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Best Famous Dicing Poems

Here is a collection of the all-time best famous Dicing poems. This is a select list of the best famous Dicing poetry. Reading, writing, and enjoying famous Dicing poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of dicing poems.

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Written by Thomas Hardy | Create an image from this poem

Hap

If but some vengeful god would call to me
From up the sky, and laugh:  "Thou suffering thing,
Know that thy sorrow is my ecstasy,
That thy love's loss is my hate's profiting!"

Then would I bear it, clench myself, and die,
Steeled by the sense of ire unmerited;
Half-eased in that a Powerfuller than I
Had willed and meted me the tears I shed.

But not so.  How arrives it joy lies slain,
And why unblooms the best hope ever sown?
—Crass Casualty obstructs the sun and rain,
And dicing Time for gladness casts a moan. . . .
These purblind Doomsters had as readily strown
Blisses about my pilgrimage as pain.


Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Journey Of The Magi

 'A cold coming we had of it,
Just the worst time of the year
For a journey, and such a journey:
The ways deep and the weather sharp,
The very dead of winter.'
And the camels galled, sore-footed, 
 refractory,
Lying down in the melting snow.
There were times we regretted
The summer palaces on slopes, the 
 terraces,
And the silken girls bringing sherbet.

Then the camel men cursing and 
 grumbling
And running away, and wanting their
 liquor and women, 
And the night-fires going out, and the 
 lack of shelters, 
And the cities hostile and the towns 
 unfriendly
And the villages dirty and charging high
 prices:
A hard time we had of it.
At the end we preferred to travel all 
 night,
Sleeping in snatches,
With the voices singing in our ears, 
 saying
That this was all folly.

Then at dawn we came down to a 
 temperate valley,
Wet, below the snow line, smelling of 
 vegetation;
With a running stream and a water-mill
 beating the darkness,
And three trees on the low sky,
And an old white horse galloped in 
 away in the meadow.
Then we came to a tavern with 
 vine-leaves over the lintel,
Six hands at an open door dicing for 
 pieces of silver,
And feet kicking the empty wine-skins.
But there was no imformation, and so
 we continued
And arrived at evening, not a moment
 too soon
Finding the place; it was (you may say)
 satisfactory.

All this was a long time ago, I 
 remember,
And I would do it again, but set down
This set down
This: were we led all that way for
Birth or Death? There was a Birth, 
 certainly, 
We had evidence and no doubt. I had 
 seen birth and death,
But had thought they were different; 
 this Birth was 
Hard and bitter agony for us, like 
 Death, our death.
We returned to our places, these
 Kingdoms, 
But no longer at ease here, in the old 
 dispensation,
With an alien people clutching their 
 gods.
I should be glad of another death.
Written by Marilyn Hacker | Create an image from this poem

Morning News

 Spring wafts up the smell of bus exhaust, of bread
and fried potatoes, tips green on the branches,
repeats old news: arrogance, ignorance, war.
A cinder-block wall shared by two houses
is new rubble. On one side was a kitchen
sink and a cupboard, on the other was
a bed, a bookshelf, three framed photographs.

Glass is shattered across the photographs;
two half-circles of hardened pocket bread
sit on the cupboard. There provisionally was
shelter, a plastic truck under the branches
of a fig tree. A knife flashed in the kitchen,
merely dicing garlic. Engines of war
move inexorably toward certain houses

while citizens sit safe in other houses
reading the newspaper, whose photographs
make sanitized excuses for the war.
There are innumerable kinds of bread
brought up from bakeries, baked in the kitchen:
the date, the latitude, tell which one was
dropped by a child beneath the bloodied branches.

The uncontrolled and multifurcate branches
of possibility infiltrate houses'
walls, windowframes, ceilings. Where there was
a tower, a town: ash and burnt wires, a graph
on a distant computer screen. Elsewhere, a kitchen
table's setting gapes, where children bred 
to branch into new lives were culled for war.

