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Best Famous Crackled Poems

Here is a collection of the all-time best famous Crackled poems. This is a select list of the best famous Crackled poetry. Reading, writing, and enjoying famous Crackled poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of crackled poems.

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Written by Francis Thompson | Create an image from this poem

The Hound of Heaven

 I fled Him down the nights and down the days
I fled Him down the arches of the years
I fled Him down the labyrinthine ways
Of my own mind, and in the midst of tears
I hid from him, and under running laughter.
Up vistaed hopes I sped and shot precipitated
Adown titanic glooms of chasme d hears
From those strong feet that followed, followed after
But with unhurrying chase and unperturbe d pace,
Deliberate speed, majestic instancy,
They beat, and a Voice beat,
More instant than the feet:
All things betray thee who betrayest me.

I pleaded, outlaw--wise by many a hearted casement,
curtained red, trellised with inter-twining charities,
For though I knew His love who followe d,
Yet was I sore adread, lest having Him,
I should have nought beside.
But if one little casement parted wide,
The gust of his approach would clash it to.
Fear wist not to evade as Love wist to pursue.
Across the margent of the world I fled,
And troubled the gold gateways of the stars,
Smiting for shelter on their clange d bars,
Fretted to dulcet jars and silvern chatter
The pale ports of the moon.

I said to Dawn --- be sudden, to Eve --- be soon,
With thy young skiey blossoms heap me over
From this tremendous Lover.
Float thy vague veil about me lest He see.
I tempted all His servitors but to find
My own betrayal in their constancy,
In faith to Him, their fickleness to me,
Their traitorous trueness and their loyal deceit.
To all swift things for swiftness did I sue,
Clung to the whistling mane of every wind,
But whether they swept, smoothly fleet,
The long savannahs of the blue,
Or whether, thunder-driven,
They clanged His chariot thwart a heaven,
Plashy with flying lightnings round the spurn of their feet,
Fear wist not to evade as Love wist to pursue.
Still with unhurrying chase and unperturbed pace
Deliberate speed, majestic instancy,
Came on the following feet, and a Voice above their beat:
Nought shelters thee who wilt not shelter Me.

I sought no more that after which I strayed
In face of Man or Maid.
But still within the little childrens' eyes
Seems something, something that replies,
They at least are for me, surely for me.
But just as their young eyes grew sudden fair,
With dawning answers there,
Their angel plucked them from me by the hair.
Come then, ye other children, Nature's
Share with me, said I, your delicate fellowship.
Let me greet you lip to lip,
Let me twine with you caresses,
Wantoning with our Lady Mother's vagrant tresses,
Banqueting with her in her wind walled palace,
Underneath her azured dai:s,
Quaffing, as your taintless way is,
From a chalice, lucent weeping out of the dayspring.

So it was done.
I in their delicate fellowship was one.
Drew the bolt of Nature's secrecies,
I knew all the swift importings on the wilful face of skies,
I knew how the clouds arise,
Spume d of the wild sea-snortings.
All that's born or dies,
Rose and drooped with,
Made them shapers of mine own moods, or wailful, or Divine.
With them joyed and was bereaven.
I was heavy with the Even,
when she lit her glimmering tapers round the day's dead sanctities.
I laughed in the morning's eyes.
I triumphed and I saddened with all weather,
Heaven and I wept together,
and its sweet tears were salt with mortal mine.
Against the red throb of its sunset heart,
I laid my own to beat
And share commingling heat.

But not by that, by that was eased my human smart.
In vain my tears were wet on Heaven's grey cheek.
For ah! we know what each other says,
these things and I; In sound I speak,
Their sound is but their stir, they speak by silences.
Nature, poor step-dame, cannot slake my drouth.
Let her, if she would owe me
Drop yon blue-bosomed veil of sky
And show me the breasts o' her tenderness.
Never did any milk of hers once bless my thirsting mouth.
Nigh and nigh draws the chase, with unperturbe d pace
Deliberate speed, majestic instancy,
And past those noise d feet, a Voice comes yet more fleet:
Lo, nought contentst thee who content'st nought Me.

