Written by
Francis Thompson |
I fled Him down the nights and down the days
I fled Him down the arches of the years
I fled Him down the labyrinthine ways
Of my own mind, and in the midst of tears
I hid from him, and under running laughter.
Up vistaed hopes I sped and shot precipitated
Adown titanic glooms of chasme d hears
From those strong feet that followed, followed after
But with unhurrying chase and unperturbe d pace,
Deliberate speed, majestic instancy,
They beat, and a Voice beat,
More instant than the feet:
All things betray thee who betrayest me.
I pleaded, outlaw--wise by many a hearted casement,
curtained red, trellised with inter-twining charities,
For though I knew His love who followe d,
Yet was I sore adread, lest having Him,
I should have nought beside.
But if one little casement parted wide,
The gust of his approach would clash it to.
Fear wist not to evade as Love wist to pursue.
Across the margent of the world I fled,
And troubled the gold gateways of the stars,
Smiting for shelter on their clange d bars,
Fretted to dulcet jars and silvern chatter
The pale ports of the moon.
I said to Dawn --- be sudden, to Eve --- be soon,
With thy young skiey blossoms heap me over
From this tremendous Lover.
Float thy vague veil about me lest He see.
I tempted all His servitors but to find
My own betrayal in their constancy,
In faith to Him, their fickleness to me,
Their traitorous trueness and their loyal deceit.
To all swift things for swiftness did I sue,
Clung to the whistling mane of every wind,
But whether they swept, smoothly fleet,
The long savannahs of the blue,
Or whether, thunder-driven,
They clanged His chariot thwart a heaven,
Plashy with flying lightnings round the spurn of their feet,
Fear wist not to evade as Love wist to pursue.
Still with unhurrying chase and unperturbed pace
Deliberate speed, majestic instancy,
Came on the following feet, and a Voice above their beat:
Nought shelters thee who wilt not shelter Me.
I sought no more that after which I strayed
In face of Man or Maid.
But still within the little childrens' eyes
Seems something, something that replies,
They at least are for me, surely for me.
But just as their young eyes grew sudden fair,
With dawning answers there,
Their angel plucked them from me by the hair.
Come then, ye other children, Nature's
Share with me, said I, your delicate fellowship.
Let me greet you lip to lip,
Let me twine with you caresses,
Wantoning with our Lady Mother's vagrant tresses,
Banqueting with her in her wind walled palace,
Underneath her azured dai:s,
Quaffing, as your taintless way is,
From a chalice, lucent weeping out of the dayspring.
So it was done.
I in their delicate fellowship was one.
Drew the bolt of Nature's secrecies,
I knew all the swift importings on the wilful face of skies,
I knew how the clouds arise,
Spume d of the wild sea-snortings.
All that's born or dies,
Rose and drooped with,
Made them shapers of mine own moods, or wailful, or Divine.
With them joyed and was bereaven.
I was heavy with the Even,
when she lit her glimmering tapers round the day's dead sanctities.
I laughed in the morning's eyes.
I triumphed and I saddened with all weather,
Heaven and I wept together,
and its sweet tears were salt with mortal mine.
Against the red throb of its sunset heart,
I laid my own to beat
And share commingling heat.
But not by that, by that was eased my human smart.
In vain my tears were wet on Heaven's grey cheek.
For ah! we know what each other says,
these things and I; In sound I speak,
Their sound is but their stir, they speak by silences.
Nature, poor step-dame, cannot slake my drouth.
Let her, if she would owe me
Drop yon blue-bosomed veil of sky
And show me the breasts o' her tenderness.
Never did any milk of hers once bless my thirsting mouth.
Nigh and nigh draws the chase, with unperturbe d pace
Deliberate speed, majestic instancy,
And past those noise d feet, a Voice comes yet more fleet:
Lo, nought contentst thee who content'st nought Me.
Naked, I wait thy Love's uplifted stroke.
My harness, piece by piece,
thou'st hewn from me
And smitten me to my knee,
I am defenceless, utterly.
I slept methinks, and awoke.
And slowly gazing, find me stripped in sleep.
In the rash lustihead of my young powers,
I shook the pillaring hours,
and pulled my life upon me.
Grimed with smears,
I stand amidst the dust o' the mounded years--
My mangled youth lies dead beneath the heap.
My days have crackled and gone up in smoke,
Have puffed and burst like sunstarts on a stream.
