Written by
Robert William Service |
Only a Leather Medal, hanging there on the wall,
Dingy and frayed and faded, dusty and worn and old;
Yet of my humble treasures I value it most of all,
And I wouldn't part with that medal if you gave me its weight in gold.
Read the inscription: For Valour - presented to Millie MacGee.
Ah! how in mem'ry it takes me back to the "auld lang syne,"
When Millie and I were sweethearts, and fair as a flower was she -
Yet little I dreamt that her bosom held the heart of heroine.
Listen! I'll tell you about it... An orphan was Millie MacGee,
Living with Billie her brother, under the Yukon sky,
Sam, her pa, was cremated in the winter of nineteen-three,
As duly and truly related by the pen of an author guy.
A cute little kid was Billie, solemn and silken of hair,
The image of Jackie Coogan in the days before movies could speak.
Devoted to him was Millie, with more than a mother's care,
And happy were they together in their cabin on Bunker Creek.
'Twas only a mining village, where hearts are simple and true,
And Millie MacGee was schoolma'am, loved and admired by all;
Yet no one dreamed for a moment she'd do what she dared to do -
But wait and I'll try to tell you, as clear as I can recall...
. . . . . . . . . . . . . .
Christmas Eve in the school-house! A scene of glitter and glee;
The children eager and joyful; parents and neighbours too;
Right in the forefront, Millie, close to the Christmas Tree.
While Billie, her brother, recited "The Shooting of Dan McGrew."
I reckon you've heard the opus, a ballad of guts and gore;
Of a Yukon frail and a frozen trail and a fight in a dringing dive,
It's on a par, I figger, with "The Face on the Bar-Room Floor,"
And the boys who wrote them pieces ought to be skinned alive.
Picture that scene of gladness; the honest faces aglow;
The kiddies gaping and spellbound, as Billie strutted his stuff.
The stage with its starry candles, and there in the foremost row,
Millie, bright as a fairy, in radient flounce and fluff.
More like an angel I thought her; all she needed was wings,
And I sought for a smile seraphic, but her eyes were only for Bill;
So there was I longing and loving, and dreaming the craziest things,
And Billie shouting and spouting, and everyone rapt and still.
Proud as a prince was Billie, bang in the footlights' glare,
And quaking for him was Millie, as she followed every word;
Then just as he reached the climax, ranting and sawing the air -
Ugh! How it makes me shudder! The horrible thing occurred...
'Twas the day when frocks were frilly, and skirts were scraping the ground,
And the snowy flounces of Millie like sea foam round her swept;
Humbly adoring I watched her - when oh, my heart gave a bound!
Hoary and scarred and hideous, out from the tree...it...crept.
A whiskered, beady-eyes monster, grisly and grim of hue;
Savage and slinking and silent, born of the dark and dirt;
Dazed by the glare and the glitter, it wavered a moment or two -
Then like a sinister shadow, it vanished... 'neath Millie's skirt.
I stared. had my eyes deceived me? I shivered. I held my breath.
Surly I must have dreamed it. I quivered. I made to rise...
Then - my God! it was real. Millie grew pale as death;
And oh, such a look of terror woke in her lovely eyes.
Did her scream ring out? Ah no, sir. It froze at her very lips.
Clenching her teeth she checked it, and I saw her slim hands lock,
Grasping and gripping tensely, with desperate finger tips,
Something that writhed and wriggled under her dainty frock.
Quick I'd have dashed to her rescue, but fiercely she signalled: "No!"
Her eyes were dark with anguish, but her lips were set and grim;
Then I knew she was thinking of Billie - the kiddy must have his show,
Reap to the full his glory, nothing mattered but him.
So spiked to my chair with horror, there I shuddered and saw
Her fingrs frenziedly clutching and squeezing with all their might
Something that squirmed and struggled, a deamon of tooth and claw,
Fighting with fear and fury, under her garment white.
Oh could I only aid her! But the wide room lay between,
And again her eyes besought me: "Steady!" they seamed to say.
"Stay where you are, Bob Simmons; don't let us have a scene,
Billie will soon be finished. Only a moment...stay!"
A moment! Ah yes, I got her. I knew how night after night
She'd learned him each line of that ballad with patience and pride and glee;
With gesture and tone dramatic, she'd taught him how to recite...
