Written by
William Shakespeare |
Let the bird of loudest lay,
On the sole Arabian tree,
Herald sad and trumpet be,
To whose sound chaste wings obey.
But thou, shrieking harbinger,
Foul pre-currer of the fiend,
Augur of the fever's end,
To this troop come thou not near.
From this session interdict
Every fowl of tyrant wing,
Save the eagle, feather'd king:
Keep the obsequy so strict.
Let the priest in surplice white,
That defunctive music can,
Be the death-defying swan,
Lest the requiem lack his right.
And thou, treble-dated crow,
That thy sable gender mak'st
With the breath thou giv'st and tak'st,
'Mongst our mourners shalt thou go.
Here the anthem doth commence:
Love and constancy is dead;
Phoenix and the turtle fled
In a mutual flame from hence.
So they lov'd, as love in twain
Had the essence but in one;
Two distincts, division none:
Number there in love was slain.
Hearts remote, yet not asunder;
Distance, and no space was seen
'Twixt the turtle and his queen;
But in them it were a wonder.
So between them love did shine,
That the turtle saw his right
Flaming in the phoenix' sight:
Either was the other's mine.
Property was thus appall'd,
That the self was not the same;
Single nature's double name
Neither two nor one was call'd.
Reason, in itself confounded,
Saw division grow together;
To themselves yet either-neither,
Simple were so well compounded.
That it cried how true a twain
Seemeth this concordant one!
Love hath reason, reason none
If what parts can so remain.
Whereupon it made this threne
To the phoenix and the dove,
Co-supreme and stars of love;
As chorus to their tragic scene.
THRENOS.
Beauty, truth, and rarity.
Grace in all simplicity,
Here enclos'd in cinders lie.
Death is now the phoenix' nest;
And the turtle's loyal breast
To eternity doth rest,
Leaving no posterity:--
'Twas not their infirmity,
It was married chastity.
Truth may seem, but cannot be:
Beauty brag, but 'tis not she;
Truth and beauty buried be.
To this urn let those repair
That are either true or fair;
For these dead birds sigh a prayer.
|
Written by
Charles Bukowski |
we are always asked
to understand the other person's
viewpoint
no matter how
out-dated
foolish or
obnoxious.
one is asked
to view
their total error
their life-waste
with
kindliness,
especially if they are
aged.
but age is the total of
our doing.
they have aged
badly
because they have
lived
out of focus,
they have refused to
see.
not their fault?
whose fault?
mine?
I am asked to hide
my viewpoint
from them
for fear of their
fear.
age is no crime
but the shame
of a deliberately
wasted
life
among so many
deliberately
wasted
lives
is.
|
Written by
Charles Bukowski |
and the sun weilds mercy
but like a jet torch carried to high,
and the jets whip across its sight
and rockets leap like toads,
and the boys get out the maps
and pin-cuishon the moon,
old green cheese,
no life there but too much on earth:
our unwashed India boys
crosssing their legs,playing pipes,
starving with sucked in bellies,
watching the snakes volute
like beautiful women in the hungry air;
the rockets leap,
the rockets leap like hares,
clearing clump and dog
replacing out-dated bullets;
the Chineses still carve
in jade,quietly stuffing rice
into their hunger, a hunger
a thousand years old,
their muddy rivers moving with fire
and song, barges, houseboats
pushed by drifting poles
of waiting without wanting;
in Turkey they face the East
on their carpets
praying to a purple god
who smokes and laughs
and sticks fingers in their eyes
blinding them, as gods will do;
but the rockets are ready: peace is no longer,
for some reason,precious;
madness drifts like lily pads
on a pond circling senselessly;
the painters paint dipping
their reds and greens and yellows,
poets rhyme their lonliness,
musicians starve as always
and the novelists miss the mark,
but not the pelican , the gull;
pelicans dip and dive, rise,
shaking shocked half-dead
radioactive fish from their beaks;
indeed, indeed, the waters wash
the rocks with slime; and on wall st.
