Get Your Premium Membership

Best Famous Deposited Poems

Here is a collection of the all-time best famous Deposited poems. This is a select list of the best famous Deposited poetry. Reading, writing, and enjoying famous Deposited poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of deposited poems.

Search and read the best famous Deposited poems, articles about Deposited poems, poetry blogs, or anything else Deposited poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Walt Whitman | Create an image from this poem

This Compost

 1
SOMETHING startles me where I thought I was safest; 
I withdraw from the still woods I loved; 
I will not go now on the pastures to walk; 
I will not strip the clothes from my body to meet my lover the sea; 
I will not touch my flesh to the earth, as to other flesh, to renew me.
O how can it be that the ground does not sicken? How can you be alive, you growths of spring? How can you furnish health, you blood of herbs, roots, orchards, grain? Are they not continually putting distemper’d corpses within you? Is not every continent work’d over and over with sour dead? Where have you disposed of their carcasses? Those drunkards and gluttons of so many generations; Where have you drawn off all the foul liquid and meat? I do not see any of it upon you to-day—or perhaps I am deceiv’d; I will run a furrow with my plough—I will press my spade through the sod, and turn it up underneath; I am sure I shall expose some of the foul meat.
2 Behold this compost! behold it well! Perhaps every mite has once form’d part of a sick person—Yet behold! The grass of spring covers the prairies, The bean bursts noislessly through the mould in the garden, The delicate spear of the onion pierces upward, The apple-buds cluster together on the apple-branches, The resurrection of the wheat appears with pale visage out of its graves, The tinge awakes over the willow-tree and the mulberry-tree, The he-birds carol mornings and evenings, while the she-birds sit on their nests, The young of poultry break through the hatch’d eggs, The new-born of animals appear—the calf is dropt from the cow, the colt from the mare, Out of its little hill faithfully rise the potato’s dark green leaves, Out of its hill rises the yellow maize-stalk—the lilacs bloom in the door-yards; The summer growth is innocent and disdainful above all those strata of sour dead.
What chemistry! That the winds are really not infectious, That this is no cheat, this transparent green-wash of the sea, which is so amorous after me, That it is safe to allow it to lick my naked body all over with its tongues, That it will not endanger me with the fevers that have deposited themselves in it, That all is clean forever and forever.
That the cool drink from the well tastes so good, That blackberries are so flavorous and juicy, That the fruits of the apple-orchard, and of the orange-orchard—that melons, grapes, peaches, plums, will none of them poison me, That when I recline on the grass I do not catch any disease, Though probably every spear of grass rises out of what was once a catching disease.
3 Now I am terrified at the Earth! it is that calm and patient, It grows such sweet things out of such corruptions, It turns harmless and stainless on its axis, with such endless successions of diseas’d corpses, It distils such exquisite winds out of such infused fetor, It renews with such unwitting looks, its prodigal, annual, sumptuous crops, It gives such divine materials to men, and accepts such leavings from them at last.


Written by D. H. Lawrence | Create an image from this poem

Tortoise Family Connections

 On he goes, the little one,
Bud of the universe,
Pediment of life.
Setting off somewhere, apparently.
Whither away, brisk egg? His mother deposited him on the soil as if he were no more than droppings, And now he scuffles tinily past her as if she were an old rusty tin.
A mere obstacle, He veers round the slow great mound of her -- Tortoises always foresee obstacles.
It is no use my saying to him in an emotional voice: "This is your Mother, she laid you when you were an egg.
" He does not even trouble to answer: "Woman, what have I to do with thee?" He wearily looks the other way, And she even more wearily looks another way still, Each with the utmost apathy, Incognisant, Unaware, Nothing.
As for papa, He snaps when I offer him his offspring, Just as he snaps when I poke a bit of stick at him, Because he is irascible this morning, an irascible tortoise Being touched with love, and devoid of fatherliness.
Father and mother, And three little brothers, And all rambling aimless, like little perambulating pebbles scattered in the garden, Not knowing each other from bits of earth or old tins.
Except that papa and mama are old acquaintances, of course, Though family feeling there is none, not even the beginnings.
Fatherless, motherless, brotherless, sisterless Little tortoise.
Row on then, small pebble, Over the clods of the autumn, wind-chilled sunshine, Young gaiety.
Does he look for a companion? No, no, don't think it.
He doesn't know he is alone; Isolation is his birthright, This atom.
To row forward, and reach himself tall on spiny toes, To travel, to burrow into a little loose earth, afraid of the night, To crop a little substance, To move, and to be quite sure that he is moving: Basta! To be a tortoise! Think of it, in a garden of inert clods A brisk, brindled little tortoise, all to himself -- Adam! In a garden of pebbles and insects To roam, and feel the slow heart beat Tortoise-wise, the first bell sounding From the warm blood, in the dark-creation morning.
Moving, and being himself, Slow, and unquestioned, And inordinately there, O stoic! Wandering in the slow triumph of his own existence, Ringing the soundless bell of his presence in chaos, And biting the frail grass arrogantly, Decidedly arrogantly.
Written by Kahlil Gibran | Create an image from this poem