Naked, I wait thy Love's uplifted stroke. My harness, piece by piece,
thou'st hewn from me
And smitten me to my knee,
I am defenceless, utterly.
I slept methinks, and awoke.
And slowly gazing, find me stripped in sleep.
In the rash lustihead of my young powers,
I shook the pillaring hours,
and pulled my life upon me.
Grimed with smears,
I stand amidst the dust o' the mounded years--
My mangled youth lies dead beneath the heap.
My days have crackled and gone up in smoke,
Have puffed and burst like sunstarts on a stream.
Yeah, faileth now even dream the dreamer
and the lute, the lutanist.
Even the linked fantasies in whose blossomy twist,
I swung the Earth, a trinket at my wrist,
Have yielded, cords of all too weak account,
For Earth, with heavy grief so overplussed.
Ah! is thy Love indeed a weed,
albeit an Amaranthine weed,
Suffering no flowers except its own to mount?
Ah! must, Designer Infinite,
Ah! must thou char the wood 'ere thou canst limn with it ?
My freshness spent its wavering shower i' the dust.
And now my heart is as a broken fount,
Wherein tear-drippings stagnate, spilt down ever
From the dank thoughts that shiver upon the sighful branches of my
mind.

Such is. What is to be ?
The pulp so bitter, how shall taste the rind ?
I dimly guess what Time in mists confounds,
Yet ever and anon, a trumpet sounds
From the hid battlements of Eternity.
Those shaken mists a space unsettle,
Then round the half-glimpse d turrets, slowly wash again.
But not 'ere Him who summoneth
I first have seen, enwound
With glooming robes purpureal; Cypress crowned.
His name I know, and what his trumpet saith.
Whether Man's Heart or Life it be that yield thee harvest,
Must thy harvest fields be dunged with rotten death ?

Now of that long pursuit,
Comes at hand the bruit.
That Voice is round me like a bursting Sea:
And is thy Earth so marred,
Shattered in shard on shard?
Lo, all things fly thee, for thou fliest me.
Strange, piteous, futile thing;
Wherefore should any set thee love apart?
Seeing none but I makes much of Naught (He said).
And human love needs human meriting ---
How hast thou merited,
Of all Man's clotted clay, the dingiest clot.
Alack! Thou knowest not
How little worthy of any love thou art.
Whom wilt thou find to love ignoble thee,
Save me, save only me?
All which I took from thee, I did'st but take,
Not for thy harms,
But just that thou might'st seek it in my arms.
All which thy childs mistake fancies as lost,
I have stored for thee at Home.
Rise, clasp my hand, and come.
Halts by me that Footfall.
Is my gloom, after all,
Shade of His hand, outstretched caressingly?
Ah, Fondest, Blindest, Weakest,
I am He whom thou seekest.
Thou dravest Love from thee who dravest Me.


Written by Delmore Schwartz | Create an image from this poem

A Dream Of Whitman Paraphrased Recognized And Made More Vivid By Renoir

 Twenty-eight naked young women bathed by the shore
Or near the bank of a woodland lake
Twenty-eight girls and all of them comely
Worthy of Mack Sennett's camera and Florenz Ziegfield's
Foolish Follies.

They splashed and swam with the wondrous unconsciousness
Of their youth and beauty
In the full spontaneity and summer of the fieshes of
 awareness
Heightened, intensified and softened
By the soft and the silk of the waters
Blooded made ready by the energy set afire by the
 nakedness of the body,

Electrified: deified: undenied.

A young man of thirty years beholds them from a distance.
He lives in the dungeon of ten million dollars.
He is rich, handsome and empty standing behind the linen curtains
Beholding them.
Which girl does he think most desirable, most beautiful?
They are all equally beautiful and desirable from the gold distance.
For if poverty darkens discrimination and makes
perception too vivid,
The gold of wealth is also a form of blindness.
For has not a Frenchman said, Although this is America...

What he has said is not entirely relevant,
That a naked woman is a proof of the existence of God.