the market staggers like a lost drunk
looking for his key; ah,
this will be a good one,by God:
it will take us back to the
sabre-teeth, the winged monkey
scrabbling in pits over bits
of helmet, instrument and glass;
a lightning crashes across
the window and in a million rooms
lovers lie entwined and lost
and sick as peace;
the sky still breaks red and orange for the
painters-and for the lovers,
flowers open as they always have
opened but covered with thin dust
of rocket fuel and mushrooms,
poison mushrooms; it's a bad time,
a dog-sick time-curtain
act 3, standing room only,
SOLD OUT, SOLD OUT, SOLD OUT again,
by god,by somebody and something,
by rockets and generals and
leaders, by poets , doctors, comedians,
by manufacturers of soup
and biscuits, Janus-faced hucksters
of their own indexerity;
I can now see now the coal-slick
contanminated fields, a snail or 2,
bile, obsidian, a fish or 3
in the shallows, an obloquy of our
source and our sight.....
has this happend before? is history
a circle that catches itself by the tail,
a dream, a nightmare,
a general's dream, a presidents dream,
a dictators dream...
can't we awaken?
or are the forces of life greater than we are?
can't we awaken? must we foever,
dear freinds, die in our sleep?
|
Written by
Karl Shapiro |
The beauty of manhole covers--what of that?
Like medals struck by a great savage khan,
Like Mayan calendar stones, unliftable, indecipherable,
Not like the old electrum, chased and scored,
Mottoed and sculptured to a turn,
But notched and whelked and pocked and smashed
With the great company names
(Gentle Bethlehem, smiling United States).
This rustproof artifact of my street,
Long after roads are melted away will lie
Sidewise in the grave of the iron-old world,
Bitten at the edges,
Strong with its cryptic American,
Its dated beauty.
|
Written by
Gerard Manley Hopkins |
May is Mary's month, and I
Muse at that and wonder why:
Her feasts follow reason,
Dated due to season—
Candlemas, Lady Day;
But the Lady Month, May,
Why fasten that upon her,
With a feasting in her honour?
Is it only its being brighter
Than the most are must delight her?
Is it opportunest
And flowers finds soonest?
Ask of her, the mighty mother:
Her reply puts this other
Question: What is Spring?—
Growth in every thing—
Flesh and fleece, fur and feather,
Grass and greenworld all together;
Star-eyed strawberry-breasted
Throstle above her nested
Cluster of bugle blue eggs thin
Forms and warms the life within;
And bird and blossom swell
In sod or sheath or shell.
All things rising, all things sizing
Mary sees, sympathising
With that world of good,
Nature's motherhood.
Their magnifying of each its kind
With delight calls to mind
How she did in her stored
Magnify the Lord.
Well but there was more than this:
Spring's universal bliss
Much, had much to say
To offering Mary May.
When drop-of-blood-and-foam-dapple
Bloom lights the orchard-apple
And thicket and thorp are merry
With silver-surfed cherry
And azuring-over greybell makes
Wood banks and brakes wash wet like lakes
And magic cuckoocall
Caps, clears, and clinches all—
This ecstasy all through mothering earth
Tells Mary her mirth till Christ's birth
To remember and exultation
In God who was her salvation.
|
Written by
Robert William Service |
Now Fireman Flynn met Hank the Finn where lights of Lust-land glow;
"Let's leave," says he, "the lousy sea, and give the land a show.
I'm fed up to the molar mark with wallopin' the brine;
I feel the bloody barnacles a-carkin' on me spine.
Let's hit the hard-boiled North a crack, where creeks are paved with gold."
"You count me in," says Hank the Finn. "Ay do as Ay ban told."
And so they sought the Lonely Land and drifted down its stream,
Where sunny silence round them spanned, as dopey as a dream.
But to the spell of flood and fell their gold-grimed eyes were blind;
By pine and peak they paused to seek, but nothing did they find;
No yellow glint of dust to mint, just mud and mocking sand,
And a hateful hush that seemed to crush them down on every hand.
Till Fireman Flynn grew mean as sin, and cursed his comrade cold,
But Hank the Finn would only grin, and . . . do as he was told.