And now at the last to fail him - no, it must never be.
A moment! It seemed like ages. Why was Billie so slow?
He stammered. Twice he repeated: "The Lady that's known as Lou -"
The kiddy was stuck and she knew it. Her face was frantic with woe.
Could she but come to his rescue? Could she remember the cue?
I saw her whispering wildly as she leaned to the frightened boy;
But Billie stared like a dummy, and I stifled an anxious curse.
Louder, louder she prompted; then his face illumined with joy,
And panting, flushed and exultant, he finished the final verse.
So the youngster would up like a whirlwind, while cheer resounded on cheer;
His piece was the hit of the evening. "Bravo!" I heard them say.
But there in the heart of the racket was one who could not hear -
The loving sister who'd coached him; for Millie had fainted away.
I rushed to her side and grabbed her; then others saw her distress,
And all were eager to aid me, as I pillowed that golden head,
But her arms were tense and rigid, and clutched in the folds of her dress,
Unlocking her hands they found it . . . A RAT . . . and the brute was dead.
In silence she'd crushed its life out, rather than scare the crowd,
And ***** little Billie's triumph . . . Hey! Mother, what about tea?
I've just been telling a story that makes me so mighty proud...
Stranger, let me present you - my wife, that was Millie MacGee.
|
Written by
Sor Juana Inés de la Cruz |
(Español)
Hombres necios que acusáis
a la mujer sin razón,
sin ver que sois la ocasión
de lo mismo que culpáis:
si con ansia sin igual
solicitáis su desdén,
¿por qué quereis que obren bien
si las incitáis al mal?
Combatís su resistencia
y luego, con gravedad,
decís que fue liviandad
lo que hizo la diligencia.
Parecer quiere el denuedo
de vuestro parecer loco,
al niño que pone el coco
y luego le tiene miedo.
Queréis, con presunción necia,
hallar a la que buscáis,
para pretendida, Thais,
y en la posesión, Lucrecia
¿Qué humor puede ser más raro
que el que, falto de consejo,
el mismo empaña el espejo
y siente que no esté claro?
Con el favor y el desdén
tenéis condición igual,
quejándoos, si os tratan mal,
burlándoos, si os quieren bien.
Opinión, ninguna gana:
pues la que más se recata,
si no os admite, es ingrata,
y si os admite, es liviana
Siempre tan necios andáis
que, con desigual nivel,
a una culpáis por crüel
y a otra por fácil culpáis.
¿Pues cómo ha de estar templada
la que vuestro amor pretende,
si la que es ingrata, ofende,
y la que es fácil, enfada?
Mas, entre el enfado y pena
que vuestro gusto refiere,
bien haya la que no os quiere
y quejaos en hora buena.
Dan vuestras amantes penas
a sus libertades alas,
y después de hacerlas malas
las queréis hallar muy buenas.
¿Cuál mayor culpa ha tenido
en una pasión errada:
la que cae de rogada
o el que ruega de caído?
¿O cuál es más de culpar,
aunque cualquiera mal haga:
la que peca por la paga
o el que paga por pecar?
Pues ¿para quée os espantáis
de la culpa que tenéis?
Queredlas cual las hacéis
o hacedlas cual las buscáis.
Dejad de solicitar,
y después, con más razón,
acusaréis la afición
de la que os fuere a rogar.
Bien con muchas armas fundo
que lidia vuestra arrogancia,
pues en promesa e instancia
juntáis diablo, carne y mundo.
(English)
Silly, you men-so very adept
at wrongly faulting womankind,
not seeing you're alone to blame
for faults you plant in woman's mind.
After you've won by urgent plea
the right to tarnish her good name,
you still expect her to behave--
you, that coaxed her into shame.
You batter her resistance down
and then, all righteousness, proclaim
that feminine frivolity,
not your persistence, is to blame.
When it comes to bravely posturing,
your witlessness must take the prize:
you're the child that makes a bogeyman,
and then recoils in fear and cries.
Presumptuous beyond belief,
you'd have the woman you pursue
be Thais when you're courting her,
Lucretia once she falls to you.
For plain default of common sense,
could any action be so *****
as oneself to cloud the mirror,
then complain that it's not clear?
Whether you're favored or disdained,
nothing can leave you satisfied.
You whimper if you're turned away,
you sneer if you've been gratified.