Where is he going?
Is he going to be among them to splash and to laugh with them?
They did not see him although he saw them and was there among them.
He saw them as he would not have seen them had they been conscious
Of him or conscious of men in complete depravation:
This is his enchantment and impoverishment
As he possesses them in gaze only.

. . .He felt the wood secrecy, he knew the June softness
The warmth surrounding him crackled
Held in by the mansard roof mansion
He glimpsed the shadowy light on last year's brittle leaves fallen,
Looked over and overlooked, glimpsed by the fall of death,
Winter's mourning and the May's renewal.
Written by Robinson Jeffers | Create an image from this poem

The Purse-Seine

 Our sardine fishermen work at night in the dark
 of the moon; daylight or moonlight
They could not tell where to spread the net, 
 unable to see the phosphorescence of the 
 shoals of fish.
They work northward from Monterey, coasting 
 Santa Cruz; off New Year's Point or off 
 Pigeon Point
The look-out man will see some lakes of milk-color 
 light on the sea's night-purple; he points, 
 and the helmsman
Turns the dark prow, the motorboat circles the 
 gleaming shoal and drifts out her seine-net. 
 They close the circle
And purse the bottom of the net, then with great 
 labor haul it in.

 I cannot tell you
How beautiful the scene is, and a little terrible, 
 then, when the crowded fish
Know they are caught, and wildly beat from one wall 
 to the other of their closing destiny the 
 phosphorescent
Water to a pool of flame, each beautiful slender body 
 sheeted with flame, like a live rocket
A comet's tail wake of clear yellow flame; while outside 
 the narrowing
Floats and cordage of the net great sea-lions come up 
 to watch, sighing in the dark; the vast walls 
 of night
Stand erect to the stars.

 Lately I was looking from a night mountain-top
On a wide city, the colored splendor, galaxies of light: 
 how could I help but recall the seine-net
Gathering the luminous fish? I cannot tell you how 
 beautiful the city appeared, and a little terrible.
I thought, We have geared the machines and locked all together 
 into inter-dependence; we have built the great cities; now
There is no escape. We have gathered vast populations incapable 
 of free survival, insulated
From the strong earth, each person in himself helpless, on all 
 dependent. The circle is closed, and the net
Is being hauled in. They hardly feel the cords drawing, yet 
 they shine already. The inevitable mass-disasters
Will not come in our time nor in our children's, but we 
 and our children
Must watch the net draw narrower, government take all 
 powers--or revolution, and the new government
Take more than all, add to kept bodies kept souls--or anarchy, 
 the mass-disasters.
 These things are Progress;
Do you marvel our verse is troubled or frowning, while it keeps 
 its reason? Or it lets go, lets the mood flow
In the manner of the recent young men into mere hysteria, 
 splintered gleams, crackled laughter. But they are 
 quite wrong.
There is no reason for amazement: surely one always knew 
 that cultures decay, and life's end is death.
Written by Alec Derwent (A D) Hope | Create an image from this poem

Conquistador

 I sing of the decline of Henry Clay 
Who loved a white girl of uncommon size. 
Although a small man in a little way, 
He had in him some seed of enterprise. 

Each day he caught the seven-thirty train 
To work, watered his garden after tea, 
Took an umbrella if it looked like rain A 
nd was remarkably like you or me. 

He had his hair cut once a fortnight, tried 
Not to forget the birthday of his wife, 
And might have lived unnoticed till he died 
Had not ambition entered Henry's life. 

He met her in the lounge of an hotel - 
A most unusual place for him to go - 
But there he was and there she was as well 
Sitting alone. He ordered beers for two. 

She was so large a girl that when they came 
He gave the waiter twice the usual tip. 
She smiled without surprise, told him her name, 
And as the name trembled on Henry's lip, 

His parched soul, swelling like a desert root, 
Broke out its delicate dream upon the air; 
The mountains shook with earthquake under foot; 
An angel seized him suddenly by the hair; 

The sky was shrill with peril as he passed; 
A hurricane crushed his senses with its din; 
The wildfire crackled up his reeling mast; 
The trumpet of a maelstrom sucked hirn in; 

The desert shrivelled and burnt off his feet; 
His bones and buttons an enormous snake 
Vomited up; still in the shimmering heat 
The pygmies showed him their forbidden lake 

And then transfixed him with their poison darts; 
He married six black virgins in a bunch, 
Who, when they had drawn out his manly parts, 
Stewed him and ate him lovingly for lunch. 