Yeah, faileth now even dream the dreamer
and the lute, the lutanist.
Even the linked fantasies in whose blossomy twist,
I swung the Earth, a trinket at my wrist,
Have yielded, cords of all too weak account,
For Earth, with heavy grief so overplussed.
Ah! is thy Love indeed a weed,
albeit an Amaranthine weed,
Suffering no flowers except its own to mount?
Ah! must, Designer Infinite,
Ah! must thou char the wood 'ere thou canst limn with it ?
My freshness spent its wavering shower i' the dust.
And now my heart is as a broken fount,
Wherein tear-drippings stagnate, spilt down ever
From the dank thoughts that shiver upon the sighful branches of my
mind.
Such is.
What is to be ?
The pulp so bitter, how shall taste the rind ?
I dimly guess what Time in mists confounds,
Yet ever and anon, a trumpet sounds
From the hid battlements of Eternity.
Those shaken mists a space unsettle,
Then round the half-glimpse d turrets, slowly wash again.
But not 'ere Him who summoneth
I first have seen, enwound
With glooming robes purpureal; Cypress crowned.
His name I know, and what his trumpet saith.
Whether Man's Heart or Life it be that yield thee harvest,
Must thy harvest fields be dunged with rotten death ?
Now of that long pursuit,
Comes at hand the bruit.
That Voice is round me like a bursting Sea:
And is thy Earth so marred,
Shattered in shard on shard?
Lo, all things fly thee, for thou fliest me.
Strange, piteous, futile thing;
Wherefore should any set thee love apart?
Seeing none but I makes much of Naught (He said).
And human love needs human meriting ---
How hast thou merited,
Of all Man's clotted clay, the dingiest clot.
Alack! Thou knowest not
How little worthy of any love thou art.
Whom wilt thou find to love ignoble thee,
Save me, save only me?
All which I took from thee, I did'st but take,
Not for thy harms,
But just that thou might'st seek it in my arms.
All which thy childs mistake fancies as lost,
I have stored for thee at Home.
Rise, clasp my hand, and come.
Halts by me that Footfall.
Is my gloom, after all,
Shade of His hand, outstretched caressingly?
Ah, Fondest, Blindest, Weakest,
I am He whom thou seekest.
Thou dravest Love from thee who dravest Me.
|
Written by
Barry Tebb |
THE KINGDOM OF MY HEART
1
The halcyon settled on the Aire of our days
Kingfisher-blue it broke my heart in two
Shall I forget you? Shall I forget you?
I am the mad poet first love
You never got over
You are my blue-eyed
Madonna virgin bride
I shall carve ‘MG loves BT’
On the bark of every
Wind-bent tree in
East End Park
2
The park itself will blossom
And grow in chiaroscuro
The Victorian postcard’s view
Of avenue upon avenue
With palms and pagodas
Lakes and waterfalls and
A fountain from Versailles.
3
You shall be my queen
In the Kingdom of Deira
Land of many rivers
Aire the greatest
Isara the strong one
Robed in stillness
Wide, deep and dark.
4
In Middleton Woods
Margaret and I played
Truth or dare
She bared her breasts
To the watching stars.
5
“Milk, milk,
Lemonade, round
The corner
Chocolate spread”
Nancy chanted at
Ten in the binyard
Touching her ****,
Her ****, her bum,
Margaret joined in
Chanting in unison.
6
The skipping rope
Turned faster
And faster, slapping
The hot pavement,
Margaret skipped
In rhythm, never
Missing a beat,
Lifting the pleat
Of her skirt
Whirling and twirling.
7
Giggling and red
Margaret said
In a whisper
“When we were
Playing at Nancy’s
She pushed a spill
Of paper up her
You-know-what
She said she’d
Let you watch
If you wanted.
”
8
Margaret, this Saturday morning in June
There is a queue at the ‘Princess’ for
The matin?e, down the alley by the blank
Concrete of the cinema’s side I hide
With you, we are counting our picture
Money, I am counting the stars in your
Hair, bound with a cheap plastic comb.
9
You have no idea of my need for you
A lifetime long, every wrong decision
I made betrayed my need; forty years on
Hear my song and take my hand and move
Us to the house of love where we belong.
10
Margaret we sat in the cinema dark
Warm with the promise of a secret kiss
The wall lights glowed amber on the
Crumbling plaster, we looked with longing
At the love seats empty in the circle,
Vowing we would share one.