Now Fireman Flynn had pieces ten of yellow Yankee gold,
Which every night he would invite his partner to behold.
"Look hard," says he; "It's all you'll see in this god-blasted land;
But you fret, I'm gonna let you hold them i your hand.
Yeah! Watch 'em gleam, then go and dream they're yours to have and hold."
Then Hank the Finn would scratch his chin and . . . do as he was told.
But every night by camp-fire light, he'd incubate his woes,
And fan the hate of mate for mate, the evil Artic knows.
In dreams the Lapland withes gloomed like gargoyles overhead,
While the devils three of Helsinkee came cowering by his bed.
"Go take," said they, "the yellow loot he's clinking in his belt,
And leave the sneaking wolverines to snout around his pelt.
Last night he called you Swedish scum, from out the glory-hole;
To-day he said you were a bum, and damned your mother's soul.
Go, plug with lead his scurvy head, and grab his greasy gold . . ."
Then Hank the Finn saw red within, and . . . did as he was told.
So in due course the famous Force of Men Who Get Their Man,
Swooped down on sleeping Hank the Finn, and popped him in the can.
And in due time his grievous crime was judged without a plea,
And he was dated up to swing upon the gallows tree.
Then Sheriff gave a party in the Law's almighty name,
He gave a neck-tie party, and he asked me to the same.
There was no hooch a-flowin' and his party wasn't gay,
For O our hearts were heavy at the dawning of the day.
There was no band a-playin' and the only dancin' there
Was Hank the Fin interpretin' his solo in the air.
We climbed the scaffold steps and stood beside the knotted rope.
We watched the hooded hangman and his eyes were dazed with dope.
The Sheriff was in evening dress; a bell began to toll,
A beastly bell that struck a knell of horror to the soul.
As if the doomed one was myself, I shuddered, waiting there.
I spoke no word, then . . . then I heard his step upon the stair;
His halting foot, moccasin clad . . . and then I saw him stand
Between a weeping warder and a priest with Cross in hand.
And at the sight a murmur rose of terror and of awe,
And all them hardened gallows fans were sick at what they saw:
For as he towered above the mob, his limbs with leather triced,
By all that's wonderful, I swear, his face was that of Christ.
Now I ain't no blaspheming cuss, so don't you start to shout.
You see, his beard had grown so long it framed his face about.
His rippling hair was long and fair, his cheeks were spirit-pale,
His face was bright with holy light that made us wince and quail.
He looked at us with eyes a-shine, and sore were we confused,
As if he were the Judge divine, and we were the accused.
Aye, as serene he stood between the hangman and the cord,
You would have sworn, with anguish torn, he was the Blessed Lord.
The priest was wet with icy sweat, the Sheriff's lips were dry,
And we were staring starkly at the man who had to die.
"Lo! I am raised above you all," his pale lips seemed to say,
"For in a moment I shall leap to God's Eternal Day.
Am I not happy! I forgive you each for what you do;
Redeemed and penitent I go, with heart of love for you."
So there he stood in mystic mood, with scorn sublime of death.
I saw him gently kiss the Cross, and then I held by breath.
That blessed smile was blotted out; they dropped the hood of black;
They fixed the noose around his neck, the rope was hanging slack.
I heard him pray, I saw him sway, then . . . then he was not there;
A rope, a ghastly yellow rope was jerking in the air;
A jigging rope that soon was still; a hush as of the tomb,
And Hank the Finn, that man of sin, had met his rightful doom.
His rightful doom! Now that's the point. I'm wondering, because
I hold a man is what he is, and never what he was.
You see, the priest had filled that guy so full of holy dope,
That at the last he came to die as pious as the Pope.
A gentle ray of sunshine made a halo round his head.
I thought to see a sinner - lo! I saw a Saint instead.
