Written by
Jim Carroll |
1/
Genius is not a generous thing
In return it charges more interest than any amount of royalties can cover
And it resents fame
With bitter vengeance
Pills and powdres only placate it awhile
Then it puts you in a place where the planet's poles reverse
Where the currents of electricity shift
Your Body becomes a magnet and pulls to it despair and rotten teeth,
Cheese whiz and guns
Whose triggers are shaped tenderly into a false lust
In timeless illusion
2/
The guitar claws kept tightening, I guess on your heart stem.
The loops of feedback and distortion, threaded right thru
Lucifer's wisdom teeth, and never stopped their reverbrating
In your mind
And from the stage
All the faces out front seemed so hungry
With an unbearably wholesome misunderstanding
From where they sat, you seemed so far up there
High and live and diving
And instead you were swamp crawling
Down, deeper
Until you tasted the Earth's own blood
And chatted with the Buzzing-eyed insects that heroin breeds
3/
You should have talked more with the monkey
He's always willing to negotiate
I'm still paying him off...
The greater the money and fame
The slower the Pendulum of fortune swings
Your will could have sped it up...
But you left that in a plane
Because it wouldn't pass customs and immigration
4/
Here's synchronicity for you:
Your music's tape was inside my walkman
When my best friend from summer camp
Called with the news about you
I listened them...
It was all there!
Your music kept cutting deeper and deeper valleys of sound
Less and less light
Until you hit solid rock
The drill bit broke
and the valley became
A thin crevice, impassible in time,
As time itself stopped.
And the walls became cages of brilliant notes
Pressing in...
Pressure
That's how diamonds are made
And that's WHERE it sometimes all collapses
Down in on you
5/
Then I translated your muttered lyrics
And the phrases were curious:
Like "incognito libido"
And "Chalk Skin Bending"
The words kept getting smaller and smaller
Until
Separated from their music
Each letter spilled out into a cartridge
Which fit only in the barrel of a gun
6/
And you shoved the barrel in as far as possible
Because that's where the pain came from
That's where the demons were digging
The world outside was blank
Its every cause was just a continuation
Of another unsolved effect
7/
But Kurt...
Didn't the thought that you would never write another song
Another feverish line or riff
Make you think twice?
That's what I don't understand
Because it's kept me alive, above any wounds
8/
If only you hadn't swallowed yourself into a coma in Roma...
You could have gone to Florence
And looked into the eyes of Bellinni or Rafael's Portraits
Perhaps inside them
You could have found a threshold back to beauty's arms
Where it all began...
No matter that you felt betrayed by her
That is always the cost
As Frank said,
Of a young artist's remorseless passion
Which starts out as a kiss
And follows like a curse
|
Written by
Margaret Atwood |
The world is full of women
who'd tell me I should be ashamed of myself
if they had the chance. Quit dancing.
Get some self-respect
and a day job.
Right. And minimum wage,
and varicose veins, just standing
in one place for eight hours
behind a glass counter
bundled up to the neck, instead of
naked as a meat sandwich.
Selling gloves, or something.
Instead of what I do sell.
You have to have talent
to peddle a thing so nebulous
and without material form.
Exploited, they'd say. Yes, any way
you cut it, but I've a choice
of how, and I'll take the money.
I do give value.
Like preachers, I sell vision,
like perfume ads, desire
or its facsimile. Like jokes
or war, it's all in the timing.
I sell men back their worse suspicions:
that everything's for sale,
and piecemeal. They gaze at me and see
a chain-saw murder just before it happens,
when thigh, ass, inkblot, crevice, tit, and nipple
are still connected.
Such hatred leaps in them,
my beery worshippers! That, or a bleary
hopeless love. Seeing the rows of heads
and upturned eyes, imploring
but ready to snap at my ankles,
I understand floods and earthquakes, and the urge
to step on ants. I keep the beat,
and dance for them because
they can't. The music smells like foxes,
crisp as heated metal
searing the nostrils
or humid as August, hazy and languorous
as a looted city the day after,
when all the rape's been done
already, and the killing,
and the survivors wander around
looking for garbage
to eat, and there's only a bleak exhaustion.
