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Written by John Wilmot | Create an image from this poem

A Satyre Against Mankind

 Were I - who to my cost already am
One of those strange, prodigious creatures, man -
A spirit free to choose for my own share
What sort of flesh and blood I pleased to wear,
I'd be a dog, a monkey, or a bear,
Or anything but that vain animal,
Who is so proud of being rational.
His senses are too gross; and he'll contrive A sixth, to contradict the other five; And before certain instinct will prefer Reason, which fifty times for one does err.
Reason, an ignis fatuus of the mind, Which leaving light of nature, sense, behind, Pathless and dangerous wand'ring ways it takes, Through Error's fenny bogs and thorny brakes; Whilst the misguided follower climbs with pain Mountains of whimsey's, heaped in his own brain; Stumbling from thought to thought, falls headlong down, Into Doubt's boundless sea where, like to drown, Books bear him up awhile, and make him try To swim with bladders of Philosophy; In hopes still to o'ertake the escaping light; The vapour dances, in his dancing sight, Till spent, it leaves him to eternal night.
Then old age and experience, hand in hand, Lead him to death, make him to understand, After a search so painful, and so long, That all his life he has been in the wrong: Huddled In dirt the reasoning engine lies, Who was so proud, so witty, and so wise.
Pride drew him in, as cheats their bubbles catch, And made him venture; to be made a wretch.
His wisdom did has happiness destroy, Aiming to know that world he should enjoy; And Wit was his vain, frivolous pretence Of pleasing others, at his own expense.
For wits are treated just like common whores, First they're enjoyed, and then kicked out of doors; The pleasure past, a threatening doubt remains, That frights th' enjoyer with succeeding pains: Women and men of wit are dangerous tools, And ever fatal to admiring fools.
Pleasure allures, and when the fops escape, 'Tis not that they're beloved, but fortunate, And therefore what they fear, at heart they hate: But now, methinks some formal band and beard Takes me to task; come on sir, I'm prepared: "Then by your Favour, anything that's writ Against this jibing, jingling knack called Wit Likes me abundantly: but you take care Upon this point not to be too severe.
Perhaps my Muse were fitter for this part, For I profess I can be very smart On Wit, which I abhor with all my heart; I long to lash it in some sharp essay, But your grand indiscretion bids me stay, And turns my tide of ink another way.
What rage Torments in your degenerate mind, To make you rail at reason, and mankind Blessed glorious man! To whom alone kind heaven An everlasting soul hath freely given; Whom his great maker took such care to make, That from himself he did the image take; And this fair frame in shining reason dressed, To dignify his nature above beast.
Reason, by whose aspiring influence We take a flight beyond material sense, Dive into mysteries, then soaring pierce The flaming limits of the universe, Search heaven and hell, Find out what's acted there, And give the world true grounds of hope and fear.
" Hold mighty man, I cry, all this we know, From the pathetic pen of Ingelo; From Patrlck's Pilgrim, Sibbes' Soliloquies, And 'tis this very reason I despise, This supernatural gift that makes a mite Think he's an image of the infinite; Comparing his short life, void of all rest, To the eternal, and the ever-blessed.
This busy, pushing stirrer-up of doubt, That frames deep mysteries, then finds them out; Filling with frantic crowds of thinking fools The reverend bedlam's, colleges and schools; Borne on whose wings each heavy sot can pierce The limits of the boundless universe; So charming ointments make an old witch fly, And bear a crippled carcass through the sky.
'Tis the exalted power whose business lies In nonsense and impossibilities.
This made a whimsical philosopher Before the spacious world his tub prefer, And we have modern cloistered coxcombs, who Retire to think 'cause they have nought to do.
But thoughts are given for action's government; Where action ceases, thought's impertinent: Our sphere of action is life's happiness, And he that thinks beyond thinks like an ass.
Thus, whilst against false reasoning I inveigh.
I own right reason, which I would obey: That reason which distinguishes by sense, And gives us rules of good and ill from thence; That bounds desires.
with a reforming will To keep 'em more in vigour, not to kill.
- Your reason hinders, mine helps to enjoy, Renewing appetites yours would destroy.
My reason is my friend, yours is a cheat, Hunger calls out, my reason bids me eat; Perversely.
yours your appetite does mock: This asks for food, that answers, 'what's o'clock' This plain distinction, sir, your doubt secures, 'Tis not true reason I despise, but yours.
Thus I think reason righted, but for man, I'll ne'er recant, defend him if you can: For all his pride, and his philosophy, 'Tis evident: beasts are in their own degree As wise at least, and better far than he.
Those creatures are the wisest who attain.
- By surest means.
the ends at which they aim.
If therefore Jowler finds and kills the hares, Better than Meres supplies committee chairs; Though one's a statesman, th' other but a hound, Jowler in justice would be wiser found.
You see how far man's wisdom here extends.
Look next if human nature makes amends; Whose principles are most generous and just, - And to whose morals you would sooner trust: Be judge yourself, I'll bring it to the test, Which is the basest creature, man or beast Birds feed on birds, beasts on each other prey, But savage man alone does man betray: Pressed by necessity; they kill for food, Man undoes man, to do himself no good.
With teeth and claws, by nature armed, they hunt Nature's allowance, to supply their want.
But man, with smiles, embraces.
friendships.
Praise, Inhumanely his fellow's life betrays; With voluntary pains works his distress, Not through necessity, but wantonness.
For hunger or for love they bite, or tear, Whilst wretched man is still in arms for fear.
For fear he arms, and is of arms afraid: From fear, to fear, successively betrayed.
Base fear, the source whence his best passions came.
His boasted honour, and his dear-bought fame.
The lust of power, to whom he's such a slave, And for the which alone he dares be brave; To which his various projects are designed, Which makes him generous, affable, and kind.
For which he takes such pains to be thought wise, And screws his actions, in a forced disguise; Leads a most tedious life in misery, Under laborious, mean hypocrisy.
Look to the bottom of his vast design, Wherein man's wisdom, power, and glory join: The good he acts.
the ill he does endure.
'Tis all from fear, to make himself secure.
Merely for safety after fame they thirst, For all men would be cowards if they durst.
And honesty's against all common sense, Men must be knaves, 'tis in their own defence.
Mankind's dishonest: if you think it fair Among known cheats to play upon the square, You'll be undone.
Nor can weak truth your reputation save, The knaves will all agree to call you knave.
Wronged shall he live, insulted o'er, oppressed, Who dares be less a villain than the rest.
Thus sir, you see what human nature craves, Most men are cowards, all men should be knaves; The difference lies, as far as I can see.
Not in the thing itself, but the degree; And all the subject matter of debate Is only, who's a knave of the first rate All this with indignation have I hurled At the pretending part of the proud world, Who, swollen with selfish vanity, devise, False freedoms, holy cheats, and formal lies, Over their fellow slaves to tyrannise.
But if in Court so just a man there be, (In Court, a just man - yet unknown to me) Who does his needful flattery direct Not to oppress and ruin, but protect: Since flattery, which way soever laid, Is still a tax: on that unhappy trade.
If so upright a statesman you can find, Whose passions bend to his unbiased mind, Who does his arts and policies apply To raise his country, not his family; Nor while his pride owned avarice withstands, Receives close bribes, from friends corrupted hands.
Is there a churchman who on God relies Whose life, his faith and doctrine justifies Not one blown up, with vain prelatic pride, Who for reproofs of sins does man deride; Whose envious heart makes preaching a pretence With his obstreperous, saucy eloquence, To chide at kings, and rail at men of sense; Who from his pulpit vents more peevlsh lies, More bitter railings, scandals, calumnies, Than at a gossiping are thrown about When the good wives get drunk, and then fall out.
None of that sensual tribe, whose talents lie In avarice, pride, sloth, and gluttony.
Who hunt good livings; but abhor good lives, Whose lust exalted, to that height arrives, They act adultery with their own wives.
And ere a score of years completed be, Can from the loftiest pulpit proudly see, Half a large parish their own progeny.
Nor doting bishop, who would be adored For domineering at the Council board; A greater fop, in business at fourscore, Fonder of serious toys, affected more, Than the gay, glittering fool at twenty proves, With all his noise, his tawdry clothes and loves.
But a meek, humble man, of honest sense, Who preaching peace does practise continence; Whose pious life's a proof he does believe Mysterious truths which no man can conceive.
If upon Earth there dwell such god-like men, I'll here recant my paradox to them, Adores those shrines of virtue, homage pay, And with the rabble world their laws obey.
If such there are, yet grant me this at least, Man differs more from man than man from beast.