Aye, as he stood as martyrs stand, clean-cleansed of mortal dross,
I think he might have gloried had . . . WE NAILED HIM TO A CROSS.
|
Written by
Heather McHugh |
We were supposed to do a job in Italy
and, full of our feeling for
ourselves (our sense of being
Poets from America) we went
from Rome to Fano, met
the Mayor, mulled a couple
matters over. The Italian literati seemed
bewildered by the language of America: they asked us
what does "flat drink" mean? and the mysterious
"cheap date" (no explanation lessened
this one's mystery). Among Italian writers we
could recognize our counterparts: the academic,
the apologist, the arrogant, the amorous,
the brazen and the glib. And there was one
administrator (The Conservative), in suit
of regulation gray, who like a good tour guide
with measured pace and uninflected tone
narrated sights and histories
the hired van hauled us past.
Of all he was most politic--
and least poetic-- so
it seemed. Our last
few days in Rome
I found a book of poems this
unprepossessing one had written: it was there
in the pensione room (a room he'd recommended)
where it must have been abandoned by
the German visitor (was there a bus of them?) to whom
he had inscribed and dated it a month before. I couldn't
read Italian either, so I put the book
back in the wardrobe's dark. We last Americans
were due to leave
tomorrow. For our parting evening then
our host chose something in a family restaurant,
and there we sat and chatted, sat and chewed, till,
sensible it was our last big chance to be Poetic, make
our mark, one of us asked
"What's poetry?
Is it the fruits and vegetables
and marketplace at Campo dei Fiori
or the statue there?" Because I was
the glib one, I identified the answer
instantly, I didn't have to think-- "The truth
is both, it's both!" I blurted out. But that
was easy. That was easiest
to say. What followed taught me something
about difficulty,
for our underestimated host spoke out
all of a sudden, with a rising passion, and he said:
The statue represents
Giordano Bruno, brought
to be burned in the public square
because of his offence against authority, which was to say
the Church. His crime was his belief
the universe does not revolve around
the human being: God is no
fixed point or central government
but rather is poured in waves, through
all things: all things
move. "If God is not the soul itself,
he is the soul OF THE SOUL of the world." Such was
his heresy. The day they brought him forth to die
they feared he might incite the crowd (the man
was famous for his eloquence). And so his captors
placed upon his face
an iron mask
in which he could not speak.
That is how they burned him.
That is how he died,
without a word,
in front of everyone. And poetry--
(we'd all put down our forks by now, to listen to
the man in gray; he went on softly)-- poetry
is what he thought, but did not say.
|
Written by
Matthew Arnold |
Through Alpine meadows soft-suffused
With rain, where thick the crocus blows,
Past the dark forges long disused,
The mule-track from Saint Laurent goes.
The bridge is cross'd, and slow we ride,
Through forest, up the mountain-side.
The autumnal evening darkens round,
The wind is up, and drives the rain;
While, hark! far down, with strangled sound
Doth the Dead Guier's stream complain,
Where that wet smoke, among the woods,
Over his boiling cauldron broods.
Swift rush the spectral vapours white
Past limestone scars with ragged pines,
Showing--then blotting from our sight!--
Halt--through the cloud-drift something shines!
High in the valley, wet and drear,
The huts of Courrerie appear.
Strike leftward! cries our guide; and higher
Mounts up the stony forest-way.
At last the encircling trees retire;
Look! through the showery twilight grey
What pointed roofs are these advance?--
A palace of the Kings of France?
Approach, for what we seek is here!
Alight, and sparely sup, and wait
For rest in this outbuilding near;
Then cross the sward and reach that gate.
Knock; pass the wicket! Thou art come
To the Carthusians' world-famed home.
The silent courts, where night and day
Into their stone-carved basins cold
The splashing icy fountains play--
The humid corridors behold!
Where, ghostlike in the deepening night,
Cowl'd forms brush by in gleaming white.
The chapel, where no organ's peal
Invests the stern and naked prayer--
With penitential cries they kneel
And wrestle; rising then, with bare
And white uplifted faces stand,
Passing the Host from hand to hand;
Each takes, and then his visage wan
Is buried in his cowl once more.
The cells!--the suffering Son of Man
Upon the wall--the knee-worn floor--
And where they sleep, that wooden bed,
Which shall their coffin be, when dead!