Adventure opened wide its grisly jaws; 
Henry looked in and knew the Hero's doom. 
The huge white girl drank on without a pause 
And, just at closing time, she asked him home. 

The tram they took was full of Roaring Boys 
Announcing the world's ruin and Judgment Day; 
The sky blared with its grand orchestral voice 
The Gotterdammerung of Henry Clay. 

But in her quiet room they were alone. 
There, towering over Henry by a head, 
She stood and took her clothes off one by one, 
And then she stretched herself upon the bed. 

Her bulk of beauty, her stupendous grace 
Challenged the lion heart in his puny dust. 
Proudly his Moment looked him in the face: 
He rose to meet it as a hero must; 

Climbed the white mountain of unravished snow, 
Planted his tiny flag upon the peak. 
The smooth drifts, scarcely breathing, lay below. 
She did not take the trouble to smile or speak. 

And afterwards, it may have been in play, 
The enormous girl rolled over and squashed him flat; 
And, as she could not send him home that way, 
Used him thereafter as a bedside mat. 

Speaking at large, I will say this of her: S 
he did not spare expense to make him nice. 
Tanned on both sides and neatly edged with fur, 
The job would have been cheap at any price. 

And when, in winter, getting out of bed, 
Her large soft feet pressed warmly on the skin, 
The two glass eyes would sparkle in his head, 
The jaws extend their papier-mache grin. 

Good people, for the soul of Henry Clay 
Offer your prayers, and view his destiny! 
He was the Hero of our Time. He may 
With any luck, one day, be you or me.
Written by Adam Lindsay Gordon | Create an image from this poem

The Sick Stockrider

 Hold hard, Ned! Lift me down once more, and lay me in the shade. 
Old man, you've had your work cut out to guide 
Both horses, and to hold me in the saddle when I swayed, 
All through the hot, slow, sleepy, silent ride. 
The dawn at "Moorabinda" was a mist rack dull and dense, 
The sun-rise was a sullen, sluggish lamp; 
I was dozing in the gateway at Arbuthnot's bound'ry fence, 
I was dreaming on the Limestone cattle camp. 
We crossed the creek at Carricksford, and sharply through the haze, 
And suddenly the sun shot flaming forth; 
To southward lay "Katawa", with the sand peaks all ablaze, 
And the flushed fields of Glen Lomond lay to north. 
Now westward winds the bridle-path that leads to Lindisfarm, 
And yonder looms the double-headed Bluff; 
From the far side of the first hill, when the skies are clear and calm, 
You can see Sylvester's woolshed fair enough. 
Five miles we used to call it from our homestead to the place 
Where the big tree spans the roadway like an arch; 
'Twas here we ran the dingo down that gave us such a chase 
Eight years ago -- or was it nine? -- last March. 
'Twas merry in the glowing morn among the gleaming grass, 
To wander as we've wandered many a mile, 
And blow the cool tobacco cloud, and watch the white wreaths pass, 
Sitting loosely in the saddle all the while. 
'Twas merry 'mid the blackwoods, when we spied the station roofs, 
To wheel the wild scrub cattle at the yard, 
With a running fire of stock whips and a fiery run of hoofs; 
Oh! the hardest day was never then too hard! 
Aye! we had a glorious gallop after "Starlight" and his gang, 
When they bolted from Sylvester's on the flat; 
How the sun-dried reed-beds crackled, how the flint-strewn ranges rang, 
To the strokes of "Mountaineer" and "Acrobat". 
Hard behind them in the timber, harder still across the heath, 
Close beside them through the tea-tree scrub we dash'd; 
And the golden-tinted fern leaves, how they rustled underneath; 
And the honeysuckle osiers, how they crash'd! 
We led the hunt throughout, Ned, on the chestnut and the grey, 
And the troopers were three hundred yards behind, 
While we emptied our six-shooters on the bushrangers at bay, 
In the creek with stunted box-trees for a blind! 
There you grappled with the leader, man to man, and horse to horse, 
And you roll'd together when the chestnut rear'd; 
He blazed away and missed you in that shallow water-course -- 
A narrow shave -- his powder singed your beard! 