With you, no woman can hope to score;
whichever way, she's bound to lose;
spurning you, she's ungrateful--
succumbing, you call her lewd.
Your folly is always the same:
you apply a single rule
to the one you accuse of looseness
and the one you brand as cruel.
What happy mean could there be
for the woman who catches your eye,
if, unresponsive, she offends,
yet whose complaisance you decry?
Still, whether it's torment or anger--
and both ways you've yourselves to blame--
God bless the woman who won't have you,
no matter how loud you complain.
It's your persistent entreaties
that change her from timid to bold.
Having made her thereby naughty,
you would have her good as gold.
So where does the greater guilt lie
for a passion that should not be:
with the man who pleads out of baseness
or the woman debased by his plea?
Or which is more to be blamed--
though both will have cause for chagrin:
the woman who sins for money
or the man who pays money to sin?
So why are you men all so stunned
at the thought you're all guilty alike?
Either like them for what you've made them
or make of them what you can like.
If you'd give up pursuing them,
you'd discover, without a doubt,
you've a stronger case to make
against those who seek you out.
I well know what powerful arms
you wield in pressing for evil:
your arrogance is allied
with the world, the flesh, and the devil!
|
Written by
Judith Wright |
South of my days' circle, part of my blood's country,
rises that tableland, high delicate outline
of bony slopes wincing under the winter,
low trees, blue-leaved and olive, outcropping granite-
clean, lean, hungry country. The creek's leaf-silenced,
willow choked, the slope a tangle of medlar and crabapple
branching over and under, blotched with a green lichen;
and the old cottage lurches in for shelter.
O cold the black-frost night. the walls draw in to the warmth
and the old roof cracks its joints; the slung kettle
hisses a leak on the fire. Hardly to be believed that summer
will turn up again some day in a wave of rambler-roses,
thrust it's hot face in here to tell another yarn-
a story old Dan can spin into a blanket against the winter.
seventy years of stories he clutches round his bones,
seventy years are hived in him like old honey.
During that year, Charleville to the Hunter,
nineteen-one it was, and the drought beginning;
sixty head left at the McIntyre, the mud round them
hardened like iron; and the yellow boy died
in the sulky ahead with the gear, but the horse went on,
stopped at Sandy Camp and waited in the evening.
It was the flies we seen first, swarming like bees.
Came to the Hunter, three hundred head of a thousand-
cruel to keep them alive - and the river was dust.
Or mustering up in the Bogongs in the autumn
when the blizzards came early. Brought them down;
down, what aren't there yet. Or driving for Cobb's on the run
up from Tamworth-Thunderbolt at the top of Hungry Hill,
and I give him a wink. I wouoldn't wait long, Fred,
not if I was you. The troopers are just behind,
coming for that job at the Hillgrove. He went like a luny,
him on his big black horse.
Oh, they slide and they vanish
as he shuffles the years like a pack of conjuror's cards.
True or not, it's all the same; and the frost on the roof
cracks like a whip, and the back-log break into ash.
Wake, old man. this is winter, and the yarns are over.
No-one is listening
South of my days' circle.
I know it dark against the stars, the high lean country
full of old stories that still go walking in my sleep.
|
Written by
Robert William Service |
A bunch of the boys were whooping it up in the Malamute saloon;
The kid that handles the music-box was hitting a jag-time tune;
Back of the bar, in a solo game, sat Dangerous Dan McGrew,
And watching his luck was his light-o'-love, the lady that's known as Lou.
When out of the night, which was fifty below, and into the din and the glare,
There stumbled a miner fresh from the creeks, dog-dirty, and loaded for bear.
He looked like a man with a foot in the grave and scarcely the strength of a louse,
Yet he tilted a poke of dust on the bar, and he called for drinks for the house.
There was none could place the stranger's face, though we searched ourselves for a clue;
But we drank his health, and the last to drink was Dangerous Dan McGrew.
There's men that somehow just grip your eyes, and hold them hard like a spell;
And such was he, and he looked to me like a man who had lived in hell;
With a face most hair, and the dreary stare of a dog whose day is done,
As he watered the green stuff in his glass, and the drops fell one by one.
Then I got to figgering who he was, and wondering what he'd do,
And I turned my head -- and there watching him was the lady that's known as Lou.
