Written by
Johann Wolfgang von Goethe |
[First published in Schiller's Horen, in connection
with a
friendly contest in the art of ballad-writing between the two
great poets, to which many of their finest works are owing.
]
ONCE a stranger youth to Corinth came,
Who in Athens lived, but hoped that he
From a certain townsman there might claim,
As his father's friend, kind courtesy.
Son and daughter, they
Had been wont to say
Should thereafter bride and bridegroom be.
But can he that boon so highly prized,
Save tis dearly bought, now hope to get?
They are Christians and have been baptized,
He and all of his are heathens yet.
For a newborn creed,
Like some loathsome weed,
Love and truth to root out oft will threat.
Father, daughter, all had gone to rest,
And the mother only watches late;
She receives with courtesy the guest,
And conducts him to the room of state.
Wine and food are brought,
Ere by him besought;
Bidding him good night.
she leaves him straight.
But he feels no relish now, in truth,
For the dainties so profusely spread;
Meat and drink forgets the wearied youth,
And, still dress'd, he lays him on the bed.
Scarce are closed his eyes,
When a form in-hies
Through the open door with silent tread.
By his glimmering lamp discerns he now
How, in veil and garment white array'd,
With a black and gold band round her brow,
Glides into the room a bashful maid.
But she, at his sight,
Lifts her hand so white,
And appears as though full sore afraid.
"Am I," cries she, "such a stranger here,
That the guest's approach they could not name?
Ah, they keep me in my cloister drear,
Well nigh feel I vanquish'd by my shame.
On thy soft couch now
Slumber calmly thou!
I'll return as swiftly as I came.
"
"Stay, thou fairest maiden!" cries the boy,
Starting from his couch with eager haste:
"Here are Ceres', Bacchus' gifts of joy;
Amor bringest thou, with beauty grac'd!
Thou art pale with fear!
Loved one let us here
Prove the raptures the Immortals taste.
"
"Draw not nigh, O Youth! afar remain!
Rapture now can never smile on me;
For the fatal step, alas! is ta'en,
Through my mother's sick-bed phantasy.
Cured, she made this oath:
'Youth and nature both
Shall henceforth to Heav'n devoted be.
'
"From the house, so silent now, are driven
All the gods who reign'd supreme of yore;
One Invisible now rules in heaven,
On the cross a Saviour they adore.
Victims slay they here,
Neither lamb nor steer,
But the altars reek with human gore.
"
And he lists, and ev'ry word he weighs,
While his eager soul drinks in each sound:
"Can it be that now before my gaze
Stands my loved one on this silent ground?
Pledge to me thy troth!
Through our father's oath:
With Heav'ns blessing will our love be crown'd.
"
"Kindly youth, I never can be thine!
'Tis my sister they intend for thee.
When I in the silent cloister pine,
Ah, within her arms remember me!
Thee alone I love,
While love's pangs I prove;
Soon the earth will veil my misery.
"
"No! for by this glowing flame I swear,
Hymen hath himself propitious shown:
Let us to my fathers house repair,
And thoult find that joy is not yet flown,
Sweetest, here then stay,
And without delay
Hold we now our wedding feast alone!"
Then exchange they tokens of their truth;
She gives him a golden chain to wear,
And a silver chalice would the youth
Give her in return of beauty rare.
"That is not for me;
Yet I beg of thee,
One lock only give me of thy hair.
"
Now the ghostly hour of midnight knell'd,
And she seem'd right joyous at the sign;
To her pallid lips the cup she held,
But she drank of nought but blood-red wine.
For to taste the bread
There before them spread,
Nought he spoke could make the maid incline.
To the youth the goblet then she brought,--
He too quaff'd with eager joy the bowl.
Love to crown the silent feast he sought,
Ah! full love-sick was the stripling's soul.
From his prayer she shrinks,
Till at length he sinks
On the bed and weeps without control.
And she comes, and lays her near the boy:
"How I grieve to see thee sorrowing so!