The library, where tract and tome
Not to feed priestly pride are there,
To hymn the conquering march of Rome,
Nor yet to amuse, as ours are!
They paint of souls the inner strife,
Their drops of blood, their death in life.
The garden, overgrown--yet mild,
See, fragrant herbs are flowering there!
Strong children of the Alpine wild
Whose culture is the brethren's care;
Of human tasks their only one,
And cheerful works beneath the sun.
Those halls, too, destined to contain
Each its own pilgrim-host of old,
From England, Germany, or Spain--
All are before me! I behold
The House, the Brotherhood austere!
--And what am I, that I am here?
For rigorous teachers seized my youth,
And purged its faith, and trimm'd its fire,
Show'd me the high, white star of Truth,
There bade me gaze, and there aspire.
Even now their whispers pierce the gloom:
What dost thou in this living tomb?
Forgive me, masters of the mind!
At whose behest I long ago
So much unlearnt, so much resign'd--
I come not here to be your foe!
I seek these anchorites, not in ruth,
To curse and to deny your truth;
Not as their friend, or child, I speak!
But as, on some far northern strand,
Thinking of his own Gods, a Greek
In pity and mournful awe might stand
Before some fallen Runic stone--
For both were faiths, and both are gone.
Wandering between two worlds, one dead,
The other powerless to be born,
With nowhere yet to rest my head,
Like these, on earth I wait forlorn.
Their faith, my tears, the world deride--
I come to shed them at their side.
Oh, hide me in your gloom profound,
Ye solemn seats of holy pain!
Take me, cowl'd forms, and fence me round,
Till I possess my soul again;
Till free my thoughts before me roll,
Not chafed by hourly false control!
For the world cries your faith is now
But a dead time's exploded dream;
My melancholy, sciolists say,
Is a pass'd mode, an outworn theme--
As if the world had ever had
A faith, or sciolists been sad!
Ah, if it be pass'd, take away,
At least, the restlessness, the pain;
Be man henceforth no more a prey
To these out-dated stings again!
The nobleness of grief is gone
Ah, leave us not the fret alone!
But--if you cannot give us ease--
Last of the race of them who grieve
Here leave us to die out with these
Last of the people who believe!
Silent, while years engrave the brow;
Silent--the best are silent now.
Achilles ponders in his tent,
The kings of modern thought are dumb,
Silent they are though not content,
And wait to see the future come.
They have the grief men had of yore,
But they contend and cry no more.
Our fathers water'd with their tears
This sea of time whereon we sail,
Their voices were in all men's ears
We pass'd within their puissant hail.
Still the same ocean round us raves,
But we stand mute, and watch the waves.
For what avail'd it, all the noise
And outcry of the former men?--
Say, have their sons achieved more joys,
Say, is life lighter now than then?
The sufferers died, they left their pain--
The pangs which tortured them remain.
What helps it now, that Byron bore,
With haughty scorn which mock'd the smart,
Through Europe to the ?tolian shore
The pageant of his bleeding heart?
That thousands counted every groan,
And Europe made his woe her own?
What boots it, Shelley! that the breeze
Carried thy lovely wail away,
Musical through Italian trees
Which fringe thy soft blue Spezzian bay?
Inheritors of thy distress
Have restless hearts one throb the less?
Or are we easier, to have read,
O Obermann! the sad, stern page,
Which tells us how thou hidd'st thy head
From the fierce tempest of thine age
In the lone brakes of Fontainebleau,
Or chalets near the Alpine snow?
Ye slumber in your silent grave!--
The world, which for an idle day
Grace to your mood of sadness gave,
Long since hath flung her weeds away.
The eternal trifler breaks your spell;
But we--we learned your lore too well!
Years hence, perhaps, may dawn an age,
More fortunate, alas! than we,
Which without hardness will be sage,
And gay without frivolity.
Sons of the world, oh, speed those years;
But, while we wait, allow our tears!
Allow them! We admire with awe
The exulting thunder of your race;
You give the universe your law,
You triumph over time and space!
