Written by
William Vaughn Moody |
Between the rice swamps and the fields of tea
I met a sacred elephant, snow-white.
Upon his back a huge pagoda towered
Full of brass gods and food of sacrifice.
Upon his forehead sat a golden throne,
The massy metal twisted into shapes
Grotesque, antediluvian, such as move
In myth or have their broken images
Sealed in the stony middle of the hills.
A peacock spread his thousand dyes to screen
The yellow sunlight from the head of one
Who sat upon the throne, clad stiff with gems,
Heirlooms of dynasties of buried kings,--
Himself the likeness of a buried king,
With frozen gesture and unfocused eyes.
The trappings of the beast were over-scrawled
With broideries--sea-shapes and flying things,
Fan-trees and dwarfed nodosities of pine,
Mixed with old alphabets, and faded lore
Fallen from ecstatic mouths before the Flood,
Or gathered by the daughters when they walked
Eastward in Eden with the Sons of God
Whom love and the deep moon made garrulous
Between the carven tusks his trunk hung dead;
Blind as the eyes of pearl in Buddha's brow
His beaded eyes stared thwart upon the road;
And feebler than the doting knees of eid,
His joints, of size to swing the builder's crane
Across the war-walls of the Anakim,
Made vain and shaken haste.
Good need was his
To hasten: panting, foaming, on the slot
Came many brutes of prey, their several hates
Laid by until the sharing of the spoil.
Just as they gathered stomach for the leap,
The sun was darkened, and wide-balanced wings
Beat downward on the trade-wind from the sea.
A wheel of shadow sped along the fields
And o'er the dreaming cities.
Suddenly
My heart misgave me, and I cried aloud,
"Alas! What dost thou here? What dost thou here? "
The great beasts and the little halted sharp,
Eyed the grand circler, doubting his intent.
Straightway the wind flawed and he came about,
Stooping to take the vanward of the pack;
Then turned, between the chasers and the chased,
Crying a word I could not understand,--
But stiller-tongued, with eyes somewhat askance,
They settled to the slot and disappeared.
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Written by
Craig Raine |
On my desk, a set of labels
or a synopsis of leeks,
blanched by the sun
and trailing their roots
like a watering can.
Beyond and below,
diminished by distance,
a taxi shivers at the lights:
a shining moorhen
with an orange nodule
set over the beak,
taking a passenger
under its wing.
I turn away, confront
the cuckold hatstand
at bay in the corner,
and eavesdrop (bless you!)
on a hay-fever of brakes.
My Caran d'Ache are sharp
as the tips of an iris
and the four-tier file
is spotted with rust:
a study of plaice
by a Japanese master,
ochres exquisitely bled.
Instead of office work,
I fish for complements
and sport a pencil
behind each ear,
a bit of a devil,
or trap the telephone
awkwardly under my chin
like Richard Crookback,
crying, A horse! A horse!
My kingdom for a horse!
but only to myself,
ironically: the tube
is semi-stiff with stallion whangs,
the chairman's Mercedes
has windscreen wipers
like a bird's broken tongue,
and I am perfectly happy
to see your head, quick
round the door like a dryad,
as I pretend to be Ovid
in exile, composing Tristia
and sad for the shining,
the missed, the muscular beach.
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