Speaking of which, it's the smiling
tires me out the most.
This, and the pretence
that I can't hear them.
And I can't, because I'm after all
a foreigner to them.
The speech here is all warty gutturals,
obvious as a slab of ham,
but I come from the province of the gods
where meanings are lilting and oblique.
I don't let on to everyone,
but lean close, and I'll whisper:
My mother was raped by a holy swan.
You believe that? You can take me out to dinner.
That's what we tell all the husbands.
There sure are a lot of dangerous birds around.
Not that anyone here
but you would understand.
The rest of them would like to watch me
and feel nothing. Reduce me to components
as in a clock factory or abattoir.
Crush out the mystery.
Wall me up alive
in my own body.
They'd like to see through me,
but nothing is more opaque
than absolute transparency.
Look--my feet don't hit the marble!
Like breath or a balloon, I'm rising,
I hover six inches in the air
in my blazing swan-egg of light.
You think I'm not a goddess?
Try me.
This is a torch song.
Touch me and you'll burn.
|
Written by
Robert Browning |
I. THE FLOWER'S NAME
Here's the garden she walked across,
Arm in my arm, such a short while since:
Hark, now I push its wicket, the moss
Hinders the hinges and makes them wince!
She must have reached this shrub ere she turned,
As back with that murmur the wicket swung;
For she laid the poor snail, my chance foot spurned,
To feed and forget it the leaves among.
II.
Down this side ofthe gravel-walk
She went while her rope's edge brushed the box:
And here she paused in her gracious talk
To point me a moth on the milk-white phlox.
Roses, ranged in valiant row,
I will never think that she passed you by!
She loves you noble roses, I know;
But yonder, see, where the rock-plants lie!
III.
This flower she stopped at, finger on lip,
Stooped over, in doubt, as settling its claim;
Till she gave me, with pride to make no slip,
Its soft meandering Spanish name:
What a name! Was it love or praise?
Speech half-asleep or song half-awake?
I must learn Spanish, one of these days,
Only for that slow sweet name's sake.
IV.
Roses, if I live and do well,
I may bring her, one of these days,
To fix you fast with as fine a spell,
Fit you each with his Spanish phrase;
But do not detain me now; for she lingers
There, like sunshine over the ground,
And ever I see her soft white fingers
Searching after the bud she found.
V.
Flower, you Spaniard, look that you grow not,
Stay as you are and be loved for ever!
Bud, if I kiss you 'tis that you blow not:
Mind, the shut pink mouth opens never!
For while it pouts, her fingers wrestle,
Twinkling the audacious leaves between,
Till round they turn and down they nestle---
Is not the dear mark still to be seen?
VI.
Where I find her not, beauties vanish;
Whither I follow ber, beauties flee;
Is there no method to tell her in Spanish
June's twice June since she breathed it with me?
Come, bud, show me the least of her traces,
Treasure my lady's lightest footfall!
---Ah, you may flout and turn up your faces---
Roses, you are not so fair after all!
II. SIBRANDUS SCHAFNABURGENSIS.
Plague take all your pedants, say I!
He who wrote what I hold in my hand,
Centuries back was so good as to die,
Leaving this rubbish to cumber the land;
This, that was a book in its time,
Printed on paper and bound in leather,
Last month in the white of a matin-prime
Just when the birds sang all together.
II.
Into the garden I brought it to read,
And under the arbute and laurustine
Read it, so help me grace in my need,
From title-page to closing line.
Chapter on chapter did I count,
As a curious traveller counts Stonehenge;
Added up the mortal amount;
And then proceeded to my revenge.
III.
Yonder's a plum-tree with a crevice
An owl would build in, were he but sage;
For a lap of moss, like a fine pont-levis
In a castle of the Middle Age,
Joins to a lip of gum, pure amber;
When he'd be private, there might he spend
Hours alone in his lady's chamber:
Into this crevice I dropped our friend.
IV.