Your pride of life, your tireless powers,
We laud them, but they are not ours.
We are like children rear'd in shade
Beneath some old-world abbey wall,
Forgotten in a forest-glade,
And secret from the eyes of all.
Deep, deep the greenwood round them waves,
Their abbey, and its close of graves!
But, where the road runs near the stream,
Oft through the trees they catch a glance
Of passing troops in the sun's beam--
Pennon, and plume, and flashing lance!
Forth to the world those soldiers fare,
To life, to cities, and to war!
And through the wood, another way,
Faint bugle-notes from far are borne,
Where hunters gather, staghounds bay,
Round some fair forest-lodge at morn.
Gay dames are there, in sylvan green;
Laughter and cries--those notes between!
The banners flashing through the trees
Make their blood dance and chain their eyes;
That bugle-music on the breeze
Arrests them with a charm'd surprise.
Banner by turns and bugle woo:
Ye shy recluses, follow too!
O children, what do ye reply?--
'Action and pleasure, will ye roam
Through these secluded dells to cry
And call us?--but too late ye come!
Too late for us your call ye blow,
Whose bent was taken long ago.
'Long since we pace this shadow'd nave;
We watch those yellow tapers shine,
Emblems of hope over the grave,
In the high altar's depth divine;
The organ carries to our ear
Its accents of another sphere.
'Fenced early in this cloistral round
Of reverie, of shade, of prayer,
How should we grow in other ground?
How can we flower in foreign air?
--Pass, banners, pass, and bugles, cease;
And leave our desert to its peace!'
|
Written by
Gerard Manley Hopkins |
May is Mary's month, and I
Muse at that and wonder why:
Her feasts follow reason,
Dated due to season—
Candlemas, Lady Day;
But the Lady Month, May,
Why fasten that upon her,
With a feasting in her honour?
Is it only its being brighter
Than the most are must delight her?
Is it opportunest
And flowers finds soonest?
Ask of her, the mighty mother:
Her reply puts this other
Question: What is Spring?—
Growth in every thing—
Flesh and fleece, fur and feather,
Grass and greenworld all together;
Star-eyed strawberry-breasted
Throstle above her nested
Cluster of bugle blue eggs thin
Forms and warms the life within;
And bird and blossom swell
In sod or sheath or shell.
All things rising, all things sizing
Mary sees, sympathising
With that world of good,
Nature's motherhood.
Their magnifying of each its kind
With delight calls to mind
How she did in her stored
Magnify the Lord.
Well but there was more than this:
Spring's universal bliss
Much, had much to say
To offering Mary May.
When drop-of-blood-and-foam-dapple
Bloom lights the orchard-apple
And thicket and thorp are merry
With silver-surfèd cherry
And azuring-over greybell makes
Wood banks and brakes wash wet like lakes
And magic cuckoocall
Caps, clears, and clinches all—
This ecstasy all through mothering earth
Tells Mary her mirth till Christ's birth
To remember and exultation
In God who was her salvation.
|
Written by
Alexander Pope |
Est brevitate opus, ut currat sententia, neu se
Impediat verbis lassas onerantibus aures:
Et sermone opus est modo tristi, saepe jocoso,
Defendente vicem modo Rhetoris atque Poetae,
Interdum urbani, parcentis viribus, atque
Extenuantis eas consulto.
(Horace, Satires, I, x, 17-22)
'Tis strange, the miser should his cares employ
To gain those riches he can ne'er enjoy:
Is it less strange, the prodigal should waste
His wealth to purchase what he ne'er can taste?
Not for himself he sees, or hears, or eats;
Artists must choose his pictures, music, meats:
He buys for Topham, drawings and designs,
For Pembroke, statues, dirty gods, and coins;
Rare monkish manuscripts for Hearne alone,
And books for Mead, and butterflies for Sloane.
Think we all these are for himself? no more
Than his fine wife, alas! or finer whore.
For what his Virro painted, built, and planted?
Only to show, how many tastes he wanted.
What brought Sir Visto's ill got wealth to waste?