Who wore this starched smocked cotton dress? Who wore
this jersey blazoned for the local branch
of the district soccer team? Who left this black bread
and this flat gold bread in their abandoned houses?
Whose father begged for mercy in the kitchen?
Whose memory will frame the photograph
and use the memory for what it was

never meant for by this girl, that old man, who was
caught on a ball field, near a window: war,
exhorted through the grief a photograph
revives. (Or was the team a covert branch
of a banned group; were maps drawn in the kitchen,
a bomb thrust in a hollowed loaf of bread?)
What did the old men pray for in their houses

of prayer, the teachers teach in schoolhouses
between blackouts and blasts, when each word was
flensed by new censure, books exchanged for bread, 
both hostage to the happenstance of war?
Sometimes the only schoolroom is a kitchen.
Outside the window, black strokes on a graph
of broken glass, birds line up on bare branches.

"This letter curves, this one spreads its branches
like friends holding hands outside their houses."
Was the lesson stopped by gunfire? Was
there panic, silence? Does a torn photograph
still gather children in the teacher's kitchen?
Are they there meticulously learning war-
time lessons with the signs for house, book, bread?
Written by Billy Collins | Create an image from this poem

I Chop Some Parsley While Listening To Art Blakeys Version Of Three Blind Mice

 And I start wondering how they came to be blind.
If it was congenital, they could be brothers and sister,
and I think of the poor mother
brooding over her sightless young triplets.

Or was it a common accident, all three caught
in a searing explosion, a firework perhaps?
If not,
if each came to his or her blindness separately,

how did they ever manage to find one another?
Would it not be difficult for a blind mouse
to locate even one fellow mouse with vision
let alone two other blind ones?

And how, in their tiny darkness,
could they possibly have run after a farmer's wife
or anyone else's wife for that matter?
Not to mention why.

Just so she could cut off their tails
with a carving knife, is the cynic's answer,
but the thought of them without eyes
and now without tails to trail through the moist grass

or slip around the corner of a baseboard
has the cynic who always lounges within me
up off his couch and at the window
trying to hide the rising softness that he feels.

By now I am on to dicing an onion
which might account for the wet stinging
in my own eyes, though Freddie Hubbard's
mournful trumpet on "Blue Moon,"

which happens to be the next cut,
cannot be said to be making matters any better.
Written by Robert Burns | Create an image from this poem

88. The Author's Earnest Cry and Prayer

 YE Irish lords, ye knights an’ squires,
Wha represent our brughs an’ shires,
An’ doucely manage our affairs
 In parliament,
To you a simple poet’s pray’rs
 Are humbly sent.


Alas! my roupit Muse is hearse!
Your Honours’ hearts wi’ grief ’twad pierce,
To see her sittin on her ****
 Low i’ the dust,
And scriechinh out prosaic verse,
 An like to brust!


Tell them wha hae the chief direction,
Scotland an’ me’s in great affliction,
E’er sin’ they laid that curst restriction
 On aqua-vit&æ;
An’ rouse them up to strong conviction,
 An’ move their pity.


Stand forth an’ tell yon Premier youth
The honest, open, naked truth:
Tell him o’ mine an’ Scotland’s drouth,
 His servants humble:
The muckle deevil blaw you south
 If ye dissemble!


Does ony great man glunch an’ gloom?
Speak out, an’ never fash your thumb!
Let posts an’ pensions sink or soom
 Wi’ them wha grant them;
If honestly they canna come,
 Far better want them.


In gath’rin votes you were na slack;
Now stand as tightly by your tack:
Ne’er claw your lug, an’ fidge your back,
 An’ hum an’ haw;
But raise your arm, an’ tell your crack
 Before them a’.


Paint Scotland greetin owre her thrissle;
Her mutchkin stowp as toom’s a whissle;
An’ d—mn’d excisemen in a bussle,
 Seizin a stell,
Triumphant crushin’t like a mussel,
 Or limpet shell!