Splash, went he, as under he ducked,
---At the bottom, I knew, rain-drippings stagnate:
Next, a handful of blossoms I plucked
To bury him with, my bookshelf's magnate;
Then I went in-doors, brought out a loaf,
Half a cheese, and a bottle of Chablis;
Lay on the grass and forgot the oaf
Over a jolly chapter of Rabelais.
V.
Now, this morning, betwixt the moss
And gum that locked our friend in limbo,
A spider had spun his web across,
And sat in the midst with arms akimbo:
So, I took pity, for learning's sake,
And, _de profundis, accentibus ltis,
Cantate!_ quoth I, as I got a rake;
And up I fished his delectable treatise.
VI.
Here you have it, dry in the sun,
With all the binding all of a blister,
And great blue spots where the ink has run,
And reddish streaks that wink and glister
O'er the page so beautifully yellow:
Oh, well have the droppings played their tricks!
Did he guess how toadstools grow, this fellow?
Here's one stuck in his chapter six!
VII.
How did he like it when the live creatures
Tickled and toused and browsed him all over,
And worm, slug, eft, with serious features,
Came in, each one, for his right of trover?
---When the water-beetle with great blind deaf face
Made of her eggs the stately deposit,
And the newt borrowed just so much of the preface
As tiled in the top of his black wife's closet?
VIII.
All that life and fun and romping,
All that frisking and twisting and coupling,
While slowly our poor friend's leaves were swamping
And clasps were cracking and covers suppling!
As if you bad carried sour John Knox
To the play-house at Paris, Vienna or Munich,
Fastened him into a front-row box,
And danced off the ballet with trousers and tunic.
IX.
Come, old martyr! What, torment enough is it?
Back to my room shall you take your sweet self.
Good-bye, mother-beetle; husband-eft, _sufficit!_
See the snug niche I have made on my shelf!
A.'s book shall prop you up, B.'s shall cover you,
Here's C. to be grave with, or D. to be gay,
And with E. on each side, and F. right over you,
Dry-rot at ease till the Judgment-day!
|
Written by
Henry Wadsworth Longfellow |
"Give me of your bark, O Birch-tree!
Of your yellow bark, O Birch-tree!
Growing by the rushing river,
Tall and stately in the valley!
I a light canoe will build me,
Build a swift Cheemaun for sailing,
That shall float on the river,
Like a yellow leaf in Autumn,
Like a yellow water-lily!
"Lay aside your cloak, O Birch-tree!
Lay aside your white-skin wrapper,
For the Summer-time is coming,
And the sun is warm in heaven,
And you need no white-skin wrapper!"
Thus aloud cried Hiawatha
In the solitary forest,
By the rushing Taquamenaw,
When the birds were singing gayly,
In the Moon of Leaves were singing,
And the sun, from sleep awaking,
Started up and said, "Behold me!
Gheezis, the great Sun, behold me!"
And the tree with all its branches
Rustled in the breeze of morning,
Saying, with a sigh of patience,
"Take my cloak, O Hiawatha!"
With his knife the tree he girdled;
Just beneath its lowest branches,
Just above the roots, he cut it,
Till the sap came oozing outward;
Down the trunk, from top to bottom,
Sheer he cleft the bark asunder,
With a wooden wedge he raised it,
Stripped it from the trunk unbroken.
"Give me of your boughs, O Cedar!
Of your strong and pliant branches,
My canoe to make more steady,
Make more strong and firm beneath me!"
Through the summit of the Cedar
Went a sound, a cry of horror,
Went a murmur of resistance;
But it whispered, bending downward,
'Take my boughs, O Hiawatha!"
Down he hewed the boughs of cedar,
Shaped them straightway to a frame-work,
Like two bows he formed and shaped them,
Like two bended bows together.
"Give me of your roots, O Tamarack!
Of your fibrous roots, O Larch-tree!
My canoe to bind together,
So to bind the ends together
That the water may not enter,
That the river may not wet me!"
And the Larch, with all its fibres,
Shivered in the air of morning,
Touched his forehead with its tassels,
Slid, with one long sigh of sorrow.
"Take them all, O Hiawatha!"
