Wallace Stevens |
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark
Encroachment of that old catastrophe,
As a calm darkens among water-lights.
The pungent oranges and bright, green wings
Seem things in some procession of the dead,
Winding across wide water, without sound.
The day is like wide water, without sound,
Stilled for the passion of her dreaming feet
Over the seas, to silent Palestine,
Dominion of the blood and sepulchre.
Why should she give her bounty to the dead?
What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in the comforts of sun,
In pungent fruit and bright, green wings, or else
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven?
Divinity must live within herself:
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch.
These are the measures destined for her soul.
Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave
Large-mannered motions to his mythy mind
He moved among us, as a muttering king,
Magnificent, would move among his hinds,
Until our blood, commingling, virginal,
With heaven, brought such requital to desire
The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be
The blood of paradise? And shall the earth
Seem all of paradise that we shall know?
The sky will be much friendlier then than now,
A part of labor and a part of pain,
And next in glory to enduring love,
Not this dividing and indifferent blue.
She says, "I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?"
There is not any haunt of prophecy,
Nor any old chimera of the grave,
Neither the golden underground, nor isle
Melodious, where spirits gat them home,
Nor visionary south, nor cloudy palm
Remote as heaven's hill, that has endured
As April's green endures; or will endure
Like her rememberance of awakened birds,
Or her desire for June and evening, tipped
By the consummation of the swallow's wings.
She says, "But in contentment I still feel
The need of some imperishable bliss.
Death is the mother of beauty; hence from her,
Alone, shall come fulfillment to our dreams
And our desires.
Although she strews the leaves
Of sure obliteration on our paths,
The path sick sorrow took, the many paths
Where triumph rang its brassy phrase, or love
Whispered a little out of tenderness,
She makes the willow shiver in the sun
For maidens who were wont to sit and gaze
Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears
On disregarded plate.
The maidens taste
And stray impassioned in the littering leaves.
Is there no change of death in paradise?
Does ripe fruit never fall? Or do the boughs
Hang always heavy in that perfect sky,
Unchanging, yet so like our perishing earth,
With rivers like our own that seek for seas
They never find, the same receeding shores
That never touch with inarticulate pang?
Why set the pear upon those river-banks
Or spice the shores with odors of the plum?
Alas, that they should wear our colors there,
The silken weavings of our afternoons,
And pick the strings of our insipid lutes!
Death is the mother of beauty, mystical,
Within whose burning bosom we devise
Our earthly mothers waiting, sleeplessly.
Supple and turbulent, a ring of men
Shall chant in orgy on a summer morn
Their boisterous devotion to the sun,
Not as a god, but as a god might be,
Naked among them, like a savage source.
Their chant shall be a chant of paradise,
Out of their blood, returning to the sky;
And in their chant shall enter, voice by voice,
The windy lake wherein their lord delights,
The trees, like serafin, and echoing hills,
That choir among themselves long afterward.
They shall know well the heavenly fellowship
Of men that perish and of summer morn.
And whence they came and whither they shall go
The dew upon their feet shall manifest.
She hears, upon that water without sound,
A voice that cries, "The tomb in Palestine
Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay.
We live in an old chaos of the sun,
Or old dependency of day and night,
Or island solitude, unsponsered, free,
Of that wide water, inescapable.
Deer walk upon our mountains, and the quail
Whistle about us their spontaneous cries;
Sweet berries ripen in the wilderness;
And, in the isolation of the sky,
At evening, casual flocks of pigeons make
Abiguous undulations as they sink,
Downward to darkness, on extended wings.
Thomas Campbell |
When first the fiery-mantled sun
His heavenly race begun to run;
Round the earth and ocean blue,
His children four the Seasons flew.
First, in green apparel dancing,
The young Spring smiled with angel grace;
Rosy summer next advancing,
Rushed into her sire's embrace:-
Her blue-haired sire, who bade her keep
For ever nearest to his smile,
On Calpe's olive-shaded steep,
On India's citron-covered isles:
More remote and buxom-brown,
The Queen of vintage bowed before his throne,
A rich pomegranate gemmed her gown,
A ripe sheaf bound her zone.
But howling Winter fled afar,
To hills that prop the polar star,
And lives on deer-borne car to ride
With barren darkness at his side,
Round the shore where loud Lofoden
Whirls to death the roaring whale,
Round the hall where runic Odin
Howls his war-song to the gale;
Save when adown the ravaged globe
He travels on his native storm,
Deflowering Nature's grassy robe,
And trampling on her faded form:-
Till light's returning lord assume
The shaft the drives him to his polar field,
Of power to pierce his raven plume
And crystal-covered shield.
Oh, sire of storms! whose savage ear
The Lapland drum delights to hear,
When frenzy with her blood-shot eye
Implores thy dreadful deity,
Archangel! power of desolation!
Fast descending as thou art,
Say, hath mortal invocation
Spells to touch thy stony heart?
Then, sullen Winter, hear my prayer,
And gently rule the ruined year;
Nor chill the wanders bosom bare,
Nor freeze the wretch's falling tear;-
To shuddering Want's unmantled bed
Thy horror-breathing agues cease to lead,
And gently on the orphan head
Of innocence descend.
But chiefly spare, O king of clouds!
The sailor on his airy shrouds;
When wrecks and beacons strew the steep,
And specters walk along the deep.
Milder yet thy snowy breezes
Pour on yonder tented shores,
Where the Rhine's broad billow freezes,
Or the Dark-brown Danube roars.