In these hours when life is ebbing, how those days when life was young 
Come back to us; how clearly I recall 
Even the yarns Jack Hall invented, and the songs Jem Roper sung; 
And where are now Jem Roper and Jack Hall? 
Ay! nearly all our comrades of the old colonial school, 
Our ancient boon companions, Ned, are gone; 
Hard livers for the most part, somewhat reckless as a rule, 
It seems that you and I are left alone. 
There was Hughes, who got in trouble through that business with the cards, 
It matters little what became of him; 
But a steer ripp'd up Macpherson in the Cooraminta yards, 
And Sullivan was drown'd at Sink-or-swim; 
And Mostyn -- poor Frank Mostyn -- died at last, a fearful wreck, 
In the "horrors" at the Upper Wandinong, 
And Carisbrooke, the rider, at the Horsefall broke his neck; 
Faith! the wonder was he saved his neck so long! 

Ah! those days and nights we squandered at the Logans' in the glen -- 
The Logans, man and wife, have long been dead. 
Elsie's tallest girl seems taller than your little Elsie then; 
And Ethel is a woman grown and wed. 

I've had my share of pastime, and I've done my share of toil, 
And life is short -- the longest life a span; 
I care not now to tarry for the corn or for the oil, 
Or for wine that maketh glad the heart of man. 
For good undone, and gifts misspent, and resolutions vain, 
'Tis somewhat late to trouble. This I know -- 
I should live the same life over, if I had to live again; 
And the chances are I go where most men go. 

The deep blue skies wax dusky, and the tall green trees grow dim, 
The sward beneath me seems to heave and fall; 
And sickly, smoky shadows through the sleepy sunlight swim, 
And on the very sun's face weave their pall. 
Let me slumber in the hollow where the wattle blossoms wave, 
With never stone or rail to fence my bed; 
Should the sturdy station children pull the bush-flowers on my grave, 
I may chance to hear them romping overhead. 

I don't suppose I shall though, for I feel like sleeping sound, 
That sleep, they say, is doubtful. True; but yet 
At least it makes no difference to the dead man underground 
What the living men remember or forget. 
Enigmas that perplex us in the world's unequal strife, 
The future may ignore or may reveal; 
Yet some, as weak as water, Ned, to make the best of life, 
Have been to face the worst as true as steel.


Written by Henry Lawson | Create an image from this poem

The Fire At Rosss Farm

 The squatter saw his pastures wide 
Decrease, as one by one 
The farmers moving to the west 
Selected on his run; 
Selectors took the water up 
And all the black soil round; 
The best grass-land the squatter had 
Was spoilt by Ross's Ground. 

Now many schemes to shift old Ross 
Had racked the squatter's brains, 
But Sandy had the stubborn blood 
Of Scotland in his veins; 
He held the land and fenced it in, 
He cleared and ploughed the soil, 
And year by year a richer crop 
Repaid him for his toil. 

Between the homes for many years 
The devil left his tracks: 
The squatter pounded Ross's stock, 
And Sandy pounded Black's. 
A well upon the lower run 
Was filled with earth and logs, 
And Black laid baits about the farm 
To poison Ross's dogs. 

It was, indeed, a deadly feud 
Of class and creed and race; 
But, yet, there was a Romeo 
And a Juliet in the case; 
And more than once across the flats, 
Beneath the Southern Cross, 
Young Robert Black was seen to ride 
With pretty Jenny Ross. 

One Christmas time, when months of drought 
Had parched the western creeks, 
The bush-fires started in the north 
And travelled south for weeks. 
At night along the river-side 
The scene was grand and strange -- 
The hill-fires looked like lighted streets 
Of cities in the range. 