Then, on the tither hand present her—
A blackguard smuggler right behint her,
An’ cheek-for-chow, a chuffie vintner
 Colleaguing join,
Picking her pouch as bare as winter
 Of a’ kind coin.


Is there, that bears the name o’ Scot,
But feels his heart’s bluid rising hot,
To see his poor auld mither’s pot
 Thus dung in staves,
An’ plunder’d o’ her hindmost groat
 By gallows knaves?


Alas! I’m but a nameless wight,
Trode i’ the mire out o’ sight?
But could I like Montgomeries fight,
 Or gab like Boswell, 2
There’s some sark-necks I wad draw tight,
 An’ tie some hose well.


God bless your Honours! can ye see’t—
The kind, auld cantie carlin greet,
An’ no get warmly to your feet,
 An’ gar them hear it,
An’ tell them wi’a patriot-heat
 Ye winna bear it?


Some o’ you nicely ken the laws,
To round the period an’ pause,
An’ with rhetoric clause on clause
 To mak harangues;
Then echo thro’ Saint Stephen’s wa’s
 Auld Scotland’s wrangs.


Dempster, 3 a true blue Scot I’se warran’;
Thee, aith-detesting, chaste Kilkerran; 4
An’ that glib-gabbit Highland baron,
 The Laird o’ Graham; 5
An’ ane, a chap that’s damn’d aulfarran’,
 Dundas his name: 6


Erskine, a spunkie Norland billie; 7
True Campbells, Frederick and Ilay; 8
An’ Livistone, the bauld Sir Willie; 9
 An’ mony ithers,
Whom auld Demosthenes or Tully
 Might own for brithers.


See sodger Hugh, 10 my watchman stented,
If poets e’er are represented;
I ken if that your sword were wanted,
 Ye’d lend a hand;
But when there’s ought to say anent it,
 Ye’re at a stand.


Arouse, my boys! exert your mettle,
To get auld Scotland back her kettle;
Or faith! I’ll wad my new pleugh-pettle,
 Ye’ll see’t or lang,
She’ll teach you, wi’ a reekin whittle,
 Anither sang.


This while she’s been in crankous mood,
Her lost Militia fir’d her bluid;
(Deil na they never mair do guid,
 Play’d her that pliskie!)
An’ now she’s like to rin red-wud
 About her whisky.


An’ Lord! if ance they pit her till’t,
Her tartan petticoat she’ll kilt,
An’durk an’ pistol at her belt,
 She’ll tak the streets,
An’ rin her whittle to the hilt,
 I’ the first she meets!


For God sake, sirs! then speak her fair,
An’ straik her cannie wi’ the hair,
An’ to the muckle house repair,
 Wi’ instant speed,
An’ strive, wi’ a’ your wit an’ lear,
 To get remead.


Yon ill-tongu’d tinkler, Charlie Fox,
May taunt you wi’ his jeers and mocks;
But gie him’t het, my hearty cocks!
 E’en cowe the cadie!
An’ send him to his dicing box
 An’ sportin’ lady.


Tell you guid bluid o’ auld Boconnock’s, 11
I’ll be his debt twa mashlum bonnocks,
An’ drink his health in auld Nance Tinnock’s 12
 Nine times a-week,
If he some scheme, like tea an’ winnocks,
 Was kindly seek.


Could he some commutation broach,
I’ll pledge my aith in guid braid Scotch,
He needna fear their foul reproach
 Nor erudition,
Yon mixtie-maxtie, ***** hotch-potch,
 The Coalition.


Auld Scotland has a raucle tongue;
She’s just a devil wi’ a rung;
An’ if she promise auld or young
 To tak their part,
Tho’ by the neck she should be strung,
 She’ll no desert.


And now, ye chosen Five-and-Forty,
May still you mither’s heart support ye;
Then, tho’a minister grow dorty,
 An’ kick your place,
Ye’ll snap your gingers, poor an’ hearty,
 Before his face.