Oh, winds of winter! List ye there
To many a deep and dying groan;
Or start, ye demons of the midnight air,
At shrieks and thunders louder than your own.
Alas! Even unhallowed breath
May spare the victim fallen low;
But man will ask no truce of death,-
No bounds to human woe.
William Blake |
To see a world in a grain of sand
And a heaven in a wild flower,
Hold infinity in the palm of your hand
And eternity in an hour.
A robin redbreast in a cage
Puts all heaven in a rage.
A dove-house filled with doves and pigeons
Shudders hell through all its regions.
A dog starved at his master's gate
Predicts the ruin of the state.
A horse misused upon the road
Calls to heaven for human blood.
Each outcry of the hunted hare
A fibre from the brain does tear.
A skylark wounded in the wing,
A cherubim does cease to sing.
The game-cock clipped and armed for fight
Does the rising sun affright.
Every wolf's and lion's howl
Raises from hell a human soul.
The wild deer wandering here and there
Keeps the human soul from care.
The lamb misused breeds public strife,
And yet forgives the butcher's knife.
The bat that flits at close of eve
Has left the brain that won't believe.
The owl that calls upon the night
Speaks the unbeliever's fright.
He who shall hurt the little wren
Shall never be beloved by men.
He who the ox to wrath has moved
Shall never be by woman loved.
The wanton boy that kills the fly
Shall feel the spider's enmity.
He who torments the chafer's sprite
Weaves a bower in endless night.
The caterpillar on the leaf
Repeats to thee thy mother's grief.
Kill not the moth nor butterfly,
For the Last Judgment draweth nigh.
He who shall train the horse to war
Shall never pass the polar bar.
The beggar's dog and widow's cat,
Feed them, and thou wilt grow fat.
The gnat that sings his summer's song
Poison gets from Slander's tongue.
The poison of the snake and newt
Is the sweat of Envy's foot.
The poison of the honey-bee
Is the artist's jealousy.
The prince's robes and beggar's rags
Are toadstools on the miser's bags.
A truth that's told with bad intent
Beats all the lies you can invent.
It is right it should be so:
Man was made for joy and woe;
And when this we rightly know
Through the world we safely go.
Joy and woe are woven fine,
A clothing for the soul divine.
Under every grief and pine
Runs a joy with silken twine.
The babe is more than swaddling bands,
Throughout all these human lands;
Tools were made and born were hands,
Every farmer understands.
Every tear from every eye
Becomes a babe in eternity;
This is caught by females bright
And returned to its own delight.
The bleat, the bark, bellow, and roar
Are waves that beat on heaven's shore.
The babe that weeps the rod beneath
Writes Revenge! in realms of death.
The beggar's rags fluttering in air
Does to rags the heavens tear.
The soldier armed with sword and gun
Palsied strikes the summer's sun.
The poor man's farthing is worth more
Than all the gold on Afric's shore.
One mite wrung from the labourer's hands
Shall buy and sell the miser's lands,
Or if protected from on high
Does that whole nation sell and buy.
He who mocks the infant's faith
Shall be mocked in age and death.
He who shall teach the child to doubt
The rotting grave shall ne'er get out.
He who respects the infant's faith
Triumphs over hell and death.
The child's toys and the old man's reasons
Are the fruits of the two seasons.
The questioner who sits so sly
Shall never know how to reply.
He who replies to words of doubt
Doth put the light of knowledge out.
The strongest poison ever known
Came from Caesar's laurel crown.
Nought can deform the human race
Like to the armour's iron brace.
When gold and gems adorn the plough
To peaceful arts shall Envy bow.
A riddle or the cricket's cry
Is to doubt a fit reply.
The emmet's inch and eagle's mile
Make lame philosophy to smile.
He who doubts from what he sees
Will ne'er believe, do what you please.
If the sun and moon should doubt,
They'd immediately go out.
To be in a passion you good may do,
But no good if a passion is in you.
The whore and gambler, by the state
Licensed, build that nation's fate.
The harlot's cry from street to street
Shall weave old England's winding sheet.
The winner's shout, the loser's curse,
Dance before dead England's hearse.
Every night and every morn
Some to misery are born.
Every morn and every night
Some are born to sweet delight.
Some are born to sweet delight,
Some are born to endless night.
We are led to believe a lie
When we see not through the eye
Which was born in a night to perish in a night,
When the soul slept in beams of light.
God appears, and God is light
To those poor souls who dwell in night,
But does a human form display
To those who dwell in realms of day.
Robert Frost |
Spades take up leaves
No better than spoons,
And bags full of leaves
Are light as balloons.
I make a great noise
Of rustling all day
Like rabbit and deer
But the mountains I raise
Elude my embrace,
Flowing over my arms
And into my face.
I may load and unload
Again and again
Till I fill the whole shed,
And what have I then?
Next to nothing for weight,
And since they grew duller
From contact with earth,
Next to nothing for color.
Next to nothing for use.
But a crop is a crop,
And who's to say where
The harvest shall stop?
John Greenleaf Whittier |
GIFT from the cold and silent Past!
A relic to the present cast,
Left on the ever-changing strand
Of shifting and unstable sand,
Which wastes beneath the steady chime
And beating of the waves of Time!
Who from its bed of primal rock
First wrenched thy dark, unshapely block?
Whose hand, of curious skill untaught,
Thy rude and savage outline wrought?
The waters of my native stream
Are glancing in the sun's warm beam;
From sail-urged keel and flashing oar
The circles widen to its shore;
And cultured field and peopled town
Slope to its willowed margin down.