From the earth he tore the fibres,
Tore the tough roots of the Larch-tree,
Closely sewed the hark together,
Bound it closely to the frame-work.
"Give me of your balm, O Fir-tree!
Of your balsam and your resin,
So to close the seams together
That the water may not enter,
That the river may not wet me!"
And the Fir-tree, tall and sombre,
Sobbed through all its robes of darkness,
Rattled like a shore with pebbles,
Answered wailing, answered weeping,
"Take my balm, O Hiawatha!"
And he took the tears of balsam,
Took the resin of the Fir-tree,
Smeared therewith each seam and fissure,
Made each crevice safe from water.
"Give me of your quills, O Hedgehog!
All your quills, O Kagh, the Hedgehog!
I will make a necklace of them,
Make a girdle for my beauty,
And two stars to deck her bosom!"
From a hollow tree the Hedgehog
With his sleepy eyes looked at him,
Shot his shining quills, like arrows,
Saying with a drowsy murmur,
Through the tangle of his whiskers,
"Take my quills, O Hiawatha!"
From the ground the quills he gathered,
All the little shining arrows,
Stained them red and blue and yellow,
With the juice of roots and berries;
Into his canoe he wrought them,
Round its waist a shining girdle,
Round its bows a gleaming necklace,
On its breast two stars resplendent.
Thus the Birch Canoe was builded
In the valley, by the river,
In the bosom of the forest;
And the forest's life was in it,
All its mystery and its magic,
All the lightness of the birch-tree,
All the toughness of the cedar,
All the larch's supple sinews;
And it floated on the river
Like a yellow leaf in Autumn,
Like a yellow water-lily.
Paddles none had Hiawatha,
Paddles none he had or needed,
For his thoughts as paddles served him,
And his wishes served to guide him;
Swift or slow at will he glided,
Veered to right or left at pleasure.
Then he called aloud to Kwasind,
To his friend, the strong man, Kwasind,
Saying, "Help me clear this river
Of its sunken logs and sand-bars."
Straight into the river Kwasind
Plunged as if he were an otter,
Dived as if he were a beaver,
Stood up to his waist in water,
To his arm-pits in the river,
Swam and scouted in the river,
Tugged at sunken logs and branches,
With his hands he scooped the sand-bars,
With his feet the ooze and tangle.
And thus sailed my Hiawatha
Down the rushing Taquamenaw,
Sailed through all its bends and windings,
Sailed through all its deeps and shallows,
While his friend, the strong man, Kwasind,
Swam the deeps, the shallows waded.
Up and down the river went they,
In and out among its islands,
Cleared its bed of root and sand-bar,
Dragged the dead trees from its channel,
Made its passage safe and certain,
Made a pathway for the people,
From its springs among the mountains,
To the waters of Pauwating,
To the bay of Taquamenaw.
|
Written by
Walt Whitman |
1
OUT from behind this bending, rough-cut Mask,
(All straighter, liker Masks rejected—this preferr’d,)
This common curtain of the face, contain’d in me for me, in you for you, in each for
each,
(Tragedies, sorrows, laughter, tears—O heaven!
The passionate, teeming plays this curtain hid!)
This glaze of God’s serenest, purest sky,
This film of Satan’s seething pit,
This heart’s geography’s map—this limitless small continent—this
soundless
sea;
Out from the convolutions of this globe,
This subtler astronomic orb than sun or moon—than Jupiter, Venus, Mars;
This condensation of the Universe—(nay, here the only Universe,
Here the IDEA—all in this mystic handful wrapt;)
These burin’d eyes, flashing to you, to pass to future time,
To launch and spin through space revolving, sideling—from these to emanate,
To You, whoe’er you are—a Look.
