaken hard, she laid it by till Practice and more time should make her equal to so great a Work.
|
Written by
Edgar Lee Masters |
Back and forth, back and forth, to and from the church,
With my Bible under my arm
Till I was gray and old;
Unwedded, alone in the world,
Finding brothers and sisters in the congregation,
And children in the church.
I know they laughed and thought me *****.
I knew of the eagle souls that flew high in the sunlight,
Above the spire of the church, and laughed at the church,
Disdaining me, not seeing me.
But if the high air was sweet to them, sweet was the church to me.
It was the vision, vision, vision of the poets
Democratized!
|