Yet, while this morning breeze is bringing
The home-life sound of school-bells ringing,
And rolling wheel, and rapid jar
Of the fire-winged and steedless car,
And voices from the wayside near
Come quick and blended on my ear,--
A spell is in this old gray stone,
My thoughts are with the Past alone!
A change! -- The steepled town no more
Stretches along the sail-thronged shore;
Like palace-domes in sunset's cloud,
Fade sun-gilt spire and mansion proud:
Spectrally rising where they stood,
I see the old, primeval wood;
Dark, shadow-like, on either hand
I see its solemn waste expand;
It climbs the green and cultured hill,
It arches o'er the valley's rill,
And leans from cliff and crag to throw
Its wild arms o'er the stream below.
Unchanged, alone, the same bright river
Flows on, as it will flow forever!
I listen, and I hear the low
Soft ripple where its water go;
I hear behind the panther's cry,
The wild-bird's scream goes thrilling by,
And shyly on the river's brink
The deer is stooping down to drink.
But hard! -- from wood and rock flung back,
What sound come up the Merrimac?
What sea-worn barks are those which throw
The light spray from each rushing prow?
Have they not in the North Sea's blast
Bowed to the waves the straining mast?
Their frozen sails the low, pale sun
Of Thulë's night has shone upon;
Flapped by the sea-wind's gusty sweep
Round icy drift, and headland steep.
Wild Jutland's wives and Lochlin's daughters
Have watched them fading o'er the waters,
Lessening through driving mist and spray,
Like white-winged sea-birds on their way!
Onward they glide, -- and now I view
Their iron-armed and stalwart crew;
Joy glistens in each wild blue eye,
Turned to green earth and summer sky.
Each broad, seamed breast has cast aside
Its cumbering vest of shaggy hide;
Bared to the sun and soft warm air,
Streams back the Northmen's yellow hair.
I see the gleam of axe and spear,
A sound of smitten shields I hear,
Keeping a harsh and fitting time
To Saga's chant, and Runic rhyme;
Such lays as Zetland's Scald has sung,
His gray and naked isles among;
Or mutter low at midnight hour
Round Odin's mossy stone of power.
The wolf beneath the Arctic moon
Has answered to that startling rune;
The Gael has heard its stormy swell,
The light Frank knows its summons well;
Iona's sable-stoled Culdee
Has heard it sounding o'er the sea,
And swept, with hoary beard and hair,
His altar's foot in trembling prayer!
'T is past, -- the 'wildering vision dies
In darkness on my dreaming eyes!
The forest vanishes in air,
Hill-slope and vale lie starkly bare;
I hear the common tread of men,
And hum of work-day life again;
The mystic relic seems alone
A broken mass of common stone;
And if it be the chiselled limb
Of Berserker or idol grim,
A fragment of Valhalla's Thor,
The stormy Viking's god of War,
Or Praga of the Runic lay,
Or love-awakening Siona,
I know not, -- for no graven line,
Nor Druid mark, nor Runic sign,
Is left me here, by which to trace
Its name, or origin, or place.
Yet, for this vision of the Past,
This glance upon its darkness cast,
My spirit bows in gratitude
Before the Giver of all good,
Who fashioned so the human mind,
That, from the waste of Time behind,
A simple stone, or mound of earth,
Can summon the departed forth;
Quicken the Past to life again,
The Present lose in what hath been,
And in their primal freshness show
The buried forms of long ago.
As if a portion of that Thought
By which the Eternal will is wrought,
Whose impulse fills anew with breath
The frozen solitude of Death,
To mortal mind were sometimes lent,
To mortal musing sometimes sent,
To whisper -- even when it seems
But Memory's fantasy of dreams --
Through the mind's waste of woe and sin,
Of an immortal origin!
James Whitcomb Riley |
New Castle, July 4, 1878
or a hundred years the pulse of time
Has throbbed for Liberty;
For a hundred years the grand old clime
Columbia has been free;
For a hundred years our country's love,
The Stars and Stripes, has waved above.
Away far out on the gulf of years--
Misty and faint and white
Through the fogs of wrong--a sail appears,
And the Mayflower heaves in sight,
And drifts again, with its little flock
Of a hundred souls, on Plymouth Rock.
Do you see them there--as long, long since--
Through the lens of History;
Do you see them there as their chieftain prints
In the snow his bended knee,
And lifts his voice through the wintry blast
In thanks for a peaceful home at last?
Though the skies are dark and the coast is bleak,
And the storm is wild and fierce,
Its frozen flake on the upturned cheek
Of the Pilgrim melts in tears,
And the dawn that springs from the darkness there
Is the morning light of an answered prayer.
The morning light of the day of Peace
That gladdens the aching eyes,
And gives to the soul that sweet release
That the present verifies,--
Nor a snow so deep, nor a wind so chill
To quench the flame of a freeman's will!
Days of toil when the bleeding hand
Of the pioneer grew numb,
When the untilled tracts of the barren land
Where the weary ones had come
Could offer nought from a fruitful soil
To stay the strength of the stranger's toil.
Days of pain, when the heart beat low,
And the empty hours went by
Pitiless, with the wail of woe
And the moan of Hunger's cry--
When the trembling hands upraised in prayer
Had only the strength to hold them there.
Days when the voice of hope had fled--
Days when the eyes grown weak
Were folded to, and the tears they shed
Were frost on a frozen cheek--
When the storm bent down from the skies and gave
A shroud of snow for the Pilgrim's grave.
Days at last when the smiling sun
Glanced down from a summer sky,
And a music rang where the rivers run,
And the waves went laughing by;
And the rose peeped over the mossy bank
While the wild deer stood in the stream and drank.