2
A Traveler of thoughts and years—of peace and war,
Of youth long sped, and middle age declining,
(As the first volume of a tale perused and laid away, and this the second,
Songs, ventures, speculations, presently to close,)
Lingering a moment, here and now, to You I opposite turn,
As on the road, or at some crevice door, by chance, or open’d window,
Pausing, inclining, baring my head, You specially I greet,
To draw and clench your Soul, for once, inseparably with mine,
Then travel, travel on.
|
Written by
Mary Darby Robinson |
High, on the Solitude of Alpine Hills,
O'er-topping the grand imag'ry of Nature,
Where one eternal winter seem'd to reign;
An HERMIT'S threshold, carpetted with moss,
Diversified the Scene. Above the flakes
Of silv'ry snow, full many a modest flow'r
Peep'd through its icy veil, and blushing ope'd
Its variegated hues; The ORCHIS sweet,
The bloomy CISTUS, and the fragrant branch
Of glossy MYRTLE. In his rushy cell,
The lonely ANCHORET consum'd his days,
Unnotic'd, and unblest. In early youth,
Cross'd in the fond affections of his soul
By false Ambition, from his parent home
He, solitary, wander'd; while the Maid
Whose peerless beauty won his yielding heart
Pined in monastic horrors ! Near his sill
A little cross he rear'd, where, prostrate low
At day's pale glimpse, or when the setting Sun
Tissued the western sky with streamy gold,
His Orisons he pour'd, for her, whose hours
Were wasted in oblivion. Winters pass'd,
And Summers faded, slow, unchearly all
To the lone HERMIT'S sorrows: For, still, Love
A dark, though unpolluted altar, rear'd
On the white waste of wonders!
From the peak
Which mark'd his neighb'ring Hut, his humid Eye
Oft wander'd o'er the rich expanse below;
Oft trac'd the glow of vegetating Spring,
The full-blown Summer splendours, and the hue
Of tawny scenes Autumnal: Vineyards vast,
Clothing the upland scene, and spreading wide
The promised tide nectareous; while for him
The liquid lapse of the slow brook was seen
Flashing amid the trees, its silv'ry wave!
Far distant, the blue mist of waters rose
Veiling the ridgy outline, faintly grey,
Blended with clouds, and shutting out the Sun.
The Seasons still revolv'd, and still was he
By all forgotten, save by her, whose breast
Sigh'd in responsive sadness to the gale
That swept her prison turrets. Five long years,
Had seen his graces wither ere his Spring
Of life was wasted. From the social scenes
Of human energy an alien driv'n,
He almost had forgot the face of Man.--
No voice had met his ear, save, when perchance
The Pilgrim wand'rer, or the Goatherd Swain,
Bewilder'd in the starless midnight hour
Implored the HERMIT'S aid, the HERMIT'S pray'rs;
And nothing loath by pity or by pray'r
Was he, to save the wretched. On the top
Of his low rushy Dome, a tinkling bell
Oft told the weary Trav'ller to approach
Fearless of danger. The small silver sound
In quick vibrations echo'd down the dell
To the dim valley's quiet, while the breeze
Slept on the glassy LEMAN. Thus he past
His melancholy days, an alien Man
From all the joys of social intercourse,
Alone, unpitied, by the world forgot!
His Scrip each morning bore the day's repast
Gather'd on summits, mingling with the clouds,
From whose bleak altitude the Eye look'd down
While fast the giddy brain was rock'd by fear.
Oft would he start from visionary rest
When roaming wolves their midnight chorus howl'd,
Or blasts infuriate shatter'd the white cliffs,
While the huge fragments, rifted by the storm,
Plung'd to the dell below. Oft would he sit
In silent sadness on the jutting block
Of snow-encrusted ice, and, shudd'ring mark
(Amid the wonders of the frozen world)
Dissolving pyramids, and threatening peaks,
Hang o'er his hovel, terribly Sublime.
And oft, when Summer breath'd ambrosial gales,
Soft sailing o'er the waste of printless dew
Or twilight gossamer, his pensive gaze
Trac'd the swift storm advancing, whose broad wing
Blacken'd the rushy dome of his low Hut;
While the pale lightning smote the pathless top
Of tow'ring CENIS, scatt'ring high and wide
A mist of fleecy Snow. Then would he hear,
(While MEM'RY brought to view his happier days)
The tumbling torrent, bursting wildly forth
From its thaw'd prison, sweep the shaggy cliff
Vast and Stupendous ! strength'ning as it fell,
And delving, 'mid the snow, a cavern rude!
