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Best Famous Disarrayed Poems

Here is a collection of the all-time best famous Disarrayed poems. This is a select list of the best famous Disarrayed poetry. Reading, writing, and enjoying famous Disarrayed poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of disarrayed poems.

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Written by Marilyn Hacker | Create an image from this poem

Desesperanto

 After Joseph Roth

Parce que c'était lui; parce que c'était moi.
Montaigne, De L'amitië The dream's forfeit was a night in jail and now the slant light is crepuscular.
Papers or not, you are a foreigner whose name is always difficult to spell.
You pack your one valise.
You ring the bell.
Might it not be prudent to disappear beneath that mauve-blue sky above the square fronting your cosmopolitan hotel? You know two short-cuts to the train station which could get you there, on foot, in time.
The person who's apprised of your intention and seems to be your traveling companion is merely the detritus of a dream.
You cross the lobby and go out alone.
You crossed the lobby and went out alone through the square, where two red-headed girls played hopscotch on a chalk grid, now in the shade, of a broad-leafed plane tree, now in the sun.
The lively, lovely, widowed afternoon disarmed, uncoupled, shuffled and disarrayed itself; despite itself, dismayed you with your certainties, your visa, gone from your breast-pocket, or perhaps expired.
At the reception desk, no one inquired if you'd be returning.
Now you wonder why.
When the stout conductor comes down the aisle mustached, red-faced, at first jovial, and asks for your passport, what will you say? When they ask for your passport, will you say that town's name they'd find unpronounceable which resonates, when uttered, like a bell in your mind's tower, as it did the day you carried your green schoolbag down the gray fog-cobbled street, past church, bakery, shul past farm women setting up market stalls it was so early.
"I am on my way to school in .
" You were part of the town now, not the furnished rooms you shared with Mutti, since the others disappeared.
Your knees were red with cold; your itchy wool socks had inched down, so you stooped to pull them up, a student and a citizen.
You are a student and a citizen of whatever state is transient.
You are no more or less the resident of a hotel than you were of that town whose borders were disputed and redrawn.
A prince conceded to a president.
Another language became relevant to merchants on that street a child walked down whom you remember, in the corridors of cities you inhabit, polyglot as the distinguished scholar you were not to be.
A slight accent sets you apart, but it would mark you on that peddlers'-cart street now.
Which language, after all, is yours? Which language, after all these streets, is yours, and why are you here, waiting for a train? You could have run a hot bath, read Montaigne.
But would footsteps beyond the bathroom door's bolt have disturbed the nondescript interior's familiarity, shadowed the plain blue draperies? You reflect, you know no one who would, of you, echo your author's "Because it was he; because it was I," as a unique friendship's non sequitur.
No footsteps and no friend: that makes you free.
The train approaches, wreathed in smoke like fur around the shoulders of a dowager with no time for sentimentality.
With no time for sentimentality, mulling a twice-postponed book-review, you take an empty seat.
Opposite you a voluble immigrant family is already unwrapping garlicky sausages—an unshaven man and his two red-eared sons.
You once wrote: it is true, awful, and unimportant, finally that if the opportunity occurs some of the exiles become storm-troopers; and you try, culpably, to project these three into some torch-lit future, filtering out their wrangling (one of your languages) about the next canto in their short odyssey.
The next canto in your short odyssey will open, you know this, in yet another hotel room.
They have become your mother country: benevolent anonymity of rough starched sheets, dim lamp, rickety escritoire, one window.
Your neighbors gather up their crusts and rinds.
Out of a leather satchel, the man takes their frayed identity cards, examines them.
The sons watch, pale and less talkative.
A border, passport control, draw near: rubber stamp or interrogation? You hope the customs officer lunched well; reflect on the recurrent implication of the dream's forfeit.
One night in jail?


Written by Elizabeth Bishop | Create an image from this poem

Argument

 Days that cannot bring you near
or will not,
Distance trying to appear
something more obstinate,
argue argue argue with me
endlessly
neither proving you less wanted nor less dear.
Distance: Remember all that land beneath the plane; that coastline of dim beaches deep in sand stretching indistinguishably all the way, all the way to where my reasons end? Days: And think of all those cluttered instruments, one to a fact, canceling each other's experience; how they were like some hideous calendar "Compliments of Never & Forever, Inc.
" The intimidating sound of these voices we must separately find can and shall be vanquished: Days and Distance disarrayed again and gone both for good and from the gentle battleground.
Written by Algernon Charles Swinburne | Create an image from this poem

