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Best Famous Degrading Poems

Here is a collection of the all-time best famous Degrading poems. This is a select list of the best famous Degrading poetry. Reading, writing, and enjoying famous Degrading poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of degrading poems.

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Written by Anne Sexton | Create an image from this poem

The Legend Of The One-Eyed Man

 Like Oedipus I am losing my sight.
LIke Judas I have done my wrong.
Their punishment is over; the shame and disgrace of it are all used up.
But as for me, look into my face and you will know that crimes dropped upon me as from a high building and although I cannot speak of them or explain the degrading details I have remembered much about Judas - about Judas, the old and the famous - that you overlooked.
The story of his life is the story of mine.
I have one glass eye.
My nerves push against its painted surface but the other one waiting for judgement continues to see .
.
.
Of course the New Testament is very small.
Its mouth opens four times - as out-of-date as a prehistoric monster, yet somehow man-made held together by pullies like the stone jaw of a back-hoe.
It gouges out the Judaic ground, taking its own backyard like a virgin daughter.
And furthermore how did Judas come into it - that Judas Iscariot, belonging to the tribe of Reuben? He should have tried to lift him up there! His neck like an iron pole, hard as Newcastle, his heart as stiff as beeswax, his legs swollen and unmarked, his other limbs still growing.
All of it heavy! That dead weight that would have been his fault .
He should have known! In the first place who builds up such ugliness? I think of this man saying .
.
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Look! Here's the price to do it plus the cost of the raw materials and if it took him three or four days to do it, then, they'd understand.
They figured it weighed enough to support a man.
They said, fifteen stone is the approximate weight of a thief.
Its ugliness is a matter of custom.
If there was a mistake made then the Crucifix was constructed wrong .
.
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not from the quality of the pine, not from hanging a mirror, not from dropping the studding or the drill but from having an inspriation.
But Judas was not a genius or under the auspices of an inspiration.
I don't know whether it was gold or silver.
I don't know why he betrayed him other than his motives, other than the avaricious and dishonest man.
And then there were the forbidden crimes, those that were expressly foretold, and then overlooked and then forgotten except by me .
.
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Judas had a mother just as I had a mother.
Oh! Honor and relish the facts! Do not think of the intense sensation I have as I tell you this but think only .
.
.
Judas had a mother.
His mother had a dream.
Because of this dream he was altogether managed by fate and thus he raped her.
As a crime we hear little of this.
Also he sold his God.


