Written by
Erica Jong |
All the endings in my life
rise up against me
like that sea of troubles
Shakespeare mixed
with metaphors;
like Vikings in their boats
singing Wagner,
like witches
burning at
the stake--
I submit
to my fate.
I know beginnings,
their sweetnesses,
and endings,
their bitternesses--
but I do not know
continuance--
I do not know
the sweet demi-boredom
of life as it lingers,
of man and wife
regarding each other
across a table of shared witnesses,
of the hand-in-hand dreams
of those who have slept
a half-century together
in a bed so used and familiar
it is rutted
with love.
I would know that
before this life closes,
a soulmate to share my roses--
I would make a spell
with long grey beard hairs
and powdered rosemary and rue,
with the jacket of a tux
for a tall man
with broad shoulders,
who loves to dance;
with one blue contact lens
for his bluest eyes;
with honey in a jar
for his love of me;
with salt in a dish
for his love of sex and skin;
with crushed rose petals
for our bed;
with tubes of cerulean blue
and vermilion and rose madder
for his artist's eye;
with a dented Land-Rover fender
for his love of travel;
with a poem by Blake
for his love of innocence
revealed by experience;
with soft rain
and a bare head;
with hand-in-hand dreams on Mondays
and the land of ****
on Sundays;
with mangoes, papayas
and limes,
and a house towering
above the sea.
Muse, I surrender
to thee.
Thy will be done,
not mine.
If this love spell
pleases you,
send me this lover,
this husband,
this dancing partner
for my empty bed
and let him fill me
from now
until I die.
I offer my bones,
my poems,
my luck with roses,
and the secret garden
I have found
walled in my center,
and the sunflower
who raises her head
despite her heavy seeds.
I am ready now, Muse,
to serve you faithfully
even with
a graceful dancing partner--
for I have learned
to stand alone.
Give me your blessing.
Let the next
epithalamion I write
be my own.
And let it last
more than the years
of my life--
and without the least
strain--
two lovers bareheaded
in a summer rain.
|
Written by
Elizabeth Bishop |
From narrow provinces
of fish and bread and tea,
home of the long tides
where the bay leaves the sea
twice a day and takes
the herrings long rides,
where if the river
enters or retreats
in a wall of brown foam
depends on if it meets
the bay coming in,
the bay not at home;
where, silted red,
sometimes the sun sets
facing a red sea,
and others, veins the flats'
lavender, rich mud
in burning rivulets;
on red, gravelly roads,
down rows of sugar maples,
past clapboard farmhouses
and neat, clapboard churches,
bleached, ridged as clamshells,
past twin silver birches,
through late afternoon
a bus journeys west,
the windshield flashing pink,
pink glancing off of metal,
brushing the dented flank
of blue, beat-up enamel;
down hollows, up rises,
and waits, patient, while
a lone traveller gives
kisses and embraces
to seven relatives
and a collie supervises.
Goodbye to the elms,
to the farm, to the dog.
The bus starts. The light
grows richer; the fog,
shifting, salty, thin,
comes closing in.
Its cold, round crystals
form and slide and settle
in the white hens' feathers,
in gray glazed cabbages,
on the cabbage roses
and lupins like apostles;
the sweet peas cling
to their wet white string
on the whitewashed fences;
bumblebees creep
inside the foxgloves,
and evening commences.
One stop at Bass River.
Then the Economies
Lower, Middle, Upper;
Five Islands, Five Houses,
where a woman shakes a tablecloth
out after supper.
A pale flickering. Gone.
The Tantramar marshes
and the smell of salt hay.
An iron bridge trembles
and a loose plank rattles
but doesn't give way.
On the left, a red light
swims through the dark:
a ship's port lantern.
Two rubber boots show,
illuminated, solemn.
A dog gives one bark.
A woman climbs in
with two market bags,
brisk, freckled, elderly.
"A grand night. Yes, sir,
all the way to Boston."
She regards us amicably.
Moonlight as we enter
the New Brunswick woods,
hairy, scratchy, splintery;
moonlight and mist
caught in them like lamb's wool
on bushes in a pasture.
The passengers lie back.
Snores. Some long sighs.
A dreamy divagation
begins in the night,
a gentle, auditory,
slow hallucination. . . .
In the creakings and noises,
an old conversation
--not concerning us,
but recognizable, somewhere,
back in the bus:
Grandparents' voices
uninterruptedly
talking, in Eternity:
names being mentioned,
things cleared up finally;
what he said, what she said,
who got pensioned;
deaths, deaths and sicknesses;
the year he remarried;
the year (something) happened.
She died in childbirth.
That was the son lost
when the schooner foundered.
He took to drink. Yes.
She went to the bad.
When Amos began to pray
even in the store and
finally the family had
to put him away.
"Yes . . ." that peculiar
affirmative. "Yes . . ."
A sharp, indrawn breath,
half groan, half acceptance,
that means "Life's like that.
We know it (also death)."
Talking the way they talked
in the old featherbed,
peacefully, on and on,
dim lamplight in the hall,
down in the kitchen, the dog
tucked in her shawl.