Prelude

 Between the green bud and the red
Youth sat and sang by Time, and shed
From eyes and tresses flowers and tears,
From heart and spirit hopes and fears,
Upon the hollow stream whose bed
Is channelled by the foamless years;
And with the white the gold-haired head
Mixed running locks, and in Time's ears
Youth's dreams hung singing, and Time's truth
Was half not harsh in the ears of Youth.
Between the bud and the blown flower Youth talked with joy and grief an hour, With footless joy and wingless grief And twin-born faith and disbelief Who share the seasons to devour; And long ere these made up their sheaf Felt the winds round him shake and shower The rose-red and the blood-red leaf, Delight whose germ grew never grain, And passion dyed in its own pain.
Then he stood up, and trod to dust Fear and desire, mistrust and trust, And dreams of bitter sleep and sweet, And bound for sandals on his feet Knowledge and patience of what must And what things may be, in the heat And cold of years that rot and rust And alter; and his spirit's meat Was freedom, and his staff was wrought Of strength, and his cloak woven of thought.
For what has he whose will sees clear To do with doubt and faith and fear, Swift hopes and slow despondencies? His heart is equal with the sea's And with the sea-wind's, and his ear Is level to the speech of these, And his soul communes and takes cheer With the actual earth's equalities, Air, light, and night, hills, winds, and streams, And seeks not strength from strengthless dreams.
His soul is even with the sun Whose spirit and whose eye are one, Who seeks not stars by day, nor light And heavy heat of day by night.
Him can no God cast down, whom none Can lift in hope beyond the height Of fate and nature and things done By the calm rule of might and right That bids men be and bear and do, And die beneath blind skies or blue.
To him the lights of even and morn Speak no vain things of love or scorn, Fancies and passions miscreate By man in things dispassionate.
Nor holds he fellowship forlorn With souls that pray and hope and hate, And doubt they had better not been born, And fain would lure or scare off fate And charm their doomsman from their doom And make fear dig its own false tomb.
He builds not half of doubts and half Of dreams his own soul's cenotaph, Whence hopes and fears with helpless eyes, Wrapt loose in cast-off cerecloths, rise And dance and wring their hands and laugh, And weep thin tears and sigh light sighs, And without living lips would quaff The living spring in man that lies, And drain his soul of faith and strength It might have lived on a life's length.
He hath given himself and hath not sold To God for heaven or man for gold, Or grief for comfort that it gives, Or joy for grief's restoratives.
He hath given himself to time, whose fold Shuts in the mortal flock that lives On its plain pasture's heat and cold And the equal year's alternatives.
Earth, heaven, and time, death, life, and he, Endure while they shall be to be.
"Yet between death and life are hours To flush with love and hide in flowers; What profit save in these?" men cry: "Ah, see, between soft earth and sky, What only good things here are ours!" They say, "what better wouldst thou try, What sweeter sing of? or what powers Serve, that will give thee ere thou die More joy to sing and be less sad, More heart to play and grow more glad?" Play then and sing; we too have played, We likewise, in that subtle shade.
We too have twisted through our hair Such tendrils as the wild Loves wear, And heard what mirth the Maenads made, Till the wind blew our garlands bare And left their roses disarrayed, And smote the summer with strange air, And disengirdled and discrowned The limbs and locks that vine-wreaths bound.
We too have tracked by star-proof trees The tempest of the Thyiades Scare the loud night on hills that hid The blood-feasts of the Bassarid, Heard their song's iron cadences Fright the wolf hungering from the kid, Outroar the lion-throated seas, Outchide the north-wind if it chid, And hush the torrent-tongued ravines With thunders of their tambourines.
But the fierce flute whose notes acclaim Dim goddesses of fiery fame, Cymbal and clamorous kettledrum, Timbrels and tabrets, all are dumb That turned the high chill air to flame; The singing tongues of fire are numb That called on Cotys by her name Edonian, till they felt her come And maddened, and her mystic face Lightened along the streams of Thrace.
For Pleasure slumberless and pale, And Passion with rejected veil, Pass, and the tempest-footed throng Of hours that follow them with song Till their feet flag and voices fail, And lips that were so loud so long Learn silence, or a wearier wail; So keen is change, and time so strong, To weave the robes of life and rend And weave again till life have end.
But weak is change, but strengthless time, To take the light from heaven, or climb The hills of heaven with wasting feet.
Songs they can stop that earth found meet, But the stars keep their ageless rhyme; Flowers they can slay that spring thought sweet, But the stars keep their spring sublime; Passions and pleasures can defeat, Actions and agonies control, And life and death, but not the soul.
Because man's soul is man's God still, What wind soever waft his will Across the waves of day and night To port or shipwreck, left or right, By shores and shoals of good and ill; And still its flame at mainmast height Through the rent air that foam-flakes fill Sustains the indomitable light Whence only man hath strength to steer Or helm to handle without fear.
Save his own soul's light overhead, None leads him, and none ever led, Across birth's hidden harbour-bar, Past youth where shoreward shallows are, Through age that drives on toward the red Vast void of sunset hailed from far, To the equal waters of the dead; Save his own soul he hath no star, And sinks, except his own soul guide, Helmless in middle turn of tide.
No blast of air or fire of sun Puts out the light whereby we run With girded loins our lamplit race, And each from each takes heart of grace And spirit till his turn be done, And light of face from each man's face In whom the light of trust is one; Since only souls that keep their place By their own light, and watch things roll, And stand, have light for any soul.
A little time we gain from time To set our seasons in some chime, For harsh or sweet or loud or low, With seasons played out long ago And souls that in their time and prime Took part with summer or with snow, Lived abject lives out or sublime, And had their chance of seed to sow For service or disservice done To those days daed and this their son.
A little time that we may fill Or with such good works or such ill As loose the bonds or make them strong Wherein all manhood suffers wrong.
By rose-hung river and light-foot rill There are who rest not; who think long Till they discern as from a hill At the sun's hour of morning song, Known of souls only, and those souls free, The sacred spaces of the sea.

Book: Shattered Sighs