Written by
John Williams |
In every presence there is absence.
When we're together, the spaces between
Threaten to enclose our bodies
And isolate our spirits.
The mirror reflects what we are not,
And we wonder if our mate
Suspects a fatal misreading
Of our original text,
Not to mention the dreaded subtext.
Reality, we fear, mocks appearance.
Or is trapped in a hall of mirrors
Where infinite regress prevents
A grateful egress.
That is,
We can never know the meaning
Of being two-in-one,
Or if we are one-in-two.
What-I-Am is grieved at What-I'm-Not.
What-We-Should-Be is numbed by What-We-Are.
Yes, I'm playing word games
With the idea of marriage,
Musing over how even we can
Secularize Holy wedlock.
Or to figure it another way,
To wonder why two televisions
In the same house seem natural symbols
Of the family in decline.
Yet you are present to me now.
I sense you keenly, at work,
Bending red in face to reach
A last defiant spot of yellow
On those horrific kitchen cabinets.
Your honey hair flecked with paint;
Your large soft hidden breasts
Pushing down against your shirt.
The hemispheres of those buttocks
Curving into uncompromising hips.
To embrace you would be to take hold
Of my life in all its substance.
Without romance, I say that if
I were to deconstruct myself
And fling the pieces at random,
They would compose themselves
Into your shape.
But I guess that is romantic,
The old mystification-
Cramming two bodies
Into a single space.
Amen!
Our separation has taught me
That, dwelling in mind,
The corporeality
Of mates has spiritual mass
Which may be formulated:
Memory times desire over distance
Yields a bodying forth.
Thus I project into the
Deadly space between us
A corposant,Pulsating a language
That will cleave to you
In the coolness of sleep
With insubstantiality
So fierce as to leave its dampness
On the morning sheets,
Or so gentle
As to fan your brow
While you paint the kitchen.
A body like a breath,
Whispering the axiom
By which all religions are blessed:
In every absence there is presence.
Bene
Bene
Benedictus.
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Written by
Thomas Moore |
How can you, my Lord, thus delight to torment all
The Peers of realm about cheapening their corn,
When you know, if one hasn't a very high rental,
'Tis hardly worth while being very high born?
Why bore them so rudely, each night of your life,
On a question, my Lord, there's so much to abhor in?
A question - like asking one, "How is your wife?" --
At once so confounded domestic and foreign.
As to weavers, no matter how poorly they feast;
But Peers, and such animals, fed up for show,
(Like the well-physick'd elephant, lately deceas'd,)
Take wonderful quantum of cramming, you know.
You might see, my dear Baron, how bor'd and distrest
Were their high noble hearts by your merciless tale,
When the force of the agony wrung even a jest
From the frugal Scotch wit of my Lord L-d-d-le!
Bright Peer! to whom Nature and Berwickshire gave
A humour, endow'd with effects so provoking,
That, when the whole House looks unusually grave,
You may always conclude that Lord L-d-d-le's joking!
And then, those unfortunate weavers of Perth -
Not to know the vast difference Providence dooms
Between weavers of Perth and Peers of high birth,
'Twixt those who have heir-looms, and those who've but looms!
"To talk now of starving!" - as great Ath-l said --
(and nobles all cheer'd, and the bishops all wonder'd,)
"When, some years ago, he and others had fed
Of these same hungry devils about fifteen hundred!"
It follows from hence - and the Duke's very words
Should be publish'd wherever poor rogues of this craft are --
That weavers,once rescued from starving by Lords,
Are bound to be starved by said Lords ever after.
When Rome was uproarious, her knowing patricians
Made "Bread and the Circus" a cure for each row;
But not so the plan of our noble physicians,
"No Bread and the Tread-mill" 's the regimen now.
So cease, my dear Baron of Ockham, your prose,
As I shall my poetry -- neither convinces;
And all we have spoken and written but show,
When you tread on a nobleman's corn, how he winces.
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Written by
Carl Sandburg |
HOW many feet ran with sunlight, water, and air?
What little devils shaken of laughter, cramming their little ribs with chuckles,
Fixed this lone red tulip, a woman’s mouth of passion kisses, a nun’s mouth of sweet thinking, here topping a straight line of green, a pillar stem?
Who hurled this bomb of red caresses?—nodding balloon-film shooting its wireless every fraction of a second these June days:
Love me before I die;
Love me—love me now.
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