Written by
Robert Southey |
Author Note: The story of the following ballad was related to me, when a school boy, as a fact which had really happened in the North of England. I have
adopted the metre of Mr. Lewis's Alonzo and Imogene--a poem deservedly
popular.
I.
Who is she, the poor Maniac, whose wildly-fix'd eyes
Seem a heart overcharged to express?
She weeps not, yet often and deeply she sighs,
She never complains, but her silence implies
The composure of settled distress.
II.
No aid, no compassion the Maniac will seek,
Cold and hunger awake not her care:
Thro' her rags do the winds of the winter blow bleak
On her poor withered bosom half bare, and her cheek
Has the deathy pale hue of despair.
III.
Yet chearful and happy, nor distant the day,
Poor Mary the Maniac has been;
The Traveller remembers who journeyed this way
No damsel so lovely, no damsel so gay
As Mary the Maid of the Inn.
IV.
Her chearful address fill'd the guests with delight
As she welcomed them in with a smile:
Her heart was a stranger to childish affright,
And Mary would walk by the Abbey at night
When the wind whistled down the dark aisle.
V.
She loved, and young Richard had settled the day,
And she hoped to be happy for life;
But Richard was idle and worthless, and they
Who knew him would pity poor Mary and say
That she was too good for his wife.
VI.
'Twas in autumn, and stormy and dark was the night,
And fast were the windows and door;
Two guests sat enjoying the fire that burnt bright,
And smoking in silence with tranquil delight
They listen'd to hear the wind roar.
VII.
"Tis pleasant," cried one, "seated by the fire side
"To hear the wind whistle without."
"A fine night for the Abbey!" his comrade replied,
"Methinks a man's courage would now be well tried
"Who should wander the ruins about.
VIII.
"I myself, like a school-boy, should tremble to hear
"The hoarse ivy shake over my head;
"And could fancy I saw, half persuaded by fear,
"Some ugly old Abbot's white spirit appear,
"For this wind might awaken the dead!"
IX.
"I'll wager a dinner," the other one cried,
"That Mary would venture there now."
"Then wager and lose!" with a sneer he replied,
"I'll warrant she'd fancy a ghost by her side,
"And faint if she saw a white cow."
X.
"Will Mary this charge on her courage allow?"
His companion exclaim'd with a smile;
"I shall win, for I know she will venture there now,
"And earn a new bonnet by bringing a bough
"From the elder that grows in the aisle."
XI.
With fearless good humour did Mary comply,
And her way to the Abbey she bent;
The night it was dark, and the wind it was high
And as hollowly howling it swept thro' the sky
She shiver'd with cold as she went.
XII.
O'er the path so well known still proceeded the Maid
Where the Abbey rose dim on the sight,
Thro' the gate-way she entered, she felt not afraid
Yet the ruins were lonely and wild, and their shade
Seem'd to deepen the gloom of the night.
XIII.
All around her was silent, save when the rude blast
Howl'd dismally round the old pile;
Over weed-cover'd fragments still fearless she past,
And arrived in the innermost ruin at last
Where the elder tree grew in the aisle.
XIV.
Well-pleas'd did she reach it, and quickly drew near
And hastily gather'd the bough:
When the sound of a voice seem'd to rise on her ear,
She paus'd, and she listen'd, all eager to hear,
Aud her heart panted fearfully now.
XV.
The wind blew, the hoarse ivy shook over her head,
She listen'd,--nought else could she hear.
The wind ceas'd, her heart sunk in her bosom with dread
For she heard in the ruins distinctly the tread
Of footsteps approaching her near.
XVI.
Behind a wide column half breathless with fear
She crept to conceal herself there:
That instant the moon o'er a dark cloud shone clear,
And she saw in the moon-light two ruffians appear
And between them a corpse did they bear.
XVII.
Then Mary could feel her heart-blood curdle cold!
Again the rough wind hurried by,--
It blew off the hat of the one, and behold
Even close to the feet of poor Mary it roll'd,--
She felt, and expected to die.
XVIII.
"Curse the hat!" he exclaims. "Nay come on and first hide
"The dead body," his comrade replies.