Written by Anne Kingsmill Finch | Create an image from this poem

The Spleen

 What art thou, SPLEEN, which ev'ry thing dost ape?
Thou Proteus to abus'd Mankind,
Who never yet thy real Cause cou'd find,
Or fix thee to remain in one continued Shape.
Still varying thy perplexing Form, Now a Dead Sea thou'lt represent, A Calm of stupid Discontent, Then, dashing on the Rocks wilt rage into a Storm.
Trembling sometimes thou dost appear, Dissolv'd into a Panick Fear; On Sleep intruding dost thy Shadows spread, Thy gloomy Terrours round the silent Bed, And croud with boading Dreams the Melancholy Head: Or, when the Midnight Hour is told, And drooping Lids thou still dost waking hold, Thy fond Delusions cheat the Eyes, Before them antick Spectres dance, Unusual Fires their pointed Heads advance, And airy Phantoms rise.
Such was the monstrous Vision seen, When Brutus (now beneath his Cares opprest, And all Rome's Fortunes rolling in his Breast, Before Philippi's latest Field, Before his Fate did to Octavius lead) Was vanquish'd by the Spleen.
Falsly, the Mortal Part we blame Of our deprest, and pond'rous Frame, Which, till the First degrading Sin Let Thee, its dull Attendant, in, Still with the Other did comply, Nor clogg'd the Active Soul, dispos'd to fly, And range the Mansions of it's native Sky.
Nor, whilst in his own Heaven he dwelt, Whilst Man his Paradice possest, His fertile Garden in the fragrant East, And all united Odours smelt, No armed Sweets, until thy Reign, Cou'd shock the Sense, or in the Face A flusht, unhandsom Colour place.
Now the Jonquille o'ercomes the feeble Brain; We faint beneath the Aromatick Pain, {6} Till some offensive Scent thy Pow'rs appease, And Pleasure we resign for short, and nauseous Ease.
In ev'ry One thou dost possess, New are thy Motions, and thy Dress: Now in some Grove a list'ning Friend Thy false Suggestions must attend, Thy whisper'd Griefs, thy fancy'd Sorrows hear, Breath'd in a Sigh, and witness'd by a Tear; Whilst in the light, and vulgar Croud, Thy Slaves, more clamorous and loud, By Laughters unprovok'd, thy Influence too confess.
In the Imperious Wife thou Vapours art, Which from o'erheated Passions rise In Clouds to the attractive Brain, Until descending thence again, Thro' the o'er-cast, and show'ring Eyes, Upon her Husband's soften'd Heart, He the disputed Point must yield, Something resign of the contested Field; Til Lordly Man, born to Imperial Sway, Compounds for Peace, to make that Right away, And Woman, arm'd with Spleen, do's servilely Obey.
The Fool, to imitate the Wits, Complains of thy pretended Fits, And Dulness, born with him, wou'd lay Upon thy accidental Sway; Because, sometimes, thou dost presume Into the ablest Heads to come: That, often, Men of Thoughts refin'd, Impatient of unequal Sence, Such slow Returns, where they so much dispense, Retiring from the Croud, are to thy Shades inclin'd.
O'er me, alas! thou dost too much prevail: I feel thy Force, whilst I against thee rail; I feel my Verse decay, and my crampt Numbers fail.
Thro' thy black Jaundice I all Objects see, As Dark, and Terrible as Thee, My Lines decry'd, and my Employment thought An useless Folly, or presumptuous Fault: Whilst in the Muses Paths I stray, Whilst in their Groves, and by their secret Springs My Hand delights to trace unusual Things, And deviates from the known, and common way; Nor will in fading Silks compose Faintly th' inimitable Rose, Fill up an ill-drawn Bird, or paint on Glass The Sov'reign's blurr'd and undistinguish'd Face, The threatning Angel, and the speaking Ass.
Patron thou art to ev'ry gross Abuse, The sullen Husband's feign'd Excuse, When the ill Humour with his Wife he spends, And bears recruited Wit, and Spirits to his Friends.
The Son of Bacchus pleads thy Pow'r, As to the Glass he still repairs, Pretends but to remove thy Cares, Snatch from thy Shades one gay, and smiling Hour, And drown thy Kingdom in a purple Show'r.
When the Coquette, whom ev'ry Fool admires, Wou'd in Variety be Fair, And, changing hastily the Scene From Light, Impertinent, and Vain, Assumes a soft, a melancholy Air, And of her Eyes rebates the wand'ring Fires, The careless Posture, and the Head reclin'd, The thoughtful, and composed Face, Proclaiming the withdrawn, the absent Mind, Allows the Fop more liberty to gaze, Who gently for the tender Cause inquires; The Cause, indeed, is a Defect in Sense, Yet is the Spleen alleg'd, and still the dull Pretence.
But these are thy fantastic Harms, The Tricks of thy pernicious Stage, Which do the weaker Sort engage; Worse are the dire Effects of thy more pow'rful Charms.
By Thee Religion, all we know, That shou'd enlighten here below, Is veil'd in Darkness, and perplext With anxious Doubts, with endless Scruples vext, And some Restraint imply'd from each perverted Text.
Whilst Touch not, Taste not, what is freely giv'n, Is but thy niggard Voice, disgracing bounteous Heav'n.
From Speech restrain'd, by thy Deceits abus'd, To Desarts banish'd, or in Cells reclus'd, Mistaken Vot'ries to the Pow'rs Divine, Whilst they a purer Sacrifice design, Do but the Spleen obey, and worship at thy Shrine.
In vain to chase thee ev'ry Art we try, In vain all Remedies apply, In vain the Indian Leaf infuse, Or the parch'd Eastern Berry bruise; Some pass, in vain, those Bounds, and nobler Liquors use.
Now Harmony, in vain, we bring, Inspire the Flute, and touch the String.
From Harmony no help is had; Musick but soothes thee, if too sweetly sad, And if too light, but turns thee gayly Mad.
Tho' the Physicians greatest Gains, Altho' his growing Wealth he sees Daily increas'd by Ladies Fees, Yet dost thou baffle all his studious Pains.
Not skilful Lower thy Source cou'd find, Or thro' the well-dissected Body trace The secret, the mysterious ways, By which thou dost surprize, and prey upon the Mind.
Tho' in the Search, too deep for Humane Thought, With unsuccessful Toil he wrought, 'Til thinking Thee to've catch'd, Himself by thee was caught, Retain'd thy Pris'ner, thy acknowleg'd Slave, And sunk beneath thy Chain to a lamented Grave.
Written by William Topaz McGonagall | Create an image from this poem

Lines in Praise of Tommy Atkins

 Success to Tommy Atkins, he's a very brave man,
And to deny it there's few people can;
And to face his foreign foes he's never afraid,
Therefore he's not a beggar, as Rudyard Kipling has said.
No, he's paid by our Government, and is worthy of his hire; And from our shores in time of war he makes our foes retire, He doesn't need to beg; no, nothing so low; No, he considers it more honourable to face a foreign foe.
No, he's not a beggar, he's a more useful man, And, as Shakespeare has said, his life's but a span; And at the cannon's mouth he seeks for reputation, He doesn't go from door to door seeking a donation.
Oh, think of Tommy Atkins when from home far away, Lying on the battlefield, earth's cold clay; And a stone or his knapsack pillowing his head, And his comrades lying near by him wounded and dead.
And while lying there, poor fellow, he thinks of his wife at home, And his heart bleeds at the thought, and he does moan; And down his cheek flows many a silent tear, When he thinks of his friends and children dear.
Kind Christians, think of him when far, far away, Fighting for his Queen and Country without dismay; May God protect him wherever he goes, And give him strength to conqner his foes.
To call a soldier a beggar is a very degrading name, And in my opinion it's a very great shame; And the man that calls him a beggar is not the soldier's friend, And no sensible soldier should on him depend.
A soldier is a man that ought to be respected, And by his country shouldn't be neglected; For he fights our foreign foes, and in danger of his life, Leaving behind him his relatives and his dear wife.
Then hurrah for Tommy Atkins, he's the people's friend, Because when foreign foes assail us he does us defend; He is not a beggar, as Rudyard Kipling has said, No, he doesn't need to beg, he lives by his trade.
And in conclusion I will say, Don't forget his wife and children when he's far away; But try and help them all you can, For remember Tommy Atkins is a very useful man.
Written by Robert Southey | Create an image from this poem

To Mary Wollstonecraft

 The lilly cheek, the "purple light of love,"
The liquid lustre of the melting eye,--
Mary! of these the Poet sung, for these
Did Woman triumph! with no angry frown
View this degrading conquest.
At that age No MAID OF ARC had snatch'd from coward man The heaven-blest sword of Liberty; thy sex Could boast no female ROLAND'S martyrdom; No CORDE'S angel and avenging arm Had sanctified again the Murderer's name As erst when Caesar perish'd: yet some strains May even adorn this theme, befitting me To offer, nor unworthy thy regard.

Book: Reflection on the Important Things