And the birds sang out so loud and good,
In a symphony so clear
And pure and sweet that the woodman stood
With his ax upraised to hear,
And to shape the words of the tongue unknown
Into a language all his own--
'Sing! every bird, to-day!
Sing for the sky so clear,
And the gracious breath of the atmosphere
Shall waft our cares away.
Sing! sing! for the sunshine free;
Sing through the land from sea to sea;
Lift each voice in the highest key
And sing for Liberty!'
'Sing for the arms that fling
Their fetters in the dust
And lift their hands in higher trust
Unto the one Great King;
Sing for the patriot heart and hand;
Sing for the country they have planned;
Sing that the world may understand
This is Freedom's land!'
'Sing in the tones of prayer,
Sing till the soaring soul
Shall float above the world's control
In freedom everywhere!
Sing for the good that is to be,
Sing for the eyes that are to see
The land where man at last is free,
O sing for liberty!'
A holy quiet reigned, save where the hand
Of labor sent a murmur through the land,
And happy voices in a harmony
Taught every lisping breeze a melody.
A nest of cabins, where the smoke upcurled
A breathing incense to the other world.
A land of languor from the sun of noon,
That fainted slowly to the pallid moon,
Till stars, thick-scattered in the garden-land
Of Heaven by the great Jehovah's hand,
Had blossomed into light to look upon
The dusky warrior with his arrow drawn,
As skulking from the covert of the night
With serpent cunning and a fiend's delight,
With murderous spirit, and a yell of hate
The voice of Hell might tremble to translate:
When the fond mother's tender lullaby
Went quavering in shrieks all suddenly,
And baby-lips were dabbled with the stain
Of crimson at the bosom of the slain,
And peaceful homes and fortunes ruined--lost
In smoldering embers of the holocaust.
Yet on and on, through years of gloom and strife,
Our country struggled into stronger life;
Till colonies, like footprints in the sand,
Marked Freedom's pathway winding through the land--
And not the footprints to be swept away
Before the storm we hatched in Boston Bay,--
But footprints where the path of war begun
That led to Bunker Hill and Lexington,--
For he who "dared to lead where others dared
To follow" found the promise there declared
Of Liberty, in blood of Freedom's host
Baptized to Father, Son, and Holy Ghost!
Oh, there were times when every patriot breast
Was riotous with sentiments expressed
In tones that swelled in volume till the sound
Of lusty war itself was well-nigh drowned.
Oh, those were times when happy eyes with tears
Brimmed o'er as all the misty doubts and fears
Were washed away, and Hope with gracious mien,
Reigned from her throne again a sovereign queen.
Until at last, upon a day like this
When flowers were blushing at the summer's kiss,
And when the sky was cloudless as the face
Of some sweet infant in its angel grace,--
There came a sound of music, thrown afloat
Upon the balmy air--a clanging note
Reiterated from the brazen throat
Of Independence Bell: A sound so sweet,
The clamoring throngs of people in the streets
Were stilled as at the solemn voice of prayer,
And heads were bowed, and lips were moving there
That made no sound--until the spell had passed,
And then, as when all sudden comes the blast
Of some tornado, came the cheer on cheer
Of every eager voice, while far and near
The echoing bells upon the atmosphere
Set glorious rumors floating, till the ear
Of every listening patriot tingled clear,
And thrilled with joy and jubilee to hear.
'Stir all your echoes up,
O Independence Bell,
And pour from your inverted cup
The song we love so well.
'Lift high your happy voice,
And swing your iron tongue
Till syllables of praise rejoice
That never yet were sung.
'Ring in the gleaming dawn
Of Freedom--Toll the knell
Of Tyranny, and then ring on,
O Independence Bell.
'Ring on, and drown the moan,
Above the patriot slain,
Till sorrow's voice shall catch the tone
And join the glad refrain.
'Ring out the wounds of wrong
And rankle in the breast;
Your music like a slumber-song
Will lull revenge to rest.
'Ring out from Occident
To Orient, and peal
From continent to continent
The mighty joy you feel.
'Ring! Independence Bell!
Ring on till worlds to be
Shall listen to the tale you tell
Of love and Liberty!'
O Liberty--the dearest word
A bleeding country ever heard,--
We lay our hopes upon thy shrine
And offer up our lives for thine.
You gave us many happy years
Of peace and plenty ere the tears
A mourning country wept were dried
Above the graves of those who died
Upon thy threshold.
When newer wars were bred, and men
Went marching in the cannon's breath
And died for thee and loved the death,
While, high above them, gleaming bright,
The dear old flag remained in sight,
And lighted up their dying eyes
With smiles that brightened paradise.
O Liberty, it is thy power
To gladden us in every hour
Of gloom, and lead us by thy hand
As little children through a land
Of bud and blossom; while the days
Are filled with sunshine, and thy praise
Is warbled in the roundelays
Of joyous birds, and in the song
Of waters, murmuring along
The paths of peace, whose flowery fringe
Has roses finding deeper tinge
Of crimson, looking on themselves
Reflected--leaning from the shelves
Of cliff and crag and mossy mound
Of emerald splendor shadow-drowned.
We hail thy presence, as you come
With bugle blast and rolling drum,
And booming guns and shouts of glee
Commingled in a symphony
That thrills the worlds that throng to see
The glory of thy pageantry.
0And with thy praise, we breathe a prayer
That God who leaves you in our care
May favor us from this day on
With thy dear presence--till the dawn
Of Heaven, breaking on thy face,
Lights up thy first abiding place.