She beheld them in safety pass on by her side,
She seizes the hat, fear her courage supplied,
And fast thro' the Abbey she flies.
XIX.
She ran with wild speed, she rush'd in at the door,
She gazed horribly eager around,
Then her limbs could support their faint burthen no more,
And exhausted and breathless she sunk on the floor
Unable to utter a sound.
XX.
Ere yet her pale lips could the story impart,
For a moment the hat met her view;--
Her eyes from that object convulsively start,
For--oh God what cold horror then thrill'd thro' her heart,
When the name of her Richard she knew!
XXI.
Where the old Abbey stands, on the common hard by
His gibbet is now to be seen.
Not far from the road it engages the eye,
The Traveller beholds it, and thinks with a sigh
Of poor Mary the Maid of the Inn.
|
Written by
William Blake |
84 Thee the ancientest peer, Duke of Burgundy, rose from the monarch's right hand, red as wines
85 From his mountains; an odor of war, like a ripe vineyard, rose from his garments,
86 And the chamber became as a clouded sky; o'er the council he stretch'd his red limbs,
87 Cloth'd in flames of crimson; as a ripe vineyard stretches over sheaves of corn,
88 The fierce Duke hung over the council; around him crowd, weeping in his burning robe,
89 A bright cloud of infant souls; his words fall like purple autumn on the sheaves:
90 "Shall this marble built heaven become a clay cottage, this earth an oak stool and these mowers
91 From the Atlantic mountains mow down all this great starry harvest of six thousand years?
92 And shall Necker, the hind of Geneva, stretch out his crook'd sickle o'er fertile France
93 Till our purple and crimson is faded to russet, and the kingdoms of earth bound in sheaves,
94 And the ancient forests of chivalry hewn, and the joys of the combat burnt for fuel;
95 Till the power and dominion is rent from the pole, sword and sceptre from sun and moon,
96 The law and gospel from fire and air, and eternal reason and science
97 From the deep and the solid, and man lay his faded head down on the rock
98 Of eternity, where the eternal lion and eagle remain to devour?
99 This to prevent--urg'd by cries in day, and prophetic dreams hovering in night,
100 To enrich the lean earth that craves, furrow'd with plows, whose seed is departing from her--
101 Thy nobles have gather'd thy starry hosts round this rebellious city,
102 To rouze up the ancient forests of Europe, with clarions of cloud breathing war,
103 To hear the horse neigh to the drum and trumpet, and the trumpet and war shout reply.
104 Stretch the hand that beckons the eagles of heaven; they cry over Paris, and wait
105 Till Fayette point his finger to Versailles; the eagles of heaven must have their prey!"
106 He ceas'd, and burn'd silent; red clouds roll round Necker; a weeping is heard o'er the palace.
107 Like a dark cloud Necker paus'd, and like thunder on the just man's burial day he paus'd;
108 Silent sit the winds, silent the meadows, while the husbandman and woman of weakness
109 And bright children look after him into the grave, and water his clay with love,
110 Then turn towards pensive fields; so Necker paus'd, and his visage was covered with clouds.
111 The King lean'd on his mountains, then lifted his head and look'd on his armies, that shone
112 Through heaven, tinging morning with beams of blood; then turning to Burgundy, troubled:
113 "Burgundy, thou wast born a lion! My soul is o'ergrown with distress.
114 For the nobles of France, and dark mists roll round me and blot the writing of God
115 Written in my bosom. Necker rise! leave the kingdom, thy life is surrounded with snares.
116 We have call'd an Assembly, but not to destroy; we have given gifts, not to the weak;
117 I hear rushing of muskets, and bright'ning of swords, and visages redd'ning with war,
118 Frowning and looking up from brooding villages and every dark'ning city.
119 Ancient wonders frown over the kingdom, and cries of women and babes are heard,
120 And tempests of doubt roll around me, and fierce sorrows, because of the nobles of France.
121 Depart! answer not! for the tempest must fall, as in years that are passed away."
|
Written by
Ruth Padel |
(published on BLINKING EYE, http://www.blinking-eye.co.uk/writer/padel2.html )
Then spoke the thunder, shattering the looming blackness of our national life. The rumble that breaks a spell of the dry season
– Saro-Wiwa, "The Storm Breaks"
Does a zebra foal dream? Head lower, lower
under lenticular dark cloud,
he drags harlequin fetlocks, porcelain
quails' egg hooflets through pimpling dust,
slower, slower through the silver
rainbow night, this soot and fester
cellar-lighting, electricity of the blue
and evil eye. Night ringed with eyes,
gutter-glow of new-soused theatre,
hyena, leopard, caracal (that caramel cat
with ear tufts, anxious to feed her cubs)
watching the lame foal weakened by drought.
