Written by
Delmore Schwartz |
"little soul, little flirting,
little perverse one
where are you off to now?
little wan one, firm one
little exposed one...
and never make fun of me again."
Now I must betray myself.
The feast of bondage and unity is near,
And none engaged in that great piety
When each bows to the other, kneels, and takes
Hand in hand, glance and glance, care and care,
None may wear masks or enigmatic clothes,
For weakness blinds the wounded face enough.
In sense, see my shocking nakedness.
I gave a girl an apple when five years old,
Saying, Will you be sorry when I am gone?
Ravenous for such courtesies, my name
Is fed like a raving fire, insatiate still.
But do not be afraid.
For I forget myself. I do indeed
Before each genuine beauty, and I will
Forget myself before your unknown heart.
I will forget the speech my mother made
In a restaurant, trapping my father there
At dinner with his whore. Her spoken rage
Struck down the child of seven years
With shame for all three, with pity for
The helpless harried waiter, with anger for
The diners gazing, avid, and contempt
And great disgust for every human being.
I will remember this. My mother's rhetoric
Has charmed my various tongue, but now I know
Love's metric seeks a rhyme more pure and sure.
For thus it is that I betray myself,
Passing the terror of childhood at second hand
Through nervous, learned fingertips.
At thirteen when a little girl died,
I walked for three weeks neither alive nor dead,
And could not understand and still cannot
The adult blind to the nearness of the dead,
Or carefully ignorant of their own death.
--This sense could shadow all the time's curving fruits,
But we will taste of them the whole night long,
Forgetting no twelfth night, no fete of June,
But in the daylight knowing our nothingness.
Let Freud and Marx be wedding guests indeed!
Let them mark out masks that face us there,
For of all anguish, weakness, loss and failure,
No form is cruel as self-deception, none
Shows day-by-day a bad dream long lived
And unbroken like the lies
We tell each other because we are rich or poor.
Though from the general guilt not free
We can keep honor by being poor.
The waste, the evil, the abomination
Is interrupted. the perfect stars persist
Small in the guilty night,
and Mozart shows
The irreducible incorruptible good
Risen past birth and death, though he is dead.
Hope, like a face reflected on the windowpane,
Remote and dim, fosters a myth or dream,
And in that dream, I speak, I summon all
Who are our friends somehow and thus I say:
"Bid the jewellers come with monocles,
Exclaiming, Pure! Intrinsic! Final!
Summon the children eating ice cream
To speak the chill thrill of immediacy.
Call for the acrobats who tumble
The ecstasy of the somersault.
Bid the self-sufficient stars be piercing
In the sublime and inexhaustible blue.
"Bring a mathematician, there is much to count,
The unending continuum of my attention:
Infinity will hurry his multiplied voice!
Bring the poised impeccable diver,
Summon the skater, precise in figure,
He knows the peril of circumstance,
The risk of movement and the hard ground.
Summon the florist! And the tobacconist!
All who have known a plant-like beauty:
Summon the charming bird for ignorant song.
"You, Athena, with your tired beauty,
Will you give me away? For you must come
In a bathing suit with that white owl
Whom, as I walk, I will hold in my hand.
You too, Crusoe, to utter the emotion
Of finding Friday, no longer alone;
You too, Chaplin, muse of the curbstone,
Mummer of hope, you understand!"
But this is fantastic and pitiful,
And no one comes, none will, we are alone,
And what is possible is my own voice,
Speaking its wish, despite its lasting fear;
Speaking of its hope, its promise and its fear,
The voice drunk with itself and rapt in fear,
Exaggeration, braggadocio,
Rhetoric and hope, and always fear:
"For fifty-six or for a thousand years,
I will live with you and be your friend,
And what your body and what your spirit bears
I will like my own body cure and tend.
But you are heavy and my body's weight
Is great and heavy: when I carry you
I lift upon my back time like a fate
Near as my heart, dark when I marry you.
"The voice's promise is easy, and hope
Is drunk, and wanton, and unwilled;
In time's quicksilver, where our desires grope,
The dream is warped or monstrously fulfilled,
In this sense, listen, listen, and draw near:
Love is inexhaustible and full of fear."
This life is endless and my eyes are tired,
So that, again and again, I touch a chair,
Or go to the window, press my face
Against it, hoping with substantial touch,
Colorful sight, or turning things to gain once more
The look of actuality, the certainty
Of those who run down stairs and drive a car.
Then let us be each other's truth, let us
Affirm the other's self, and be
The other's audience, the other's state,
Each to the other his sonorous fame.
Now you will be afraid, when, waking up,
Before familiar morning, by my mute side
Wan and abandoned then, when, waking up,
You see the lion or lamb upon my face
Or see the daemon breathing heavily
His sense of ignorance, his wish to die,
For I am nothing because my circus self
Divides its love a million times.
