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Best Famous Craning Poems

Here is a collection of the all-time best famous Craning poems. This is a select list of the best famous Craning poetry. Reading, writing, and enjoying famous Craning poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of craning poems.

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Written by Elizabeth Bishop | Create an image from this poem

The Moose

 From narrow provinces
of fish and bread and tea,
home of the long tides
where the bay leaves the sea
twice a day and takes
the herrings long rides,

where if the river
enters or retreats 
in a wall of brown foam
depends on if it meets
the bay coming in,
the bay not at home;

where, silted red,
sometimes the sun sets
facing a red sea,
and others, veins the flats'
lavender, rich mud
in burning rivulets;

on red, gravelly roads,
down rows of sugar maples,
past clapboard farmhouses
and neat, clapboard churches,
bleached, ridged as clamshells,
past twin silver birches,

through late afternoon
a bus journeys west,
the windshield flashing pink,
pink glancing off of metal,
brushing the dented flank
of blue, beat-up enamel;

down hollows, up rises,
and waits, patient, while
a lone traveller gives
kisses and embraces
to seven relatives
and a collie supervises.

Goodbye to the elms,
to the farm, to the dog.
The bus starts. The light
grows richer; the fog,
shifting, salty, thin,
comes closing in.

Its cold, round crystals
form and slide and settle
in the white hens' feathers,
in gray glazed cabbages,
on the cabbage roses
and lupins like apostles;

the sweet peas cling
to their wet white string
on the whitewashed fences;
bumblebees creep
inside the foxgloves,
and evening commences.

One stop at Bass River.
Then the Economies 
Lower, Middle, Upper;
Five Islands, Five Houses,
where a woman shakes a tablecloth
out after supper.

A pale flickering. Gone.
The Tantramar marshes 
and the smell of salt hay.
An iron bridge trembles 
and a loose plank rattles
but doesn't give way.

On the left, a red light
swims through the dark:
a ship's port lantern.
Two rubber boots show,
illuminated, solemn.
A dog gives one bark.

A woman climbs in 
with two market bags,
brisk, freckled, elderly.
"A grand night. Yes, sir,
all the way to Boston."
She regards us amicably.

Moonlight as we enter 
the New Brunswick woods,
hairy, scratchy, splintery;
moonlight and mist
caught in them like lamb's wool
on bushes in a pasture.

The passengers lie back.
Snores. Some long sighs.
A dreamy divagation
begins in the night,
a gentle, auditory,
slow hallucination. . . .

In the creakings and noises,
an old conversation
--not concerning us,
but recognizable, somewhere,
back in the bus:
Grandparents' voices

uninterruptedly
talking, in Eternity:
names being mentioned,
things cleared up finally;
what he said, what she said,
who got pensioned;

deaths, deaths and sicknesses;
the year he remarried;
the year (something) happened.
She died in childbirth.
That was the son lost
when the schooner foundered.

He took to drink. Yes.
She went to the bad.
When Amos began to pray
even in the store and
finally the family had
to put him away.

"Yes . . ." that peculiar
affirmative. "Yes . . ."
A sharp, indrawn breath,
half groan, half acceptance,
that means "Life's like that.
We know it (also death)."

Talking the way they talked 
in the old featherbed,
peacefully, on and on,
dim lamplight in the hall,
down in the kitchen, the dog
tucked in her shawl.

Now, it's all right now
even to fall asleep
just as on all those nights.
--Suddenly the bus driver
stops with a jolt,
turns off his lights.

A moose has come out of 
the impenetrable wood
and stands there, looms, rather,
in the middle of the road.
It approaches; it sniffs at
the bus's hot hood.

Towering, antlerless,
high as a church,
homely as a house
(or, safe as houses).
A man's voice assures us
"Perfectly harmless. . . ."

Some of the passengers
exclaim in whispers,
childishly, softly,
"Sure are big creatures."
"It's awful plain."
"Look! It's a she!"

Taking her time,
she looks the bus over,
grand, otherworldly.
Why, why do we feel
(we all feel) this sweet
sensation of joy?

"Curious creatures,"
says our quiet driver,
rolling his r's.
"Look at that, would you."
Then he shifts gears.
For a moment longer,

by craning backward,
the moose can be seen
on the moonlit macadam;
then there's a dim
smell of moose, an acrid
smell of gasoline.