11
There is shouting and echoes
Of wild splashing from York
Road baths; forty years on
It stirs my memory and
Will not be gone.
12
The ghosts of tramtracks
Light up lanes
To nowhere
In Leeds Ten.
Every road
Leads nowhere
In Leeds Nine.
Motorways have cut
The city’s heart
In two; Margaret,
Our home lies buried
Under sixteen feet
Of stone.
13
Our families moved
And we were lost
I was not there to hear
The whispered secret
Of your first period.
14
God is courage’s infinite ground
Tillich said; God, give me enough
To stand another week without her
Every day gets longer, every sleep
Less deep.
15
Why can’t I find you,
Touch you,
Bind your straw-gold hair
The colour of lank
February grass?
16
Under the stone canopy
Of the Grand Arcade
I pass Europa Nightclub;
In black designer glass
I watch the faces pass
But none is like your’s,
No voice, no eyes,
No smile at all
Like your’s.
17
From Kirkstall Lock
The rhubarb crop
To Knostrop’s forcing sheds
The roots ploughed up
Arranged in beds
Of perfect darkness
Where the buds burst
With a pip, rich pink
Stalks and yellow leaves
Hand-picked by
Candle-light to
Keep the colour right
So every night the
Rhubarb train
Could go from Leeds
To Covent Garden.
18
The smell of Saturday morning
Is the smell of freedom
How the bounds may grow
Slowly slowly as I go.
“Rag-bone rag-bone
White donkey stone”
Auntie Nellie scoured
Her door step, polished
The brass knocker
Till I saw my face
Bunched like a fist
Complete with goggles
Grinning like a monkey
In a mile of mirrors.
19
Every door step had a stop
A half-stone iron weight
To hold it back and every
Step was edged with donkey
Stone in yellow or white
From the ragman or the potman
With his covered cart jingling
Jangling as it jerked hundreds
Of cups on hooks pint and
Half pint mugs and stacks of
Willow-patterned plates
From Burmantofts.
20
We heard him a mile off
Nights in summer when
He trundled round the
Corner over the cobbles
Jamming the wood brake
Blocks whoaing the horses
With their gleaming brasses
And our mams were always
Waiting where he stopped.
21
Double summer-time made
The nights go on for ever
And no-one cared any more
How long we played what
Or where and we were left
Alone and that’s all I wanted
Then or now to be left alone
Never to be called in from
The Hollows never to be
Called from Margaret.
22
City of back-to-backs
From Armley Heights
Laid out in rows
Like trees or grass
I watch you pass.
23
The Aire is slow and almost
Still
In the Bridgefield
The Joshua Tetley clock
Over the Atkinson Grimshaw
Print
Is stopped at nineteen fifty
Four
The year I left.
24
Grimshaw’s home was
Half a mile away
In Knostrop Hall
Margaret and I
Climbed the ruined
Walls her hair was
Blowing in the wind
Her eyes were stars
In the green night
Her hands were holding
My hands.
25
Half a century later
I look out over Leeds Nine
What little’s left is broken
Or changed Saturday night
Is silent and empty
The paths over the Hollows
Deserted the bell
Of St.
Hilda’s still.
26
On a single bush
The yellow roses blush
Pink in the amber light
Night settles on the
Fewstons and the Copperfields
No mothers’ voices calling us.
Lilac and velvet clover
Grew all over the Hollows
It was all the luck
We knew and when we left
Our luck went too.
27
Solid black
Velvet basalt
Polished jet
Millstone grit
Leeds Town Hall
Built with it
Soaks up the fog
Is sealed with smog
Battered buttressed
Blackened plinths
White lions’ paws
Were soft their
Smiles like your’s.
28
Narrow lanes, steep inclines,
Steps, blank walls, tight
And secret openings’
The lanes are your hips
The inclines the lines
Of your thighs, the steps
Your breasts, blank walls
Your buttocks, tight and
Secret openings your
Taut vagina’s lips.
29
There is a keening and a honing
And a winnowing in the wind
I am the surge and flow
In Winwaed’s water the last breath
Of Elmete’s King.
I am Penda crossing the Aire
Camping at Killingbeck
Conquered by Aethalwald
Ruler of Deira.
30
Life is a bird hovering
In the Hall of the King
Between darkness and darkness flickering
The stone of Scone at last lifted
And borne on the wind, Dunedin, take it
Hold it hard and fast its light
Is leaping it is freedom’s
Touchstone and firestone.