Some daemon whisper'd, "Visto! have a taste."
Heav'n visits with a taste the wealthy fool,
And needs no rod but Ripley with a rule.
See! sportive fate, to punish awkward pride,
Bids Bubo build, and sends him such a guide:
A standing sermon, at each year's expense,
That never coxcomb reach'd magnificence!
You show us, Rome was glorious, not profuse,
And pompous buildings once were things of use.
Yet shall (my Lord) your just, your noble rules
Fill half the land with imitating fools;
Who random drawings from your sheets shall take,
And of one beauty many blunders make;
Load some vain church with old theatric state,
Turn arcs of triumph to a garden gate;
Reverse your ornaments, and hang them all
On some patch'd dog-hole ek'd with ends of wall;
Then clap four slices of pilaster on't,
That lac'd with bits of rustic, makes a front.
Or call the winds through long arcades to roar,
Proud to catch cold at a Venetian door;
Conscious they act a true Palladian part,
And, if they starve, they starve by rules of art.
Oft have you hinted to your brother peer,
A certain truth, which many buy too dear:
Something there is more needful than expense,
And something previous ev'n to taste--'tis sense:
Good sense, which only is the gift of Heav'n,
And though no science, fairly worth the sev'n:
A light, which in yourself you must perceive;
Jones and Le Notre have it not to give.
To build, to plant, whatever you intend,
To rear the column, or the arch to bend,
To swell the terrace, or to sink the grot;
In all, let Nature never be forgot.
But treat the goddess like a modest fair,
Nor overdress, nor leave her wholly bare;
Let not each beauty ev'rywhere be spied,
Where half the skill is decently to hide.
He gains all points, who pleasingly confounds,
Surprises, varies, and conceals the bounds.
Consult the genius of the place in all;
That tells the waters or to rise, or fall;
Or helps th' ambitious hill the heav'ns to scale,
Or scoops in circling theatres the vale;
Calls in the country, catches opening glades,
Joins willing woods, and varies shades from shades,
Now breaks, or now directs, th' intending lines;
Paints as you plant, and, as you work, designs.
Still follow sense, of ev'ry art the soul,
Parts answ'ring parts shall slide into a whole,
Spontaneous beauties all around advance,
Start ev'n from difficulty, strike from chance;
Nature shall join you; time shall make it grow
A work to wonder at--perhaps a Stowe.
Without it, proud Versailles! thy glory falls;
And Nero's terraces desert their walls:
The vast parterres a thousand hands shall make,
Lo! Cobham comes, and floats them with a lake:
Or cut wide views through mountains to the plain,
You'll wish your hill or shelter'd seat again.
Ev'n in an ornament its place remark,
Nor in an hermitage set Dr. Clarke.
Behold Villario's ten years' toil complete;
His quincunx darkens, his espaliers meet;
The wood supports the plain, the parts unite,
And strength of shade contends with strength of light;
A waving glow his bloomy beds display,
Blushing in bright diversities of day,
With silver-quiv'ring rills meander'd o'er--
Enjoy them, you! Villario can no more;
Tir'd of the scene parterres and fountains yield,
He finds at last he better likes a field.
Through his young woods how pleas'd Sabinus stray'd,
Or sat delighted in the thick'ning shade,
With annual joy the redd'ning shoots to greet,
Or see the stretching branches long to meet!
His son's fine taste an op'ner vista loves,
Foe to the dryads of his father's groves;
One boundless green, or flourish'd carpet views,
With all the mournful family of yews;
The thriving plants ignoble broomsticks made,
Now sweep those alleys they were born to shade.
At Timon's villa let us pass a day,
Where all cry out, "What sums are thrown away!"
So proud, so grand of that stupendous air,
Soft and agreeable come never there.
Greatness, with Timon, dwells in such a draught
As brings all Brobdingnag before your thought.
To compass this, his building is a town,
His pond an ocean, his parterre a down:
Who but must laugh, the master when he sees,
A puny insect, shiv'ring at a breeze!
Lo, what huge heaps of littleness around!