His eyes went rubbering round the room, and he seemed in a kind of daze,
Till at last that old piano fell in the way of his wandering gaze.
The rag-time kid was having a drink; there was no one else on the stool,
So the stranger stumbles across the room, and flops down there like a fool.
In a buckskin shirt that was glazed with dirt he sat, and I saw him sway;
Then he clutched the keys with his talon hands -- my God! but that man could play.
Were you ever out in the Great Alone, when the moon was awful clear,
And the icy mountains hemmed you in with a silence you most could HEAR;
With only the howl of a timber wolf, and you camped there in the cold,
A half-dead thing in a stark, dead world, clean mad for the muck called gold;
While high overhead, green, yellow and red, the North Lights swept in bars? --
Then you've a haunch what the music meant . . . hunger and night and the stars.
And hunger not of the belly kind, that's banished with bacon and beans,
But the gnawing hunger of lonely men for a home and all that it means;
For a fireside far from the cares that are, four walls and a roof above;
But oh! so cramful of cosy joy, and crowned with a woman's love --
A woman dearer than all the world, and true as Heaven is true --
(God! how ghastly she looks through her rouge, -- the lady that's known as Lou.)
Then on a sudden the music changed, so soft that you scarce could hear;
But you felt that your life had been looted clean of all that it once held dear;
That someone had stolen the woman you loved; that her love was a devil's lie;
That your guts were gone, and the best for you was to crawl away and die.
'Twas the crowning cry of a heart's despair, and it thrilled you through and through --
"I guess I'll make it a spread misere," said Dangerous Dan McGrew.
The music almost died away . . . then it burst like a pent-up flood;
And it seemed to say, "Repay, repay," and my eyes were blind with blood.
The thought came back of an ancient wrong, and it stung like a frozen lash,
And the lust awoke to kill, to kill . . . then the music stopped with a crash,
And the stranger turned, and his eyes they burned in a most peculiar way;
In a buckskin shirt that was glazed with dirt he sat, and I saw him sway;
Then his lips went in in a kind of grin, and he spoke, and his voice was calm,
And "Boys," says he, "you don't know me, and none of you care a damn;
But I want to state, and my words are straight, and I'll bet my poke they're true,
That one of you is a hound of hell . . . and that one is Dan McGrew."
Then I ducked my head, and the lights went out, and two guns blazed in the dark,
And a woman screamed, and the lights went up, and two men lay stiff and stark.
Pitched on his head, and pumped full of lead, was Dangerous Dan McGrew,
While the man from the creeks lay clutched to the breast of the lady that's known as Lou.
These are the simple facts of the case, and I guess I ought to know.
They say that the stranger was crazed with "hooch", and I'm not denying it's so.
I'm not so wise as the lawyer guys, but strictly between us two --
The woman that kissed him and -- pinched his poke -- was the lady that's known as Lou.
|
Written by
Paul Laurence Dunbar |
G'way an' quit dat noise, Miss Lucy--
Put dat music book away;
What's de use to keep on tryin'?
Ef you practise twell you're gray,
You cain't sta't no notes a-flyin'
Lak de ones dat rants and rings
F'om de kitchen to de big woods
When Malindy sings.
You ain't got de nachel o'gans
Fu' to make de soun' come right,
You ain't got de tu'ns an' twistin's
Fu' to make it sweet an' light.
Tell you one thing now, Miss Lucy,
An' I 'm tellin' you fu' true,
When hit comes to raal right singin',
'T ain't no easy thing to do.
Easy 'nough fu' folks to hollah,
Lookin' at de lines an' dots,
When dey ain't no one kin sence it,
An' de chune comes in, in spots;
But fu' real malojous music,
Dat jes' strikes yo' hea't and clings,
Jes' you stan' an' listen wif me
When Malindy sings.
Ain't you nevah hyeahd Malindy?
Blessed soul, tek up de cross!
Look hyeah, ain't you jokin', honey?
Well, you don't know whut you los'.
Y' ought to hyeah dat gal a-wa'blin',
Robins, la'ks, an' all dem things,
Heish dey moufs an' hides dey face.
When Malindy sings.
Fiddlin' man jes' stop his fiddlin',
Lay his fiddle on de she'f;
Mockin'-bird quit tryin' to whistle,
'Cause he jes' so shamed hisse'f.