Alfred Lord Tennyson |
Once more the gate behind me falls;
Once more before my face
I see the moulder'd Abbey-walls,
That stand within the chace.
Beyond the lodge the city lies,
Beneath its drift of smoke;
And ah! with what delighted eyes
I turn to yonder oak.
For when my passion first began,
Ere that, which in me burn'd,
The love, that makes me thrice a man,
Could hope itself return'd;
To yonder oak within the field
I spoke without restraint,
And with a larger faith appeal'd
Than Papist unto Saint.
For oft I talk'd with him apart
And told him of my choice,
Until he plagiarized a heart,
And answer'd with a voice.
Tho' what he whisper'd under Heaven
None else could understand;
I found him garrulously given,
A babbler in the land.
But since I heard him make reply
Is many a weary hour;
'Twere well to question him, and try
If yet he keeps the power.
Hail, hidden to the knees in fern,
Broad Oak of Sumner-chace,
Whose topmost branches can discern
The roofs of Sumner-place!
Say thou, whereon I carved her name,
If ever maid or spouse,
As fair as my Olivia, came
To rest beneath thy boughs.
"O Walter, I have shelter'd here
Whatever maiden grace
The good old Summers, year by year
Made ripe in Sumner-chace:
"Old Summers, when the monk was fat,
And, issuing shorn and sleek,
Would twist his girdle tight, and pat
The girls upon the cheek,
"Ere yet, in scorn of Peter's-pence,
And number'd bead, and shrift,
Bluff Harry broke into the spence
And turn'd the cowls adrift:
"And I have seen some score of those
Fresh faces that would thrive
When his man-minded offset rose
To chase the deer at five;
"And all that from the town would stroll,
Till that wild wind made work
In which the gloomy brewer's soul
Went by me, like a stork:
"The slight she-slips of royal blood,
And others, passing praise,
Straight-laced, but all-too-full in bud
For puritanic stays:
"And I have shadow'd many a group
Of beauties, that were born
In teacup-times of hood and hoop,
Or while the patch was worn;
"And, leg and arm with love-knots gay
About me leap'd and laugh'd
The modish Cupid of the day,
And shrill'd his tinsel shaft.
"I swear (and else may insects prick
Each leaf into a gall)
This girl, for whom your heart is sick,
Is three times worth them all.
"For those and theirs, by Nature's law,
Have faded long ago;
But in these latter springs I saw
Your own Olivia blow,
"From when she gamboll'd on the greens
A baby-germ, to when
The maiden blossoms of her teens
Could number five from ten.
"I swear, by leaf, and wind, and rain,
(And hear me with thine ears,)
That, tho' I circle in the grain
Five hundred rings of years---
"Yet, since I first could cast a shade,
Did never creature pass
So slightly, musically made,
So light upon the grass:
"For as to fairies, that will flit
To make the greensward fresh,
I hold them exquisitely knit,
But far too spare of flesh.
Oh, hide thy knotted knees in fern,
And overlook the chace;
And from thy topmost branch discern
The roofs of Sumner-place.
But thou, whereon I carved her name,
That oft hast heard my vows,
Declare when last Olivia came
To sport beneath thy boughs.
"O yesterday, you know, the fair
Was holden at the town;
Her father left his good arm-chair,
And rode his hunter down.
"And with him Albert came on his.
I look'd at him with joy:
As cowslip unto oxlip is,
So seems she to the boy.
"An hour had past---and, sitting straight
Within the low-wheel'd chaise,
Her mother trundled to the gate
Behind the dappled grays.
"But as for her, she stay'd at home,
And on the roof she went,
And down the way you use to come,
She look'd with discontent.
"She left the novel half-uncut
Upon the rosewood shelf;
She left the new piano shut:
She could not please herseif
"Then ran she, gamesome as the colt,
And livelier than a lark
She sent her voice thro' all the holt
Before her, and the park.
"A light wind chased her on the wing,
And in the chase grew wild,
As close as might be would he cling
About the darling child:
"But light as any wind that blows
So fleetly did she stir,
The flower, she touch'd on, dipt and rose,
And turn'd to look at her.
"And here she came, and round me play'd,
And sang to me the whole
Of those three stanzas that you made
About my Ôgiant bole;'
"And in a fit of frolic mirth
She strove to span my waist:
Alas, I was so broad of girth,
I could not be embraced.
"I wish'd myself the fair young beech
That here beside me stands,
That round me, clasping each in each,
She might have lock'd her hands.
"Yet seem'd the pressure thrice as sweet
As woodbine's fragile hold,
Or when I feel about my feet
The berried briony fold.
O muffle round thy knees with fern,
And shadow Sumner-chace!
Long may thy topmost branch discern
The roofs of Sumner-place!
But tell me, did she read the name
I carved with many vows
When last with throbbing heart I came
To rest beneath thy boughs?
"O yes, she wander'd round and round
These knotted knees of mine,
And found, and kiss'd the name she found,
And sweetly murmur'd thine.
"A teardrop trembled from its source,
And down my surface crept.
My sense of touch is something coarse,
But I believe she wept.
"Then flush'd her cheek with rosy light,
She glanced across the plain;
But not a creature was in sight:
She kiss'd me once again.
"Her kisses were so close and kind,
That, trust me on my word,
Hard wood I am, and wrinkled rind,
But yet my sap was stirr'd:
"And even into my inmost ring
A pleasure I discern'd,
Like those blind motions of the Spring,
That show the year is turn'd.
"Thrice-happy he that may caress
The ringlet's waving balm---
The cushions of whose touch may press
The maiden's tender palm.