Written by Victor Hugo | Create an image from this poem

TO SOME BIRDS FLOWN AWAY

 ("Enfants! Oh! revenez!") 
 
 {XXII, April, 1837} 


 Children, come back—come back, I say— 
 You whom my folly chased away 
 A moment since, from this my room, 
 With bristling wrath and words of doom! 
 What had you done, you bandits small, 
 With lips as red as roses all? 
 What crime?—what wild and hapless deed? 
 What porcelain vase by you was split 
 To thousand pieces? Did you need 
 For pastime, as you handled it, 
 Some Gothic missal to enrich 
 With your designs fantastical? 
 Or did your tearing fingers fall 
 On some old picture? Which, oh, which 
 Your dreadful fault? Not one of these; 
 Only when left yourselves to please 
 This morning but a moment here 
 'Mid papers tinted by my mind 
 You took some embryo verses near— 
 Half formed, but fully well designed 
 To open out. Your hearts desire 
 Was but to throw them on the fire, 
 Then watch the tinder, for the sight 
 Of shining sparks that twinkle bright 
 As little boats that sail at night, 
 Or like the window lights that spring 
 From out the dark at evening. 
 
 'Twas all, and you were well content. 
 Fine loss was this for anger's vent— 
 A strophe ill made midst your play, 
 Sweet sound that chased the words away 
 In stormy flight. An ode quite new, 
 With rhymes inflated—stanzas, too, 
 That panted, moving lazily, 
 And heavy Alexandrine lines 
 That seemed to jostle bodily, 
 Like children full of play designs 
 That spring at once from schoolroom's form. 
 Instead of all this angry storm, 
 Another might have thanked you well 
 For saving prey from that grim cell, 
 That hollowed den 'neath journals great, 
 Where editors who poets flout 
 With their demoniac laughter shout. 
 And I have scolded you! What fate 
 For charming dwarfs who never meant 
 To anger Hercules! And I 
 Have frightened you!—My chair I sent 
 Back to the wall, and then let fly 
 A shower of words the envious use— 
 "Get out," I said, with hard abuse, 
 "Leave me alone—alone I say." 
 Poor man alone! Ah, well-a-day, 
 What fine result—what triumph rare! 
 As one turns from the coffin'd dead 
 So left you me:—I could but stare 
 Upon the door through which you fled— 
 I proud and grave—but punished quite. 
 And what care you for this my plight!— 
 You have recovered liberty, 
 Fresh air and lovely scenery, 
 The spacious park and wished-for grass; 
lights 
 And gratefully to sing. 
 