All you know is, that you don't know,
and are afraid. Moonshadow
where the big rocks laugh apart.
Predator-senses. Cilia. Heat detectors
crowd this long auditorium, segment
after segment of the midnight shuffle-plains.
They radar in on bodies, fluids, molecules
of flesh that do not know they glow, they draw.
Let's give him one dream-memory,
a zebra wish fulfilled in dazing plod,
some sheer green wall of sugarcane.
And look - he's made it through
into the bleach and blaze, rose curdling
over indigo and lard, this granult scar
of dawn. One more dawn nearer the water.
Sky blood-taggled, blood-tufted,
rushes over him like a white bowl
at the end of things, the little safe horizon
of a pilot's dial,
an inventory of therapeutic gems.
|
Written by
William Blake |
Thee the ancientest peer, Duke of Burgundy, rose from the monarch's right hand, red as wines
From his mountains; an odor of war, like a ripe vineyard, rose from his garments,
And the chamber became as a clouded sky; o'er the council he stretch'd his red limbs,
Cloth'd in flames of crimson; as a ripe vineyard stretches over sheaves of corn,
The fierce Duke hung over the council; around him crowd, weeping in his burning robe,
A bright cloud of infant souls; his words fall like purple autumn on the sheaves:
'Shall this marble built heaven become a clay cottage, this earth an oak stool and these mowers
From the Atlantic mountains mow down all this great starry harvest of six thousand years?
92 And shall Necker, the hind of Geneva, stretch out his crook'd sickle o'er fertile France
93 Till our purple and crimson is faded to russet, and the kingdoms of earth bound in sheaves,
94 And the ancient forests of chivalry hewn, and the joys of the combat burnt for fuel;
95 Till the power and dominion is rent from the pole, sword and sceptre from sun and moon,
96 The law and gospel from fire and air, and eternal reason and science
97 From the deep and the solid, and man lay his faded head down on the rock
98 Of eternity, where the eternal lion and eagle remain to devour?
99 This to prevent--urg'd by cries in day, and prophetic dreams hovering in night,
100 To enrich the lean earth that craves, furrow'd with plows, whose seed is departing from her--
101 Thy nobles have gather'd thy starry hosts round this rebellious city,
102 To rouze up the ancient forests of Europe, with clarions of cloud breathing war,
103 To hear the horse neigh to the drum and trumpet, and the trumpet and war shout reply.
104 Stretch the hand that beckons the eagles of heaven; they cry over Paris, and wait
105 Till Fayette point his finger to Versailles; the eagles of heaven must have their prey!'
106 He ceas'd, and burn'd silent; red clouds roll round Necker; a weeping is heard o'er the palace.
107 Like a dark cloud Necker paus'd, and like thunder on the just man's burial day he paus'd;
108 Silent sit the winds, silent the meadows, while the husbandman and woman of weakness
109 And bright children look after him into the grave, and water his clay with love,
110 Then turn towards pensive fields; so Necker paus'd, and his visage was covered with clouds.
111 The King lean'd on his mountains, then lifted his head and look'd on his armies, that shone
112 Through heaven, tinging morning with beams of blood; then turning to Burgundy, troubled:
113 'Burgundy, thou wast born a lion! My soul is o'ergrown with distress.
114 For the nobles of France, and dark mists roll round me and blot the writing of God
115 Written in my bosom. Necker rise! leave the kingdom, thy life is surrounded with snares.
116 We have call'd an Assembly, but not to destroy; we have given gifts, not to the weak;
117 I hear rushing of muskets, and bright'ning of swords, and visages redd'ning with war,
118 Frowning and looking up from brooding villages and every dark'ning city.
119 Ancient wonders frown over the kingdom, and cries of women and babes are heard,
120 And tempests of doubt roll around me, and fierce sorrows, because of the nobles of France.
121 Depart! answer not! for the tempest must fall, as in years that are passed away.'
|
Written by
Friedrich von Schiller |
Wreathe in a garland the corn's golden ear!