"I, rooted here among the groves
But languidly adjust
My vapid vegetable loves
With anthers and with dust:
"For ah! my friend, the days were brief
Whereof the poets talk,
When that, which breathes within the leaf,
Could slip its bark and walk.
"But could I, as in times foregone,
From spray, and branch, and stem,
Have suck'd and gather'd into one
The life that spreads in them,
"She had not found me so remiss;
But lightly issuing thro',
I would have paid her kiss for kiss,
With usury thereto.
O flourish high, with leafy towers,
And overlook the lea,
Pursue thy loves among the bowers
But leave thou mine to me.
O flourish, hidden deep in fern,
Old oak, I love thee well;
A thousand thanks for what I learn
And what remains to tell.
" ÔTis little more: the day was warm;
At last, tired out with play,
She sank her head upon her arm
And at my feet she lay.
"Her eyelids dropp'd their silken eaves
I breathed upon her eyes
Thro' all the summer of my leaves
A welcome mix'd with sighs.
"I took the swarming sound of life---
The music from the town---
The murmurs of the drum and fife
And lull'd them in my own.
"Sometimes I let a sunbeam slip,
To light her shaded eye;
A second flutter'd round her lip
Like a golden butterfly;
"A third would glimmer on her neck
To make the necklace shine;
Another slid, a sunny fleck,
From head to ankle fine,
"Then close and dark my arms I spread,
And shadow'd all her rest---
Dropt dews upon her golden head,
An acorn in her breast.
"But in a pet she started up,
And pluck'd it out, and drew
My little oakling from the cup,
And flung him in the dew.
"And yet it was a graceful gift---
I felt a pang within
As when I see the woodman lift
His axe to slay my kin.
"I shook him down because he was
The finest on the tree.
He lies beside thee on the grass.
O kiss him once for me.
"O kiss him twice and thrice for me,
That have no lips to kiss,
For never yet was oak on lea
Shall grow so fair as this.
Step deeper yet in herb and fern,
Look further thro' the chace,
Spread upward till thy boughs discern
The front of Sumner-place.
This fruit of thine by Love is blest,
That but a moment lay
Where fairer fruit of Love may rest
Some happy future day.
I kiss it twice, I kiss it thrice,
The warmth it thence shall win
To riper life may magnetise
The baby-oak within.
But thou, while kingdoms overset,
Or lapse from hand to hand,
Thy leaf shall never fail, nor yet
Thine acorn in the land.
May never saw dismember thee,
Nor wielded axe disjoint,
That art the fairest-spoken tree
From here to Lizard-point.
O rock upon thy towery-top
All throats that gurgle sweet!
All starry culmination drop
Balm-dews to bathe thy feet!
All grass of silky feather grow---
And while he sinks or swells
The full south-breeze around thee blow
The sound of minster bells.
The fat earth feed thy branchy root,
That under deeply strikes!
The northern morning o'er thee shoot,
High up, in silver spikes!
Nor ever lightning char thy grain,
But, rolling as in sleep,
Low thunders bring the mellow rain,
That makes thee broad and deep!
And hear me swear a solemn oath,
That only by thy side
Will I to Olive plight my troth,
And gain her for my bride.
And when my marriage morn may fall,
She, Dryad-like, shall wear
Alternate leaf and acorn-ball
In wreath about her hair.
And I will work in prose and rhyme,
And praise thee more in both
Than bard has honour'd beech or lime,
Or that Thessalian growth,
In which the swarthy ringdove sat,
And mystic sentence spoke;
And more than England honours that,
Thy famous brother-oak,
Wherein the younger Charles abode
Till all the paths were dim,
And far below the Roundhead rode,
And humm'd a surly hymn.
Joy Harjo |
Nearly everyone had left that bar in the middle of winter except the
It was the coldest night of the year, every place shut down, but
Of course we noticed when she came in.
We were Indian ruins.
was the end of beauty.
No one knew her, the stranger whose tribe we
recognized, her family related to deer, if that's who she was, a people
accustomed to hearing songs in pine trees, and making them hearts.
The woman inside the woman who was to dance naked in the bar of misfits
blew deer magic.
Henry jack, who could not survive a sober day, thought she
was Buffalo Calf Woman come back, passed out, his head by the toilet.
night he dreamed a dream he could not say.
The next day he borrowed
money, went home, and sent back the money I lent.
Now that's a miracle.
Some people see vision in a burned tortilla, some in the face of a woman.
This is the bar of broken survivors, the club of the shotgun, knife wound, of
poison by culture.
We who were taught not to stare drank our beer.
players gossiped down their cues.
Someone put a quarter in the jukebox to
Richard's wife dove to kill her.
We had to keep her
still, while Richard secretly bought the beauty a drink.
How do I say it?In this language there are no words for how the real world
I could say it in my own and the sacred mounds would come into
focus, but I couldn't take it in this dingy envelope.
So I look at the stars in
this strange city, frozen to the back of the sky, the only promises that ever
My brother-in-law hung out with white people, went to law school with a
perfect record, quit.
Says you can keep your laws, your words.
practiced law on the street with his hands.
He jimmied to the proverbial
dream girl, the face of the moon, while the players racked a new game.
He bragged to us, he told her magic words and that when she broke,
But we all heard his voice crack:
What's a girl like you doing in a place like this?
That's what I'd like to know, what are we all doing in a place like this?
You would know she could hear only what she wanted to; don't we all?Left
the drink of betrayal Richard bought her, at the bar.
What was she on?We all
Put a quarter in the juke.