Now, it's all right now
even to fall asleep
just as on all those nights.
--Suddenly the bus driver
stops with a jolt,
turns off his lights.
A moose has come out of
the impenetrable wood
and stands there, looms, rather,
in the middle of the road.
It approaches; it sniffs at
the bus's hot hood.
Towering, antlerless,
high as a church,
homely as a house
(or, safe as houses).
A man's voice assures us
"Perfectly harmless. . . ."
Some of the passengers
exclaim in whispers,
childishly, softly,
"Sure are big creatures."
"It's awful plain."
"Look! It's a she!"
Taking her time,
she looks the bus over,
grand, otherworldly.
Why, why do we feel
(we all feel) this sweet
sensation of joy?
"Curious creatures,"
says our quiet driver,
rolling his r's.
"Look at that, would you."
Then he shifts gears.
For a moment longer,
by craning backward,
the moose can be seen
on the moonlit macadam;
then there's a dim
smell of moose, an acrid
smell of gasoline.
|
Written by
Robert Browning |
Si credere dignum est.--Virgil, Georgics, III, 390
Oh, worthy of belief I hold it was,
Virgil, your legend in those strange three lines!
No question, that adventure came to pass
One black night in Arcadia: yes, the pines,
Mountains and valleys mingling made one mass
Of black with void black heaven: the earth's confines,
The sky's embrace,--below, above, around,
All hardened into black without a bound.
Fill up a swart stone chalice to the brim
With fresh-squeezed yet fast-thickening poppy-juice:
See how the sluggish jelly, late a-swim,
Turns marble to the touch of who would loose
The solid smooth, grown jet from rim to rim,
By turning round the bowl! So night can fuse
Earth with her all-comprising sky. No less,
Light, the least spark, shows air and emptiness.
And thus it proved when--diving into space,
Stript of all vapor, from each web of mist,
Utterly film-free--entered on her race
The naked Moon, full-orbed antagonist
Of night and dark, night's dowry: peak to base,
Upstarted mountains, and each valley, kissed
To sudden life, lay silver-bright: in air
Flew she revealed, Maid-Moon with limbs all bare.
Still as she fled, each depth,--where refuge seemed--
Opening a lone pale chamber, left distinct
Those limbs: mid still-retreating blue, she teemed
Herself with whiteness,--virginal, uncinct
By any halo save what finely gleamed
To outline not disguise her: heavenwas linked
In one accord with earth to quaff the joy,
Drain beauty to the dregs without alloy.
Whereof she grew aware. What help? When, lo,
A succorable cloud with sleep lay dense:
Some pinetree-top had caught it sailing slow,
And tethered for a prize: in evidence
Captive lay fleece on fleece of piled-up snow
Drowsily patient: flake-heaped how or whence,
The structure of that succorable cloud,
What matter? Shamed she plunged into its shroud.
Orbed--so the woman-figure poets call
Because of rounds on rounds--that apple-shaped
Head which its hair binds close into a ball
Each side the curving ears--that pure undraped
Pout of the sister paps--that . . . once for all,
Say--her consummate circle thus escaped
With its innumerous circlets, sank absorbed,
Safe in the cloud--O naked Moon full-orbed!
But what means this? The downy swathes combine,
Conglobe, the smothery coy-caressing stuff
Curdles about her! Vain each twist and twine
Those lithe limbs try, encroached on by a fluff
Fitting as close as fits the dented spine
Its flexible ivory outside-flesh: enough!
The plumy drifts contract, condense, constringe,
Till she is swallowed by the feathery springe.
As when a pearl slips lost in the thin foam
Churned on a sea-shore, and, o'er-frothed, conceits
Herself safe-housed in Amphitrite's dome,--
If, through the bladdery wave-worked yeast, she meets
What most she loathes and leaps from,--elf from gnome
No gladlier,--finds that safest of retreats
Bubble about a treacherous hand wide ope
To grasp her--(divers who pick pearls so grope)--
So lay this Maid-Moon clasped around and caught
By rough red Pan, the god of all that tract:
He it was schemed the snare thus subtly wrought
With simulated earth-breath,--wool-tufts packed
Into a billowy wrappage. Sheep far-sought
For spotless shearings yield such: take the fact
As learned Virgil gives it,--how the breed
Whitens itself forever: yes, indeed!
If one forefather ram, though pure as chalk
From tinge on fleece, should still display a tongue
Black 'neath the beast's moist palate, prompt men balk
The propagating plague: he gets no young:
They rather slay him,--sell his hide to calk
Ships with, first steeped with pitch,--nor hands are wrung
In sorrow for his fate: protected thus,
The purity we loved is gained for us. So did girl-Moon, by just her attribute
Of unmatched modesty betrayed, lie trapped,
Bruised to the breast of Pan, half god half brute,
Raked by his bristly boar-sward while he lapped
--Never say, kissed her! that were to pollute
Love's language--which moreover proves unapt
To tell how she recoiled--as who finds thorns
Where she sought flowers--when, feeling, she touched--horns!