If thou think'st to clasp my form with joy,
Thou must learn this secret sad to know;
Yes! the maid, whom thou
Call'st thy loved one now,
Is as cold as ice, though white as snow.
"
Then he clasps her madly in his arm,
While love's youthful might pervades his frame:
"Thou might'st hope, when with me, to grow warm,
E'en if from the grave thy spirit came!
Breath for breath, and kiss!
Overflow of bliss!
Dost not thou, like me, feel passion's flame?"
Love still closer rivets now their lips,
Tears they mingle with their rapture blest,
From his mouth the flame she wildly sips,
Each is with the other's thought possess'd.
His hot ardour's flood
Warms her chilly blood,
But no heart is beating in her breast.
In her care to see that nought went wrong,
Now the mother happen'd to draw near;
At the door long hearkens she, full long,
Wond'ring at the sounds that greet her ear.
Tones of joy and sadness,
And love's blissful madness,
As of bride and bridegroom they appear,
From the door she will not now remove
'Till she gains full certainty of this;
And with anger hears she vows of love,
Soft caressing words of mutual bliss.
"Hush! the cock's loud strain!
But thoult come again,
When the night returns!"--then kiss on kiss.
Then her wrath the mother cannot hold,
But unfastens straight the lock with ease
"In this house are girls become so bold,
As to seek e'en strangers' lusts to please?"
By her lamp's clear glow
Looks she in,--and oh!
Sight of horror!--'tis her child she sees.
Fain the youth would, in his first alarm,
With the veil that o'er her had been spread,
With the carpet, shield his love from harm;
But she casts them from her, void of dread,
And with spirit's strength,
In its spectre length,
Lifts her figure slowly from the bed.
"Mother! mother!"--Thus her wan lips say:
"May not I one night of rapture share?
From the warm couch am I chased away?
Do I waken only to despair?
It contents not thee
To have driven me
An untimely shroud of death to wear?
"But from out my coffin's prison-bounds
By a wond'rous fate I'm forced to rove,
While the blessings and the chaunting sounds
That your priests delight in, useless prove.
Water, salt, are vain
Fervent youth to chain,
Ah, e'en Earth can never cool down love!
"When that infant vow of love was spoken,
Venus' radiant temple smiled on both.
Mother! thou that promise since hast broken,
Fetter'd by a strange, deceitful oath.
Gods, though, hearken ne'er,
Should a mother swear
To deny her daughter's plighted troth.
From my grave to wander I am forc'd,
Still to seek The Good's long-sever'd link,
Still to love the bridegroom I have lost,
And the life-blood of his heart to drink;
When his race is run,
I must hasten on,
And the young must 'neath my vengeance sink,
"Beauteous youth! no longer mayst thou live;
Here must shrivel up thy form so fair;
Did not I to thee a token give,
Taking in return this lock of hair?
View it to thy sorrow!
Grey thoult be to-morrow,
Only to grow brown again when there.
"Mother, to this final prayer give ear!
Let a funeral pile be straightway dress'd;
Open then my cell so sad and drear,
That the flames may give the lovers rest!
When ascends the fire
From the glowing pyre,
To the gods of old we'll hasten, blest.
"
1797.
|
Written by
Thomas Hardy |
I
He bends his travel-tarnished feet
To where she wastes in clay:
From day-dawn until eve he fares
Along the wintry way;
From day-dawn until eve repairs
Unto her mound to pray.
II
"Are these the gravestone shapes that meet
My forward-straining view?
Or forms that cross a window-blind
In circle, knot, and queue:
Gay forms, that cross and whirl and wind
To music throbbing through?" -
III
"The Keeper of the Field of Tombs
Dwells by its gateway-pier;
He celebrates with feast and dance
His daughter's twentieth year:
He celebrates with wine of France
The birthday of his dear.