 E'e 
 A blade to watch what comes to pass; 
 Blue sky, and all the spring can show; 
 Nature, serenely fair to see; 
 The book of birds and spirits free, 
 God's poem, worth much more than mine, 
 Where flowers for perfect stanzas shine— 
 Flowers that a child may pluck in play, 
 No harsh voice frightening it away. 
 And I'm alone—all pleasure o'er— 
 Alone with pedant called "Ennui," 
 For since the morning at my door 
 Ennui has waited patiently. 
 That docto-r-London born, you mark, 
 One Sunday in December dark, 
 Poor little ones—he loved you not, 
 And waited till the chance he got 
 To enter as you passed away, 
 And in the very corner where 
 You played with frolic laughter gay, 
 He sighs and yawns with weary air. 
 
 What can I do? Shall I read books, 
 Or write more verse—or turn fond looks 
 Upon enamels blue, sea-green, 
 And white—on insects rare as seen 
 Upon my Dresden china ware? 
 Or shall I touch the globe, and care 
 To make the heavens turn upon 
 Its axis? No, not one—not one 
 Of all these things care I to do; 
 All wearies me—I think of you. 
 In truth with you my sunshine fled, 
 And gayety with your light tread— 
 Glad noise that set me dreaming still. 
 'Twas my delight to watch your will, 
 And mark you point with finger-tips 
 To help your spelling out a word; 
 To see the pearls between your lips 
 When I your joyous laughter heard; 
 Your honest brows that looked so true, 
 And said "Oh, yes!" to each intent; 
 Your great bright eyes, that loved to view 
 With admiration innocent 
 My fine old Sèvres; the eager thought 
 That every kind of knowledge sought; 
 The elbow push with "Come and see!" 
 
 Oh, certes! spirits, sylphs, there be, 
 And fays the wind blows often here; 
 The gnomes that squat the ceiling near, 
 In corners made by old books dim; 
 The long-backed dwarfs, those goblins grim 
 That seem at home 'mong vases rare, 
 And chat to them with friendly air— 
 Oh, how the joyous demon throng 
 Must all have laughed with laughter long 
 To see you on my rough drafts fall, 
 My bald hexameters, and all 
 The mournful, miserable band, 
 And drag them with relentless hand 
 From out their box, with true delight 
 To set them each and all a-light, 
 And then with clapping hands to lean 
 Above the stove and watch the scene, 
 How to the mass deformed there came 
 A soul that showed itself in flame! 
 
 Bright tricksy children—oh, I pray 
 Come back and sing and dance away, 
 And chatter too—sometimes you may, 
 A giddy group, a big book seize— 
 Or sometimes, if it so you please, 
 With nimble step you'll run to me 
 And push the arm that holds the pen, 
 Till on my finished verse will be 
 A stroke that's like a steeple when 
 Seen suddenly upon a plain. 
 My soul longs for your breath again 
 To warm it. Oh, return—come here 
 With laugh and babble—and no fear 
 When with your shadow you obscure 
 The book I read, for I am sure, 
 Oh, madcaps terrible and dear, 
 That you were right and I was wrong. 
 But who has ne'er with scolding tongue 
 Blamed out of season. Pardon me! 
 You must forgive—for sad are we. 
 
 The young should not be hard and cold 
 And unforgiving to the old. 
 Children each morn your souls ope out 
 Like windows to the shining day, 
 Oh, miracle that comes about, 
 The miracle that children gay 
 Have happiness and goodness too, 
 Caressed by destiny are you, 
 Charming you are, if you but play. 
 But we with living overwrought, 
 And full of grave and sombre thought, 
 Are snappish oft: dear little men, 
 We have ill-tempered days, and then, 
 Are quite unjust and full of care; 
 It rained this morning and the air 
 Was chill; but clouds that dimm'd the sky 
 Have passed. Things spited me, and why? 
 But now my heart repents. Behold 
 What 'twas that made me cross, and scold! 
 All by-and-by you'll understand, 
 When brows are mark'd by Time's stern hand; 
 Then you will comprehend, be sure, 
 When older—that's to say, less pure. 
 
 The fault I freely own was mine. 
 But oh, for pardon now I pine! 
 Enough my punishment to meet, 
 You must forgive, I do entreat 
 With clasped hands praying—oh, come back, 
 Make peace, and you shall nothing lack. 
 See now my pencils—paper—here, 
 And pointless compasses, and dear 
 Old lacquer-work; and stoneware clear 
 Through glass protecting; all man's toys 
 So coveted by girls and boys. 
 Great China monsters—bodies much 
 Like cucumbers—you all shall touch. 
 I yield up all! my picture rare 
 Found beneath antique rubbish heap, 
 My great and tapestried oak chair 
 I will from you no longer keep. 
 You shall about my table climb, 
 And dance, or drag, without a cry 
 From me as if it were a crime. 
 Even I'll look on patiently 
 If you your jagged toys all throw 
 Upon my carved bench, till it show 
 The wood is torn; and freely too, 
 I'll leave in your own hands to view, 
 My pictured Bible—oft desired— 
 But which to touch your fear inspired— 
 With God in emperor's robes attired. 
 