With it, the Cyane [31] blue intertwine
Rapture must render each glance bright and clear,
For the great queen is approaching her shrine,--
She who compels lawless passions to cease,
Who to link man with his fellow has come,
And into firm habitations of peace
Changed the rude tents' ever-wandering home.
Shyly in the mountain-cleft
Was the Troglodyte concealed;
And the roving Nomad left,
Desert lying, each broad field.
With the javelin, with the bow,
Strode the hunter through the land;
To the hapless stranger woe,
Billow-cast on that wild strand!
When, in her sad wanderings lost,
Seeking traces of her child,
Ceres hailed the dreary coast,
Ah, no verdant plain then smiled!
That she here with trust may stay,
None vouchsafes a sheltering roof;
Not a temple's columns gay
Give of godlike worship proof.
Fruit of no propitious ear
Bids her to the pure feast fly;
On the ghastly altars here
Human bones alone e'er dry.
Far as she might onward rove,
Misery found she still in all,
And within her soul of love,
Sorrowed she o'er man's deep fall.
"Is it thus I find the man
To whom we our image lend,
Whose fair limbs of noble span
Upward towards the heavens ascend?
Laid we not before his feet
Earth's unbounded godlike womb?
Yet upon his kingly seat
Wanders he without a home?"
"Does no god compassion feel?
Will none of the blissful race,
With an arm of miracle,
Raise him from his deep disgrace?
In the heights where rapture reigns
Pangs of others ne'er can move;
Yet man's anguish and man's pains
My tormented heart must prove."
"So that a man a man may be,
Let him make an endless bond
With the kind earth trustingly,
Who is ever good and fond
To revere the law of time,
And the moon's melodious song
Who, with silent step sublime,
Move their sacred course along."
And she softly parts the cloud
That conceals her from the sight;
Sudden, in the savage crowd,
Stands she, as a goddess bright.
There she finds the concourse rude
In their glad feast revelling,
And the chalice filled with blood
As a sacrifice they bring.
But she turns her face away,
Horror-struck, and speaks the while
"Bloody tiger-feasts ne'er may
Of a god the lips defile,
He needs victims free from stain,
Fruits matured by autumn's sun;
With the pure gifts of the plain
Honored is the Holy One!"
And she takes the heavy shaft
From the hunter's cruel hand;
With the murderous weapon's haft
Furrowing the light-strown sand,--
Takes from out her garland's crown,
Filled with life, one single grain,
Sinks it in the furrow down,
And the germ soon swells amain.
And the green stalks gracefully
Shoot, ere long, the ground above,
And, as far as eye can see,
Waves it like a golden grove.
With her smile the earth she cheers,
Binds the earliest sheaves so fair,
As her hearth the landmark rears,--
And the goddess breathes this prayer:
"Father Zeus, who reign'st o'er all
That in ether's mansions dwell,
Let a sign from thee now fall
That thou lov'st this offering well!
And from the unhappy crowd
That, as yet, has ne'er known thee,
Take away the eye's dark cloud,
Showing them their deity!"
Zeus, upon his lofty throne,
Harkens to his sister's prayer;
From the blue heights thundering down,
Hurls his forked lightning there,
Crackling, it begins to blaze,
From the altar whirling bounds,--
And his swift-winged eagle plays
High above in circling rounds.
Soon at the feet of their mistress are kneeling,
Filled with emotion, the rapturous throng;
Into humanity's earliest feeling
Melt their rude spirits, untutored and strong.
Each bloody weapon behind them they leave,
Rays on their senses beclouded soon shine,
And from the mouth of the queen they receive,
Gladly and meekly, instruction divine.
All the deities advance
Downward from their heavenly seats;
Themis' self 'tis leads the dance,
And, with staff of justice, metes
Unto every one his rights,--
Landmarks, too, 'tis hers to fix;
And in witness she invites
All the hidden powers of Styx.