We all take risks stepping into thin
Our ceremonies didn't predict this.
or we expected more.
I had to tell you this, for the baby inside the girl sealed up with a lick of
hope and swimming into the praise of nations.
This is not a rooming house, but
a dream of winter falls and the deer who portrayed the relatives of
The way back is deer breath on icy windows.
The next dance none of us predicted.
She borrowed a chair for the stairway
to heaven and stood on a table of names.
And danced in the room of children
You picked a fine time to leave me, Lucille With four hungry children and a
crop in the field.
And then she took off her clothes.
She shook loose memory, waltzed with the
empty lover we'd all become.
She was the myth slipped down through dreamtime.
The promise of feast we
all knew was coming.
The deer who crossed through knots of a curse to find
She was no slouch, and neither were we, watching.
The music ended.
And so does the story.
I wasn't there.
But I imagined her
like this, not a stained red dress with tape on her heels but the deer who
entered our dream in white dawn, breathed mist into pine trees, her fawn a
blessing of meat, the ancestors who never left.
Henry Wadsworth Longfellow |
Downward through the evening twilight,
In the days that are forgotten,
In the unremembered ages,
From the full moon fell Nokomis,
Fell the beautiful Nokomis,
She a wife, but not a mother.
She was sporting with her women,
Swinging in a swing of grape-vines,
When her rival the rejected,
Full of jealousy and hatred,
Cut the leafy swing asunder,
Cut in twain the twisted grape-vines,
And Nokomis fell affrighted
Downward through the evening twilight,
On the Muskoday, the meadow,
On the prairie full of blossoms.
"See! a star falls!" said the people;
"From the sky a star is falling!"
There among the ferns and mosses,
There among the prairie lilies,
On the Muskoday, the meadow,
In the moonlight and the starlight,
Fair Nokomis bore a daughter.
And she called her name Wenonah,
As the first-born of her daughters.
And the daughter of Nokomis
Grew up like the prairie lilies,
Grew a tall and slender maiden,
With the beauty of the moonlight,
With the beauty of the starlight.
And Nokomis warned her often,
Saying oft, and oft repeating,
"Oh, beware of Mudjekeewis,
Of the West-Wind, Mudjekeewis;
Listen not to what he tells you;
Lie not down upon the meadow,
Stoop not down among the lilies,
Lest the West-Wind come and harm you!"
But she heeded not the warning,
Heeded not those words of wisdom,
And the West-Wind came at evening,
Walking lightly o'er the prairie,
Whispering to the leaves and blossoms,
Bending low the flowers and grasses,
Found the beautiful Wenonah,
Lying there among the lilies,
Wooed her with his words of sweetness,
Wooed her with his soft caresses,
Till she bore a son in sorrow,
Bore a son of love and sorrow.
Thus was born my Hiawatha,
Thus was born the child of wonder;
But the daughter of Nokomis,
Hiawatha's gentle mother,
In her anguish died deserted
By the West-Wind, false and faithless,
By the heartless Mudjekeewis.
For her daughter long and loudly
Wailed and wept the sad Nokomis;
"Oh that I were dead!" she murmured,
"Oh that I were dead, as thou art!
No more work, and no more weeping,
By the shores of Gitche Gumee,
By the shining Big-Sea-Water,
Stood the wigwam of Nokomis,
Daughter of the Moon, Nokomis.
Dark behind it rose the forest,
Rose the black and gloomy pine-trees,
Rose the firs with cones upon them;
Bright before it beat the water,
Beat the clear and sunny water,
Beat the shining Big-Sea-Water.
There the wrinkled old Nokomis
Nursed the little Hiawatha,
Rocked him in his linden cradle,
Bedded soft in moss and rushes,
Safely bound with reindeer sinews;
Stilled his fretful wail by saying,
"Hush! the Naked Bear will hear thee!"
Lulled him into slumber, singing,
"Ewa-yea! my little owlet!
Who is this, that lights the wigwam?
With his great eyes lights the wigwam?
Ewa-yea! my little owlet!"
Many things Nokomis taught him
Of the stars that shine in heaven;
Showed him Ishkoodah, the comet,
Ishkoodah, with fiery tresses;
Showed the Death-Dance of the spirits,
Warriors with their plumes and war-clubs,
Flaring far away to northward
In the frosty nights of Winter;
Showed the broad white road in heaven,
Pathway of the ghosts, the shadows,
Running straight across the heavens,
Crowded with the ghosts, the shadows.
At the door on summer evenings
Sat the little Hiawatha;
Heard the whispering of the pine-trees,
Heard the lapping of the waters,
Sounds of music, words of wonder;
'Minne-wawa!" said the Pine-trees,
Mudway-aushka!" said the water.
Saw the fire-fly, Wah-wah-taysee,
Flitting through the dusk of evening,
With the twinkle of its candle
Lighting up the brakes and bushes,
And he sang the song of children,
Sang the song Nokomis taught him:
"Wah-wah-taysee, little fire-fly,
Little, flitting, white-fire insect,
Little, dancing, white-fire creature,
Light me with your little candle,
Ere upon my bed I lay me,
Ere in sleep I close my eyelids!"
Saw the moon rise from the water
Rippling, rounding from the water,
Saw the flecks and shadows on it,
Whispered, "What is that, Nokomis?"
And the good Nokomis answered:
"Once a warrior, very angry,
Seized his grandmother, and threw her
Up into the sky at midnight;
Right against the moon he threw her;
'T is her body that you see there.
Saw the rainbow in the heaven,
In the eastern sky, the rainbow,
Whispered, "What is that, Nokomis?"