 Then if to see my verses burn, 
 Should seem to you a pleasant turn, 
 Take them to freely tear away 
 Or burn. But, oh! not so I'd say, 
 If this were Méry's room to-day. 
 That noble poet! Happy town, 
 Marseilles the Greek, that him doth own! 
 Daughter of Homer, fair to see, 
 Of Virgil's son the mother she. 
 To you I'd say, Hold, children all, 
 Let but your eyes on his work fall; 
 These papers are the sacred nest 
 In which his crooning fancies rest; 
 To-morrow winged to Heaven they'll soar, 
 For new-born verse imprisoned still 
 In manuscript may suffer sore 
 At your small hands and childish will, 
 Without a thought of bad intent, 
 Of cruelty quite innocent. 
 You wound their feet, and bruise their wings, 
 And make them suffer those ill things 
 That children's play to young birds brings. 
 
 But mine! no matter what you do, 
 My poetry is all in you; 
 You are my inspiration bright 
 That gives my verse its purest light. 
 Children whose life is made of hope, 
 Whose joy, within its mystic scope, 
 Owes all to ignorance of ill, 
 You have not suffered, and you still 
 Know not what gloomy thoughts weigh down 
 The poet-writer weary grown. 
 What warmth is shed by your sweet smile! 
 How much he needs to gaze awhile 
 Upon your shining placid brow, 
 When his own brow its ache doth know; 
 With what delight he loves to hear 
 Your frolic play 'neath tree that's near, 
 Your joyous voices mixing well 
 With his own song's all-mournful swell! 
 Come back then, children! come to me, 
 If you wish not that I should be 
 As lonely now that you're afar 
 As fisherman of Etrétat, 
 Who listless on his elbow leans 
 Through all the weary winter scenes, 
 As tired of thought—as on Time flies— 
 And watching only rainy skies! 
 
 MRS. NEWTON CROSLAND. 


 