And the forge-god, too, is there,
The inventive son of Zeus;
Fashioner of vessels fair
Skilled in clay and brass's use.
'Tis from him the art man knows
Tongs and bellows how to wield;
'Neath his hammer's heavy blows
Was the ploughshare first revealed.
With projecting, weighty spear,
Front of all, Minerva stands,
Lifts her voice so strong and clear,
And the godlike host commands.
Steadfast walls 'tis hers to found,
Shield and screen for every one,
That the scattered world around
Bind in loving unison.
The immortals' steps she guides
O'er the trackless plains so vast,
And where'er her foot abides
Is the boundary god held fast;
And her measuring chain is led
Round the mountain's border green,--
E'en the raging torrent's bed
In the holy ring is seen.
All the Nymphs and Oreads too
Who, the mountain pathways o'er,
Swift-foot Artemis pursue,
All to swell the concourse, pour,
Brandishing the hunting-spear,--
Set to work,--glad shouts uprise,--
'Neath their axes' blows so clear
Crashing down the pine-wood flies.
E'en the sedge-crowned God ascends
From his verdant spring to light,
And his raft's direction bends
At the goddess' word of might,--
While the hours, all gently bound,
Nimbly to their duty fly;
Rugged trunks are fashioned round
By her skilled hand gracefully.
E'en the sea-god thither fares;--
Sudden, with his trident's blow,
He the granite columns tears
From earth's entrails far below;--
In his mighty hands, on high,
Waves he them, like some light ball,
And with nimble Hermes by,
Raises up the rampart-wall.
But from out the golden strings
Lures Apollo harmony,
Measured time's sweet murmurings,
And the might of melody.
The Camoenae swell the strain
With their song of ninefold tone:
Captive bound in music's chain,
Softly stone unites to stone.
Cybele, with skilful hand,
Open throws the wide-winged door;
Locks and bolts by her are planned,
Sure to last forevermore.
Soon complete the wondrous halls
By the gods' own hands are made,
And the temple's glowing walls
Stand in festal pomp arrayed.
With a crown of myrtle twined,
Now the goddess queen comes there,
And she leads the fairest hind
To the shepherdess most fair.
Venus, with her beauteous boy,
That first pair herself attires;
All the gods bring gifts of joy,
Blessing their love's sacred fires.
Guided by the deities,
Soon the new-born townsmen pour,
Ushered in with harmonies,
Through the friendly open door.
Holding now the rites divine,
Ceres at Zeus' altar stands,--
Blessing those around the shrine,
Thus she speaks, with folded hands:--
"Freedom's love the beast inflames,
And the god rules free in air,
While the law of Nature tames
Each wild lust that lingers there.
Yet, when thus together thrown,
Man with man must fain unite;
And by his own worth alone
Can he freedom gain, and might."
Wreathe in a garland the corn's golden ear!
With it, the Cyane blue intertwine!
Rapture must render each glance bright and clear,
For the great queen is approaching her shrine,--
She who our homesteads so blissful has given,
She who has man to his fellow-man bound:
Let our glad numbers extol then to heaven,
Her who the earth's kindly mother is found!
|
Written by
Philip Levine |
People sit numbly at the counter
waiting for breakfast or service.
Today it's Hartford, Connecticut
more than twenty-five years after
the last death of Wallace Stevens.
I have come in out of the cold
and wind of a Sunday morning
of early March, and I seem to be
crying, but I'm only freezing
and unpeeled. The waitress brings
me hot tea in a cracked cup,
and soon it's all over my paper,
and so she refills it. I read
slowly in The New York Times
that poems are dying in Iowa,
Missoula, on the outskirts of Reno,
in the shopping galleries of Houston.
We should all go to the grave
of the unknown poet while the rain
streaks our notebooks or stand
for hours in the freezing winds
off the lost books of our fathers
or at least until we can no longer
hold our pencils. Men keep coming
in and going out, and two of them
recall the great dirty fights
between Willy Pep and Sandy Sadler,
between little white perfection
and death in red plaid trunks.