Written by Siegfried Sassoon | Create an image from this poem

A Working Party

 Three hours ago he blundered up the trench, 
Sliding and poising, groping with his boots; 
Sometimes he tripped and lurched against the walls 
With hands that pawed the sodden bags of chalk. 
He couldn't see the man who walked in front; 
Only he heard the drum and rattle of feet 
Stepping along barred trench boards, often splashing 
Wretchedly where the sludge was ankle-deep.

Voices would grunt `Keep to your right -- make way!' 
When squeezing past some men from the front-line: 
White faces peered, puffing a point of red; 
Candles and braziers glinted through the chinks 
And curtain-flaps of dug-outs; then the gloom 
Swallowed his sense of sight; he stooped and swore 
Because a sagging wire had caught his neck.

A flare went up; the shining whiteness spread 
And flickered upward, showing nimble rats 
And mounds of glimmering sand-bags, bleached with rain; 
Then the slow silver moment died in dark. 
The wind came posting by with chilly gusts 
And buffeting at the corners, piping thin. 
And dreary through the crannies; rifle-shots 
Would split and crack and sing along the night, 
And shells came calmly through the drizzling air 
To burst with hollow bang below the hill.

Three hours ago, he stumbled up the trench; 
Now he will never walk that road again: 
He must be carried back, a jolting lump 
Beyond all needs of tenderness and care.

He was a young man with a meagre wife 
And two small children in a Midland town, 
He showed their photographs to all his mates, 
And they considered him a decent chap 
Who did his work and hadn't much to say, 
And always laughed at other people's jokes 
Because he hadn't any of his own.

That night when he was busy at his job 
Of piling bags along the parapet, 
He thought how slow time went, stamping his feet 
And blowing on his fingers, pinched with cold. 
He thought of getting back by half-past twelve, 
And tot of rum to send him warm to sleep 
In draughty dug-out frowsty with the fumes 
Of coke, and full of snoring weary men.

He pushed another bag along the top, 
Craning his body outward; then a flare 
Gave one white glimpse of No Man's Land and wire; 
And as he dropped his head the instant split 
His startled life with lead, and all went out.
Written by Siegfried Sassoon | Create an image from this poem

The Working Party

 Three hours ago he blundered up the trench, 
Sliding and poising, groping with his boots; 
Sometimes he tripped and lurched against the walls 
With hands that pawed the sodden bags of chalk. 
He couldn't see the man who walked in front; 
Only he heard the drum and rattle of feet 
Stepping along barred trench boards, often splashing 
Wretchedly where the sludge was ankle-deep.

Voices would grunt `Keep to your right -- make way!' 
When squeezing past some men from the front-line: 
White faces peered, puffing a point of red; 
Candles and braziers glinted through the chinks 
And curtain-flaps of dug-outs; then the gloom 
Swallowed his sense of sight; he stooped and swore 
Because a sagging wire had caught his neck.

A flare went up; the shining whiteness spread 
And flickered upward, showing nimble rats 
And mounds of glimmering sand-bags, bleached with rain; 
Then the slow silver moment died in dark. 
The wind came posting by with chilly gusts 
And buffeting at the corners, piping thin. 
And dreary through the crannies; rifle-shots 
Would split and crack and sing along the night, 
And shells came calmly through the drizzling air 
To burst with hollow bang below the hill.

Three hours ago, he stumbled up the trench; 
Now he will never walk that road again: 
He must be carried back, a jolting lump 
Beyond all needs of tenderness and care.

He was a young man with a meagre wife 
And two small children in a Midland town, 
He showed their photographs to all his mates, 
And they considered him a decent chap 
Who did his work and hadn't much to say, 
And always laughed at other people's jokes 
Because he hadn't any of his own.

That night when he was busy at his job 
Of piling bags along the parapet, 
He thought how slow time went, stamping his feet 
And blowing on his fingers, pinched with cold. 
He thought of getting back by half-past twelve, 
And tot of rum to send him warm to sleep 
In draughty dug-out frowsty with the fumes 
Of coke, and full of snoring weary men.

He pushed another bag along the top, 
Craning his body outward; then a flare 
Gave one white glimpse of No Man's Land and wire; 
And as he dropped his head the instant split 
His startled life with lead, and all went out.

Book: Radiant Verses: A Journey Through Inspiring Poetry