Written by
Robert Burns |
FROM those drear solitudes and frowsy cells,
Where Infamy with sad Repentance dwells;
Where turnkeys make the jealous portal fast,
And deal from iron hands the spare repast;
Where truant ’prentices, yet young in sin,
Blush at the curious stranger peeping in;
Where strumpets, relics of the drunken roar,
Resolve to drink, nay, half, to whore, no more;
Where tiny thieves not destin’d yet to swing,
Beat hemp for others, riper for the string:
From these dire scenes my wretched lines I date,
To tell Maria her Esopus’ fate.
“Alas! I feel I am no actor here!”
’Tis real hangmen real scourges bear!
Prepare Maria, for a horrid tale
Will turn thy very rouge to deadly pale;
Will make thy hair, tho’ erst from gipsy poll’d,
By barber woven, and by barber sold,
Though twisted smooth with Harry’s nicest care,
Like hoary bristles to erect and stare.
The hero of the mimic scene, no more
I start in Hamlet, in Othello roar;
Or, haughty Chieftain, ’mid the din of arms
In Highland Bonnet, woo Malvina’s charms;
While sans-culottes stoop up the mountain high,
And steal from me Maria’s prying eye.
Blest Highland bonnet! once my proudest dress,
Now prouder still, Maria’s temples press;
I see her wave thy towering plumes afar,
And call each coxcomb to the wordy war:
I see her face the first of Ireland’s sons,
And even out-Irish his Hibernian bronze;
The crafty Colonel leaves the tartan’d lines,
For other wars, where he a hero shines:
The hopeful youth, in Scottish senate bred,
Who owns a Bushby’s heart without the head,
Comes ’mid a string of coxcombs, to display
That veni, vidi, vici, is his way:
The shrinking Bard adown the alley skulks,
And dreads a meeting worse than Woolwich hulks:
Though there, his heresies in Church and State
Might well award him Muir and Palmer’s fate:
Still she undaunted reels and rattles on,
And dares the public like a noontide sun.
What scandal called Maria’s jaunty stagger
The ricket reeling of a crooked swagger?
Whose spleen (e’en worse than Burns’ venom, when
He dips in gall unmix’d his eager pen,
And pours his vengeance in the burning line,)—
Who christen’d thus Maria’s lyre-divine
The idiot strum of Vanity bemus’d,
And even the abuse of Poesy abus’d?—
Who called her verse a Parish Workhouse, made
For motley foundling Fancies, stolen or strayed?
A Workhouse! ah, that sound awakes my woes,
And pillows on the thorn my rack’d repose!
In durance vile here must I wake and weep,
And all my frowsy couch in sorrow steep;
That straw where many a rogue has lain of yore,
And vermin’d gipsies litter’d heretofore.
Why, Lonsdale, thus thy wrath on vagrants pour?
Must earth no rascal save thyself endure?
Must thou alone in guilt immortal swell,
And make a vast monopoly of hell?
Thou know’st the Virtues cannot hate thee worse;
The Vices also, must they club their curse?
Or must no tiny sin to others fall,
Because thy guilt’s supreme enough for all?
Maria, send me too thy griefs and cares;
In all of thee sure thy Esopus shares.
As thou at all mankind the flag unfurls,
Who on my fair one Satire’s vengeance hurls—
Who calls thee, pert, affected, vain coquette,
A wit in folly, and a fool in wit!
Who says that fool alone is not thy due,
And quotes thy treacheries to prove it true!
Our force united on thy foes we’ll turn,
And dare the war with all of woman born:
For who can write and speak as thou and I?
My periods that deciphering defy,
And thy still matchless tongue that conquers all reply!
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Written by
Frank Bidart |
(Dante, Vita Nuova)
To all those driven berserk or humanized by love
this is offered, for I need help
deciphering my dream.
When we love our lord is LOVE.
When I recall that at the fourth hour
of the night, watched by shining stars,
LOVE at last became incarnate,
the memory is horror.
In his hands smiling LOVE held my burning
heart, and in his arms, the body whose greeting
pierces my soul, now wrapped in bloodred, sleeping.
He made him wake. He ordered him to eat
my heart. He ate my burning heart. He ate it
submissively, as if afraid as LOVE wept.
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Written by
Fernando Pessoa |
Thought was born blind, but Thought knows what is seeing.
Its careful touch, deciphering forms from shapes,
Still suggests form as aught whose proper being
Mere finding touch with erring darkness drapes.
Yet whence, except from guessed sight, does touch teach
That touch is but a close and empty sense?
How does mere touch, self-uncontented, reach
For some truer sense's whole intelligence?
The thing once touched, if touch be now omitted,
Stands yet in memory real and outward known,
So the untouching memory of touch is fitted
With sense of a sense whereby far things are shown
So, by touch of untouching, wrongly aright,
Touch' thought of seeing sees not things but Sight.
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