The City of the Dead XX

 Yesterday I drew myself from the noisome throngs and proceeded into the field until I reached a knoll upon which Nature had spread her comely garments.
Now I could breathe.
I looked back, and the city appeared with its magnificent mosques and stately residences veiled by the smoke of the shops.
I commenced analyzing man's mission, but could conclude only that most of his life was identified with struggle and hardship.
Then I tried not to ponder over what the sons of Adam had done, and centered my eyes on the field which is the throne of God's glory.
In one secluded corner of the field I observed a burying ground surrounded by poplar trees.
There, between the city of the dead and the city of the living, I meditated.
I thought of the eternal silence in the first and the endless sorrow in the second.
In the city of the living I found hope and despair; love and hatred, joy and sorrow, wealth and poverty, faith and infidelity.
In the city of the dead there is buried earth in earth that Nature converts, in the night's silence, into vegetation, and then into animal, and then into man.
As my mind wandered in this fashion, I saw a procession moving slowly and reverently, accompanied by pieces of music that filled the sky with sad melody.
It was an elaborate funeral.
The dead was followed by the living who wept and lamented his going.
As the cortege reached the place of interment the priests commenced praying and burning incense, and musicians blowing and plucking their instruments, mourning the departed.
Then the leaders came forward one after the other and recited their eulogies with fine choice of words.
At last the multitude departed, leaving the dead resting in a most spacious and beautiful vault, expertly designed in stone and iron, and surrounded by the most expensively-entwined wreaths of flowers.
The farewell-bidders returned to the city and I remained, watching them from a distance and speaking softly to myself while the sun was descending to the horizon and Nature was making her many preparations for slumber.
Then I saw two men laboring under the weight of a wooden casket, and behind them a shabby-appearing woman carrying an infant on her arms.
Following last was a dog who, with heartbreaking eyes, stared first at the woman and then at the casket.
It was a poor funeral.
This guest of Death left to cold society a miserable wife and an infant to share her sorrows and a faithful dog whose heart knew of his companion's departure.
As they reached the burial place they deposited the casket into a ditch away from the tended shrubs and marble stones, and retreated after a few simple words to God.
The dog made one last turn to look at his friend's grave as the small group disappeared behind the trees.
I looked at the city of the living and said to myself, "That place belongs to the few.
" Then I looked upon the trim city of the dead and said, "That place, too, belongs to the few.
Oh Lord, where is the haven of all the people?" As I said this, I looked toward the clouds, mingled with the sun's longest and most beautiful golden rays.
And I heard a voice within me saying, "Over there!"
Written by Walt Whitman | Create an image from this poem

Vigil Strange I Kept on the Field

 VIGIL strange I kept on the field one night: 
When you, my son and my comrade, dropt at my side that day, 
One look I but gave, which your dear eyes return’d, with a look I shall never forget;

One touch of your hand to mine, O boy, reach’d up as you lay on the ground; 
Then onward I sped in the battle, the even-contested battle;
Till late in the night reliev’d, to the place at last again I made my way; 
Found you in death so cold, dear comrade—found your body, son of responding kisses,
 (never
 again on earth responding;) 
Bared your face in the starlight—curious the scene—cool blew the moderate
 night-wind;

Long there and then in vigil I stood, dimly around me the battlefield spreading; 
Vigil wondrous and vigil sweet, there in the fragrant silent night;
But not a tear fell, not even a long-drawn sigh—Long, long I gazed; 
Then on the earth partially reclining, sat by your side, leaning my chin in my hands; 
Passing sweet hours, immortal and mystic hours with you, dearest comrade—Not a tear,
 not a
 word; 
Vigil of silence, love and death—vigil for you my son and my soldier, 
As onward silently stars aloft, eastward new ones upward stole;
Vigil final for you, brave boy, (I could not save you, swift was your death, 
I faithfully loved you and cared for you living—I think we shall surely meet again;) 
Till at latest lingering of the night, indeed just as the dawn appear’d, 
My comrade I wrapt in his blanket, envelop’d well his form, 
Folded the blanket well, tucking it carefully over head, and carefully under feet;
And there and then, and bathed by the rising sun, my son in his grave, in his rude-dug
 grave I
 deposited; 
Ending my vigil strange with that—vigil of night and battlefield dim; 
Vigil for boy of responding kisses, (never again on earth responding;) 
Vigil for comrade swiftly slain—vigil I never forget, how as day brighten’d, 
I rose from the chill ground, and folded my soldier well in his blanket,
And buried him where he fell.
Written by Omar Khayyam | Create an image from this poem

As long as the friend (God) will pour for me the wine

As long as the friend [God] will pour for me the wine
which rejoices my soul, as long as the heavens have
not deposited a hundred kisses upon my head and feet,
whatever they may do, when the moment comes, to induce
me to renounce drinking, how can I renounce it,
God not having ordered me to?



Book: Shattered Sighs