So liv'd the HERMIT, like an hardy Tree
Plac'd on a mountain's solitary brow,
And destin'd, thro' the Seasons, to endure
Their wond'rous changes. To behold the face
Of ever-varying Nature, and to mark
In each grand lineament, the work of GOD!
And happier he, in total Solitude
Than the poor toil-worn wretch, whose ardent Soul
That GOD has nobly organiz'd, but taught,
For purposes unknown, to bear the scourge
Of sharp adversity, and vulgar pride.
Happier, O ! happier far, than those who feel,
Yet live amongst the unfeeling ! feeding still
The throbbing heart, with anguish, or with Scorn.
One dreary night when Winter's icy breath
Half petrified the scene, when not a star
Gleam'd o'er the black infinity of space,
Sudden, the HERMIT started from his couch
Fear-struck and trembling! Ev'ry limb was shook
With painful agitation. On his cheek
The blanch'd interpreter of horror mute
Sat terribly impressive! In his breast
The ruddy fount of life convulsive flow'd
And his broad eyes, fix'd motionless as death,
Gaz'd vacantly aghast ! His feeble lamp
Was wasting rapidly; the biting gale
Pierc'd the thin texture of his narrow cell;
And Silence, like a fearful centinel
Marking the peril which awaited near,
Conspir'd with sullen Night, to wrap the scene
In tenfold horrors. Thrice he rose; and thrice
His feet recoil'd; and still the livid flame
Lengthen'd and quiver'd as the moaning wind
Pass'd thro' the rushy crevice, while his heart
Beat, like the death-watch, in his shudd'ring breast.
Like the pale Image of Despair he sat,
The cold drops pacing down his hollow cheek,
When a deep groan assail'd his startled ear,
And rous'd him into action. To the sill
Of his low hovel he rush'd forth, (for fear
Will sometimes take the shape of fortitude,
And force men into bravery) and soon
The wicker bolt unfasten'd. The swift blast,
Now unrestrain'd, flew by; and in its course
The quiv'ring lamp extinguish'd, and again
His soul was thrill'd with terror. On he went,
E'en to the snow-fring'd margin of the cragg,
Which to his citadel a platform made
Slipp'ry and perilous! 'Twas darkness, all!
All, solitary gloom!--The concave vast
Of Heav'n frown'd chaos; for all varied things
Of air, and earth, and waters, blended, lost
Their forms, in blank oblivion ! Yet not long
Did Nature wear her sable panoply,
For, while the HERMIT listen'd, from below
A stream of light ascended, spreading round
A partial view of trackless solitudes;
And mingling voices seem'd, with busy hum,
To break the spell of horrors. Down the steep
The HERMIT hasten'd, when a shriek of death
Re-echoed to the valley. As he flew,
(The treach'rous pathway yielding to his speed,)
Half hoping, half despairing, to the scene
Of wonder-waking anguish, suddenly
The torches were extinct; and second night
Came doubly hideous, while the hollow tongues
Of cavern'd winds, with melancholy sound
Increas'd the HERMIT'S fears. Four freezing hours
He watch'd and pray'd: and now the glimm'ring dawn
Peer'd on the Eastern Summits; (the blue light
Shedding cold lustre on the colder brows
Of Alpine desarts;) while the filmy wing
Of weeping Twilight, swept the naked plains
Of the Lombardian landscape.
On his knees
The ANCHORET blest Heav'n, that he had 'scap'd
The many perilous and fearful falls
Of waters wild and foamy, tumbling fast
From the shagg'd altitude. But, ere his pray'rs
Rose to their destin'd Heav'n, another sight,
Than all preceding far more terrible,
Palsied devotion's ardour. On the Snow,
Dappled with ruby drops, a track was made
By steps precipitate; a rugged path
Down the steep frozen chasm had mark'd the fate
Of some night traveller, whose bleeding form
Had toppled from the Summit. Lower still
The ANCHORET descended, 'till arrived
At the first ridge of silv'ry battlements,
Where, lifeless, ghastly, paler than the snow
On which her cheek repos'd, his darling Maid
Slept in the dream of Death ! Frantic and wild
He clasp'd her stiff'ning form, and bath'd with tears
The lilies of her bosom,--icy cold--
Yet beautiful and spotless.