Folks a-playin' on de banjo
Draps dey fingahs on de strings--
Bless yo' soul--fu'gits to move 'em,
When Malindy sings.
She jes' spreads huh mouf and hollahs,
"Come to Jesus," twell you hyeah
Sinnahs' tremblin' steps and voices,
Timid-lak a-drawin' neah;
Den she tu'ns to "Rock of Ages,"
Simply to de cross she clings,
An' you fin' yo' teahs a-drappin'
When Malindy sings.
Who dat says dat humble praises
Wif de Master nevah counts?
Heish yo' mouf, I hyeah dat music,
Ez hit rises up an' mounts--
Floatin' by de hills an' valleys,
Way above dis buryin' sod,
Ez hit makes its way in glory
To de very gates of God!
Oh, hit's sweetah dan de music
Of an edicated band;
An' hit's dearah dan de battle's
Song o' triumph in de lan'.
It seems holier dan evenin'
When de solemn chu'ch bell rings,
Ez I sit an' ca'mly listen
While Malindy sings.
Towsah, stop dat ba'kin', hyeah me!
Mandy, mek dat chile keep still;
Don't you hyeah de echoes callin'
F'om de valley to de hill?
Let me listen, I can hyeah it,
Th'oo de bresh of angel's wings,
Sof' an' sweet, "Swing Low,
Sweet Chariot,"
Ez Malindy sings.
|
Written by
Paul Laurence Dunbar |
Who say my hea't ain't true to you?
Dey bettah heish dey mouf.
I knows I loves you thoo an' thoo
In watah time er drouf.
I wush dese people 'd stop dey talkin',
Don't mean no mo' dan chicken's squawkin':
I guess I knows which way I's walkin',
I knows de norf f'om souf.
I does not love Elizy Brown,
I guess I knows my min'.
You allus try to tek me down
Wid evaht'ing you fin'.
Ef dese hyeah folks will keep on fillin'
Yo' haid wid nonsense, an' you's willin'
I bet some day dey 'll be a killin'
Somewhaih along de line.
O' cose I buys de gal ice-cream,
Whut else I gwine to do?
I knows jes' how de t'ing 'u'd seem
Ef I 'd be sho't wid you.
On Sunday, you's at chu'ch a-shoutin',
Den all de week you go 'roun' poutin'—
I's mighty tiahed o' all dis doubtin',
I tell you cause I's true.
|
Written by
Paul Laurence Dunbar |
De times is mighty stirrin' 'mong de people up ouah way,
Dey 'sputin' an' dey argyin' an' fussin' night an' day;
An' all dis monst'ous trouble dat hit meks me tiahed to tell
Is 'bout dat Lucy Jackson dat was sich a mighty belle.
She was de preachah's favoured, an' he tol' de chu'ch one night
Dat she travelled thoo de cloud o' sin a-bearin' of a light;
But, now, I 'low he t'inkin' dat she mus' 'a' los' huh lamp,
Case Lucy done backslided an' dey trouble in de camp.
Huh daddy wants to beat huh, but huh mammy daihs him to,
Fu' she lookin' at de question f'om a ooman's pint o' view;
An' she say dat now she would n't have it diff'ent ef she could;
Dat huh darter only acted jes' lak any othah would.
Cose you know w'en women argy, dey is mighty easy led
By dey hea'ts an' don't go foolin' 'bout de reasons of de haid.
So huh mammy laid de law down (she ain' reckernizin' wrong),
But you got to mek erlowance fu' de cause dat go along.
Now de cause dat made Miss Lucy fu' to th'ow huh grace away
I 's afeard won't baih no 'spection w'en hit come to jedgement day;
Do' de same t'ing been a-wo'kin' evah sence de worl' began,—
De ooman disobeyin' fu' to 'tice along a man.
Ef you 'tended de revivals which we held de wintah pas',
You kin rickolec' dat convuts was a-comin' thick an' fas';
But dey ain't no use in talkin', dey was all lef' in de lu'ch
W'en ol' Mis' Jackson's dartah foun' huh peace an' tuk de chu'ch.