The cattle-tracks between the trees 
Were like long dusky aisles, 
And on a sudden breeze the fire 
Would sweep along for miles; 
Like sounds of distant musketry 
It crackled through the brakes, 
And o'er the flat of silver grass 
It hissed like angry snakes. 

It leapt across the flowing streams 
And raced o'er pastures broad; 
It climbed the trees and lit the boughs 
And through the scrubs it roared. 
The bees fell stifled in the smoke 
Or perished in their hives, 
And with the stock the kangaroos 
Went flying for their lives. 

The sun had set on Christmas Eve, 
When, through the scrub-lands wide, 
Young Robert Black came riding home 
As only natives ride. 
He galloped to the homestead door 
And gave the first alarm: 
`The fire is past the granite spur, 
`And close to Ross's farm.' 

`Now, father, send the men at once, 
They won't be wanted here; 
Poor Ross's wheat is all he has 
To pull him through the year.' 
`Then let it burn,' the squatter said; 
`I'd like to see it done -- 
I'd bless the fire if it would clear 
Selectors from the run. 

`Go if you will,' the squatter said, 
`You shall not take the men -- 
Go out and join your precious friends, 
And don't come here again.' 
`I won't come back,' young Robert cried, 
And, reckless in his ire, 
He sharply turned his horse's head 
And galloped towards the fire. 

And there, for three long weary hours, 
Half-blind with smoke and heat, 
Old Ross and Robert fought the flames 
That neared the ripened wheat. 
The farmer's hand was nerved by fears 
Of danger and of loss; 
And Robert fought the stubborn foe 
For the love of Jenny Ross. 

But serpent-like the curves and lines 
Slipped past them, and between, 
Until they reached the bound'ry where 
The old coach-road had been. 
`The track is now our only hope, 
There we must stand,' cried Ross, 
`For nought on earth can stop the fire 
If once it gets across.' 

Then came a cruel gust of wind, 
And, with a fiendish rush, 
The flames leapt o'er the narrow path 
And lit the fence of brush. 
`The crop must burn!' the farmer cried, 
`We cannot save it now,' 
And down upon the blackened ground 
He dashed the ragged bough. 

But wildly, in a rush of hope, 
His heart began to beat, 
For o'er the crackling fire he heard 
The sound of horses' feet. 
`Here's help at last,' young Robert cried, 
And even as he spoke 
The squatter with a dozen men 
Came racing through the smoke. 

Down on the ground the stockmen jumped 
And bared each brawny arm, 
They tore green branches from the trees 
And fought for Ross's farm; 
And when before the gallant band 
The beaten flames gave way, 
Two grimy hands in friendship joined -- 
And it was Christmas Day.
Written by Barry Tebb | Create an image from this poem

Bridge Over The Aire Book 6

 THE WALK TO THE PARADISE GARDENS



1



Bonfire Night beckoned us to the bridge

By Saint Hilda’s where we started down

Knostrop to chump but I trailed behind

With Margaret when it was late September

The song of summer ceased and fires in

Blackleaded grates began and we were

Hidden from the others by the bridge’s span.

2



When you bent I saw the buds of your breasts

As you meant and I laughed at your craft when

You blushed and denied and finally cried

But there was a smile in your eyes.





3



It was the season of yo-yo’s in yellow or

Pink or pillar-box red and you spooled out

The thread as only you could and it dipped

And rose like a dancer.





4



The paddock by the tusky sheds was cropped

And polished by the horses’ hooves, their

Nostrils flared and they bared their teeth

As we passed and tossed their manes as we

Shied from the rusty fence where peg-legged

We jumped the cracks and pulled away each

Dandelion head, “Pee-the-bed! Pee-the bed!”

Rubbing the yellow dust into each other’s

Cheeks and chins as we kissed.





5



The bluebells had died and on the other side

The nettle beds were filled with broken branches

White as bone, clouds were tags of wool, the

Night sky magenta sands with bands of gold

And bright stars beckoned and burned like

Ragged robins in a ditch and rich magnolias

In East End Park.





6



I am alone in the dark

Remembering Bonfire Night

Of nineteen-fifty four

When it was early dusk

Your hair was gold

As angels’ wings.