Written by William Butler Yeats | Create an image from this poem

Meditations In Time Of Civil War

 I.
Ancestral Houses Surely among a rich man's flowering lawns, Amid the rustle of his planted hills, Life overflows without ambitious pains; And rains down life until the basin spills, And mounts more dizzy high the more it rains As though to choose whatever shape it wills And never stoop to a mechanical Or servile shape, at others' beck and call.
Mere dreams, mere dreams! Yet Homer had not Sung Had he not found it certain beyond dreams That out of life's own self-delight had sprung The abounding glittering jet; though now it seems As if some marvellous empty sea-shell flung Out of the obscure dark of the rich streams, And not a fountain, were the symbol which Shadows the inherited glory of the rich.
Some violent bitter man, some powerful man Called architect and artist in, that they, Bitter and violent men, might rear in stone The sweetness that all longed for night and day, The gentleness none there had ever known; But when the master's buried mice can play.
And maybe the great-grandson of that house, For all its bronze and marble, 's but a mouse.
O what if gardens where the peacock strays With delicate feet upon old terraces, Or else all Juno from an urn displays Before the indifferent garden deities; O what if levelled lawns and gravelled ways Where slippered Contemplation finds his ease And Childhood a delight for every sense, But take our greatness with our violence? What if the glory of escutcheoned doors, And buildings that a haughtier age designed, The pacing to and fro on polished floors Amid great chambers and long galleries, lined With famous portraits of our ancestors; What if those things the greatest of mankind Consider most to magnify, or to bless, But take our greatness with our bitterness? II.
My House An ancient bridge, and a more ancient tower, A farmhouse that is sheltered by its wall, An acre of stony ground, Where the symbolic rose can break in flower, Old ragged elms, old thorns innumerable, The sound of the rain or sound Of every wind that blows; The stilted water-hen Crossing Stream again Scared by the splashing of a dozen cows; A winding stair, a chamber arched with stone, A grey stone fireplace with an open hearth, A candle and written page.
Il Penseroso's Platonist toiled on In some like chamber, shadowing forth How the daemonic rage Imagined everything.
Benighted travellers From markets and from fairs Have seen his midnight candle glimmering.
Two men have founded here.
A man-at-arms Gathered a score of horse and spent his days In this tumultuous spot, Where through long wars and sudden night alarms His dwinding score and he seemed castaways Forgetting and forgot; And I, that after me My bodily heirs may find, To exalt a lonely mind, Befitting emblems of adversity.
III.
My Table Two heavy trestles, and a board Where Sato's gift, a changeless sword, By pen and paper lies, That it may moralise My days out of their aimlessness.
A bit of an embroidered dress Covers its wooden sheath.
Chaucer had not drawn breath When it was forged.
In Sato's house, Curved like new moon, moon-luminous It lay five hundred years.
Yet if no change appears No moon; only an aching heart Conceives a changeless work of art.
Our learned men have urged That when and where 'twas forged A marvellous accomplishment, In painting or in pottery, went From father unto son And through the centuries ran And seemed unchanging like the sword.
Soul's beauty being most adored, Men and their business took Me soul's unchanging look; For the most rich inheritor, Knowing that none could pass Heaven's door, That loved inferior art, Had such an aching heart That he, although a country's talk For silken clothes and stately walk.
Had waking wits; it seemed Juno's peacock screamed.
IV.
My Descendants Having inherited a vigorous mind From my old fathers, I must nourish dreams And leave a woman and a man behind As vigorous of mind, and yet it seems Life scarce can cast a fragrance on the wind, Scarce spread a glory to the morning beams, But the torn petals strew the garden plot; And there's but common greenness after that.
And what if my descendants lose the flower Through natural declension of the soul, Through too much business with the passing hour, Through too much play, or marriage with a fool? May this laborious stair and this stark tower Become a roofless min that the owl May build in the cracked masonry and cry Her desolation to the desolate sky.
The primum Mobile that fashioned us Has made the very owls in circles move; And I, that count myself most prosperous, Seeing that love and friendship are enough, For an old neighbour's friendship chose the house And decked and altered it for a girl's love, And know whatever flourish and decline These stones remain their monument and mine.
V.
The Road at My Door An affable Irregular, A heavily-built Falstaffian man, Comes cracking jokes of civil war As though to die by gunshot were The finest play under the sun.
A brown Lieutenant and his men, Half dressed in national uniform, Stand at my door, and I complain Of the foul weather, hail and rain, A pear-tree broken by the storm.
I count those feathered balls of soot The moor-hen guides upon the stream.
To silence the envy in my thought; And turn towards my chamber, caught In the cold snows of a dream.
VI.
The Stare's Nest by My Window The bees build in the crevices Of loosening masonry, and there The mother birds bring grubs and flies.
My wall is loosening; honey-bees, Come build in the empty house of the state.
We are closed in, and the key is turned On our uncertainty; somewhere A man is killed, or a house burned, Yet no clear fact to be discerned: Come build in he empty house of the stare.
A barricade of stone or of wood; Some fourteen days of civil war; Last night they trundled down the road That dead young soldier in his blood: Come build in the empty house of the stare.
We had fed the heart on fantasies, The heart's grown brutal from the fare; More Substance in our enmities Than in our love; O honey-bees, Come build in the empty house of the stare.
VII.
I see Phantoms of Hatred and of the Heart's Fullness and of the Coming Emptiness I climb to the tower-top and lean upon broken stone, A mist that is like blown snow is sweeping over all, Valley, river, and elms, under the light of a moon That seems unlike itself, that seems unchangeable, A glittering sword out of the east.
A puff of wind And those white glimmering fragments of the mist sweep by.
Frenzies bewilder, reveries perturb the mind; Monstrous familiar images swim to the mind's eye.
'Vengeance upon the murderers,' the cry goes up, 'Vengeance for Jacques Molay.
' In cloud-pale rags, or in lace, The rage-driven, rage-tormented, and rage-hungry troop, Trooper belabouring trooper, biting at arm or at face, Plunges towards nothing, arms and fingers spreading wide For the embrace of nothing; and I, my wits astray Because of all that senseless tumult, all but cried For vengeance on the murderers of Jacques Molay.
Their legs long, delicate and slender, aquamarine their eyes, Magical unicorns bear ladies on their backs.
The ladies close their musing eyes.
No prophecies, Remembered out of Babylonian almanacs, Have closed the ladies' eyes, their minds are but a pool Where even longing drowns under its own excess; Nothing but stillness can remain when hearts are full Of their own sweetness, bodies of their loveliness.
The cloud-pale unicorns, the eyes of aquamarine, The quivering half-closed eyelids, the rags of cloud or of lace, Or eyes that rage has brightened, arms it has made lean, Give place to an indifferent multitude, give place To brazen hawks.
Nor self-delighting reverie, Nor hate of what's to come, nor pity for what's gone, Nothing but grip of claw, and the eye's complacency, The innumerable clanging wings that have put out the moon.
I turn away and shut the door, and on the stair Wonder how many times I could have proved my worth In something that all others understand or share; But O! ambitious heart, had such a proof drawn forth A company of friends, a conscience set at ease, It had but made us pine the more.
The abstract joy, The half-read wisdom of daemonic images, Suffice the ageing man as once the growing boy.
Written by Judith Sargent Murray | Create an image from this poem

from On the Equality of the Sexes Part I

That minds are not alike, full well I know,
This truth each day's experience will show.
To heights surprising some great spirits soar, With inborn strength mysterious depths explore; Their eager gaze surveys the path of light, Confessed it stood to Newton's piercing sight, Deep science, like a bashful maid retires, And but the ardent breast her worth inspires; By perseverance the coy fair is won, And Genius, led by Study, wears the crown.
But some there are who wish not to improve, Who never can the path of knowledge love, Whose souls almost with the dull body one, With anxious care each mental pleasure shun.
Weak is the leveled, enervated mind, And but while here to vegetate designed.
The torpid spirit mingling with its clod Can scarcely boast its origin from God.
Stupidly dull—they move progressing on— They eat, and drink, and all their work is done, While others, emulous of sweet applause, Industrious seek for each event a cause, Tracing the hidden springs whence knowledge flows, Which nature all in beauteous order shows.
Yet cannot I their sentiments imbibe Who this distinction to the sex ascribe, As if a woman's form must needs enroll A weak, a servile, an inferior soul; And that the guise of man must still proclaim Greatness of mind, and him, to be the same.
Yet as the hours revolve fair proofs arise Which the bright wreath of growing fame supplies, And in past times some men have sunk so low, That female records nothing less can show.
But imbecility is still confined, And by the lordly sex to us consigned.
They rob us of the power t'improve, And then declare we only trifles love.
Yet haste the era when the world shall know That such distinctions only dwell below.
The soul unfettered to no sex confined, Was for the abodes of cloudless day designed.
Meantime we emulate their manly fires, Though erudition all their thoughts inspires, Yet nature with equality imparts, And noble passions, swell e'en female hearts.
Written by Adrienne Rich | Create an image from this poem