W'y, she shouted ovah evah inch of Ebenezah's flo';
Up into de preachah's pulpit an' f'om dah down to de do';
Den she hugged an' squeezed huh mammy, an' she hugged an' kissed huh dad,
An' she struck out at huh sistah, people said, lak she was mad.[Pg 159]
I has 'tended some revivals dat was lively in my day,
An' I 's seed folks git 'uligion in mos' evah kin' o' way;
But I tell you, an' you b'lieve me dat I 's speakin' true indeed,
Dat gal tuk huh 'ligion ha'dah dan de ha'dest yit I 's seed.
Well, f'om dat, 't was "Sistah Jackson, won't you please do dis er dat?"
She mus' allus sta't de singin' w'en dey 'd pass erroun' de hat,
An' hit seemed dey was n't nuffin' in dat chu'ch dat could go by
'Dout sistah Lucy Jackson had a finger in de pie.
But de sayin' mighty trufeful dat hit easiah to sail
W'en de sea is ca'm an' gentle dan to weathah out a gale.
Dat 's whut made dis ooman's trouble; ef de sto'm had kep' away,
She 'd 'a' had enough 'uligion fu' to lasted out huh day.
Lucy went wid 'Lishy Davis, but w'en she jined chu'ch, you know
Dah was lots o' little places dat, of cose, she could n't go;
An' she had to gin up dancin' an' huh singin' an' huh play.—
Now hit's nachul dat sich goin's-on 'u'd drive a man away.
So, w'en Lucy got so solemn, Ike he sta'ted fu' to go
Wid a gal who was a sinnah an' could mek a bettah show.
Lucy jes' went on to meetin' lak she did n't keer a rap,
But my 'sperunce kep' me t'inkin dah was somep'n' gwine to drap.
Fu' a gal won't let 'uligion er no othah so't o' t'ing
Stop huh w'en she teks a notion dat she wants a weddin' ring.
You kin p'omise huh de blessin's of a happy aftah life
(An' hit's nice to be a angel), but she 'd ravah be a wife.
So w'en Chrismus come an' mastah gin a frolic on de lawn,
Did n't 'sprise me not de littlest seein' Lucy lookin' on.
An' I seed a wa'nin' lightnin' go a-flashin' f'om huh eye
Jest ez 'Lishy an' his new gal went a-gallivantin' by.
An' dat Tildy, umph! she giggled, an' she gin huh dress a flirt
Lak de people she was passin' was ez common ez de dirt;
An' de minit she was dancin', w'y dat gal put on mo' aihs
Dan a cat a-tekin' kittens up a paih o' windin' staihs.[Pg 160]
She could 'fo'd to show huh sma'tness, fu' she could n't he'p but know
Dat wid jes' de present dancahs she was ownah of de flo';
But I t'ink she 'd kin' o' cooled down ef she happened on de sly
Fu' to noticed dat 'ere lightnin' dat I seed in Lucy's eye.
An' she would n't been so 'stonished w'en de people gin a shout,
An' Lucy th'owed huh mantle back an' come a-glidin' out.
Some ahms was dah to tek huh an' she fluttahed down de flo'
Lak a feddah f'om a bedtick w'en de win' commence to blow.
Soon ez Tildy see de trouble, she jes' tu'n an' toss huh haid,
But seem lak she los' huh sperrit, all huh darin'ness was daid.
Did n't cut anothah capah nary time de blessid night;
But de othah one, hit looked lak could n't git enough delight.
W'en you keeps a colt a-stan'nin' in de stable all along,
W'en he do git out hit 's nachul he 'll be pullin' mighty strong.
Ef you will tie up yo' feelin's, hyeah 's de bes' advice to tek,
Look out fu' an awful loosin' w'en de string dat hol's 'em brek.
Lucy's mammy groaned to see huh, an' huh pappy sto'med an' to',
But she kep' right on a-hol'in' to de centah of de flo'.
So dey went an' ast de pastoh ef he could n't mek huh quit,
But de tellin' of de sto'y th'owed de preachah in a fit.
Tildy Taylor chewed huh hank'cher twell she 'd chewed it in a hole,—
All de sinnahs was rejoicin' 'cause a lamb had lef de fol',
An' de las' I seed o' Lucy, she an' 'Lish was side an' side:
I don't blame de gal fu' dancin', an' I could n't ef I tried.
Fu' de men dat wants to ma'y ain't a-growin' 'roun' on trees,
An' de gal dat wants to git one sholy has to try to please.
Hit's a ha'd t'ing fu' a ooman fu 'to pray an' jes' set down,
An' to sacafice a husban' so 's to try to gain a crown.