Now, afar
The wond'ring HERMIT heard the clang of arms
Re-echoing from the valley: the white cliffs
Trembled as though an Earthquake shook their base
With terrible concussion ! Thund'ring peals
From warfare's brazen throat, proclaim'd th' approach
Of conquering legions: onward they extend
Their dauntless columns ! In the foremost group
A Ruffian met the HERMIT'S startled Eyes
Like Hell's worst Demon ! For his murd'rous hands
Were smear'd with gore; and on his daring breast
A golden cross, suspended, bore the name
Of his ill-fated Victim!--ANCHORET!
Thy VESTAL Saint, by his unhallow'd hands
Torn from RELIGION'S Altar, had been made
The sport of a dark Fiend, whose recreant Soul
Had sham'd the cause of Valour ! To his cell
The Soul-struck Exile turn'd his trembling feet,
And after three lone weeks, of pain and pray'r,
Shrunk from the scene of Solitude--and DIED!
|
Written by
Stephen Crane |
A spirit sped
Through spaces of night;
And as he sped, he called,
"God! God!"
He went through valleys
Of black death-slime,
Ever calling,
"God! God!"
Their echoes
From crevice and cavern
Mocked him:
"God! God! God!"
Fleetly into the plains of space
He went, ever calling,
"God! God!"
Eventually, then, he screamed,
Mad in denial,
"Ah, there is no God!"
A swift hand,
A sword from the sky,
Smote him,
And he was dead.
|
Written by
Henry Wadsworth Longfellow |
IN the valley of the Pegnitz, where across broad meadowlands
Rise the blue Franconian mountains, Nuremberg, the ancient, stands.
Quaint old town of toil and traffic, quaint old town of art and song,
Memories haunt thy pointed gables, like the rooks that round them throng:
Memories of the Middle Ages, when the emperors, rough and bold, 5
Had their dwelling in thy castle, time-defying, centuries old;
And thy brave and thrifty burghers boasted, in their uncouth rhyme,
That their great imperial city stretched its hand through every clime.
In the court-yard of the castle, bound with many an iron band,
Stands the mighty linden planted by Queen Cunigunde's hand; 10
On the square the oriel window, where in old heroic days
Sat the poet Melchior singing Kaiser Maximilian's praise.
Everywhere I see around me rise the wondrous world of Art:
Fountains wrought with richest sculpture standing in the common mart;
And above cathedral doorways saints and bishops carved in stone, 15
By a former age commissioned as apostles to our own.
In the church of sainted Sebald sleeps enshrined his holy dust,
And in bronze the Twelve Apostles guard from age to age their trust;
In the church of sainted Lawrence stands a pix of sculpture rare,
Like the foamy sheaf of fountains, rising through the painted air. 20
Here, when Art was still religion, with a simple, reverent heart,
Lived and labored Albrecht D¨¹rer, the Evangelist of Art;
Hence in silence and in sorrow, toiling still with busy hand,
Like an emigrant he wandered, seeking for the Better Land.
Emigravit is the inscription on the tombstone where he lies; 25
Dead he is not, but departed,¡ªfor the artist never dies.
Fairer seems the ancient city, and the sunshine seems more fair,
That he once has trod its pavement, that he once has breathed its air!
Through these streets so broad and stately, these obscure and dismal lanes,
Walked of yore the Mastersingers, chanting rude poetic strains. 30
From remote and sunless suburbs came they to the friendly guild,
Building nests in Fame's great temple, as in spouts the swallows build.
As the weaver plied the shuttle, wove he too the mystic rhyme,
And the smith his iron measures hammered to the anvil's chime;
Thanking God, whose boundless wisdom makes the flowers of poesy bloom 35
In the forge's dust and cinders, in the tissues of the loom.