The whole, a labour'd quarry above ground.
Two cupids squirt before: a lake behind
Improves the keenness of the Northern wind.
His gardens next your admiration call,
On ev'ry side you look, behold the wall!
No pleasing intricacies intervene,
No artful wildness to perplex the scene;
Grove nods at grove, each alley has a brother,
And half the platform just reflects the other.
The suff'ring eye inverted Nature sees,
Trees cut to statues, statues thick as trees;
With here a fountain, never to be play'd;
And there a summerhouse, that knows no shade;
Here Amphitrite sails through myrtle bow'rs;
There gladiators fight, or die in flow'rs;
Unwater'd see the drooping sea horse mourn,
And swallows roost in Nilus' dusty urn.
My Lord advances with majestic mien,
Smit with the mighty pleasure, to be seen:
But soft--by regular approach--not yet--
First through the length of yon hot terrace sweat;
And when up ten steep slopes you've dragg'd your thighs,
Just at his study door he'll bless your eyes.
His study! with what authors is it stor'd?
In books, not authors, curious is my Lord;
To all their dated backs he turns you round:
These Aldus printed, those Du Sueil has bound.
Lo, some are vellum, and the rest as good
For all his Lordship knows, but they are wood.
For Locke or Milton 'tis in vain to look,
These shelves admit not any modern book.
And now the chapel's silver bell you hear,
That summons you to all the pride of pray'r:
Light quirks of music, broken and uneven,
Make the soul dance upon a jig to heaven.
On painted ceilings you devoutly stare,
Where sprawl the saints of Verrio or Laguerre,
On gilded clouds in fair expansion lie,
And bring all paradise before your eye.
To rest, the cushion and soft dean invite,
Who never mentions Hell to ears polite.
But hark! the chiming clocks to dinner call;
A hundred footsteps scrape the marble hall:
The rich buffet well-colour'd serpents grace,
And gaping Tritons spew to wash your face.
Is this a dinner? this a genial room?
No, 'tis a temple, and a hecatomb.
A solemn sacrifice, perform'd in state,
You drink by measure, and to minutes eat.
So quick retires each flying course, you'd swear
Sancho's dread doctor and his wand were there.
Between each act the trembling salvers ring,
From soup to sweet wine, and God bless the King.
In plenty starving, tantaliz'd in state,
And complaisantly help'd to all I hate,
Treated, caress'd, and tir'd, I take my leave,
Sick of his civil pride from morn to eve;
I curse such lavish cost, and little skill,
And swear no day was ever pass'd so ill.
Yet hence the poor are cloth'd, the hungry fed;
Health to himself, and to his infants bread
The lab'rer bears: What his hard heart denies,
His charitable vanity supplies.
Another age shall see the golden ear
Embrown the slope, and nod on the parterre,
Deep harvests bury all his pride has plann'd,
And laughing Ceres reassume the land.
Who then shall grace, or who improve the soil?
Who plants like Bathurst, or who builds like Boyle.
'Tis use alone that sanctifies expense,
And splendour borrows all her rays from sense.
His father's acres who enjoys in peace,
Or makes his neighbours glad, if he increase:
Whose cheerful tenants bless their yearly toil,
Yet to their Lord owe more than to the soil;
Whose ample lawns are not asham'd to feed
The milky heifer and deserving steed;
Whose rising forests, not for pride or show,
But future buildings, future navies, grow:
Let his plantations stretch from down to down,
First shade a country, and then raise a town.
You too proceed! make falling arts your care,
Erect new wonders, and the old repair;
Jones and Palladio to themselves restore,
And be whate'er Vitruvius was before:
Till kings call forth th' ideas of your mind,
Proud to accomplish what such hands design'd,
Bid harbours open, public ways extend,
Bid temples, worthier of the God, ascend;
Bid the broad arch the dang'rous flood contain,
The mole projected break the roaring main;
Back to his bounds their subject sea command,
And roll obedient rivers through the land;
These honours, peace to happy Britain brings,
These are imperial works, and worthy kings.
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