I want to tell them I saw
the last fight, I rode out
to Yankee Stadium with two deserters
from the French Army of Indochina
and back with a drunken priest
and both ways the whole train
smelled of piss and vomit, but no
one would believe me. Those are
the true legends better left to die.
In my black rain coat I go back
out into the gray morning and dare
the cars on North Indemnity Boulevard
to hit me, but no one wants trouble
at this hour. I have crossed
a continent to bring these citizens
the poems of the snowy mountains,
of the forges of hopelessness,
of the survivors of wars they
never heard of and won't believe.
Nothing is alive in this tunnel
of winds of the end of winter
except the last raging of winter,
the cats peering smugly from the homes
of strangers, and the great stunned sky
slowly settling like a dark cloud
lined only with smaller dark clouds.
|
Written by
Thomas Chatterton |
Recite the loves of Narva and Mored
The priest of Chalma's triple idol said.
High from the ground the youthful warriors sprung,
Loud on the concave shell the lances rung:
In all the mystic mazes of the dance,
The youths of Banny's burning sands advance,
Whilst the soft virgin panting looks behind,
And rides upon the pinions of the wind;
Ascends the mountain's brow, and measures round
The steepy cliffs of Chalma's sacred ground,
Chalma, the god whose noisy thunders fly
Thro' the dark covering of the midnight sky,
Whose arm directs the close-embattled host,
And sinks the labouring vessels on the coast;
Chalma, whose excellence is known from far;
From Lupa's rocky hill to Calabar.
The guardian god of Afric and the isles,
Where nature in her strongest vigour smiles;
Where the blue blossom of the forky thorn,
Bends with the nectar of the op'ning morn:
Where ginger's aromatic, matted root,
Creep through the mead, and up the mountains shoot.
Three times the virgin, swimming on the breeze,
Danc'd in the shadow of the mystic trees:
When, like a dark cloud spreading to the view,
The first-born sons of war and blood pursue;
Swift as the elk they pour along the plain;
Swift as the flying clouds distilling rain.
Swift as the boundings of the youthful row,
They course around, and lengthen as they go.
Like the long chain of rocks, whose summits rise,
Far in the sacred regions of the skies;
Upon whose top the black'ning tempest lours,
Whilst down its side the gushing torrent pours,
Like the long cliffy mountains which extend
From Lorbar's cave, to where the nations end,
Which sink in darkness, thick'ning and obscure,
Impenetrable, mystic, and impure;
The flying terrors of the war advance,
And round the sacred oak, repeat the dance.
Furious they twist around the gloomy trees,
Like leaves in autumn, twirling with the breeze.
So when the splendor of the dying day
Darts the red lustre of the watery way;
Sudden beneath Toddida's whistling brink,
The circling billows in wild eddies sink,
Whirl furious round, and the loud bursting wave
Sinks down to Chalma's sacerdotal cave,
Explores the palaces on Zira's coast,
Where howls the war-song of the chieftain's ghost;
Where the artificer in realms below,
Gilds the rich lance, or beautifies the bow;
From the young palm tree spins the useful twine,
Or makes the teeth of elephants divine.
Where the pale children of the feeble sun,
In search of gold, thro' every climate run:
From burning heat to freezing torments go,
And live in all vicissitudes of woe.
Like the loud eddies of Toddida's sea,
The warriors circle the mysterious tree:
'Till spent with exercise they spread around
Upon the op'ning blossoms of the ground.
The priestess rising, sings the sacred tale,
And the loud chorus echoes thro' the dale.
Priestess
Far from the burning sands of Calabar;
Far from the lustre of the morning star;
Far from the pleasure of the holy morn;
Far from the blessedness of Chalma's horn:
Now rests the souls of Narva and Mored,
Laid in the dust, and number'd with the dead.
Dear are their memories to us, and long,
Long shall their attributes be known in song.
Their lives were transient as the meadow flow'r.
Ripen'd in ages, wither'd in an hour.
Chalma, reward them in his gloomy cave,
And open all the prisons of the grave.
Bred to the service of the godhead's throne,
And living but to serve his God alone,
Narva was beauteous as the opening day
When on the spangling waves the sunbeams play,
When the mackaw, ascending to the sky,
Views the bright splendour with a steady eye.