God bless your Honours, a’ your days,
Wi’ sowps o’ kail and brats o’ claise,
In spite o’ a’ the thievish kaes,
 That haunt St. Jamie’s!
Your humble poet sings an’ prays,
 While Rab his name is.


POSTSCRIPTLET half-starv’d slaves in warmer skies
See future wines, rich-clust’ring, rise;
Their lot auld Scotland ne’re envies,
 But, blythe and frisky,
She eyes her freeborn, martial boys
 Tak aff their whisky.


What tho’ their Phoebus kinder warms,
While fragrance blooms and beauty charms,
When wretches range, in famish’d swarms,
 The scented groves;
Or, hounded forth, dishonour arms
 In hungry droves!


Their gun’s a burden on their shouther;
They downa bide the stink o’ powther;
Their bauldest thought’s a hank’ring swither
 To stan’ or rin,
Till skelp—a shot—they’re aff, a’throw’ther,
 To save their skin.


But bring a Scotchman frae his hill,
Clap in his cheek a Highland gill,
Say, such is royal George’s will,
 An’ there’s the foe!
He has nae thought but how to kill
 Twa at a blow.


Nae cauld, faint-hearted doubtings tease him;
Death comes, wi’ fearless eye he sees him;
Wi’bluidy hand a welcome gies him;
 An’ when he fa’s,
His latest draught o’ breathin lea’es him
 In faint huzzas.


Sages their solemn een may steek,
An’ raise a philosophic reek,
An’ physically causes seek,
 In clime an’ season;
But tell me whisky’s name in Greek
 I’ll tell the reason.


Scotland, my auld, respected mither!
Tho’ whiles ye moistify your leather,
Till, whare ye sit on craps o’ heather,
 Ye tine your dam;
Freedom an’ whisky gang thegither!
 Take aff your dram!


 Note 1. This was written before the Act anent the Scotch distilleries, of session 1786, for which Scotland and the author return their most grateful thanks.—R. B. [back]
Note 2. James Boswell of Auchinleck, the biographer of Johnson. [back]
Note 3. George Dempster of Dunnichen. [back]
Note 4. Sir Adam Ferguson of Kilkerran, Bart. [back]
Note 5. The Marquis of Graham, eldest son of the Duke of Montrose. [back]
Note 6. Right Hon. Henry Dundas, M. P. [back]
Note 7. Probably Thomas, afterward Lord Erskine. [back]
Note 8. Lord Frederick Campbell, second brother of the Duke of Argyll, and Ilay Campbell, Lord Advocate for Scotland, afterward President of the Court of Session. [back]
Note 9. Sir Wm. Augustus Cunningham, Baronet, of Livingstone. [back]
Note 10. Col. Hugh Montgomery, afterward Earl of Eglinton. [back]
Note 11. Pitt, whose grandfather was of Boconnock in Cornwall. [back]
Note 12. A worthy old hostess of the author’s in Mauchline, where he sometimes studies politics over a glass of gude auld Scotch Drink.—R. B. [back]


Written by Robert William Service | Create an image from this poem

Playboy

 I greet the challenge of the dawn
 With weary, bleary eyes;
Into the sky so ashen wan
 I wait the sun to rise;
Then in the morning's holy hush,
 With heart of shame I hear
A robin from a lilac bush
 Pipe pure and clear.

All night in dive and dicing den,
 With wantons and with wine
I've squandered on wild, witless men
 The fortune that was mine;
The gold my father fought to save
 In folly I have spent;
And now to fill a pauper's grave
 My steps are bent.

See! how the sky is amber bright!
 The thrushes thrill their glee.
The dew-drops sparkle with delight,
 And yonder smiles the sea.
Oh let me plunge to drown the pain
 Of love and faith forgot:
Then purged I may return again,
 --Or I may not.

Book: Radiant Verses: A Journey Through Inspiring Poetry