" -
IV
"The gates are shut when evening glooms:
Lay down your wreath, sad wight;
To-morrow is a time more fit
For placing flowers aright:
The morning is the time for it;
Come, wake with us to-night!" -
V
He grounds his wreath, and enters in,
And sits, and shares their cheer.
-
"I fain would foot with you, young man,
Before all others here;
I fain would foot it for a span
With such a cavalier!"
VI
She coaxes, clasps, nor fails to win
His first-unwilling hand:
The merry music strikes its staves,
The dancers quickly band;
And with the damsel of the graves
He duly takes his stand.
VII
"You dance divinely, stranger swain,
Such grace I've never known.
O longer stay! Breathe not adieu
And leave me here alone!
O longer stay: to her be true
Whose heart is all your own!" -
VIII
"I mark a phantom through the pane,
That beckons in despair,
Its mouth all drawn with heavy moan -
Her to whom once I sware!" -
"Nay; 'tis the lately carven stone
Of some strange girl laid there!" -
IX
"I see white flowers upon the floor
Betrodden to a clot;
My wreath were they?"--"Nay; love me much,
Swear you'll forget me not!
'Twas but a wreath! Full many such
Are brought here and forgot.
"
* * *
X
The watches of the night grow hoar,
He rises ere the sun;
"Now could I kill thee here!" he says,
"For winning me from one
Who ever in her living days
Was pure as cloistered nun!"
XI
She cowers, and he takes his track
Afar for many a mile,
For evermore to be apart
From her who could beguile
His senses by her burning heart,
And win his love awhile.
XII
A year: and he is travelling back
To her who wastes in clay;
From day-dawn until eve he fares
Along the wintry way,
From day-dawn until eve repairs
Unto her mound to pray.
XIII
And there he sets him to fulfil
His frustrate first intent:
And lay upon her bed, at last,
The offering earlier meant:
When, on his stooping figure, ghast
And haggard eyes are bent.
XIV
"O surely for a little while
You can be kind to me!
For do you love her, do you hate,
She knows not--cares not she:
Only the living feel the weight
Of loveless misery!
XV
"I own my sin; I've paid its cost,
Being outcast, shamed, and bare:
I give you daily my whole heart,
Your babe my tender care,
I pour you prayers; and aye to part
Is more than I can bear!"
XVI
He turns--unpitying, passion-tossed;
"I know you not!" he cries,
"Nor know your child.
I knew this maid,
But she's in Paradise!"
And swiftly in the winter shade
He breaks from her and flies.
|
Written by
William Stafford |
My family slept those level miles
but like a bell rung deep till dawn
I drove down an aisle of sound,
nothing real but in the bell,
past the town where I was born.
Once you cross a land like that
you own your face more: what the light
struck told a self; every rock
denied all the rest of the world.
We stopped at Sharon Springs and ate--
My state still dark, my dream too long to tell.
|
Written by
Robert Graves |
August 6, 1916.
—Officer previously reported died of wounds, now reported wounded: Graves, Captain R.
, Royal Welch Fusiliers.
)
…but I was dead, an hour or more.
I woke when I’d already passed the door
That Cerberus guards, and half-way down the road
To Lethe, as an old Greek signpost showed.
Above me, on my stretcher swinging by,
I saw new stars in the subterrene sky:
A Cross, a Rose in bloom, a Cage with bars,
And a barbed Arrow feathered in fine stars.
I felt the vapours of forgetfulness
Float in my nostrils.
Oh, may Heaven bless
Dear Lady Proserpine, who saw me wake,
And, stooping over me, for Henna’s sake
Cleared my poor buzzing head and sent me back
Breathless, with leaping heart along the track.
After me roared and clattered angry hosts
Of demons, heroes, and policeman-ghosts.
“Life! life! I can’t be dead! I won’t be dead!
Damned if I’ll die for any one!” I said….
Cerberus stands and grins above me now,
Wearing three heads—lion, and lynx, and sow.
“Quick, a revolver! But my Webley’s gone,
Stolen!… No bombs … no knife….