31
Eir, Ayer or Aire
I’ll still be there
Your wanderings off course
Old Ea, Old Eye, Dead Eye
Make no difference to me.
Eg-an island - is Aire’s
True source, names
Not places matter
With the risings
Of a river
Ea land-by-water
I’ll make my own way
Free, going down river
To the far-off sea.
32
Poetry is my business, my affair.
My cri-de-coeur, jongleur
Of Mercia and Elmete, Margaret,
Open your door I am heaping
Imbroglios of stars on the floor
Meet me by the Office Lock
At midnight or by the Town Hall Clock.
33
Nennius nine times have I knocked
On the door of your grave, nine times
More have I made Pilgrimage to Elmete’s
Wood where long I lay by beck and bank
Waiting for your tongue to flame
With Pentecostal fire.
34
Margaret you rode in the hollow of my hand
In the harp of my heart, searching for you
I wandered in Kirkgate Market’s midnight
Down avenues of shuttered stalls, our secrets
Kept through all the years.
From the Imperial on Beeston Hill
I watch the city spill glass towers
Of light over the horizon’s rim.
35
The railyard’s straights
Are buckled plates
Red bricks for aggregate
All lost like me
Ledsham and Ledston
Both belong to Leeds
But Ledston Luck
Is where Aire leads.
36
Held of the Crown
By seven thanes
In Saxon times
‘In regione Loidis’
Baeda scripsit
Leeds, Leeds,
You answer
All my needs.
37
A horse shoe stuck for luck
Behind a basement window:
Margaret, now we’ll see
What truth there is
In dreams and poetry!
I am at one with everyone
There is poetry
Falling from the air
And you have put it there.
38
The sign for John Eaton Street
Is planted in the back garden
Of the transport caf? between
The strands of a wire mesh fence
Straddling the cobbles of a street
That is no more, a washing line
And an abandoned caravan.
39
‘This open land to let’
Is what you get on the Hollows
Thousands of half-burned tyres
The rusty barrel of a Trumix lorry
Concrete slabs, foxgloves and condoms,
The Go-Kart Arena’s signboards,
Half the wall of Ellerby Lane School.
40
There is a mermaid singing
On East Street on an IBM poster
Her hair is lack-lustre
Her breasts are facing the camera
Her tail is like a worn-out brush.
Chimney stacks
Blind black walls
Of factories
Grimy glass
Flickering firelight
In black-leaded grates.
41
Hunslet de Ledes
Hop-scotch, hide and seek,
Bogies-on-wheels
Not one tree in Hunslet
Except in the cemetery
The lake filled in
For fifty years,
The bluebell has rung
Its last perfumed peal.
42
I couldn’t play out on Sunday
Mam and dad thought us a cut
Above the rest, it was another
Test I failed, keeping me and
Margaret apart was like the Aztecs
Tearing the heart from the living flesh.
43
Father, your office job
Didn’t save you
From the drugs
They never gave you.
44
Isaiah, my son,
You made it back
From Balliol to Beeston
At a run via the
Playing fields of Eton.
There is a keening and a honing
And a winnowing in the wind
Winwaed’s water with red bluid blent.
|
Written by
Dale Harcombe |
Frail as smoke, she drifts
through the crowded train,
bringing with her
the cold ashes of poverty.
Without a word, her bruise-blue eyes
try to niggle each passenger
to part with coins or a note.
The sign pleads her story:
Three children in foster care.
Like promises of happier times, some
passengers toss hard-edged confetti
at her, before hiding behind
newspapers or over-loud
conversations.
Others dismiss
her like an errant child
with swift, silent shakes of their heads.
I look at her canescent face
and know I have seen her before,
on a grey, Sydney day in George Street.
‘Homeless, hungry, and cold’
her sign read then, as she curled
like a cloud on the footpath
near Town Hall.
In the dusk of a blustery day,
people, toting bags emblazoned
with designer labels, walked past.
Their gaze sliding away from her like water,
they turned toward the nimbus
of lights across the street, glittering
like angels in the trees.
I walked on too, then wished I had
turned back.
But the tide
flowed against me.
With nothing else to give
I came home and wrote a poem.
© May 2003 Dale Harcombe
First published Artlook February 2005
|
Written by
William Topaz McGonagall |
Ye Sons of Mars, it gives me great content
To think there has been erected a handsome monument
In memory of the Black Watch, which is magnificent to see,
Where they first were embodied at Aberfeldy.