Tall, as the house of Chalma's dark retreat;
Compact and firm, as Rhadal Ynca's fleet,
Completely beauteous as a summer's sun,
Was Narva, by his excellence undone.
Where the soft Togla creeps along the meads,
Thro' scented Calamus and fragrant reeds;
Where the sweet Zinsa spreads its matted bed
Liv'd the still sweeter flower, the young Mored;
Black was her face, as Togla's hidden cell;
Soft as the moss where hissing adders dwell.
As to the sacred court she brought a fawn,
The sportive tenant of the spicy lawn,
She saw and loved! and Narva too forgot
His sacred vestment and his mystic lot.
Long had the mutual sigh, the mutual tear,
Burst from the breast and scorn'd confinement there.
Existence was a torment! O my breast!
Can I find accents to unfold the rest!
Lock'd in each others arms, from Hyga's cave,
They plung'd relentless to a wat'ry grave;
And falling murmured to the powers above,
"Gods! take our lives, unless we live to love."
|
Written by
William Blake |
The nameless shadowy female rose from out the breast of Orc,
Her snaky hair brandishing in the winds of Enitharmon;
And thus her voice arose:
'O mother Enitharmon, wilt thou bring forth other sons?
To cause my name to vanish, that my place may not be found,
For I am faint with travail,
Like the dark cloud disburden'd in the day of dismal thunder.
My roots are brandish'd in the heavens, my fruits in earth beneath
Surge, foam and labour into life, first born and first consum'd!
Consumed and consuming!
Then why shouldst thou, accursed mother, bring me into life?
I wrap my turban of thick clouds around my lab'ring head,
And fold the sheety waters as a mantle round my limbs;
Yet the red sun and moon
And all the overflowing stars rain down prolific pains.
Unwilling I look up to heaven, unwilling count the stars:
Sitting in fathomless abyss of my immortal shrine
I seize their burning power
And bring forth howling terrors, all devouring fiery kings,
Devouring and devoured, roaming on dark and desolate mountains,
In forests of eternal death, shrieking in hollow trees.
Ah mother Enitharmon!
Stamp not with solid form this vig'rous progeny of fires.
I bring forth from my teeming bosom myriads of flames,
And thou dost stamp them with a signet; then they roam abroad
And leave me void as death.
Ah! I am drown'd in shady woe and visionary joy.
And who shall bind the infinite with an eternal band?
To compass it with swaddling bands? and who shall cherish it
With milk and honey?
I see it smile, and I roll inward, and my voice is past.'
She ceased, and roll'd her shady clouds
Into the secret place.
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Written by
Claude McKay |
All yesterday it poured, and all night long
I could not sleep; the rain unceasing beat
Upon the shingled roof like a weird song,
Upon the grass like running children's feet.
And down the mountains by the dark cloud kissed,
Like a strange shape in filmy veiling dressed,
Slid slowly, silently, the wraith-like mist,
And nestled soft against the earth's wet breast.
But lo, there was a miracle at dawn!
The still air stirred at touch of the faint breeze,
The sun a sheet of gold bequeathed the lawn,
The songsters twittered in the rustling trees.
And all things were transfigured in the day,
But me whom radiant beauty could not move;
For you, more wonderful, were far away,
And I was blind with hunger for your love.
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Written by
Isaac Watts |
Praise for protection, grace, and truth.
My God, in whom are all the springs
Of boundless love, and grace unknown,
Hide me beneath thy spreading wings,
Till the dark cloud is overblown.
Up to the heav'ns I send my cry,
The Lord will my desires perform;
He sends his angel from the sky,
And saves me from the threat'ning storm.
Be thou exalted, O my God,
Above the heav'ns, where angels dwell;
Thy power on earth be known abroad,
And land to land thy wonders tell.
My heart is fixed; my song shall raise
Immortal honors to thy name;
Awake, my tongue, to sound his praise,
My tongue, the glory of my frame.
High o'er the earth his mercy reigns,
And reaches to the utmost sky;
His truth to endless years remains,
When lower worlds dissolve and die.
Be thou exalted, O my God,
Above the heav'ns, where angels dwell;
Thy power on earth be known abroad,
And land to land thy wonders tell.
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