For the Record

 The clouds and the stars didn't wage this war
the brooks gave no information
if the mountain spewed stones of fire into the river
it was not taking sides
the raindrop faintly swaying under the leaf
had no political opinions

and if here or there a house
filled with backed-up raw sewage
or poisoned those who lived there
with slow fumes, over years
the houses were not at war
nor did the tinned-up buildings

intend to refuse shelter
to homeless old women and roaming children
they had no policy to keep them roaming
or dying, no, the cities were not the problem
the bridges were non-partisan
the freeways burned, but not with hatred

Even the miles of barbed-wire
stretched around crouching temporary huts
designed to keep the unwanted
at a safe distance, out of sight
even the boards that had to absorb
year upon year, so many human sounds

so many depths of vomit, tears
slow-soaking blood
had not offered themselves for this
The trees didn't volunteer to be cut into boards
nor the thorns for tearing flesh
Look around at all of it

and ask whose signature 
is stamped on the orders, traced
in the corner of the building plans
Ask where the illiterate, big-bellied
women were, the drunks and crazies,
the ones you fear most of all: ask where you were.


Written by Ralph Waldo Emerson | Create an image from this poem

Celestial Love

 Higher far,
Upward, into the pure realm,
Over sun or star,
Over the flickering Dæmon film,
Thou must mount for love,—
Into vision which all form
In one only form dissolves;
In a region where the wheel,
On which all beings ride,
Visibly revolves;
Where the starred eternal worm
Girds the world with bound and term;
Where unlike things are like,
When good and ill,
And joy and moan,
Melt into one.
There Past, Present, Future, shoot Triple blossoms from one root Substances at base divided In their summits are united, There the holy Essence rolls, One through separated souls, And the sunny &Aelig;on sleeps Folding nature in its deeps, And every fair and every good Known in part or known impure To men below, In their archetypes endure.
The race of gods, Or those we erring own, Are shadows flitting up and down In the still abodes.
The circles of that sea are laws, Which publish and which hide the Cause.
Pray for a beam Out of that sphere Thee to guide and to redeem.
O what a load Of care and toil By lying Use bestowed, From his shoulders falls, who sees The true astronomy, The period of peace! Counsel which the ages kept, Shall the well-born soul accept.
As the overhanging trees Fill the lake with images, As garment draws the garment's hem Men their fortunes bring with them; By right or wrong, Lands and goods go to the strong; Property will brutely draw Still to the proprietor, Silver to silver creep and wind, And kind to kind, Nor less the eternal poles Of tendency distribute souls.
There need no vows to bind Whom not each other seek but find.
They give and take no pledge or oath, Nature is the bond of both.
No prayer persuades, no flattery fawns, Their noble meanings are their pawns.
Plain and cold is their address, Power have they for tenderness, And so thoroughly is known Each others' purpose by his own, They can parley without meeting, Need is none of forms of greeting, They can well communicate In their innermost estate; When each the other shall avoid, Shall each by each be most enjoyed.
Not with scarfs or perfumed gloves Do these celebrate their loves, Not by jewels, feasts, and savors, Not by ribbons or by favors, But by the sun-spark on the sea, And the cloud-shadow on the lea, The soothing lapse of morn to mirk, And the cheerful round of work.
Their cords of love so public are, They intertwine the farthest star.
The throbbing sea, the quaking earth, Yield sympathy and signs of mirth; Is none so high, so mean is none, But feels and seals this union.
Even the tell Furies are appeased, The good applaud, the lost are eased.
Love's hearts are faithful, but not fond, Bound for the just, but not beyond; Not glad, as the low-loving herd, Of self in others still preferred, But they have heartily designed The benefit of broad mankind.
And they serve men austerely, After their own genius, clearly, Without a false humility; For this is love's nobility, Not to scatter bread and gold, Goods and raiment bought and sold, But to hold fast his simple sense, And speak the speech of innocence, And with hand, and body, and blood, To make his bosom-counsel good: For he that feeds men, serveth few, He serves all, who dares be true.
Written by David Lehman | Create an image from this poem

Shake The Superflux!