Here Hans Sachs, the cobbler-poet, laureate of the gentle craft,
Wisest of the Twelve Wise Masters, in huge folios sang and laughed.
But his house is now an ale-house, with a nicely sanded floor,
And a garland in the window, and his face above the door; 40
Painted by some humble artist, as in Adam Puschman's song,
As the old man gray and dove-like, with his great beard white and long.
And at night the swart mechanic comes to drown his cark and care,
Quaffing ale from pewter tankards, in the master's antique chair.
Vanished is the ancient splendor, and before my dreamy eye 45
Wave these mingled shapes and figures, like a faded tapestry.
Not thy Councils, not thy Kaisers, win for thee the world's regard;
But thy painter, Albrecht D¨¹rer, and Hans Sachs, thy cobbler bard.
Thus, O Nuremberg, a wanderer from a region far away,
As he paced thy streets and court-yards, sang in thought his careless lay: 50
Gathering from the pavement's crevice, as a floweret of the soil,
The nobility of labor,¡ªthe long pedigree of toil.
|
Written by
Hilda Doolittle |
Can we believe -- by an effort
comfort our hearts:
it is not waste all this,
not placed here in disgust,
street after street,
each patterned alike,
no grace to lighten
a single house of the hundred
crowded into one garden-space.
Crowded -- can we believe,
not in utter disgust,
in ironical play --
but the maker of cities grew faint
with the beauty of temple
and space before temple,
arch upon perfect arch,
of pillars and corridors that led out
to strange court-yards and porches
where sun-light stamped
hyacinth-shadows
black on the pavement.
That the maker of cities grew faint
with the splendour of palaces,
paused while the incense-flowers
from the incense-trees
dropped on the marble-walk,
thought anew, fashioned this --
street after street alike.
For alas,
he had crowded the city so full
that men could not grasp beauty,
beauty was over them,
through them, about them,
no crevice unpacked with the honey,
rare, measureless.
So he built a new city,
ah can we believe, not ironically
but for new splendour
constructed new people
to lift through slow growth
to a beauty unrivalled yet --
and created new cells,
hideous first, hideous now --
spread larve across them,
not honey but seething life.
And in these dark cells,
packed street after street,
souls live, hideous yet --
O disfigured, defaced,
with no trace of the beauty
men once held so light.
Can we think a few old cells
were left -- we are left --
grains of honey,
old dust of stray pollen
dull on our torn wings,
we are left to recall the old streets?
Is our task the less sweet
that the larve still sleep in their cells?
Or crawl out to attack our frail strength:
You are useless. We live.
We await great events.
We are spread through this earth.
We protect our strong race.
You are useless.
Your cell takes the place
of our young future strength.
Though they sleep or wake to torment
and wish to displace our old cells --
thin rare gold --
that their larve grow fat --
is our task the less sweet?
Though we wander about,
find no honey of flowers in this waste,
is our task the less sweet --
who recall the old splendour,
await the new beauty of cities?
The city is peopled
with spirits, not ghosts, O my love:
Though they crowded between
and usurped the kiss of my mouth
their breath was your gift,
their beauty, your life.
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Written by
Sylvia Plath |
Out here there are no hearthstones,
Hot grains, simply. It is dry, dry.
And the air dangerous. Noonday acts queerly
On the mind's eye erecting a line
Of poplars in the middle distance, the only
Object beside the mad, straight road
One can remember men and houses by.
A cool wind should inhabit these leaves
And a dew collect on them, dearer than money,
In the blue hour before sunup.
Yet they recede, untouchable as tomorrow,
Or those glittery fictions of spilt water
That glide ahead of the very thirsty.
I think of the lizards airing their tongues
In the crevice of an extremely small shadow
And the toad guarding his heart's droplet.
The desert is white as a blind man's eye,
Comfortless as salt. Snake and bird
Doze behind the old maskss of fury.
We swelter like firedogs in the wind.
The sun puts its cinder out. Where we lie
The heat-cracked crickets congregate
In their black armorplate and cry.
The day-moon lights up like a sorry mother,
And the crickets come creeping into our hair
To fiddle the short night away.
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