And as a Highland regiment they are worthy of what has been done for them,
Because a more courageous regiment we cannot find of men
Who have bravely fought and bled in defence of their country,
Especially in the Ruusian War and Soudan War they made their enemies flee.
The monument I hope will stand secure for many a long day,
And may the people of Aberfeldy always feel gay;
As they gaze upon the beautiful Black Watch monument,
I hope they will think of the brave soldiers and feel content.
'Twas in the year of 1887, and on Saturday the 12th of November,
Which the people of Aberfeldy and elsewhere will remember,
Who came all the way from Edinburgh, Glasgow, Perth and Dundee,
Besides the Pitlochry Volunteers headed the procession right manfully.
And the Perthshire Rifies joined the procession with their pipe band,
Then followed a detachment of the 42nd Righlanders so grand,
Under the command of Lieutenant McCleod,
Whose duty if was to represent the regiment of which he felt proud.
The pipe band of the Glasgow Highlanders also were there,
And Taymouth Brass Band, which discoursed sweet music I do declare;
Also military officers and the magistrates of Aberfeldy,
While in the rear came the members of Committee.
There were also Freemasons, Foresters, all in a row,
And wearing their distinctive regalias, which made a great show;
And the processionists were formed into three sides of a square
Around the monument, while the music of the bands did rend the air.
The noble Marquis of Breadalbane arrived on the ground at 1.
30,
Escorted by a guard of honour and his pipe band;
Then the bands struck up, and the pipes were set a bumming,
And all with one accord played up the "Campbell's are Coming.
"
Then his Lordship ascended a platform on the north side of the monument,
And the bands played cheerfully till their breath was almost spent;
Then his Lordship received three ringing cheers from the people there,
Then he requested the Rev.
John McLean to open the proceedings with prayer.
And after the prayer, Major Menzies stepped forward
And said, "Ladies and gentlemen, for the Black Watch I have great regard;
And the duty I have to perform gives me great content,
And that is to ask the noble Marquis to unveil this monument.
"
Then he handed the noble Marquis a Lochaber axe to unveil the Monument,
And the Marquis said, "Sir, to your request I most willingly consent.
"
Then he unveiled the monument in memory of the gallant Forty-twa,
While the bands played up the "Highland Laddie" as loud as they could blaw.
And when the bands ceased playing the noble Marquis said,
"This monument I declare is very elegantly made,
And its bold style is quite in keeping with the country I find,
And the Committee were fortunate in obtaining so able a designer as Mr.
Rhind.
"
Then, turning to the Chief Magistrate of Aberfeldy,
He said, "Sir, I have been requested by the Committee
To give you the deed conveying the monument to your care,
With the feu-charter of the ground, therefore, sir, I'd have you beware.
"
Then the Chief Magistrate Forbes to Lord Breadalbane said,
"My noble Lord, I accept the charge, and you needn't be afraid.
Really it gives me much pleasure in accepting as I now do from thee
This Memorial, along with the deeds, on behalf of Aberfeldy.
"
Then Major Menzies proposed three cheers for the burgh of Aberfeldy,
And three cheers were given right heartily.
Then the Taymouth Band played "God Save the 8ueen,"
Then the processionists marched to the New Public School, happy and serene.
Then there was a banquet held in the school,
At which three hundred sat down and ate till they were full;
And Lord Breadalbane presided, and had on his right,
Magistrates, Colonels, end Provosfs, a most beautiful sight.
And the toast of "The Queen," "Prince and Princess of Wales," were given,
Wishing them prosperity while they are living;
Then the noble Chairman proposed "The Army, Navy and Volunteers,"
Which was loudly responded to with three loud cheers.
Then Colonel Smith, of the Highland Volunteers, from Bonnie Dundee
Replied for the Volunteers right manfully.
Then the noble Chairman said, "The toast I have now to propose
Is long life and prosperity to the Royal Highlanders in spite of their foes.
"
Then the toast was drnnk with Highland honours and hearts
While Pipe-Major McDougall played "The 42nd March at Waterloo.
"
So ended the proceedings in honour of the Black Watch, the bravest of men,
And the company with one accord sung the National Anthem.
|
Written by
Robert William Service |
One day the Great Designer sought
His Clerk of Birth and Death.
Said he: "Two souls are in my thought,
to whom I gave life-breath.