Then--does the legend say?--first moon-eclipse
Happened, first swooning-fit which puzzled sore
The early sages? Is that why she dips
Into the dark, a minute and no more,
Only so long as serves her while she rips
The cloud's womb through and, faultless as before,
Pursues her way? No lesson for a maid
Left she, a maid herself thus trapped, betrayed?
Ha, Virgil? Tell the rest, you! "To the deep
Of his domain the wildwood, Pan forthwith
Called her, and so she followed"--in her sleep,
Surely?--"by no means spurning him." The myth
Explain who may! Let all else go, I keep
--As of a ruin just a monolith--
Thus much, one verse of five words, each a boon:
Arcadia, night, a cloud, Pan, and the moon.
|
Written by
Ted Hughes |
This house has been far out at sea all night,
The woods crashing through darkness, the booming hills,
Winds stampeding the fields under the window
Floundering black astride and blinding wet
Till day rose; then under an orange sky
The hills had new places, and wind wielded
Blade-light, luminous black and emerald,
Flexing like the lens of a mad eye.
At noon I scaled along the house-side as far as
The coal-house door. Once I looked up -
Through the brunt wind that dented the balls of my eyes
The tent of the hills drummed and strained its guyrope,
The fields quivering, the skyline a grimace,
At any second to bang and vanish with a flap;
The wind flung a magpie away and a black-
Back gull bent like an iron bar slowly. The house
Rang like some fine green goblet in the note
That any second would shatter it. Now deep
In chairs, in front of the great fire, we grip
Our hearts and cannot entertain book, thought,
Or each other. We watch the fire blazing,
And feel the roots of the house move, but sit on,
Seeing the window tremble to come in,
Hearing the stones cry out under the horizons.
|
Written by
Robert Frost |
A dented spider like a snow drop white
On a white Heal-all, holding up a moth
Like a white piece of lifeless satin cloth -
Saw ever curious eye so strange a sight? -
Portent in little, assorted death and blight
Like the ingredients of a witches' broth? -
The beady spider, the flower like a froth,
And the moth carried like a paper kite.
What had that flower to do with being white,
The blue prunella every child's delight.
What brought the kindred spider to that height?
(Make we no thesis of the miller's plight.)
What but design of darkness and of night?
Design, design! Do I use the word aright?
|
Written by
John Montague |
There are days when
one should be able
to pluck off one's head
like a dented or worn
helmet, straight from
the nape and collarbone
(those crackling branches!)
and place it firmly down
in the bed of a flowing stream.
Clear, clean, chill currents
coursing and spuming through
the sour and stale compartments
of the brain, dimmed eardrums,
bleared eyesockets, filmed tongue.
And then set it back again
on the base of the shoulders:
well tamped down, of course,
the laved skin and mouth,
the marble of the eyes
rinsed and ready
for love; for prophecy?
|
Written by
Lucy Maud Montgomery |
If Mary had known
When she held her Babe's hands in her own
Little hands that were tender and white as a rose,
All dented with dimples from finger to wrist,
Such as mothers have kissed
That one day they must feel the fierce blows
Of a hatred insane,
Must redden with holiest stain,
And grasp as their guerdon the boon of the bitterest pain,
Oh, I think that her sweet, brooding face
Must have blanched with its anguish of knowledge above her embrace.
But if Mary had known,
As she held her Babe's hands in her own,
What a treasure of gifts to the world they would bring;
What healing and hope to the hearts that must ache,
And without him must break;
Had she known they would pluck forth death's sting
And set open the door
Of the close, jealous grave evermore,
Making free who were captives in sorrow and darkness before,
Oh, I think that a gracious sunrise
Of rapture had broken across the despair of her eyes!
If Mary had known
As she sat with her baby alone,
And guided so gently his bare little feet
To take their first steps from the throne of her knee,
How weary must be
The path that for them should be meet;
And how it must lead
To the cross of humanity's need,
Giving hissing and shame, giving blame and reproach for its meed,
Oh, I think that her tears would have dewed
Those dear feet that must walk such a hard, starless way to the Rood!
But if Mary had known,
As she sat with her Baby alone,
On what errands of mercy and peace they would go,
How those footsteps would ring through the years of all time
With an echo sublime,
Making holy the land of their woe,
That the pathway they trod
Would guide the world back to its God,
And lead ever upward away from the grasp of the clod,
She had surely forgot to be sad
And only remembered to be most immortally glad!
If Mary had known,
As she held him so closely, her own,
Cradling his shining, fair head on her breast,
Sunned over with ringlets as bright as the morn,
That a garland of thorn
On that tender brow would be pressed
Till the red drops would fall
Into eyes that looked out upon all,
Abrim with a pity divine over clamor and brawl,
Oh, I think that her lullaby song
Would have died on her lips into wailing impassioned and long!
But if Mary had known,
As she held him so closely, her own,
That over the darkness and pain he would be
The Conqueror hailed in all oncoming days,
The world's hope and praise,
And the garland of thorn,
The symbol of mocking and scorn
Would be a victorious diadem royally worn,
Oh, I think that ineffable joy
Must have flooded her soul as she bent o'er her wonderful Boy!
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