Now, I don' say she was justified in follerin' huh plan;
But aldough she los' huh 'ligion, yit she sholy got de man.
Latah on, w'en she is suttain dat de preachah 's made 'em fas'
She kin jes' go back to chu'ch an' ax fu'giveness fu' de pas'![Pg 161]
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Written by
Andrew Barton Paterson |
When Ironbark the turtle came to Anthony's lagoon
The hills were hid behind a mist of equinoctal rain,
The ripple of the rivulets was like a cheerful tune
And wild companions waltzed among the grass as tall as grain.
But Ironbark the turtle cared no whit for all of these;
The ripple of the rivulets, the rustle of the trees
Were only apple sauce to him, or just a piece of cheese.
Now, Dan-di-dan the water rat was exquisitely dressed,
For not a seal in Bass's Straits had half as fine a coat,
And every day he combed and brushed his golden-yellow vest,
A contrast with the white cravat he wore beneath his throat.
And Dan-di-dan the water rat could move with ease and grace,
So Ironbark appeared to him a creature out of place,
With iron-plated overcoat and dirty little face.
A crawfish at the point of death came drifting down the drains.
Said he, "I'm scalded to the heart with bathing near the bore."
The turtle and the water rat disputed his remains,
For crawfish meat all day they'd eat, and then they'd ask for more.
Said Dan-di-dan, "The prize is mine, for I was fishing here
Before you tumbled down the bank and landed on your ear."
"I wouldn't care," the turtle said, "if you'd have fished a year."
So Baggy-beak the Pelican was asked to arbitrate;
The scales of justice seemed to hang beneath his noble beak.
He said, "I'll take possession of the subject of debate";
He stowed the fish inside his pouch and then began to speak.
"The case is far from clear," he said, "and justices of note" --
But here he snapped his beak and flapped his piebald overcoat --
"Oh dear," he said, "that wretched fish has slithered down my throat."
"But still," he said, "the point involved requires a full debate.
I'll have to get the lawyer birds and fix a special day.
Ad interim I rule that costs come out of the estate."
And Baggy-beak the Pelican got up and flew away.
So both the pair who went to law were feeling very small.
Said they, "We might have halved the fish and saved a nasty brawl;
For half a crawfish isn't much, but more than none at all."
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Written by
Paul Laurence Dunbar |
STEP me now a bridal measure,
Work give way to love and leisure,
Hearts be free and hearts be gay --
Doctor Dan doth wed to-day.
Diagnosis, cease your squalling --
Check that scalpel's senseless bawling,
Put that ugly knife away --
Doctor Dan doth wed to-day.
'Tis no time for things unsightly,
Life's the day and life goes lightly;
Science lays aside her sway--
Love rules Dr. Dan to-day.
Gather, gentlemen and ladies,
For the nuptial feast now made is,
Swing your garlands, chant your lay
For the pair who wed to-day.
Wish them happy days and many,
Troubles few and griefs not any,
Lift your brimming cups and say
God bless them who wed to-day.
Then a cup to Cupid daring,
Who for conquest ever faring,
With his arrows dares assail
E'en a doctor's coat of mail.
So with blithe and happy hymning
And with harmless goblets brimming,
Dance a step -- musicians play --
Doctor Dan doth wed to-day.
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Written by
Seamus Heaney |
I was six when I first saw kittens drown.
Dan Taggart pitched them, 'the scraggy wee shits',
Into a bucket; a frail metal sound,
Soft paws scraping like mad. But their tiny din
Was soon soused. They were slung on the snout
Of the pump and the water pumped in.
'Sure, isn't it better for them now?' Dan said.
Like wet gloves they bobbed and shone till he sluiced
Them out on the dunghill, glossy and dead.
Suddenly frightened, for days I sadly hung
Round the yard, watching the three sogged remains
Turn mealy and crisp as old summer dung
Until I forgot them. But the fear came back
When Dan trapped big rats, snared rabbits, shot crows
Or, with a sickening tug, pulled old hens' necks.
Still, living displaces false sentiments
And now, when shrill pups are prodded to drown
I just shrug, 'Bloody pups'. It makes sense:
'Prevention of cruelty' talk cuts ice in town
Where they consider death unnatural
But on well-run farms pests have to be kept down.
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