I am the octopus in love with God,
For thus is my desire inconclusible,
Until my mind, deranged in swimming tubes,
Issues its own darkness, clutching seas
---O God of my perfect ignorance,
Bring the New Year to my only sister soon,
Take from me strength and power to bless her head,
Give her the magnitude of secular trust,
Until she turns to me in her troubled sleep,
Seeing me in my wish, free from self-wrongs.
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Written by
Robert Louis Stevenson |
MEN are Heaven's piers; they evermore
Unwearying bear the skyey floor;
Man's theatre they bear with ease,
Unfrowning cariatides!
I, for my wife, the sun uphold,
Or, dozing, strike the seasons cold.
She, on her side, in fairy-wise
Deals in diviner mysteries,
By spells to make the fuel burn
And keep the parlour warm, to turn
Water to wine, and stones to bread,
By her unconquered hero-head.
A naked Adam, naked Eve,
Alone the primal bower we weave;
Sequestered in the seas of life,
A Crusoe couple, man and wife,
With all our good, with all our will,
Our unfrequented isle we fill;
And victor in day's petty wars,
Each for the other lights the stars.
Come then, my Eve, and to and fro
Let us about our garden go;
And, grateful-hearted, hand in hand
Revisit all our tillage land,
And marvel at our strange estate,
For hooded ruin at the gate
Sits watchful, and the angels fear
To see us tread so boldly here.
Meanwhile, my Eve, with flower and grass
Our perishable days we pass;
Far more the thorn observe - and see
How our enormous sins go free -
Nor less admire, beside the rose,
How far a little virtue goes.
|
Written by
Robert William Service |
Now Eddie Malone got a swell grammyfone to draw all the trade to his store;
An' sez he: "Come along for a season of song, which the like ye had niver before."
Then Dogrib, an' Slave, an' Yellow-knife brave, an' Cree in his dinky canoe,
Confluated near, to see an' to hear Ed's grammyfone make its dayboo.
Then Ed turned the crank, an' there on the bank they squatted like bumps on a log.
For acres around there wasn't a sound, not even the howl of a dog.
When out of the horn there sudden was born such a marvellous elegant tone;
An' then like a spell on that auddyence fell the voice of its first grammyfone.
"Bad medicine!" cried Old Tom, the One-eyed, an' made for to jump in the lake;
But no one gave heed to his little stampede, so he guessed he had made a mistake.
Then Roll-in-the-Mud, a chief of the blood, observed in choice Chippewayan:
"You've brought us canned beef, an' it's now my belief that this here's a case of canned man."
Well, though I'm not strong on the Dago in song, that sure got me goin' for fair.
There was Crusoe an' Scotty, an' Ma'am Shoeman Hank, an' Melber an' Bonchy was there.
'Twas silver an' gold, an' sweetness untold to hear all them big guinneys sing;
An' thick all around an' inhalin' the sound, them Indians formed in a ring.
So solemn they sat, an' they smoked an' they spat, but their eyes sort o' glistened an' shone;
Yet niver a word of approvin' occurred till that guy Harry Lauder came on.
Then hunter of moose, an' squaw an' papoose jest laughed till their stummicks was sore;
Six times Eddie set back that record an' yet they hollered an' hollered for more.
I'll never forget that frame-up, you bet; them caverns of sunset agleam;
Them still peaks aglow, them shadders below, an' the lake like a petrified dream;
The teepees that stood by the edge of the wood; the evenin' star blinkin' alone;
The peace an' the rest, an' final an' best, the music of Ed's grammyfone.
Then sudden an' clear there rang on my ear a song mighty simple an' old;
Heart-hungry an' high it thrilled to the sky, all about "silver threads in the gold".
'Twas tender to tears, an' it brung back the years, the mem'ries that hallow an' yearn;
'Twas home-love an' joy, 'twas the thought of my boy . . . an' right there I vowed I'd return.
Big Four-finger Jack was right at my back, an' I saw with a kind o' surprise,
He gazed at the lake with a heartful of ache, an' the tears irrigated his eyes.
An' sez he: "Cuss me, pard! but that there hits me hard; I've a mother does nuthin' but wait.
She's turned eighty-three, an' she's only got me, an' I'm scared it'll soon be too late."
* * * * *
On Fond-du-lac's shore I'm hearin' once more that blessed old grammyfone play.
The summer's all gone, an' I'm still livin' on in the same old haphazardous way.
Oh, I cut out the booze, an' with muscles an' thews I corralled all the coin to go back;
But it wasn't to be: he'd a mother, you see, so I -- sliped it to Four-finger Jack.
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