 I like walking on streets as black and wet as this one
now, at two in the solemnly musical morning, when everyone else
in this town emptied of Lestrygonians and Lotus-eaters
is asleep or trying or worrying why
they aren't asleep, while unknown to them Ulysses walks
into the shabby apartment I live in, humming and feeling
happy with the avant-garde weather we're having,
the winds (a fugue for flute and oboe) pouring
into the windows which I left open although
I live on the ground floor and there have been
two burglaries on my block already this week,
do I quickly take a look to see
if the valuables are missing? No, that is I can't,
it's an epistemological quandary: what I consider
valuable, would they? Who are they, anyway? I'd answer that
with speculations based on newspaper accounts if I were
Donald E.
Westlake, whose novels I'm hooked on, but this first cigarette after twenty-four hours of abstinence tastes so good it makes me want to include it in my catalogue of pleasures designed to hide the ugliness or sweep it away the way the violent overflow of rain over cliffs cleans the sewers and drains of Ithaca whose waterfalls head my list, followed by crudites of carrots and beets, roots and all, with rained-on radishes, too beautiful to eat, and the pure pleasure of talking, talking and not knowing where the talk will lead, but willing to take my chances.
Furthermore I shall enumerate some varieties of tulips (Bacchus, Tantalus, Dardanelles) and other flowers with names that have a life of their own (Love Lies Bleeding, Dwarf Blue Bedding, Burning Bush, Torch Lily, Narcissus).
Mostly, as I've implied, it's the names of things that count; still, sometimes I wonder and, wondering, find the path of least resistance, the earth's orbit around the sun's delirious clarity.
Once you sniff the aphrodisiac of disaster, you know: there's no reason for the anxiety--or for expecting to be free of it; try telling Franz Kafka he has no reason to feel guilty; or so I say to well-meaning mongers of common sense.
They way I figure, you start with the names which are keys and then you throw them away and learn to love the locked rooms, with or without corpses inside, riddles to unravel, emptiness to possess, a woman to wake up with a kiss (who is she? no one knows) who begs your forgiveness (for what? you cannot know) and then, in the authoritative tone of one who has weathered the storm of his exile, orders you to put up your hands and beg the rain to continue as if it were in your power.
And it is, I feel it with each drop.
I am standing outside at the window, looking in on myself writing these words, feeling what wretches feel, just as the doctor ordered.
And that's what I plan to do, what the storm I was caught in reminded me to do, to shake the superflux, distribute my appetite, fast without so much as a glass of water, and love each bite I haven't taken.
I shall become the romantic poet whose coat of many colors smeared with blood, like a butcher's apron, left in the sacred pit or brought back to my father to confirm my death, confirms my new life instead, an alien prince of dungeons and dreams who sheds the disguise people recognize him by to reveal himself to his true brothers at last in the silence that stuns before joy descends, like rain.
Written by Thomas Gray | Create an image from this poem

Hymn To Adversity

 Daughter of Jove, relentless Power,
Thou tamer of the human breast,
Whose iron scourge and tort'ring hour
The Bad affright, afflict the Best!
Bound in thy adamantine chain
The Proud are taught to taste of pain,
And purple Tyrants vainly groan
With pangs unfelt before, unpitied and alone.
When first thy Sire to send on earth Virtue, his darling child, designed, To thee he gave the heav'nly Birth, And bade to form her infant mind.
Stern rugged Nurse! thy rigid lore With patience many a year she bore: What sorrow was, thou bad'st her know, And from her own she learned to melt at others' woe.
Scared at thy frown terrific, fly Self-pleasing Folly's idle brood, Wild Laughter, Noise, and thoughtless Joy, And leave us leisure to be good.
Light they disperse, and with them go The summer Friend, the flatt'ring Foe; By vain Prosperity received, To her they vow their truth, and are again believed.
Wisdom in sable garb arrayed Immersed in rapt'rous thought profound, And Melancholy, silent maid With leaden eye, that loves the ground, Still on thy solemn steps attend: Warm Charity, the gen'ral Friend, With Justice, to herself severe, And Pity dropping soft the sadly-pleasing tear.
Oh, gently on thy Suppliant's head, Dread Goddess, lay thy chast'ning hand! Not in thy Gorgon terrors clad, Not circled with the vengeful Band (As by the Impious thou art seen), With thund'ring voice, and threat'ning mien, With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty.
Thy form benign, O Goddess, wear, Thy milder influence impart, Thy philosophic Train be there To soften, not to wound my heart.
The gen'rous spark extinct revive, Teach me to love and to forgive, Exact my own defects to scan, What others are, to feel, and know myself a Man.
Written by Delmore Schwartz | Create an image from this poem

Spiders

 Is the spider a monster in miniature?
His web is a cruel stair, to be sure,
Designed artfully, cunningly placed,
A delicate trap, carefully spun
To bind the fly (innocent or unaware)
In a net as strong as a chain or a gun.
There are far more spiders than the man in the street supposes And the philosopher-king imagines, let alone knows! There are six hundred kinds of spiders and each one Differs in kind and in unkindness.
In variety of behavior spiders are unrivalled: The fat garden spider sits motionless, amidst or at the heart Of the orb of its web: other kinds run, Scuttling across the floor, falling into bathtubs, Trapped in the path of its own wrath, by overconfidence drowned and undone.
Other kinds - more and more kinds under the stars and the sun - Are carnivores: all are relentless, ruthless Enemies of insects.
Their methods of getting food Are unconventional, numerous, various and sometimes hilarious: Some spiders spin webs as beautiful As Japanese drawings, intricate as clocks, strong as rocks: Others construct traps which consist only Of two sticky and tricky threads.
Yet this ambush is enough To bind and chain a crawling ant for long enough: The famished spider feels the vibration Which transforms patience into sensation and satiation.
The handsome wolf spider moves suddenly freely and relies Upon lightning suddenness, stealth and surprise, Possessing accurate eyes, pouncing upon his victim with the speed of surmise.
Courtship is dangerous: there are just as many elaborate and endless techniques and varieties As characterize the wooing of more analytic, more introspective beings: Sometimes the male Arrives with the gift of a freshly caught fly.
Sometimes he ties down the female, when she is frail, With deft strokes and quick maneuvres and threads of silk: But courtship and wooing, whatever their form, are informed By extreme caution, prudence, and calculation, For the female spider, lazier and fiercer than the male suitor, May make a meal of him if she does not feel in the same mood, or if her appetite Consumes her far more than the revelation of love's consummation.
Here among spiders, as in the higher forms of nature, The male runs a terrifying risk when he goes seeking for the bounty of beautiful Alma Magna Mater: Yet clearly and truly he must seek and find his mate and match like every other living creature!
Written by John Wilmot | Create an image from this poem