The crowd swarms on,
Bellows, hurls stones….
Not even a honeyed sop…
Nothing….
Good Cerberus!… Good dog!… but stop!
Stay!… A great luminous thought … I do believe
There’s still some morphia that I bought on leave.
”
Then swiftly Cerberus’ wide mouths I cram
With army biscuit smeared with ration jam;
And sleep lurks in the luscious plum and apple.
He crunches, swallows, stiffens, seems to grapple
With the all-powerful poppy … then a snore,
A crash; the beast blocks up the corridor
With monstrous hairy carcase, red and dun—
Too late! for I’ve sped through.
O Life! O Sun!
|
Written by
Oscar Wilde |
Christ, dost Thou live indeed? or are Thy bones
Still straitened in their rock-hewn sepulchre?
And was Thy Rising only dreamed by her
Whose love of Thee for all her sin atones?
For here the air is horrid with men's groans,
The priests who call upon Thy name are slain,
Dost Thou not hear the bitter wail of pain
From those whose children lie upon the stones?
Come down, O Son of God! incestuous gloom
Curtains the land, and through the starless night
Over Thy Cross a Crescent moon I see!
If Thou in very truth didst burst the tomb
Come down, O Son of Man! and show Thy might
Lest Mahomet be crowned instead of Thee!
|
Written by
Robert William Service |
A Life Tragedy
A pistol shot rings round and round the world;
In pitiful defeat a warrior lies.
A last defiance to dark Death is hurled,
A last wild challenge shocks the sunlit skies.
Alone he falls, with wide, wan, woeful eyes:
Eyes that could smile at death -- could not face shame.
Alone, alone he paced his narrow room,
In the bright sunshine of that Paris day;
Saw in his thought the awful hand of doom;
Saw in his dream his glory pass away;
Tried in his heart, his weary heart, to pray:
"O God! who made me, give me strength to face
The spectre of this bitter, black disgrace.
"
* * * * *
The burn brawls darkly down the shaggy glen;
The bee-kissed heather blooms around the door;
He sees himself a barefoot boy again,
Bending o'er page of legendary lore.
He hears the pibroch, grips the red claymore,
Runs with the Fiery Cross, a clansman true,
Sworn kinsman of Rob Roy and Roderick Dhu.
Eating his heart out with a wild desire,
One day, behind his counter trim and neat,
He hears a sound that sets his brain afire --
The Highlanders are marching down the street.
Oh, how the pipes shrill out, the mad drums beat!
"On to the gates of Hell, my Gordons gay!"
He flings his hated yardstick away.
He sees the sullen pass, high-crowned with snow,
Where Afghans cower with eyes of gleaming hate.
He hurls himself against the hidden foe.
They try to rally -- ah, too late, too late!
Again, defenseless, with fierce eyes that wait
For death, he stands, like baited bull at bay,
And flouts the Boers, that mad Majuba day.
He sees again the murderous Soudan,
Blood-slaked and rapine-swept.
He seems to stand
Upon the gory plain of Omdurman.
Then Magersfontein, and supreme command
Over his Highlanders.
To shake his hand
A King is proud, and princes call him friend.
And glory crowns his life -- and now the end,
The awful end.
His eyes are dark with doom;
He hears the shrapnel shrieking overhead;
He sees the ravaged ranks, the flame-stabbed gloom.
Oh, to have fallen! -- the battle-field his bed,
With Wauchope and his glorious brother-dead.
Why was he saved for this, for this? And now
He raises the revolver to his brow.
* * * * *
In many a Highland home, framed with rude art,
You'll find his portrait, rough-hewn, stern and square;
It's graven in the Fuyam fellah's heart;
The Ghurka reads it at his evening prayer;
The raw lands know it, where the fierce suns glare;
The Dervish fears it.
Honor to his name
Who holds aloft the shield of England's fame.
Mourn for our hero, men of Northern race!
We do not know his sin; we only know
His sword was keen.