And the good Nokomis answered:
"'T is the heaven of flowers you see there;
All the wild-flowers of the forest,
All the lilies of the prairie,
When on earth they fade and perish,
Blossom in that heaven above us.
When he heard the owls at midnight,
Hooting, laughing in the forest,
'What is that?" he cried in terror,
"What is that," he said, "Nokomis?"
And the good Nokomis answered:
"That is but the owl and owlet,
Talking in their native language,
Talking, scolding at each other.
Then the little Hiawatha
Learned of every bird its language,
Learned their names and all their secrets,
How they built their nests in Summer,
Where they hid themselves in Winter,
Talked with them whene'er he met them,
Called them "Hiawatha's Chickens.
Of all beasts he learned the language,
Learned their names and all their secrets,
How the beavers built their lodges,
Where the squirrels hid their acorns,
How the reindeer ran so swiftly,
Why the rabbit was so timid,
Talked with them whene'er he met them,
Called them "Hiawatha's Brothers.
Then Iagoo, the great boaster,
He the marvellous story-teller,
He the traveller and the talker,
He the friend of old Nokomis,
Made a bow for Hiawatha;
From a branch of ash he made it,
From an oak-bough made the arrows,
Tipped with flint, and winged with feathers,
And the cord he made of deer-skin.
Then he said to Hiawatha:
"Go, my son, into the forest,
Where the red deer herd together,
Kill for us a famous roebuck,
Kill for us a deer with antlers!"
Forth into the forest straightway
All alone walked Hiawatha
Proudly, with his bow and arrows;
And the birds sang round him, o'er him,
"Do not shoot us, Hiawatha!"
Sang the robin, the Opechee,
Sang the bluebird, the Owaissa,
"Do not shoot us, Hiawatha!"
Up the oak-tree, close beside him,
Sprang the squirrel, Adjidaumo,
In and out among the branches,
Coughed and chattered from the oak-tree,
Laughed, and said between his laughing,
"Do not shoot me, Hiawatha!"
And the rabbit from his pathway
Leaped aside, and at a distance
Sat erect upon his haunches,
Half in fear and half in frolic,
Saying to the little hunter,
"Do not shoot me, Hiawatha!"
But he heeded not, nor heard them,
For his thoughts were with the red deer;
On their tracks his eyes were fastened,
Leading downward to the river,
To the ford across the river,
And as one in slumber walked he.
Hidden in the alder-bushes,
There he waited till the deer came,
Till he saw two antlers lifted,
Saw two eyes look from the thicket,
Saw two nostrils point to windward,
And a deer came down the pathway,
Flecked with leafy light and shadow.
And his heart within him fluttered,
Trembled like the leaves above him,
Like the birch-leaf palpitated,
As the deer came down the pathway.
Then, upon one knee uprising,
Hiawatha aimed an arrow;
Scarce a twig moved with his motion,
Scarce a leaf was stirred or rustled,
But the wary roebuck started,
Stamped with all his hoofs together,
Listened with one foot uplifted,
Leaped as if to meet the arrow;
Ah! the singing, fatal arrow,
Like a wasp it buzzed and stung him!
Dead he lay there in the forest,
By the ford across the river;
Beat his timid heart no longer,
But the heart of Hiawatha
Throbbed and shouted and exulted,
As he bore the red deer homeward,
And Iagoo and Nokomis
Hailed his coming with applauses.
From the red deer's hide Nokomis
Made a cloak for Hiawatha,
From the red deer's flesh Nokomis
Made a banquet to his honor.
All the village came and feasted,
All the guests praised Hiawatha,
Called him Strong-Heart, Soan-ge-taha!
Called him Loon-Heart, Mahn-go-taysee!
Robinson Jeffers |
I followed the narrow cliffside trail half way up the mountain
Above the deep river-canyon.
There was a little cataract crossed the path,
Over tree roots and rocks, shaking the jeweled fern-fronds, bright bubbling
Pure from the mountain, but a bad smell came up.
Wondering at it I clam-
bered down the steep stream
Some forty feet, and found in the midst of bush-oak and laurel,
Hung like a bird's nest on the precipice brink a small hidden clearing,
Grass and a shallow pool.
But all about there were bones Iying in the grass,
clean bones and stinking bones,
Antlers and bones: I understood that the place was a refuge for wounded
deer; there are so many
Hurt ones escape the hunters and limp away to lie hidden; here they have
water for the awful thirst
And peace to die in; dense green laurel and grim cliff
Make sanctuary, and a sweet wind blows upward from the deep gorge.
wish my bones were with theirs.
But that's a foolish thing to confess, and a little cowardly.
We know that life
Is on the whole quite equally good and bad, mostly gray neutral, and can
To the dim end, no matter what magic of grass, water and precipice, and
pain of wounds,
Makes death look dear.
We have been given life and have used it--not a
great gift perhaps--but in honesty
Should use it all.
Mine's empty since my love died--Empty? The flame-
haired grandchild with great blue eyes
That look like hers?--What can I do for the child? I gaze at her and wonder
what sort of man
In the fall of the world .
I am growing old, that is the trouble.
dren and little grandchildren
Will find their way, and why should I wait ten years yet, having lived sixty-
seven, ten years more or less,
Before I crawl out on a ledge of rock and die snapping, like a wolf
Who has lost his mate?--I am bound by my own thirty-year-old decision:
who drinks the wine
Should take the dregs; even in the bitter lees and sediment
New discovery may lie.
The deer in that beautiful place lay down their
bones: I must wear mine.