A Ramble in St. Jamess Park

 Much wine had passed, with grave discourse
Of who fucks who, and who does worse
(Such as you usually do hear
From those that diet at the Bear),
When I, who still take care to see
Drunkenness relieved by lechery,
Went out into St.
James's Park To cool my head and fire my heart.
But though St.
James has th' honor on 't, 'Tis consecrate to prick and ****.
There, by a most incestuous birth, Strange woods spring from the teeming earth; For they relate how heretofore, When ancient Pict began to whore, Deluded of his assignation (Jilting, it seems, was then in fashion), Poor pensive lover, in this place Would frig upon his mother's face; Whence rows of mandrakes tall did rise Whose lewd tops fucked the very skies.
Each imitative branch does twine In some loved fold of Aretine, And nightly now beneath their shade Are buggeries, rapes, and incests made.
Unto this all-sin-sheltering grove Whores of the bulk and the alcove, Great ladies, chambermaids, and drudges, The ragpicker, and heiress trudges.
Carmen, divines, great lords, and tailors, Prentices, poets, pimps, and jailers, Footmen, fine fops do here arrive, And here promiscuously they swive.
Along these hallowed walks it was That I beheld Corinna pass.
Whoever had been by to see The proud disdain she cast on me Through charming eyes, he would have swore She dropped from heaven that very hour, Forsaking the divine abode In scorn of some despairing god.
But mark what creatures women are: How infinitely vile, when fair! Three knights o' the' elbow and the slur With wriggling tails made up to her.
The first was of your Whitehall baldes, Near kin t' th' Mother of the Maids; Graced by whose favor he was able To bring a friend t' th' Waiters' table, Where he had heard Sir Edward Sutton Say how the King loved Banstead mutton; Since when he'd ne'er be brought to eat By 's good will any other meat.
In this, as well as all the rest, He ventures to do like the best, But wanting common sense, th' ingredient In choosing well not least expedient, Converts abortive imitation To universal affectation.
Thus he not only eats and talks But feels and smells, sits down and walks, Nay looks, and lives, and loves by rote, In an old tawdry birthday coat.
The second was a Grays Inn wit, A great inhabiter of the pit, Where critic-like he sits and squints, Steals pocket handkerchiefs, and hints From 's neighbor, and the comedy, To court, and pay, his landlady.
The third, a lady's eldest son Within few years of twenty-one Who hopes from his propitious fate, Against he comes to his estate, By these two worthies to be made A most accomplished tearing blade.
One, in a strain 'twixt tune and nonsense, Cries, "Madam, I have loved you long since.
Permit me your fair hand to kiss"; When at her mouth her **** cries, "Yes!" In short, without much more ado, Joyful and pleased, away she flew, And with these three confounded asses From park to hackney coach she passes.
So a proud ***** does lead about Of humble curs the amorous rout, Who most obsequiously do hunt The savory scent of salt-swoln ****.
Some power more patient now relate The sense of this surprising fate.
Gods! that a thing admired by me Should fall to so much infamy.
Had she picked out, to rub her **** on, Some stiff-pricked clown or well-hung parson, Each job of whose spermatic sluice Had filled her **** with wholesome juice, I the proceeding should have praised In hope sh' had quenched a fire I raised.
Such natural freedoms are but just: There's something generous in mere lust.
But to turn a damned abandoned jade When neither head nor tail persuade; To be a whore in understanding, A passive pot for fools to spend in! The devil played booty, sure, with thee To bring a blot on infamy.
But why am I, of all mankind, To so severe a fate designed? Ungrateful! Why this treachery To humble fond, believing me, Who gave you privilege above The nice allowances of love? Did ever I refuse to bear The meanest part your lust could spare? When your lewd **** came spewing home Drenched with the seed of half the town, My dram of sperm was supped up after For the digestive surfeit water.
Full gorged at another time With a vast meal of slime Which your devouring **** had drawn From porters' backs and footmen's brawn, I was content to serve you up My ballock-full for your grace cup, Nor ever thought it an abuse While you had pleasure for excuse - You that could make my heart away For noise and color, and betray The secrets of my tender hours To such knight-errant paramours, When, leaning on your faithless breast, Wrapped in security and rest, Soft kindness all my powers did move, And reason lay dissolved in love! May stinking vapors choke your womb Such as the men you dote upon May your depraved appetite, That could in whiffling fools delight, Beget such frenzies in your mind You may go mad for the north wind, And fixing all your hopes upon't To have him bluster in your ****, Turn up your longing **** t' th' air And perish in a wild despair! But cowards shall forget to rant, Schoolboys to frig, old whores to paint; The Jesuits' fraternity Shall leave the use of buggery; Crab-louse, inspired with grace divine, From earthly cod to heaven shall climb; Physicians shall believe in Jesus, And disobedience cease to please us, Ere I desist with all my power To plague this woman and undo her.
But my revenge will best be timed When she is married that is limed.
In that most lamentable state I'll make her feel my scorn and hate: Pelt her with scandals, truth or lies, And her poor cur with jealousied, Till I have torn him from her breech, While she whines like a dog-drawn *****; Loathed and despised, kicked out o' th' Town Into some dirty hole alone, To chew the cud of misery And know she owes it all to me.
And may no woman better thrive That dares prophane the **** I swive!

Book: Shattered Sighs