I deemed my work was fitly done,
But yester-eve I saw
That in the finished brain of one
There was a tiny flaw.
"It worried me, and I would know,
Since I am all to blame,
What happened to them down below,
Of honour or of shame;
For if the later did befall,
My sorrow will be grave .
.
.
"
Then numbers astronomical
unto the Clerk he gave.
The Keeper of the Rolls replied:
"Of them I've little trace;
But one he was a Prince of pride
And one of lowly race.
One was a Holy Saint proclaimed;
For one no hell sufficed .
.
.
.
Let's see - the last was Nero named,
The other .
.
.
Jesus Christ.
"
|
Written by
Robert William Service |
Said I: "See yon vast heaven shine,--
What earthly sight diviner?
Before such radiant Design
Why doubt Designer?"
Said he: "Design is just a thought
In human cerebration,
And meaningless if Man is not
Part of creation.
"But grant Design,--we may imply
The job took toil aplenty;
Then why one sole designer, why
Not ten or twenty.
"But should there be one Source supreme
Of matter and of motion,
Why mould it like our man-machine
For daft devotion?"
Said I: "You may be right or wrong,
I'll seek not to discover .
.
.
I listen to yon starry song,--
Still, still God's lover.
"
|
Written by
Thomas Hardy |
For A.
W.
B.
SHE sought the Studios, beckoning to her side
An arch-designer, for she planned to build.
He was of wise contrivance, deeply skilled
In every intervolve of high and wide--
Well fit to be her guide.
"Whatever it be,"
Responded he,
With cold, clear voice, and cold, clear view,
"In true accord with prudent fashionings
For such vicissitudes as living brings,
And thwarting not the law of stable things,
That will I do.
"
"Shape me," she said, "high walls with tracery
And open ogive-work, that scent and hue
Of buds, and travelling bees, may come in through,
The note of birds, and singings of the sea,
For these are much to me.
"
"An idle whim!"
Broke forth from him
Whom nought could warm to gallantries:
"Cede all these buds and birds, the zephyr's call,
And scents, and hues, and things that falter all,
And choose as best the close and surly wall,
For winter's freeze.
"
"Then frame," she cried, "wide fronts of crystal glass,
That I may show my laughter and my light--
Light like the sun's by day, the stars' by night--
Till rival heart-queens, envying, wail, 'Alas,
Her glory!' as they pass.
"
"O maid misled!"
He sternly said,
Whose facile foresight pierced her dire;
"Where shall abide the soul when, sick of glee,
It shrinks, and hides, and prays no eye may see?
Those house them best who house for secrecy,
For you will tire.
"
"A little chamber, then, with swan and dove
Ranged thickly, and engrailed with rare device
Of reds and purples, for a Paradise
Wherein my Love may greet me, I my Love,
When he shall know thereof?"
"This, too, is ill,"
He answered still,
The man who swayed her like a shade.
"An hour will come when sight of such sweet nook
Would bring a bitterness too sharp to brook,
When brighter eyes have won away his look;
For you will fade.
"
Then said she faintly: "O, contrive some way--
Some narrow winding turret, quite mine own,
To reach a loft where I may grieve alone!
It is a slight thing; hence do not, I pray,
This last dear fancy slay!"
"Such winding ways
Fit not your days,"
Said he, the man of measuring eye;
"I must even fashion as my rule declares,
To wit: Give space (since life ends unawares)
To hale a coffined corpse adown the stairs;
For you will die.
"
|
Written by
Robert William Service |
I knew three sisters,--all were sweet;
Wishful to wed was I,
And wondered which would mostly meet
The matrimonial tie.
I asked the first what fate would she
Wish joy of life to bring to her.
She answered: 'I would like to be
A concert singer.
'
I asked the second, for my mind
Was set on nuptial noosing,
Unto what lot was she inclined
If she could have the choosing?
Said she: 'For woman I can see
No fortune finer,
Than to go in for Art and be
A dress designer.
'
With heavy heart I asked the third
What was her life ambition;
A maiden she in look and word
Of modest disposition.
'Alas, I dearly wish,' said she,
'My aims were deeper:
My highest hope it is to be
A good house-keeper.
'
Which did I choose? Look at my home,--
The answer's there;
As neat and sweet as honeycomb,
With children fair.
And so it humbly seems to me,
In common life,
A woman's glory is to be
A good house-wife.
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