7



From the binyard in the backstreet we brought

The dry stored branches, broken staves under

The taunting stars and we have never left

That night or that place on the Hollows

The fire we built has never gone out and

The light in your eyes is bright:

We took the road by the river with a star

Map and dream sacks on our backs.



8



The Hollows stretched into darkness

The fire burned in the frost, sparks

Crackled and jumped and floated

Stars into the invisible night and

The log glowed red and the fire we

Fed has never died.







9



The catherine-wheel pinned to the palings

Hissed and spun as we ran passed the railings

Rattling our sticks until the stars had beat retreat.





10



From the night comes a figure

Into the firelight: Margaret Gardiner

My first, my only love, the violet pools

Of your eyes, your voice still calling,

“I am here, I am waiting.”





11



Where the road turns

Past St Hilda’s

Down Knostrop

By the Black Road

By the Red Road

Interminable blue

And I remember you,

Margaret, in your

Mauve blazer standing

By the river, your

Worn-out flower patterned

Frock and black

Laceless runners





12



Into the brewer’s yard

Stumbled the drayhorses

Armoured in leather

And clashing brass

Strident as Belshazzar’s

Feast, rich as yeast

On Auntie Nellie’s

Baking board, barrels

Banked on barrels

From the cooper’s yard.





13



Margaret, are you listening?

Are your eyes still distant

And dreaming? Can you hear

My voice in Eden?

My poems are all for you

The one who never knew

Silent and most generous

Muse, eternal primavera

Under the streetlamps

Of Leeds Nine.





14



Margaret, hold my hand

As we set out into the

Land of summers lost

A day-time ghost surrenders

At the top of the steps

To the Aire where we

Looked over the Hollows

Misted with memory and

Images of summer.

We are standing on the corner of Falmouth Place

We are standing by the steps to the Aire

We are standing outside the Maypole

Falling into Eden.





15



Falling into Eden is just a beginning

Hoardings on the gable ends for household

Soap, washing is out on the lines

Falmouth Street full of children playing,

Patrick Keown, Keith Ibbotson, the Flaherty

Twins spilling over the pavements, holding

A skipping rope, whirling and twirling;

Margaret you never missed a turn

While I could never make one, out before I began.
Written by Stephen Vincent Benet | Create an image from this poem

Colors

 (For D. M. C.) 

The little man with the vague beard and guise 
Pulled at the wicket. "Come inside!" he said, 
"I'll show you all we've got now -- it was size 
You wanted? -- oh, dry colors! Well" -- he led 
To a dim alley lined with musty bins, 
And pulled one fiercely. Violent and bold 
A sudden tempest of mad, shrieking sins 
Scarlet screamed out above the battered gold 
Of tins and picture-frames. I held my breath. 
He tugged another hard -- and sapphire skies 
Spread in vast quietude, serene as death, 
O'er waves like crackled turquoise -- and my eyes 
Burnt with the blinding brilliance of calm sea! 
"We're selling that lot there out cheap!" said he.
Written by D. H. Lawrence | Create an image from this poem

The Punisher

 I have fetched the tears up out of the little wells,
Scooped them up with small, iron words,
Dripping over the runnels. 

The harsh, cold wind of my words drove on, and still
I watched the tears on the guilty cheek of the boys
Glitter and spill. 

Cringing Pity, and Love, white-handed, came
Hovering about the Judgment which stood in my eyes,
Whirling a flame.

. . . . . . . 

The tears are dry, and the cheeks’ young fruits are fresh
With laughter, and clear the exonerated eyes, since pain
Beat through the flesh. 

The Angel of Judgment has departed again to the Nearness.
Desolate I am as a church whose lights are put out.
And night enters in drearness.

The fire rose up in the bush and blazed apace,
The thorn-leaves crackled and twisted and sweated in anguish;
Then God left the place.

Like a flower that the frost has hugged and let go, my head
Is heavy, and my heart beats slowly, laboriously, 
My strength is shed.

Book: Radiant Verses: A Journey Through Inspiring Poetry