He laughed death in the face,
And struck, for Empire's sake, a giant blow.
His arm was strong.
Ah! well they learnt, the foe
The echo of his deeds is ringing yet --
Will ring for aye.
All else .
.
.
let us forget.
|
Written by
George Herbert |
Philosophers have measur'd mountains,
Fathom'd the depths of the seas, of states, and kings,
Walk'd with a staff to heav'n, and traced fountains:
But there are two vast, spacious things,
The which to measure it doth more behove:
Yet few there are that sound them; Sin and Love.
Who would know SIn, let him repair
Unto mount Olivet; there shall he see
A man so wrung with pains, that all his hair,
His skin, his garments bloody be.
Sin is that press and vice, which forceth pain
To hunt his cruel food through ev'ry vein.
Who knows not Love, let him assay
And taste that juice, which on the cross a pike
Did set again abroach, then let him say
If ever he did taste the like.
Love is that liquor sweet and most divine,
Which my God feels as blood; but I, as wine.
|
Written by
Andrew Barton Paterson |
I’M travellin’ down the Castlereagh, and I’m a station hand,
I’m handy with the ropin’ pole, I’m handy with the brand,
And I can ride a rowdy colt, or swing the axe all day,
But there’s no demand for a station-hand along the Castlereagh.
+
So it’s shift, boys, shift, for there isn’t the slightest doubt
That we’ve got to make a shift to the stations further out,
With the pack-horse runnin’ after, for he follows like a dog,
We must strike across the country at the old jig-jog.
This old black horse I’m riding—if you’ll notice what’s his brand,
He wears the crooked R, you see—none better in the land.
He takes a lot of beatin’, and the other day we tried,
For a bit of a joke, with a racing bloke, for twenty pounds a side.
It was shift, boys, shift, for there wasn’t the slightest doubt
That I had to make him shift, for the money was nearly out;
But he cantered home a winner, with the other one at the flog—
He’s a red-hot sort to pick up with his old jig-jog.
I asked a cove for shearin’ once along the Marthaguy:
“We shear non-union here,” says he.
“I call it scab,” says I.
I looked along the shearin’ floor before I turned to go—
There were eight or ten dashed Chinamen a-shearin’ in a row.
It was shift, boys, shift, for there wasn’t the slightest doubt
It was time to make a shift with the leprosy about.
So I saddled up my horses, and I whistled to my dog,
And I left his scabby station at the old jig-jog.
I went to Illawarra, where my brother’s got a farm,
He has to ask his landlord’s leave before he lifts his arm;
The landlord owns the country side—man, woman, dog, and cat,
They haven’t the cheek to dare to speak without they touch their hat.
It was shift, boys, shift, for there wasn’t the slightest doubt
Their little landlord god and I would soon have fallen out;
Was I to touch my hat to him?—was I his bloomin’ dog?
So I makes for up the country at the old jig-jog.
But it’s time that I was movin’, I’ve a mighty way to go
Till I drink artesian water from a thousand feet below;
Till I meet the overlanders with the cattle comin’ down,
And I’ll work a while till I make a pile, then have a spree in town.
So, it’s shift, boys, shift, for there isn’t the slightest doubt
We’ve got to make a shift to the stations further out;
The pack-horse runs behind us, for he follows like a dog,
And we cross a lot of country at the old jig-jog.
|
Written by
Henry Van Dyke |
For that thy face is fair I love thee not;
Nor yet because the light of thy brown eyes
Hath gleams of wonder and of glad surprise,
Like woodland streams that cross a sunlit spot:
Nor for thy beauty, born without a blot,
Most perfect when it shines through no disguise
Pure as the star of Eve in Paradise, ---
For all these outward things I love thee not:
But for a something in thy form and face,
Thy looks and ways, of primal harmony;
A certain soothing charm, a vital grace
That breathes of the eternal womanly,
And makes me feel the warmth of Nature's breast,
When in her arms, and thine, I sink to rest.
|